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Merissa (11956 KP) rated Air Witch (Witches of Westwood Academy #2) in Books
May 29, 2023
AIR WITCH is the second book in the Witches of Westwood Academy series and, although it follows on from Water Witch, you could read it as a standalone and still understand the story.
Maia is the poor little rich girl (her words, not mine) with issues at home she won't tell anyone about, plus she is getting grief from one of the Assistants. She wants to get perfect grades so she can stay on at school and not become a magical battery for the male half of her family to leech from. Enoch Zell is the assistant who keeps on giving her B's instead of A's, thus lowering her overall grade.
I loved the magical side of it, although I would have liked to have known more about Maia's talents of her own, not just when she is with Enoch. I liked how she was sent to school to become powerful enough so she could be drained, but not too powerful to break free. I also loved the idea of the perfume and how that worked!
The relationship with Enoch was a bit abrupt. We get told time has passed with nothing but snark between them. Along comes Enid and he is there in the dorm room, which Maia vacates. Then... one meeting on a rooftop and it's all on. It just seemed rather quick to me, with nothing much building up to it.
Saying that, I still thoroughly enjoyed the story and being back in the Academy. Along with the Meriweathers, I really hope those Professors were looked at too! A great addition to the series and I look forward to Fire Witch. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 21, 2023
Maia is the poor little rich girl (her words, not mine) with issues at home she won't tell anyone about, plus she is getting grief from one of the Assistants. She wants to get perfect grades so she can stay on at school and not become a magical battery for the male half of her family to leech from. Enoch Zell is the assistant who keeps on giving her B's instead of A's, thus lowering her overall grade.
I loved the magical side of it, although I would have liked to have known more about Maia's talents of her own, not just when she is with Enoch. I liked how she was sent to school to become powerful enough so she could be drained, but not too powerful to break free. I also loved the idea of the perfume and how that worked!
The relationship with Enoch was a bit abrupt. We get told time has passed with nothing but snark between them. Along comes Enid and he is there in the dorm room, which Maia vacates. Then... one meeting on a rooftop and it's all on. It just seemed rather quick to me, with nothing much building up to it.
Saying that, I still thoroughly enjoyed the story and being back in the Academy. Along with the Meriweathers, I really hope those Professors were looked at too! A great addition to the series and I look forward to Fire Witch. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 21, 2023
Movie Metropolis (309 KP) rated X-Men: Days of Future Past (2014) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
More DC than Marvel
Bryan Singer’s return to the X-Men franchise comes at the perfect time both for the series and its director.
After last year’s poorly executed Jack the Giant Slayer, Singer needed to come back to home turf and after a string of irritating X-Men films, including the entertaining but soulless X-Men: The Last Stand and the downright offensive Wolverine origins story, it seems the superhero series needed to do the same.
But can a re-partnering 11 years after the brilliant X2 restore the magic of one of Marvel’s best comics?
Partially is the answer here. Singer restores the cinematic flair and sparkle of the series and brings back a lot of old faces but forgets a lot of the fun in the process.
x-men-days-of-future-past-character-poster-01.jpgDays of Future Past is set in a dystopian future as a war between mutants and humans continues to rage. Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and many other fan favourites return to the series after being absent for some time. We follow these characters as they try to escape the sentinels; an army of robots impressively rendered in CGI designed to kill any mutant on sight, friend or foe.
The only way to stop the war is to send a mutant back to 1973 when the sentinel program was put in motion. Unfortunately, Hugh Jackman’s Wolverine is the chosen one and remains the lead character throughout the film.
Back in 1973, the mutants from X-Men First Class are blissfully unaware of what lies in store for them, though they still have their own personal battles to deal with.
As the film progresses, it becomes painfully obvious that this is very much a “First Class” era film. James McAvoy’s impressive take on the young Charles Xavier returns, as does Michael Fassbender’s Magneto.
However, only Jennifer Lawrence’s Mystique makes a lasting impact amongst the 1973 era mutants. You can see the pain and torment etched onto her face throughout theJennifer-Lawrence-mystique film and as in The Hunger Games she steals focus from everyone around her. Game of Thrones’ Peter Dinklage also joins the cast as the film’s primary antagonist Bolivar Trask and is a real joy to watch. His character is understated in every way, but he remains an iconic presence throughout.
