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FilmIntuition (33 KP) rated Lies You Never Told Me in Books
Jul 20, 2018
A tale of two narratives, in Lies You Never Told Me, debut novelist Jennifer Donaldson deftly flips back and forth between the first person points-of-view of high school students Gabe (in Austin) and Elyse (in Portland).
An addicting work of romantic suspense, although it opens with an air of mystery followed by the bang of a hit-and-run, the book slows down enough to carefully build the characters and effectively develop their alternating storylines to the point that – to the author's credit – there's no easily mistaking one for the other.
Nicely balancing the intrigue of a Gabe chapter with the drama of an Elyse (and vice versa), the book's pace quickens with each chapter to the point that I found myself nearly unable to put it down.
And despite the fact that I was able to piece together precisely how and why the two characters were connected roughly a quarter of the way into the novel, thanks to certain context clues, the book is so well written that I wasn't disappointed in the slightest. Of course, that being said, the less you know going in the better.
Reminiscent of a great character driven '80s thriller from the Hollywood heyday of Fatal Attraction, in spite of a slightly contrived climax, Lies You Never Told Me is a terrific stay up all night summer read you'll definitely want to recommend to a friend.
An addicting work of romantic suspense, although it opens with an air of mystery followed by the bang of a hit-and-run, the book slows down enough to carefully build the characters and effectively develop their alternating storylines to the point that – to the author's credit – there's no easily mistaking one for the other.
Nicely balancing the intrigue of a Gabe chapter with the drama of an Elyse (and vice versa), the book's pace quickens with each chapter to the point that I found myself nearly unable to put it down.
And despite the fact that I was able to piece together precisely how and why the two characters were connected roughly a quarter of the way into the novel, thanks to certain context clues, the book is so well written that I wasn't disappointed in the slightest. Of course, that being said, the less you know going in the better.
Reminiscent of a great character driven '80s thriller from the Hollywood heyday of Fatal Attraction, in spite of a slightly contrived climax, Lies You Never Told Me is a terrific stay up all night summer read you'll definitely want to recommend to a friend.
Sarah (7800 KP) rated Four Lions (2010) in Movies
Jan 4, 2019
Hilarious take on a serious subject
A comedy about terrorism isn’t something you’d think would ever be made, let alone be any good, but Four Lions takes this serious subject on brilliantly. I’m sure there are many people out there that will take offence, but when the film centres a group of bumbling totally inept terrorists, for me it was very difficult to not find it humorous when the characters are just so stupid. It’s absolutely hilarious, with some great quotes and one liners dotted throughout and also a lot of relevant cultural and locational based references. The references about Alton Towers cracked me up, and the quotes about rubber dinghy rapids has stayed with me ever since I first watched this years ago. I would be intrigued to know how this film is received by those who aren’t British, as I’m not sure a lot of these references would have quite the impact.
This isn’t to say the film isn’t serious at all, because it is. Focusing on the family of Omar brings a bleaker outlook and the ending actually makes you feel sorry for most of them, after everything. Riz Ahmed shines in this, he’s absolutely brilliant and it’s easy to see why he’s now moved over into Hollywood. The rest of the cast are good, Kayvan Novak especially, but it's Riz that stands out.
A fantastically funny British film that’s sure to have you laughing out loud.
This isn’t to say the film isn’t serious at all, because it is. Focusing on the family of Omar brings a bleaker outlook and the ending actually makes you feel sorry for most of them, after everything. Riz Ahmed shines in this, he’s absolutely brilliant and it’s easy to see why he’s now moved over into Hollywood. The rest of the cast are good, Kayvan Novak especially, but it's Riz that stands out.
A fantastically funny British film that’s sure to have you laughing out loud.
Sarah (7800 KP) rated Bird Box (2018) in Movies
Dec 28, 2018
Good but falls short
I’d heard mixed things about this, and Netflix made films are hit and miss at best, but this is actually quite good.
It’s an intriguing premise and for the most part it’s executed fairly well. I liked that it focused not only on the present but also how the events first came about, telling the story as it unfolded, even if it doesn’t quite get as far as a real explanation. There are some obvious comparisons with this and A Quiet Place, and rightly so as despite focusing on different senses, you can see the similarities. It’s nice to see Sandra Bullock back in a starring role, and I especially loved the scenes with her and John Malkovich, they added a nice bit of humour to an otherwise serious story.
