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Edgar Wright recommended Knives Out (2019) in Movies (curated)

 
Knives Out (2019)
Knives Out (2019)
2019 | Comedy, Crime, Drama

"It’s a pleasure to write this particular piece about Rian Johnson as over the last 10 years or so, he’s become one of my best friends in Hollywood; the perfect person to talk to at 8 a.m. over coffee or at 2 a.m. over some other brown liquid. He’s terribly clever (but never annoyingly so), a good listener, and a generous laugher. He’s also always dressed like a cool college professor, which makes him both easy to draw and dress up as for Halloween. In the interest of full disclosure, I did make a cameo in his “Star Wars” episode and my last movie, “Baby Driver,” is alluded to in his new one. So you’d be forgiven for assuming all this chumminess would result in Rian’s movie getting a glowing review from me no matter what. But here’s the thing. Not only do I genuinely LOVE this film, but it’s exactly the type of movie that Hollywood needs and audiences are crying out for. “Knives Out” is superb entertainment that proves you can please a crowd without ever talking down to them. It’s endlessly smart, fiendishly plotted, and populated with a cast clearly loving every acid-soaked line flung their way. So much cinema is divided into just two food categories these days. There’s the empty calories of the bloated green-screen pantomimes that clog up every auditorium at your local multiplex. Then there’s what I call broccoli films; those worthy, good-for-you productions that can be very nourishing, but sometimes (whisper it) a little dull. Rian’s murder mystery straddles the line perfectly; an entertainment for grown-ups that nods to classic studio thrillers but with an invigorating 21st century overhaul. Rian is making the brainy, big screen crowd pleasers we truly deserve. For that alone, give him all the awards."

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Awix (3310 KP) rated Raiders of the Lost Ark (1981) in Movies

Aug 26, 2019 (Updated Aug 26, 2019)  
Raiders of the Lost Ark (1981)
Raiders of the Lost Ark (1981)
1981 | Action, Adventure
Spielberg and Lucas' wonderful adventure shows you can ignore most of the accepted rules of screenwriting (the script here has some iffy plot devices, peculiar character moments, and the most literal deus ex machina ending in cinema history) and still end up with a virtually perfect movie. You can see how it appeals to the same desire for good-vs-evil escapism as Lucas' most famous creation, but there is an obvious love for the glamour and romance of Golden Age Hollywood here too, and a mysticism that in many way makes it the culmination of all the movies about faith Lucas and Spielberg made in the late 1970s (outside of horror films and biblical epics, this is one of the few mainstream movies predicated on the existence of God).

On one level this is essentially a succession of one set-piece after another, but what set-pieces they are - most movies would be happy to have one sequence like the one in the snake pit, or the plane fight, or the truck chase, and Spielberg cheerfully rattles them off without really pausing for breath. The film is also careful to take its time to establish character and humour, too. This is one of those movies where you can't help feeling that any changes would only end up spoiling it.