However, as impressive as the set pieces and acting performances are, it is in the future where we wish to see more. The ‘classic’ characters are barely given any screen time which is a real shame and the real mutant cost of the war is glossed over entirely. The special effects are genuinely very good. Each of the action sequences is well choreographed and the CGI is great, especially the rendering on the future sentinels which can adapt to seek a mutant’s power – no matter what it is.
Unfortunately, the fun factor is completely lost as Singer ramps up the tension and the death toll. In fact, only one character provides the humour and that is Evan Peters’ portrayal of Quicksilver who is only on screen for 15 minutes.
Overall, X-Men: Days of Future Past is definitely the best film of the series and thankfully does away with the atrocities that have been committed previously in the franchise. However, it feels like Singer was trying so hard to repair his predecessor’s mistakes, he forgot some of the key elements of a Marvel superhero film in the process – this is more DC than Marvel.
https://moviemetropolis.net/2014/06/01/x-men-days-of-future-past-review/
After last year’s poorly executed Jack the Giant Slayer, Singer needed to come back to home turf and after a string of irritating X-Men films, including the entertaining but soulless X-Men: The Last Stand and the downright offensive Wolverine origins story, it seems the superhero series needed to do the same.
But can a re-partnering 11 years after the brilliant X2 restore the magic of one of Marvel’s best comics?
Partially is the answer here. Singer restores the cinematic flair and sparkle of the series and brings back a lot of old faces but forgets a lot of the fun in the process.
x-men-days-of-future-past-character-poster-01.jpgDays of Future Past is set in a dystopian future as a war between mutants and humans continues to rage. Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and many other fan favourites return to the series after being absent for some time. We follow these characters as they try to escape the sentinels; an army of robots impressively rendered in CGI designed to kill any mutant on sight, friend or foe.
The only way to stop the war is to send a mutant back to 1973 when the sentinel program was put in motion. Unfortunately, Hugh Jackman’s Wolverine is the chosen one and remains the lead character throughout the film.
Back in 1973, the mutants from X-Men First Class are blissfully unaware of what lies in store for them, though they still have their own personal battles to deal with.
As the film progresses, it becomes painfully obvious that this is very much a “First Class” era film. James McAvoy’s impressive take on the young Charles Xavier returns, as does Michael Fassbender’s Magneto.
However, only Jennifer Lawrence’s Mystique makes a lasting impact amongst the 1973 era mutants. You can see the pain and torment etched onto her face throughout theJennifer-Lawrence-mystique film and as in The Hunger Games she steals focus from everyone around her. Game of Thrones’ Peter Dinklage also joins the cast as the film’s primary antagonist Bolivar Trask and is a real joy to watch. His character is understated in every way, but he remains an iconic presence throughout.
However, as impressive as the set pieces and acting performances are, it is in the future where we wish to see more. The ‘classic’ characters are barely given any screen time which is a real shame and the real mutant cost of the war is glossed over entirely. The special effects are genuinely very good. Each of the action sequences is well choreographed and the CGI is great, especially the rendering on the future sentinels which can adapt to seek a mutant’s power – no matter what it is.
Unfortunately, the fun factor is completely lost as Singer ramps up the tension and the death toll. In fact, only one character provides the humour and that is Evan Peters’ portrayal of Quicksilver who is only on screen for 15 minutes.
Overall, X-Men: Days of Future Past is definitely the best film of the series and thankfully does away with the atrocities that have been committed previously in the franchise. However, it feels like Singer was trying so hard to repair his predecessor’s mistakes, he forgot some of the key elements of a Marvel superhero film in the process – this is more DC than Marvel.
https://moviemetropolis.net/2014/06/01/x-men-days-of-future-past-review/
Gareth von Kallenbach (977 KP) rated Sex and the City 2 (2010) in Movies
Aug 8, 2019
So what happens after you finally marry Mr. Right (or in this case, Mr. Big)? Carrie (Sarah Jessica Parker) and Big (Chris Noth) have been married for almost 2 years now and are in danger of falling into a tired routine. After eschewing the latest fashions for classic furnishings to make their new flat a home, Carrie no longer laments over her singlehood. Instead she bemoans becoming part of an old, married couple. She bristles at the idea of staying home and eating takeout while her husband just wants to put his feet up on the couch.
