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JT (287 KP) rated Takers (2010) in Movies
Mar 10, 2020
The bank heist, it’s been done to death in Hollywood over the years but it still seems to be a film favourite. You’d be hard pressed to find a really bad one out there and most of the ones that I have seen have been exceptional films.
Of course they all follow a very similar pattern. Group steals money, plan one last job which will inevitable go wrong where someone will get double crossed and not everyone walks off into the sunset with the money.Its a no brainer really and only an idiot could really mess up that style of plot.
Takers is no different from any other before it, the cast here seem to be a bit mismatched in places. There are real life rappers Chris Brown and T.I. aka Clifford Joseph Harris Jr., eye candy favourites Matt Dillon and Paul Walker with Brit Idris Elba making it the most unconventional mix of cops and robbers ever.
The film’s highlights are the well choreographed set pieces including a decent hotel gun fight, a hiest that goes wrong leading to more gun play, and an impressive chase through the city. Even the opening does well to set the story and character back grounds.
Where the film let’s itself down, through no fault of its own, is the way in which we are always one step ahead of the plot. This is just down to all the hiest films we have seen before and we’re pretty much going to make our own assumptions as to what is going to happen and who is going to get away with what at the climax.
There are a couple of wasted back stories which do little to the film such as Matt Dillon’s corrupt partner or Idris Elba’s crackhead sister. Zoe Saldana is a virtual unknown in this and pops up from time to time doing nothing but enlighten the screen with her clear beauty.
It’s never going to compete against the big boys such as Heat, Point Break or The Town, but it does well enough to hold the attention for 90 minutes or so.
Of course they all follow a very similar pattern. Group steals money, plan one last job which will inevitable go wrong where someone will get double crossed and not everyone walks off into the sunset with the money.Its a no brainer really and only an idiot could really mess up that style of plot.
Takers is no different from any other before it, the cast here seem to be a bit mismatched in places. There are real life rappers Chris Brown and T.I. aka Clifford Joseph Harris Jr., eye candy favourites Matt Dillon and Paul Walker with Brit Idris Elba making it the most unconventional mix of cops and robbers ever.
The film’s highlights are the well choreographed set pieces including a decent hotel gun fight, a hiest that goes wrong leading to more gun play, and an impressive chase through the city. Even the opening does well to set the story and character back grounds.
Where the film let’s itself down, through no fault of its own, is the way in which we are always one step ahead of the plot. This is just down to all the hiest films we have seen before and we’re pretty much going to make our own assumptions as to what is going to happen and who is going to get away with what at the climax.
There are a couple of wasted back stories which do little to the film such as Matt Dillon’s corrupt partner or Idris Elba’s crackhead sister. Zoe Saldana is a virtual unknown in this and pops up from time to time doing nothing but enlighten the screen with her clear beauty.
It’s never going to compete against the big boys such as Heat, Point Break or The Town, but it does well enough to hold the attention for 90 minutes or so.
LeftSideCut (3776 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Mar 13, 2020
Jumanji: Welcome to the Jungle is on of those films that has no business being as good as it is.
Released a whopping 22 years after the beloved original, it's existence feels like it should be firmly in the "money grab" territory of Hollywood, but that just simply isn't the case.
Firstly, it's not just a re hash of the original plot. This time around, four teenagers all in detention for one reason or another, come across an old, unrecognisable games console labelled 'Jumanji'. After booting up the game and selecting their desired characters, the group are sucked into the game world, and have to complete it from within if they want to escape with their lives.
When in the game, the teens take on the roles of the characters they selected, each with their own skill sets. It's a delight for any video game fans, with fun references and silly NPC jokes scattered around.
The four younger actors don't get a huge amount of screen time, but they're engaging enough when they are about, bit the stars are of course the four who are front and centre of all the advertising. The chemistry between Dwayne 'The Rock' Johnson, Karen Gillan, Kevin Hart and Jack Black is fantastic and genuine. The script is tight and joke heavy, and every humourous line lands without fail. They all do a great job of awkward teenagers trapped inside the bodies of video game characters. Jack Black is a particular highlight, essentially playing an Instagram obsessed 18 year old girl.
The whole movie is pretty hilarious. It also carries a passive story of friendship and family, as the four very different people form a strong bond as the story progresses.
The action sequences are pretty thrilling as well, even if it is hard to not notice the excessive CGI at times.
WTTJ is a really enjoyable popcorn blockbuster. It's funny, silly, and has enough substance to it to get nicely invested in the characters. It even includes a subtle and tasteful nod to Robin Williams' character from 1995, and is a classy touch.
Released a whopping 22 years after the beloved original, it's existence feels like it should be firmly in the "money grab" territory of Hollywood, but that just simply isn't the case.
