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Movie Metropolis (309 KP) rated Inside Out (2015) in Movies
Jun 10, 2019
A delightful treat
If there’s one thing Pixar knows how to do, it’s create memorable films. Long after you’ve walked out the cinema, the likes of Wall.E and Finding Nemo stay with you.
2015 marks the first time the studio will release two films in the same year, with The Good Dinosaur coming to cinemas in December and the subject of this review, Inside Out, in this year’s busy summer season.
But has this increased workload for Pixar’s animators resulted in a poorer quality movie?
Inside Out follows the story of young Riley, an eleven-year-old girl coming to terms with growing up in a new home away from her friends and the neighbourhood she knows and loves.
Deep inside her head, however, we find a whole host of colourful characters controlling Riley’s emotions. Joy, Sadness, Fear, Anger and Disgust all play a part in keeping her level-headed. Unfortunately, after a near disaster it falls on upbeat Joy and ever-blue Sadness to bring Riley back to who she once was.
Inside Out continues Pixar’s trend of creating beautifully animated films that really strike a chord with audiences. The sheer amount of colour is absolutely breath-taking and children will find much to enjoy in both the central characters and the numerous environments inside Riley’s head, while adults will love the stunning recreation of San Francisco in all its bustling glory.
The cast, which includes voice work by Bill Hader (Monsters University), Kyle MacLachlan (Desperate Housewives) and Diane Lane (Man of Steel) all do sterling jobs in bringing their characters to life but it is in Phyllis Smith, who plays Sadness, that we find the best portrayal.
A relatively unknown actress with few film credits to her name, Smith is truly wonderful as the little blue lady who keeps a check on the more upsetting moments in Riley’s life.
Elsewhere, Pixar has once again created a story that really focuses on the themes of growth, family bonding and what it means to grow up in today’s society with numerous cultural references that children and adults alike will enjoy.
However, it’s important to note that Inside Out is one of the more emotional films Pixar has created. At numerous points throughout the movie there were a couple of children in the cinema wiping away the tears – though this shows how heavily invested in the characters they became.
Unfortunately, despite being 94 minutes in length, Inside Out does feel a little drawn out in places and lacks the deeper storytelling elements that has made some of the studios other films so charming. This isn’t to say it lacks charm, but it’s in slightly shorter supply here.
Overall, Pixar has added another cracking film to its ever-increasing roster. Whilst not hitting the heights of Wall.E or Toy Story, it makes for a memorable and sensible film for the whole family to enjoy.
It’s the perfect start to the summer holidays. Roll on The Good Dinosaur.
https://moviemetropolis.net/2015/07/26/a-delightful-treat-inside-out-review/
2015 marks the first time the studio will release two films in the same year, with The Good Dinosaur coming to cinemas in December and the subject of this review, Inside Out, in this year’s busy summer season.
But has this increased workload for Pixar’s animators resulted in a poorer quality movie?
Inside Out follows the story of young Riley, an eleven-year-old girl coming to terms with growing up in a new home away from her friends and the neighbourhood she knows and loves.
Deep inside her head, however, we find a whole host of colourful characters controlling Riley’s emotions. Joy, Sadness, Fear, Anger and Disgust all play a part in keeping her level-headed. Unfortunately, after a near disaster it falls on upbeat Joy and ever-blue Sadness to bring Riley back to who she once was.
Inside Out continues Pixar’s trend of creating beautifully animated films that really strike a chord with audiences. The sheer amount of colour is absolutely breath-taking and children will find much to enjoy in both the central characters and the numerous environments inside Riley’s head, while adults will love the stunning recreation of San Francisco in all its bustling glory.
The cast, which includes voice work by Bill Hader (Monsters University), Kyle MacLachlan (Desperate Housewives) and Diane Lane (Man of Steel) all do sterling jobs in bringing their characters to life but it is in Phyllis Smith, who plays Sadness, that we find the best portrayal.
A relatively unknown actress with few film credits to her name, Smith is truly wonderful as the little blue lady who keeps a check on the more upsetting moments in Riley’s life.
Elsewhere, Pixar has once again created a story that really focuses on the themes of growth, family bonding and what it means to grow up in today’s society with numerous cultural references that children and adults alike will enjoy.
However, it’s important to note that Inside Out is one of the more emotional films Pixar has created. At numerous points throughout the movie there were a couple of children in the cinema wiping away the tears – though this shows how heavily invested in the characters they became.
Unfortunately, despite being 94 minutes in length, Inside Out does feel a little drawn out in places and lacks the deeper storytelling elements that has made some of the studios other films so charming. This isn’t to say it lacks charm, but it’s in slightly shorter supply here.
Overall, Pixar has added another cracking film to its ever-increasing roster. Whilst not hitting the heights of Wall.E or Toy Story, it makes for a memorable and sensible film for the whole family to enjoy.