Charlotte (Kristin Davis) remains the picture-perfect mother and wife, adding a new baby to her home. One that cries constantly and forces her to hire a nanny. A buxom, Irish nanny named Erin who quickly earns the fitting nickname “Erin Go Bra-less” from Charlotte’s best friends. Watch Charlotte’s cheery smile become brittle and harder to keep in place as the demands of motherhood and doubts the ability of her husband Harry (Evan Handler) to resist temptation become too much to handle.
Miranda (Cynthia Nixon) is reconciled with Steve (David Eigenberg), and is finally a partner at her law firm but it hasn’t brought her the satisfaction she thought it would. She’s stressed and aggravated by a senior partner who demeans her and she starts to question whether being an attorney is worth it anymore.
Samantha (Kim Cattrall) is very much the same bawdy temptress, minus her boy-toy, plus a lot of vitamins to stave off menopausal symptoms. This time around, no major drama sends the ladies off on an exotic trip, just Samantha working her public relations charm on a shiekh with a palatial hotel. Apparently, sometimes girls just need to getaway to Abu-Dhabi. The movie soon becomes an indulgent showcase of excess from a flight in a plane equipped with individual suites, a bar & lounge, to a Maybach and a personal butler for each of the ladies.
Anyone watching SATC2 without the background of the series and the first film will think they entered an alien world of shallow, whiny women who like to wear clashing colors and ridiculous hats. Fans of the series will probably forgive the tired puns and trite storylines to embrace the familiar: four friends in fabulous, outrageous, fashion and comical situations, with an extravagant, lush backdrop.
Screened in a theater where women outnumbered men 3 to 1, many of the laughs were tinged with almost as much horror as delight. I usually enjoy musical numbers in movies, but I fought the urge to cover my eyes when Liza Minelli performed Beyonce’s “Single Ladies” at a wedding early in the movie. The girlfriends’ karaoke rendition of “I Am Woman” was also an uncomfortable moment for all its corniness. But amidst the splashy abundance, there were moments of honest friendship that resonated, unfortunately they’re overshadowed by annoying antics and reckless decisions.
Sure to spark lively debates on friendship, relationships, careers, and questionable fashion, this is still an entertaining film that, if nothing else, would make a great date night movie with your girlfriends. Especially those whose friendships have spanned decades and who can recognize a little bit of themselves in these women. Note to men: if you want to know where the women may be this weekend, the theaters would be a good bet.
Charlotte (Kristin Davis) remains the picture-perfect mother and wife, adding a new baby to her home. One that cries constantly and forces her to hire a nanny. A buxom, Irish nanny named Erin who quickly earns the fitting nickname “Erin Go Bra-less” from Charlotte’s best friends. Watch Charlotte’s cheery smile become brittle and harder to keep in place as the demands of motherhood and doubts the ability of her husband Harry (Evan Handler) to resist temptation become too much to handle.
Miranda (Cynthia Nixon) is reconciled with Steve (David Eigenberg), and is finally a partner at her law firm but it hasn’t brought her the satisfaction she thought it would. She’s stressed and aggravated by a senior partner who demeans her and she starts to question whether being an attorney is worth it anymore.
Samantha (Kim Cattrall) is very much the same bawdy temptress, minus her boy-toy, plus a lot of vitamins to stave off menopausal symptoms. This time around, no major drama sends the ladies off on an exotic trip, just Samantha working her public relations charm on a shiekh with a palatial hotel. Apparently, sometimes girls just need to getaway to Abu-Dhabi. The movie soon becomes an indulgent showcase of excess from a flight in a plane equipped with individual suites, a bar & lounge, to a Maybach and a personal butler for each of the ladies.
Anyone watching SATC2 without the background of the series and the first film will think they entered an alien world of shallow, whiny women who like to wear clashing colors and ridiculous hats. Fans of the series will probably forgive the tired puns and trite storylines to embrace the familiar: four friends in fabulous, outrageous, fashion and comical situations, with an extravagant, lush backdrop.
Screened in a theater where women outnumbered men 3 to 1, many of the laughs were tinged with almost as much horror as delight. I usually enjoy musical numbers in movies, but I fought the urge to cover my eyes when Liza Minelli performed Beyonce’s “Single Ladies” at a wedding early in the movie. The girlfriends’ karaoke rendition of “I Am Woman” was also an uncomfortable moment for all its corniness. But amidst the splashy abundance, there were moments of honest friendship that resonated, unfortunately they’re overshadowed by annoying antics and reckless decisions.
