"And the last movie I want to recommend is a movie that I’m a part of and it’s called American Gangster. I started to say Man with the Iron Fists. [laughs] Man with the Iron Fists because of the power of dreams, to show that a kid who watched movies and loved movies could one day grow and work with his favorite actors, and bring a movie to life. But that’d be number six, alright? Number five would be American Gangster, because not only is it a film that I’m a part of, but the reason I’m so invested into this movie is because Hollywood invested over $100 million into a black man’s story. This doesn’t happen a lot. It’s a story that captured a time in Harlem when drugs were rampant, music was growing, this whole culture was building up. And even though it shows a negative black man, it still showed the same thing The Godfather showed: the power of family. He did it for family. And it also showed the genius of the black criminal mind when it comes to being an entrepreneur and branding. He had a brand. And being a guy that started a brand like Wu-Tang Clan, when I heard how he made his brand Blue Magic and how he tried to protect his brand, and how he had to fight against others who were infringing upon his brand, it really resonated with me. Denzel Washington gave a great performance, Russell Crowe did as well, and that was a big breakout role for me as well, that movie."

"Ernest Hemingway’s superb eight-page short story is the jumping-off point and inspiration for these two essential and very different movies (Stacy Keach reads the story magnificently in one of the DVD extras). I don’t understand why more people don’t know the 1946 Siodmak film. For my money, this is not only the best noir movie of all time but is just about my favorite Hollywood drama from the 1940s. The complex narrative structure begins as a jumbled Rubik’s Cube, and, slowly but surely, each piece falls into its precise place by movie’s end (the stuff Quentin Tarantino’s dreams are made of). The moody atmosphere provided by Siodmak and his technicians is a marvel. The cinematic execution of a heist has never been better. Here marks the birth of two glorious stars: Burt Lancaster (a beautiful caged animal, all teeth) and Ava Gardner (wow). Paul Schrader’s seminal essay on film noir, as a DVD extra, is invaluable. For those of you who wonder why Siegel’s 1964 violent, stylish, quirkily entertaining B version (the first TV movie ever made) is on this list, I have two words for you: Lee Marvin. There has never been a star like him before or since. Words simply cannot do justice to the magic of this guy—the timbre of his voice, the calm, paranoid, roughneck danger in his physical moves. In a spectacular extra on this DVD, fellow actor Clu Gulager gives a very moving (and, one feels while watching it, very truthful) account of working with Marvin, Siegel, and Ronald Reagan (who hated the movie—yet another reason to see it!)."

"Back in the late '60s and early '70s, children's records were all the rage, with stars making cameo appearances. The Little Prince was no different. It featured Richard Burton in the role of the narrator in the audiobook. It had a who's who at the time as well, with big Hollywood names such as Jonathan Winters and a whole other bunch of people. The idea was that you'd read the book and along with it, you'd hear some sort of strange synthesiser. I got it for my birthday in 1974 when I was eight years old. It had one of those effects where the moment it was on the vocoder, I was paralysed, I stopped what I was doing - this I could vividly remember and I would sit down and listen. I literally started to pound tables to turn onto side two! The whole story is read out and the idea of a concept such as narration going over an orchestration or some sort of a continuous, linear soundtrack is something that stayed with me. It gave me the momentum to later on follow on with the idea of a concept record. Certainly a lot of our music has that fairy tale aspect to it and The Little Prince would have been one of the first influences - along with one or two others - that embedded in the DNA of Mercury Rev very early on. This is also probably my favourite book and after 40-45 years it still hits me. Try as I might to go in another direction sometimes, this musical aspect still comes out of me."