"This is my favorite movie of all time, and the only one that I watch on an annual schedule (Thanksgiving) other than A Muppet Christmas Carol (Christmas). I first saw it on that holiday, and the experience was so meaningful that I suppose I’m always trying to recapture it. Coincidentally, on Thanksgiving my family used to travel to West Virginia, where the novel’s author, Davis Grubb, was from, and where the book is set. Grubb arguably doesn’t get enough credit for the look and feel of the film: I can’t really think of a movie that is more faithful to the tone and even letter of its source, and Grubb also essentially storyboarded the film. It’s such a rich parable of good and evil, and a boundlessly profound exploration of intangibles like innocence, loss, deceit, and the yearning to be loved. Although terror is a central theme, it’s ultimately a very comforting film."

"Here, Vincent Price is reciting all the witches' spells from a place I can't quite remember in England. It was meant to be around a Halloween vibe, which in the Catskills is everything. That's our Christmas, that's our New Year, May Day, Wicker Man… that's our pagan holiday supreme. Holiday ornaments are already out right now - you can go into any store and buy Halloween stuff. Growing up here, it wasn't a stretch that these kinds of records would be played by my mother or at elementary school almost ad nauseam. I became so inoculated to spooky, scary stories that they just became like urban legends. Another case of a children's story narration that was entrancing. These weren't just songs, these were whole inner emotional moments for young kids like me. When you're six and hearing about witches, ghosts and goblins, it's permeating your whole being and likely to shape the rest of your life, certainly in terms of the possibility of a supernatural world. Or probable, in my case."