Firstly, it's not just a re hash of the original plot. This time around, four teenagers all in detention for one reason or another, come across an old, unrecognisable games console labelled 'Jumanji'. After booting up the game and selecting their desired characters, the group are sucked into the game world, and have to complete it from within if they want to escape with their lives.
When in the game, the teens take on the roles of the characters they selected, each with their own skill sets. It's a delight for any video game fans, with fun references and silly NPC jokes scattered around.
The four younger actors don't get a huge amount of screen time, but they're engaging enough when they are about, bit the stars are of course the four who are front and centre of all the advertising. The chemistry between Dwayne 'The Rock' Johnson, Karen Gillan, Kevin Hart and Jack Black is fantastic and genuine. The script is tight and joke heavy, and every humourous line lands without fail. They all do a great job of awkward teenagers trapped inside the bodies of video game characters. Jack Black is a particular highlight, essentially playing an Instagram obsessed 18 year old girl.
The whole movie is pretty hilarious. It also carries a passive story of friendship and family, as the four very different people form a strong bond as the story progresses.
The action sequences are pretty thrilling as well, even if it is hard to not notice the excessive CGI at times.
WTTJ is a really enjoyable popcorn blockbuster. It's funny, silly, and has enough substance to it to get nicely invested in the characters. It even includes a subtle and tasteful nod to Robin Williams' character from 1995, and is a classy touch.
LeftSideCut (3776 KP) rated Game Of Thrones - Season 7 in TV
Jul 29, 2019
The start of the mad rush to the finish line
Contains spoilers, click to show
Season 7 of Game of Thrones for me, is where the show went from the most finely and carefully crafted show of all time, to dumb hollywood-esque blockbuster.
The slow burning plot of the earlier seasons have all but gone, after it was announced that season 8 would be the last, causing long gestating plotlines to be rushed towards a conclusion, and causing the show to suffer for it. It's a real shame.
Season 7 is by no means bad though, once I had swallowed my bitterness and accepted that this was how it was going to be, there was still plenty to enjoy.
The intricate character arcs may have taken a huge blow, but when Game of Thrones decides to throw out an epic set piece, it's still the undisputed king.
Danaerys has (finally!) landed in Westeros, and begins her campaign to take the Iron Throne for herself. Characters that have been embroiled in politics for seven seasons are suddenly faced with seeing dragons for the first time, and that's a pretty satisfying moment for anyone who has been watching for years.
Episode 4 in particular serves as a highlight, as Danaerys unleashes the power of her dragons on the Lannister army. It's truly a spectacle.
The same episode however unfortunately confirms that certain characters are covered in plot-armour. Last minute life saving heroics replace the once sudden brutality of beloved characters being offed (obviously referring to Bring saving Jaime here), and for the first time since this show started, everyone just sort of feels safe. It's weird.
Elsewhere, Jon Snow leads a team north of the wall to acquire proof of the White Walkers in an attempt to sway Cersei onto his side of the upcoming war.
This episode was particularly dumb, but again, a huge spectacle. Seeing Viserion plummet to the ground was a pretty epic moment, and the season of course culminates in a moment all of us had been waiting for, as a huge chunk of The Wall falls, and the Night King leads his undead army into Westeros.
It's all very stylish, but unfortunately a lot of the substance gets left by the wayside.
The slow burning plot of the earlier seasons have all but gone, after it was announced that season 8 would be the last, causing long gestating plotlines to be rushed towards a conclusion, and causing the show to suffer for it. It's a real shame.
Season 7 is by no means bad though, once I had swallowed my bitterness and accepted that this was how it was going to be, there was still plenty to enjoy.
The intricate character arcs may have taken a huge blow, but when Game of Thrones decides to throw out an epic set piece, it's still the undisputed king.
Danaerys has (finally!) landed in Westeros, and begins her campaign to take the Iron Throne for herself. Characters that have been embroiled in politics for seven seasons are suddenly faced with seeing dragons for the first time, and that's a pretty satisfying moment for anyone who has been watching for years.
Episode 4 in particular serves as a highlight, as Danaerys unleashes the power of her dragons on the Lannister army. It's truly a spectacle.
The same episode however unfortunately confirms that certain characters are covered in plot-armour. Last minute life saving heroics replace the once sudden brutality of beloved characters being offed (obviously referring to Bring saving Jaime here), and for the first time since this show started, everyone just sort of feels safe. It's weird.
Elsewhere, Jon Snow leads a team north of the wall to acquire proof of the White Walkers in an attempt to sway Cersei onto his side of the upcoming war.
This episode was particularly dumb, but again, a huge spectacle. Seeing Viserion plummet to the ground was a pretty epic moment, and the season of course culminates in a moment all of us had been waiting for, as a huge chunk of The Wall falls, and the Night King leads his undead army into Westeros.
It's all very stylish, but unfortunately a lot of the substance gets left by the wayside.