It’s the perfect start to the summer holidays. Roll on The Good Dinosaur.
https://moviemetropolis.net/2015/07/26/a-delightful-treat-inside-out-review/
Movie Metropolis (309 KP) rated Sing (2016) in Movies
Jun 11, 2019
Fun for all the family
Talking animated animals are big business over in Hollywood. After all, Disney’s Zootopia was one of only a handful of films to gross over $1billion last year. Its competitor, The Secret Life of Pets performed well but wasn’t critically successful.
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre?
Koala Buster Moon (Matthew McConaughey) presides over a once-grand theatre that has recently fallen on hard times. An eternal optimist, he loves his work enormously and will do anything to preserve it. Facing the crumbling of his life’s ambition, he takes one final chance to restore his fading jewel to its former glory by producing a singing competition, with eternal glory facing the winner.
There’s an impressive roster of talent on offer in Sing, something that parents will no doubt enjoy slightly more than the offspring they no doubt have to bring with them. With Matthew McConaughey taking the lead role, Taron Egerton, Reese Witherspoon, Scarlett Johansson and Seth McFarlane to name a few all lend their voices. There’s even a role for Brit-favourite Jennifer Saunders as a grumpy old sheep, it’s not ground-breaking, but it’s immensely likeable stuff.
Illumination Entertainment has brought us the brilliant Despicable Me franchise as well as its ridiculously successful spin-off Minions, but they’ve been criticised heavily for relying too much on the funny yellow critters to cash their paycheques. Thankfully, bar the now infamous company logo, the tic-tac shaped creatures are nowhere to be found and Sing is a vastly entertaining movie, in spite of their absence.
Whilst it’s true that the animation lacks the depth or fluidity of offerings from Pixar, Disney, and Dreamworks, there is a certain charm to its simplistic colour palate that children will find endearing. The plot is woefully unoriginal but director Garth Jennings, in his first animated feature, utilises that well, cleverly referencing the many talent shows that feature on our television screens – including those we are sick of.
There are some moral lessons in here too. Tori Kelly’s stage-shy elephant Meena has a great story arc that sees her face her fears and embrace her talents, whilst Taron Egerton’s gorilla Johnny stands up to his criminal father and learns that a life of crime doesn’t always pay.
In fact, only Seth MacFarlane’s obnoxious mouse Mike fails to make an impact on the plot, with his berating of an asthmatic sheep in the cleverly produced opening sequence coming across a little crude in comparison to the rest of the script.
Overall, Sing is a great film to hold the kid’s attention as we approach the half-term holidays. It would be easy to criticise it for lacking an original story, but there’s more to offer here than a half-baked plot. It’s beautifully voiced and reasonably well animated. Illumination Entertainment may not have topped Zootopia, but this is their best offering outside of Despicable Me by a country mile.
https://moviemetropolis.net/2017/01/28/fun-for-all-the-family-sing-review/
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre?
Koala Buster Moon (Matthew McConaughey) presides over a once-grand theatre that has recently fallen on hard times. An eternal optimist, he loves his work enormously and will do anything to preserve it. Facing the crumbling of his life’s ambition, he takes one final chance to restore his fading jewel to its former glory by producing a singing competition, with eternal glory facing the winner.
There’s an impressive roster of talent on offer in Sing, something that parents will no doubt enjoy slightly more than the offspring they no doubt have to bring with them. With Matthew McConaughey taking the lead role, Taron Egerton, Reese Witherspoon, Scarlett Johansson and Seth McFarlane to name a few all lend their voices. There’s even a role for Brit-favourite Jennifer Saunders as a grumpy old sheep, it’s not ground-breaking, but it’s immensely likeable stuff.
Illumination Entertainment has brought us the brilliant Despicable Me franchise as well as its ridiculously successful spin-off Minions, but they’ve been criticised heavily for relying too much on the funny yellow critters to cash their paycheques. Thankfully, bar the now infamous company logo, the tic-tac shaped creatures are nowhere to be found and Sing is a vastly entertaining movie, in spite of their absence.
Whilst it’s true that the animation lacks the depth or fluidity of offerings from Pixar, Disney, and Dreamworks, there is a certain charm to its simplistic colour palate that children will find endearing. The plot is woefully unoriginal but director Garth Jennings, in his first animated feature, utilises that well, cleverly referencing the many talent shows that feature on our television screens – including those we are sick of.
There are some moral lessons in here too. Tori Kelly’s stage-shy elephant Meena has a great story arc that sees her face her fears and embrace her talents, whilst Taron Egerton’s gorilla Johnny stands up to his criminal father and learns that a life of crime doesn’t always pay.
In fact, only Seth MacFarlane’s obnoxious mouse Mike fails to make an impact on the plot, with his berating of an asthmatic sheep in the cleverly produced opening sequence coming across a little crude in comparison to the rest of the script.
