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Austin Garrick recommended Notorious (1946) in Movies (curated)

 
Notorious (1946)
Notorious (1946)
1946 | Drama, Film-Noir, Romance
6.5 (2 Ratings)
Movie Favorite

"Had to at least include one from the master Hitchcock. Being the huge De Palma fan that I am, it would be tough to not be a huge Hitchcock fan as well. Bronwyn loves Ingrid Bergman and was the person to introduce me to Notorious when we were younger. What I love about this film is that you get this sincere, Old Hollywood romantic chemistry between Bergman and Cary Grant, in addition to some classic Hitchcock greatness. We project films while we write and record, and this film played a lot during the making of our debut album. Fritz Lang is another one of the greats who I had to have on this list. I first discovered his films through Giorgio Moroderโ€™s 1984 restoration of Metropolis, whose iconic image of the robot on the soundtrack and posters always intrigued me as a child, and once I eventually saw the film, it quickly became one of my all-time favorites. Most who have seen it, The Testament of Dr. Mabuse, and M will agree that Fritz Lang is one of the best to have ever done it, but perhaps no one film has earned him that reputation more than M."

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LoganCrews (2861 KP) rated Mulholland Drive (2001) in Movies

Oct 16, 2020 (Updated Nov 26, 2020)  
Mulholland Drive (2001)
Mulholland Drive (2001)
2001 | Documentary, Drama, Mystery
Much prefer the manic, more grimy and hieroglyphic musings on the indiscriminate dark side(s) of Hollywood in ๐˜๐˜ฏ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ ๐˜Œ๐˜ฎ๐˜ฑ๐˜ช๐˜ณ๐˜ฆ as opposed to this one's version which is much more coherent, more calculated - but nonetheless brilliant and audacious. It's funny how at once you never know what to expect with Lynch, but you also know exactly what to expect: the unnerving alien-esque performances, reliably stunning Badalamenti score, haunting photography, dialogue that makes you feel like you're having an out-of-body-experience, etc. The way in which elements of the neo-noir at first feel totally disjointed and out-of-place with one another then eventually slide right into place is mesmerizing especially when even after the big reveal you never know where it's going to go. Even the smaller moments are parsed over with a fine-toothed comb, such as the nametag significance in the diner. Naomi Watts is galvanizing, totally aces rangy work which commands the screen every scene she's in. Second-place goes to - you guessed it - Billy Ray Cyrus! Remember when highly intelligent, daring projects like this used to get recognized by the Academy without pressure from the public?
  
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