Gareth von Kallenbach (980 KP) rated Spy (2015) in Movies
Aug 6, 2019
Ever since Bridesmaids Melissa McCarthy’s film career and popularity has been growing. The success of The Heat made McCarthy the “hot” new Hollywood comic. Though this success has McCarthy in danger of oversaturation with films that feel like mostly unfunny adlib session connected around loosely uninteresting plots like Identity Theft or Tammy. Luckily, Spy is not one of these films.
McCarthy once again teams up with Director/Writer Paul Feig (Bridesmaids/The Heat) and the chemistry of their previous success shows.
To be clear, this film is not the greatest comedy ever, but the fact that there is a clear script and the story knows where it is headed helps keep the experience enjoyable throughout at it progresses. McCarthy is on point as a support agent who becomes field agent to find a nuclear weapon and catch the person responsible for the death of her agent/partner. This film makes fun of all the typical spy film tropes through the fact that our best agent is a large unassuming woman who keeps finding herself in the typical spy situations. She solves each of these situations in her own way which is nice and often hilarious to see.
Additionally, the rest of the cast offer up hilarious delivery across the board, including but not limited to Jason Statham. There are several scenes where Statham steals the show. It is great to see him play a super spy, a character we always see him play, but in a ridiculous over the top hilarious way. It was fun to watch and his chemistry with McCarthy is great. Additionally, Rose Byrne (Neighbors) plays well across from McCarthy as a villain who is sexy, dangerous bitch, who we cannot help like none the less. Her comedy timing works well with McCarthy and the two are great together on screen.
If you are looking to escape the summer heat and you are looking for a laugh, don’t skip out on Spy. So far it is the best of the comedy of the year and it is worth checking out, if not in the theater, then when it is out for home distribution.
McCarthy once again teams up with Director/Writer Paul Feig (Bridesmaids/The Heat) and the chemistry of their previous success shows.
To be clear, this film is not the greatest comedy ever, but the fact that there is a clear script and the story knows where it is headed helps keep the experience enjoyable throughout at it progresses. McCarthy is on point as a support agent who becomes field agent to find a nuclear weapon and catch the person responsible for the death of her agent/partner. This film makes fun of all the typical spy film tropes through the fact that our best agent is a large unassuming woman who keeps finding herself in the typical spy situations. She solves each of these situations in her own way which is nice and often hilarious to see.
Additionally, the rest of the cast offer up hilarious delivery across the board, including but not limited to Jason Statham. There are several scenes where Statham steals the show. It is great to see him play a super spy, a character we always see him play, but in a ridiculous over the top hilarious way. It was fun to watch and his chemistry with McCarthy is great. Additionally, Rose Byrne (Neighbors) plays well across from McCarthy as a villain who is sexy, dangerous bitch, who we cannot help like none the less. Her comedy timing works well with McCarthy and the two are great together on screen.
If you are looking to escape the summer heat and you are looking for a laugh, don’t skip out on Spy. So far it is the best of the comedy of the year and it is worth checking out, if not in the theater, then when it is out for home distribution.
Gareth von Kallenbach (980 KP) rated Ghost Rider: Spirit of Vengeance (2012) in Movies
Aug 7, 2019
In what can only be described as a failed attempt at a sequel, Nicholas Cage reprises his role as Johnny Blaze, and Blaze’s alter ego Ghost Rider.
In this follow-up chapter to the 2007 film that first brought Marvel’s Ghost Rider to the big screen, Cage’s character has left the States to run from the demon inside him. His attempts to control the Rider work best when he is far from people, but his plans are derailed upon the entrance of a young boy and his attractive mother. The boy is the object of desire for Mephistopheles (the demon who turned Blaze into the Rider). The film takes you on a wild ride while Ghost Rider attempts to prevent the devil from getting his claws on the boy.
Lets cut right to the chase: this is, bar-none, one of the worst films I’ve seen in at least a decade. It’s right up there with D-Wars. While the first film had decent acting (minus Cage), a well-thought-out script, and special effects that made sense, the sequel is a complete failure even when compared to its predecessor.
The complete lack of a coherent script, the terrible acting, and the nonsensical actions of the Rider (not to mention the extremely cheesy dialog) make it clear that this film is an extremely poor attempt by Hollywood to capitalize on the recent success of other Marvel/DC titles. Unfortunately, this movie was cobbled together with one liners and special effects that weren’t convincing enough to pass the test.
Being a long time Marvel/DC comic fan, I always approach these films with low expectations, so I can be surprised when they’re done well — and at the very least, enjoy it. Despite this, I still feel like the hour and twenty minutes of my life spent watching Ghost Rider is time I can’t have back.
The only moment of hope this film had was Christopher Lambert as the tattooed monk.
I encourage all of you who wish to see it, even after reading this review, to wait until it’s available for cheap home viewing.