Sure to spark lively debates on friendship, relationships, careers, and questionable fashion, this is still an entertaining film that, if nothing else, would make a great date night movie with your girlfriends. Especially those whose friendships have spanned decades and who can recognize a little bit of themselves in these women. Note to men: if you want to know where the women may be this weekend, the theaters would be a good bet.
Gareth von Kallenbach (977 KP) rated Annabelle Comes Home (2019) in Movies
Jun 28, 2019
Not The Best In The Series But Entertains
One of the most intriguing yet often exaggerated lines in movie history is “based on actual events”. I’ve always had a fascination with supernatural thrillers that came with this tag line, whether it’s a movie like Amityville Horror or The Exorcism of Emily Rose. None of these are more popular than The Conjuring series, based on two real life demonologists Ed and Lorraine Warren. Whether you believe in ghosts and haunted houses or not, these films always played on the notion that the events “could” possibly happen…even if they were exaggerated for Hollywood audiences. Annabelle Comes Home breaks the trend of previous Conjuring movies by not bothering to pretend that it’s based on any of the “actual” events from the previous films. So how does it stack up to its predecessors?
The movie begins with Ed and Lorraine Warren retrieving Annabelle and taking the scary doll home to lock her away in the now infamous artifact room. The dolls presence is so evil, that it takes not only blessings by a priest but being locked away in a case made up of glass from an old church to keep it’s evil at bay. Not only is the display case locked, but a sign is placed upon it, warning any who may enter not to release the doll within. Several pad locks later the Warrens feel comfortable that the evil within is contained.
A year passes and both Ed and Lorraine are called away on business, entrusting the care of their young daughter Judy (McKenna Grace) to her responsible babysitter Mary Ellen (Madison Iseman). Mary Ellen’s friend Daniela (Katie Sarife) blackmails Mary Ellen into allowing her to come over and stay with her and Judy in the Warren’s household. Using an opportunity when both Judy and Mary Ellen are out of the house, Daniela finds the artifact room (and the keys necessary to open it), and what at first appears to be idle curiosity, quickly turns into an attempt to utilize the artifacts in the room to reach out to her recently deceased father. It is in this attempt that Daniela unknowingly releases the evil in the room when she opens the case that Annabelle is in (it’s not like there was a BIG sign warning her not to do so).
Annabelle in her search for a soul, releases the full power and evil of all the artifacts in the room. Everything from an empty suit of Samurai armor to a wedding dress the drives the wearer insane is on display. Even a werewolf is released upon the world hunting an unwary suitor of Mary Ellen’s who happens to be at the wrong place at the wrong time. It’s up to this band of babysitters and children to restore order to the house and find a way to contain the evil that has been brought upon the world.
Annabelle Comes Home starts out fairly slow and takes awhile to build the tension. The first hour of the movie is mainly the interaction between the family and friends, and introductions to the various artifacts that are in the room. It’s not until the second half of the film when things really begin to take off. When the movie finally hits its creepy stride, it has plenty of genuine scares and intense moments, but focuses on several of the iconic artifacts and their affect on the individuals in the house.
While each of the artifacts has its own unique and interesting characteristics, we are hit with a barrage of items that are each going after one of the guests in the house. Whether it’s the television that can predict the future, or the locket that allows communication with the dead, it’s a lot to keep track of and tends to lose focus on the main plot. The movie attempts to cram every noticeable item from its previous films and give it some main purpose in the plot. In fact, the creepiest of all the artifacts Annabelle, takes on the role of evil puppet master controlling the artifacts which means less screen time and scares for her. Personally, Annabelle is scary enough to carry her own film (she has in previous installments), but in this film she is relegated to a side character, where the haunted artifacts take center stage.
The area I feel the movie loses the most is in the “believability” state. Remember that the Conjuring universe is based on real people, and on their actual encounters. Unfortunately, at no point in this film does one believe that any of these supernatural events could be mistaken for reality. It’s what I feel is the difference between a supernatural thriller and simply a monster movie. Much like other supernatural films, it’s about what you don’t see, rather than what you do, and Annabelle Comes Home unfortunately relies too much on its visuals leaving little to the viewers imagination. Imagining what a demon could look like is scarier than what Hollywood can dream up and show on the screen.