This is quite a slow film, and I feel that it could maybe have been cut a little shorter to give it a faster pace. I disliked the ending completely as it is far too Hollywood and yet still didn’t show us what exactly was going on. And why did Sandra Bullock have a full face of makeup on during the entire 5 year span of the film?! I think that annoyed me most of all.
It’s not a bad film and with a few tweaks it could have been much better. However if I had to choose between this and A Quiet Place, I’m afraid A Quiet Place would win hands down.
It’s an intriguing premise and for the most part it’s executed fairly well. I liked that it focused not only on the present but also how the events first came about, telling the story as it unfolded, even if it doesn’t quite get as far as a real explanation. There are some obvious comparisons with this and A Quiet Place, and rightly so as despite focusing on different senses, you can see the similarities. It’s nice to see Sandra Bullock back in a starring role, and I especially loved the scenes with her and John Malkovich, they added a nice bit of humour to an otherwise serious story.
This is quite a slow film, and I feel that it could maybe have been cut a little shorter to give it a faster pace. I disliked the ending completely as it is far too Hollywood and yet still didn’t show us what exactly was going on. And why did Sandra Bullock have a full face of makeup on during the entire 5 year span of the film?! I think that annoyed me most of all.
It’s not a bad film and with a few tweaks it could have been much better. However if I had to choose between this and A Quiet Place, I’m afraid A Quiet Place would win hands down.
Bong Mines Entertainment (15 KP) rated Cult Classic by Fiona Grey in Music
Jun 21, 2019
Fiona Grey is an LA-based singer-songwriter from Chicago, Illinois. Not too long ago, she released a music video for her “Saviour” single featuring Emma Cole.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
LeftSideCut (3776 KP) rated Pacific Rim: Uprising (2018) in Movies
Nov 20, 2019 (Updated Jan 31, 2020)
In short, Pacific Rim: Uprising is one of those sequels that does more of the same, but manages to take away something from what came before.
The first PR film is dumb silly fun - the movie equivalent of a kid getting his toys out and smashing them together.
Uprising is more or less the same, but a bit more on the boring side, with characters that aren't very likeable.
John Boyega heads up the cast, and he's ok enough, everyone surrounding him is a gallery of bland characters, I honestly can't remember any of their names, and I saw it earlier today!
There's no sense of urgency this time around. Del Toros first movie was silly for sure, but had a high stakes feeling to it.
Uprising feels like it was geared more towards children this time out, and it shows.
The plot is Hollywood sci-fi nonsense - something about the guy from Always Sunny being possessed by a Kaiju and infecting drones to attack the world and unleash a mega Kaiju - honestly, my attention wobbled more than once as you can probably tell. I could probably do with watching it again but I really don't want to.
Some of the action scenes were pretty fun soooo, yay, I guess?
Pacific Rim: Uprising is a film about monsters and robots kicking the crap out of each other - it shouldn't be this boring and forgettable, but here we are.
The first PR film is dumb silly fun - the movie equivalent of a kid getting his toys out and smashing them together.
Uprising is more or less the same, but a bit more on the boring side, with characters that aren't very likeable.
John Boyega heads up the cast, and he's ok enough, everyone surrounding him is a gallery of bland characters, I honestly can't remember any of their names, and I saw it earlier today!
There's no sense of urgency this time around. Del Toros first movie was silly for sure, but had a high stakes feeling to it.
Uprising feels like it was geared more towards children this time out, and it shows.
The plot is Hollywood sci-fi nonsense - something about the guy from Always Sunny being possessed by a Kaiju and infecting drones to attack the world and unleash a mega Kaiju - honestly, my attention wobbled more than once as you can probably tell. I could probably do with watching it again but I really don't want to.
Some of the action scenes were pretty fun soooo, yay, I guess?
Pacific Rim: Uprising is a film about monsters and robots kicking the crap out of each other - it shouldn't be this boring and forgettable, but here we are.
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