In this follow-up chapter to the 2007 film that first brought Marvel’s Ghost Rider to the big screen, Cage’s character has left the States to run from the demon inside him. His attempts to control the Rider work best when he is far from people, but his plans are derailed upon the entrance of a young boy and his attractive mother. The boy is the object of desire for Mephistopheles (the demon who turned Blaze into the Rider). The film takes you on a wild ride while Ghost Rider attempts to prevent the devil from getting his claws on the boy.
Lets cut right to the chase: this is, bar-none, one of the worst films I’ve seen in at least a decade. It’s right up there with D-Wars. While the first film had decent acting (minus Cage), a well-thought-out script, and special effects that made sense, the sequel is a complete failure even when compared to its predecessor.
The complete lack of a coherent script, the terrible acting, and the nonsensical actions of the Rider (not to mention the extremely cheesy dialog) make it clear that this film is an extremely poor attempt by Hollywood to capitalize on the recent success of other Marvel/DC titles. Unfortunately, this movie was cobbled together with one liners and special effects that weren’t convincing enough to pass the test.
Being a long time Marvel/DC comic fan, I always approach these films with low expectations, so I can be surprised when they’re done well — and at the very least, enjoy it. Despite this, I still feel like the hour and twenty minutes of my life spent watching Ghost Rider is time I can’t have back.
The only moment of hope this film had was Christopher Lambert as the tattooed monk.
I encourage all of you who wish to see it, even after reading this review, to wait until it’s available for cheap home viewing.
LeftSideCut (3776 KP) rated Sonic the Hedgehog (2020) in Movies
Feb 14, 2020
I'm pretty sure everyone will be going into Sonic the Hedgehog expecting the worse. I definitely did, but by the end, I found myself grinning from ear to ear.
When Sonic accidentally creates a coast wide blackout, he finds himself the subject of a government manhunt, lead by the criminally insane Dr. Robotnik, and employs the help of Montana Sheriff Tom Wachowski, to help him escape Earth.
The film serves as an introduction to Sonic, shying away (although not completely) from the wider game universe, and concentrating on the titular character, and the human characters he meets along the way.
The relationship formed between Sonic and Tom (James Marsden) is sweet, and pretty convincing.
The dialogue between the two is full of quips and jokes, and honestly, a fair few of them don't land too well. Combine this with the odd fart joke, and I had to remind myself that this is a film aimed at kids (who were all laughing, so mission accomplished), and there's just enough funny to buy into their friendship. Thank goodness then for Jim Carrey. I have a deep rooted live for Jim Carrey, growing up with films such as Ace Ventura and The Mask, and it's absolutely joyous to see him having a blast playing Robotnik. He's genuinely menacing, and pretty damn funny throughout, perfect casting when it comes to capturing the not-to-serious attitude of the games.
The plot is ok, there's not a huge amount going on, and it seems fairly throw away, but the characters and visuals are enough to carry the film to a satisfying degree.
Sonic looks great, a far cry from what we saw in the original trailer, and the cartoony look of him, and Robitnik's machines work suprisingly well with the real world setting.
Sonic the Hedgehog is a genuinely good time, don't take it too seriously, and I'm sure you'll have a blast too. With the passable Rampage, and the great Detective Pikachu, could it be that Hollywood is slowly starting to crack video game movies?? Let's hope so!
When Sonic accidentally creates a coast wide blackout, he finds himself the subject of a government manhunt, lead by the criminally insane Dr. Robotnik, and employs the help of Montana Sheriff Tom Wachowski, to help him escape Earth.
The film serves as an introduction to Sonic, shying away (although not completely) from the wider game universe, and concentrating on the titular character, and the human characters he meets along the way.
The relationship formed between Sonic and Tom (James Marsden) is sweet, and pretty convincing.
The dialogue between the two is full of quips and jokes, and honestly, a fair few of them don't land too well. Combine this with the odd fart joke, and I had to remind myself that this is a film aimed at kids (who were all laughing, so mission accomplished), and there's just enough funny to buy into their friendship. Thank goodness then for Jim Carrey. I have a deep rooted live for Jim Carrey, growing up with films such as Ace Ventura and The Mask, and it's absolutely joyous to see him having a blast playing Robotnik. He's genuinely menacing, and pretty damn funny throughout, perfect casting when it comes to capturing the not-to-serious attitude of the games.
The plot is ok, there's not a huge amount going on, and it seems fairly throw away, but the characters and visuals are enough to carry the film to a satisfying degree.
Sonic looks great, a far cry from what we saw in the original trailer, and the cartoony look of him, and Robitnik's machines work suprisingly well with the real world setting.
Sonic the Hedgehog is a genuinely good time, don't take it too seriously, and I'm sure you'll have a blast too. With the passable Rampage, and the great Detective Pikachu, could it be that Hollywood is slowly starting to crack video game movies?? Let's hope so!
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