Ultimately Annabelle Comes home is a good movie which should have been great. It forgoes much of what made the series popular and replaces it with some goofy scenes and special effects. The artifacts are interesting, which makes the movie enjoyable, but not scary. I went in with hopes that I’d leave at least a little unnerved, looking under my covers, or turning the numerous dolls around that adorn my wife’s doll room. Unfortunately, I left feeling as though I’d simply been given a tour of the artifact room, with one night of scares that would disappear the next morning, as if from a bad dream. If you are looking to be scared, this movie likely won’t do that. If you are looking for an interesting movie with deeper background into the artifacts that have adorned the Warrens room for the past films, then this is the film for you.
3 out of 5 stars
http://sknr.net/2019/06/20/annabelle-comes-home/
The movie begins with Ed and Lorraine Warren retrieving Annabelle and taking the scary doll home to lock her away in the now infamous artifact room. The dolls presence is so evil, that it takes not only blessings by a priest but being locked away in a case made up of glass from an old church to keep it’s evil at bay. Not only is the display case locked, but a sign is placed upon it, warning any who may enter not to release the doll within. Several pad locks later the Warrens feel comfortable that the evil within is contained.
A year passes and both Ed and Lorraine are called away on business, entrusting the care of their young daughter Judy (McKenna Grace) to her responsible babysitter Mary Ellen (Madison Iseman). Mary Ellen’s friend Daniela (Katie Sarife) blackmails Mary Ellen into allowing her to come over and stay with her and Judy in the Warren’s household. Using an opportunity when both Judy and Mary Ellen are out of the house, Daniela finds the artifact room (and the keys necessary to open it), and what at first appears to be idle curiosity, quickly turns into an attempt to utilize the artifacts in the room to reach out to her recently deceased father. It is in this attempt that Daniela unknowingly releases the evil in the room when she opens the case that Annabelle is in (it’s not like there was a BIG sign warning her not to do so).
Annabelle in her search for a soul, releases the full power and evil of all the artifacts in the room. Everything from an empty suit of Samurai armor to a wedding dress the drives the wearer insane is on display. Even a werewolf is released upon the world hunting an unwary suitor of Mary Ellen’s who happens to be at the wrong place at the wrong time. It’s up to this band of babysitters and children to restore order to the house and find a way to contain the evil that has been brought upon the world.
Annabelle Comes Home starts out fairly slow and takes awhile to build the tension. The first hour of the movie is mainly the interaction between the family and friends, and introductions to the various artifacts that are in the room. It’s not until the second half of the film when things really begin to take off. When the movie finally hits its creepy stride, it has plenty of genuine scares and intense moments, but focuses on several of the iconic artifacts and their affect on the individuals in the house.
While each of the artifacts has its own unique and interesting characteristics, we are hit with a barrage of items that are each going after one of the guests in the house. Whether it’s the television that can predict the future, or the locket that allows communication with the dead, it’s a lot to keep track of and tends to lose focus on the main plot. The movie attempts to cram every noticeable item from its previous films and give it some main purpose in the plot. In fact, the creepiest of all the artifacts Annabelle, takes on the role of evil puppet master controlling the artifacts which means less screen time and scares for her. Personally, Annabelle is scary enough to carry her own film (she has in previous installments), but in this film she is relegated to a side character, where the haunted artifacts take center stage.
The area I feel the movie loses the most is in the “believability” state. Remember that the Conjuring universe is based on real people, and on their actual encounters. Unfortunately, at no point in this film does one believe that any of these supernatural events could be mistaken for reality. It’s what I feel is the difference between a supernatural thriller and simply a monster movie. Much like other supernatural films, it’s about what you don’t see, rather than what you do, and Annabelle Comes Home unfortunately relies too much on its visuals leaving little to the viewers imagination. Imagining what a demon could look like is scarier than what Hollywood can dream up and show on the screen.
Ultimately Annabelle Comes home is a good movie which should have been great. It forgoes much of what made the series popular and replaces it with some goofy scenes and special effects. The artifacts are interesting, which makes the movie enjoyable, but not scary. I went in with hopes that I’d leave at least a little unnerved, looking under my covers, or turning the numerous dolls around that adorn my wife’s doll room. Unfortunately, I left feeling as though I’d simply been given a tour of the artifact room, with one night of scares that would disappear the next morning, as if from a bad dream. If you are looking to be scared, this movie likely won’t do that. If you are looking for an interesting movie with deeper background into the artifacts that have adorned the Warrens room for the past films, then this is the film for you.