Overall, Sing is a great film to hold the kid’s attention as we approach the half-term holidays. It would be easy to criticise it for lacking an original story, but there’s more to offer here than a half-baked plot. It’s beautifully voiced and reasonably well animated. Illumination Entertainment may not have topped Zootopia, but this is their best offering outside of Despicable Me by a country mile.
https://moviemetropolis.net/2017/01/28/fun-for-all-the-family-sing-review/
Louise (64 KP) rated When We Collided in Books
Jul 2, 2018
* I received a copy of this book from Netgalley and the publishers in exchange for an honest review*
Vivi arrives at Verona Cove for the summer holidays with her mum, after a few days of being in this little town she manages to snag herself a cushy little job in a pottery shop. Vivi is an extrovert, she will speak to anyone and everyone wants to be around her, she has this infectious personality and she certainly makes no exceptions when Jonah walks into the shop with his little sister. Jonah is 17 and a permanent resident at Verona Cove, however his life has been tipped upside down in the last 6 months and has become a responsible guardian to his three younger siblings while his mother is suffering from depression. Vivi and Jonah start hanging out together and become more than just friends. Vivi shows Jonah how to live like a teenager again with her wild antics and enthusiasm for life, however Jonah knows that Vivi has suffered, he has seen the scars.
This book was ok, I had problems with it though. I didn’t like Vivi whatsoever she was too flouncy, her personality was too much and the crap she came out with, such as Jonah used to be a pirate in his past life just had me rolling my eyes. There is also a serious case of insta – love in this book, as soon as Vivi sets eyes on Jonah she has to have him! urgh! There was no build up or tension between the two of them and the romance seemed a little forced and too heavy on Vivi’s side.
The mental health issues in this book were depicted really well, you could definitely tell through Vivi’s character that she was suffering and it was told in such an honest and respectful way. Even when Jonah is trying to come to terms that his mother is suffering from Depression or Ellie when she talks about her brothers stay in the psychiatric ward and recovery.
Jonah is one of six children in his household, for the past 6 months him and his two older siblings have been looking after ‘the littles’ (his 3 younger siblings) whilst his mother is battling depression. He is also trying to work his shifts at the restaurant and continue his dad’s legacy. He has no time to be a teenager, like playing baseball or worrying about homework. I love that he is a foodie, I want him to cook for me everyday as the food sounded divine.
When we collided is told in dual POV alternating from Vivi and Jonah, I would have like some other point of views in this like Vivi’s mum and Jonah’s siblings. The writing was good and even poetic in some parts. I think this book was a really good for people wanting to read about mental illness but I feel the romance wasn’t really necessary.
I recommend this book if you are interested in YA with mental health.
Overall I rated this 3 out of 5 stars
Vivi arrives at Verona Cove for the summer holidays with her mum, after a few days of being in this little town she manages to snag herself a cushy little job in a pottery shop. Vivi is an extrovert, she will speak to anyone and everyone wants to be around her, she has this infectious personality and she certainly makes no exceptions when Jonah walks into the shop with his little sister. Jonah is 17 and a permanent resident at Verona Cove, however his life has been tipped upside down in the last 6 months and has become a responsible guardian to his three younger siblings while his mother is suffering from depression. Vivi and Jonah start hanging out together and become more than just friends. Vivi shows Jonah how to live like a teenager again with her wild antics and enthusiasm for life, however Jonah knows that Vivi has suffered, he has seen the scars.
This book was ok, I had problems with it though. I didn’t like Vivi whatsoever she was too flouncy, her personality was too much and the crap she came out with, such as Jonah used to be a pirate in his past life just had me rolling my eyes. There is also a serious case of insta – love in this book, as soon as Vivi sets eyes on Jonah she has to have him! urgh! There was no build up or tension between the two of them and the romance seemed a little forced and too heavy on Vivi’s side.
The mental health issues in this book were depicted really well, you could definitely tell through Vivi’s character that she was suffering and it was told in such an honest and respectful way. Even when Jonah is trying to come to terms that his mother is suffering from Depression or Ellie when she talks about her brothers stay in the psychiatric ward and recovery.
Jonah is one of six children in his household, for the past 6 months him and his two older siblings have been looking after ‘the littles’ (his 3 younger siblings) whilst his mother is battling depression. He is also trying to work his shifts at the restaurant and continue his dad’s legacy. He has no time to be a teenager, like playing baseball or worrying about homework. I love that he is a foodie, I want him to cook for me everyday as the food sounded divine.
When we collided is told in dual POV alternating from Vivi and Jonah, I would have like some other point of views in this like Vivi’s mum and Jonah’s siblings. The writing was good and even poetic in some parts. I think this book was a really good for people wanting to read about mental illness but I feel the romance wasn’t really necessary.
I recommend this book if you are interested in YA with mental health.
Overall I rated this 3 out of 5 stars
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