3 out of 5 stars
http://sknr.net/2019/06/20/annabelle-comes-home/
Furthermore (Furthermore, #1)
7.3
Rate It
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This captivating and colorful adventure that reads like a modern day fairy tale, from the...
Merissa (11956 KP) rated Bound by Water: Pisces (Zodiac Shifters #6) in Books
Jun 20, 2017
Bound by Water: Pisces (Zodiac Shifters #6) by Monica La Porta
Bound by Water: Pisces is the second book in the Zodiac Shifters series that I have read, and I enter a new world with a new group of shifters that I can't wait to read more of. Ariel is a mortal and knows nothing of the paranormal world that lives in sync around her. Atreides is a merman, the last of his kind that he knows about. When these two meet on a moonlit night, he puts down their attraction to simple moon-lust. However, Ariel's life is about to change in a big way, and the paranormal world comes closer to home than either she or Atreides ever expected.
This is a great story that is smooth yet it moves at a swift pace. With a great supporting cast of characters that I long to know more about, there is enough in this story to satisfy and yet will definitely leave you wanting more. There were no editing or grammatical errors that disrupted my reading flow. I have no hesitation in recommending this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is a great story that is smooth yet it moves at a swift pace. With a great supporting cast of characters that I long to know more about, there is enough in this story to satisfy and yet will definitely leave you wanting more. There were no editing or grammatical errors that disrupted my reading flow. I have no hesitation in recommending this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
John Garrett (27 KP) rated War for the Planet of the Apes (2017) in Movies
Jul 11, 2017
Story (3 more)
Mo-cap
Cgi
Woody Harrleson
Cesar's trillogy concludes in fitting style
Contains spoilers, click to show
The final instalment of mat Reeves planet of the apes prequel trilogy comes to a close in style with what I must say is a spectacular performance from Andy Serkis.
He once again portrays Cesar who is looking for a new home for the apes as the last remainig Human army are hunting them down and trying to wipe them out. After a cesars family is slane he takes the fight to the army.
This film doesn't take the easy route and zigs where it should day which makes it a compelling watch throughout.
The true stars in the film have to be the effects and animation crew. The scenery was breathtaking and the work on the apes was spectacular.
In fact all the apes were cgi and the "main ones" were all mo-capped using actors. The actors behind these guys really shone through which is an impressive feat on its own.
Woody Harrleson once plays a great foil for cesar, in the menacing yet relatable commander. Woody brings a real gravitas to a role which some actors could have turned into a cartoon villain.
All in all the final prequel or cesars story was a fitting end to a series of movies that have been compelling and full of excitement.
He once again portrays Cesar who is looking for a new home for the apes as the last remainig Human army are hunting them down and trying to wipe them out. After a cesars family is slane he takes the fight to the army.
This film doesn't take the easy route and zigs where it should day which makes it a compelling watch throughout.
The true stars in the film have to be the effects and animation crew. The scenery was breathtaking and the work on the apes was spectacular.
In fact all the apes were cgi and the "main ones" were all mo-capped using actors. The actors behind these guys really shone through which is an impressive feat on its own.
Woody Harrleson once plays a great foil for cesar, in the menacing yet relatable commander. Woody brings a real gravitas to a role which some actors could have turned into a cartoon villain.
All in all the final prequel or cesars story was a fitting end to a series of movies that have been compelling and full of excitement.
Caeli is one member that has a few unique skills. There is a commander in trouble with his spaceship. Will he survive? Caeli is part of the few survivors of her world. She is taken from her home and put with someone that being dictator.
Tabitha is a good author and she brings it all to life. What will happen on Horizon. Will the commander and Caeli get together and help save the crew, and find love in each other? She happy to work on the ship in where she loves working.
We go on adventures through inner space and what life is like on Horizon. Will they all survive or not? I enjoyed this book from the first page to the last page. I cannot wait to start the second book that I do have in this series. The author has done wonderfully with it. There are surprises throughout the book and some romance as well.
I believe this book is good for though science fiction but also I would suggest teens read it from the age of 14 and up. The parent has the right to decide. It being rated PG 13 so it would be okay for 13 years old if you the parent this your child or children are mature enough for the book. That is up to you.
Tabitha is a good author and she brings it all to life. What will happen on Horizon. Will the commander and Caeli get together and help save the crew, and find love in each other? She happy to work on the ship in where she loves working.
We go on adventures through inner space and what life is like on Horizon. Will they all survive or not? I enjoyed this book from the first page to the last page. I cannot wait to start the second book that I do have in this series. The author has done wonderfully with it. There are surprises throughout the book and some romance as well.
I believe this book is good for though science fiction but also I would suggest teens read it from the age of 14 and up. The parent has the right to decide. It being rated PG 13 so it would be okay for 13 years old if you the parent this your child or children are mature enough for the book. That is up to you.
Molly J (Cover To Cover Cafe) (106 KP) rated Home All Along in Books
Feb 25, 2019
A story of heartache and hope, Ms. Wiseman brings us another inspiring Amish novel. I have been a big fan of this author's tender writing style for a long time. Her words of encouragement are written through out the pages of each novel, and this one was no exception. She brought her readers another home run with this one.
As with her previous novels in this series, Ms. Wiseman creates a story filled with twists and turns, and mixes it up with the simple living and finely chiseled characters, in Charlotte and Daniel. Learning to let go, move on and accept what God has in store for them, is never an easy feat, but Ms. Wiseman accomplishes that and so much more.
This book is beyond captivating. It will leave you reflecting on the will of your own life, and I love that she did that for me! It's a book that I won't soon forget, that's for sure! This is most definitely a 5 star novel, and I highly recommend it to all. You'll fall in love with these beautiful characters and their Amish living and want more when you reach the end. Well done, Ms. Wiseman, well done!
*I received a complimentary copy of this book from Thomas Nelson Publishers and was under no obligation to post a review, positive or negative.*
As with her previous novels in this series, Ms. Wiseman creates a story filled with twists and turns, and mixes it up with the simple living and finely chiseled characters, in Charlotte and Daniel. Learning to let go, move on and accept what God has in store for them, is never an easy feat, but Ms. Wiseman accomplishes that and so much more.
This book is beyond captivating. It will leave you reflecting on the will of your own life, and I love that she did that for me! It's a book that I won't soon forget, that's for sure! This is most definitely a 5 star novel, and I highly recommend it to all. You'll fall in love with these beautiful characters and their Amish living and want more when you reach the end. Well done, Ms. Wiseman, well done!
*I received a complimentary copy of this book from Thomas Nelson Publishers and was under no obligation to post a review, positive or negative.*
Emily (6 KP) rated Stay a Little Longer in Books
May 20, 2019
I really liked this book. It felt real, not because of the events - a series of coincidences leading Elan and Caty back to each other again and again. No, the book felt real because of how the characters felt about the events.
I've been in a sort-of long distance relationship and a lot of the feelings, worries, concerns, about starting one felt incredibly real and emotional. I read this whole book with my boyfriend in the back of my mind, despite the fact our story and that of Caty and Elan aren't really that similar.
The way these characters felt about each other, however, was. I even highlighted one line, which I never do, because it resonated with me so much - "I'd been counting wrong the whole time". When you only have a small amount of time with someone, a little change in plans can feel incredibly jarring. I loved how Elan and Caty's relationship developed. The section of texts was beautiful, showing simple conversations that people who can't see each other have. It was a lovely way of developing the relationship and the characters, quickly but naturally.
Overall this book was very emotional to read, hit close to home, felt realistic, and I would definitely read other books by this author.
I've been in a sort-of long distance relationship and a lot of the feelings, worries, concerns, about starting one felt incredibly real and emotional. I read this whole book with my boyfriend in the back of my mind, despite the fact our story and that of Caty and Elan aren't really that similar.
The way these characters felt about each other, however, was. I even highlighted one line, which I never do, because it resonated with me so much - "I'd been counting wrong the whole time". When you only have a small amount of time with someone, a little change in plans can feel incredibly jarring. I loved how Elan and Caty's relationship developed. The section of texts was beautiful, showing simple conversations that people who can't see each other have. It was a lovely way of developing the relationship and the characters, quickly but naturally.
Overall this book was very emotional to read, hit close to home, felt realistic, and I would definitely read other books by this author.