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BookwormMama14 (18 KP) rated In Good Company (A Class of Their Own, #2) in Books
Jan 2, 2019
In Good Company is a witty romance filled with people that are sure to capture your heart. Embark on this journey and find yourself immersed into the society of Newport, Rhode Island.
The summer season of 1882 is about to begin and Everett Mulberry has found himself without a nanny for his wards, again. Millie Longfellow has once again been dismissed from her position as a nanny. Neither Everett or Millie are thrilled when the employment agency places Millie in Everett's services. But this is the last hope for both of them. Millie's unique behavior as a nanny is frowned upon by many, however her unorthodox ways might be just what these children need. Everett's goal of holding a powerful position among the upper class of society appears to be within reach. But as events begin to unfold regarding the untimely death of the children's parents, he is severely tested. Will he hold on to his position and snobbery? Or will he let the children, and Millie, soften his heart?
"I don't think reading is a pleasure I'll ever be able to abandon." - Millie Longfellow
Jen Turano is one of the most brilliant authors that I have ever had the pleasure of reading. I had to spend this last week in the hospital with my son, and I am so very thankful that I chose to read this book while I was there (He is doing better and we are home now). I laughed out loud so many times. Millie and Everett's story was good for my spirit and my sanity. In Good Company is a beautiful combination of The Sound of Music and Pride and Prejudice, two of my favorite stories. Jen does a wonderful job of depicting the prejudice between the social classes of the time. The prejudice and the snobbery is heartbreaking. But, the story breaks all of those barriers and it is thrilling to witness. Get ready for a grand adventure full of mischief, romance and a few peacocks!
Although this book can stand alone, I highly recommend reading After a Fashion, the first book in the series.
I received a free copy of In Good Company from Bethany House Publishers in exchange for my honest review.
The summer season of 1882 is about to begin and Everett Mulberry has found himself without a nanny for his wards, again. Millie Longfellow has once again been dismissed from her position as a nanny. Neither Everett or Millie are thrilled when the employment agency places Millie in Everett's services. But this is the last hope for both of them. Millie's unique behavior as a nanny is frowned upon by many, however her unorthodox ways might be just what these children need. Everett's goal of holding a powerful position among the upper class of society appears to be within reach. But as events begin to unfold regarding the untimely death of the children's parents, he is severely tested. Will he hold on to his position and snobbery? Or will he let the children, and Millie, soften his heart?
"I don't think reading is a pleasure I'll ever be able to abandon." - Millie Longfellow
Jen Turano is one of the most brilliant authors that I have ever had the pleasure of reading. I had to spend this last week in the hospital with my son, and I am so very thankful that I chose to read this book while I was there (He is doing better and we are home now). I laughed out loud so many times. Millie and Everett's story was good for my spirit and my sanity. In Good Company is a beautiful combination of The Sound of Music and Pride and Prejudice, two of my favorite stories. Jen does a wonderful job of depicting the prejudice between the social classes of the time. The prejudice and the snobbery is heartbreaking. But, the story breaks all of those barriers and it is thrilling to witness. Get ready for a grand adventure full of mischief, romance and a few peacocks!
Although this book can stand alone, I highly recommend reading After a Fashion, the first book in the series.
I received a free copy of In Good Company from Bethany House Publishers in exchange for my honest review.
Kara Skinner (332 KP) rated Mine for Tonight in Books
Nov 3, 2019
Nothing says sexy like a brooding billionaire. I mean, in a world of car payments, nine-to-five nightmares, and student loans hanging over people’s heads like spiders on their bedroom ceilings, it can be a lot of fun to daydream about a billionaire lover who will take it all away. Unfortunately, a lot of them are really bad, like Fifty Shades of Writing So Bad I Want All The Characters to Spontaneously Combust. The damsel in distress routine can also be sadly lacking plot and character development, like in The Doctor’s Slave. However, Mine for Tonight is definitely one of the good ones.
I have to admit, I picked this book up because the heroine’s name is Kara. I mean, how perfect is that, right? And I really liked this book. It was difficult for me to not get a little creeped out by Simon. Like, what stable-minded person follows someone around for over a year without even meeting her? I know he’s more like a guardian angel wanting to protect her and less like a stalker wanting to kill her, but really. There’s a difference between socially awkward and asking for a restraining order. But I loved how much he cares for Kara. Even though he’s a private person, he’s willing to open up his home to her without payment. (Yes, he does ask her to sleep with him, but he makes it pretty clear that that part is optional.) He’s definitely damaged, as is Kara. She’s struggling with a lot of things, like her last relationship which crashed and burned, and her parents’ deaths. Being stuck in nickel and dime mode after years of supporting herself makes it hard for Kara to accept Simon’s help, especially when he likes to spoil her. Her inability to stay indebted was why Simon gave her the sex payment option to begin with, although she ended up taking it because she wanted it. I really liked how hard-working she was. She’s not a traditional damsel in distress to be sure, and she keeps her independence even after Simon takes her in. Long story short, it didn’t take me long to buy the entire series.
I have to admit, I picked this book up because the heroine’s name is Kara. I mean, how perfect is that, right? And I really liked this book. It was difficult for me to not get a little creeped out by Simon. Like, what stable-minded person follows someone around for over a year without even meeting her? I know he’s more like a guardian angel wanting to protect her and less like a stalker wanting to kill her, but really. There’s a difference between socially awkward and asking for a restraining order. But I loved how much he cares for Kara. Even though he’s a private person, he’s willing to open up his home to her without payment. (Yes, he does ask her to sleep with him, but he makes it pretty clear that that part is optional.) He’s definitely damaged, as is Kara. She’s struggling with a lot of things, like her last relationship which crashed and burned, and her parents’ deaths. Being stuck in nickel and dime mode after years of supporting herself makes it hard for Kara to accept Simon’s help, especially when he likes to spoil her. Her inability to stay indebted was why Simon gave her the sex payment option to begin with, although she ended up taking it because she wanted it. I really liked how hard-working she was. She’s not a traditional damsel in distress to be sure, and she keeps her independence even after Simon takes her in. Long story short, it didn’t take me long to buy the entire series.
Phil Leader (619 KP) rated The Door (Seventh Dimenson #1) in Books
Nov 12, 2019
Shale Snyder is a troubled teenager. Her father left her mother when she was little, she has alienated almost all of the other children around her and has problems at school. Following yet another incident she is suspended and feels totally cast adrift. At this point she finds a door and hears a voice calling her to enter...
There is quite a clever concept at the heart of this book; that the Holy Land at the time of Jesus is a sort of dimensional nexus where those who are called can travel and gain spiritual help for themselves as well as the other travellers. It is a fine blending of both science fiction and Christian concepts.
There is also much of The Pilgrim's Progress about this, with Shale's journey and the characters she meets. And although she is living near Nazareth and does encounter Jesus (and other people mentioned in the bible) the religious side is not forced but comes naturally from the narrative. There is also a fair smattering of The Wizard of Oz, as the dimensional copy of the Holy Land from 2000 years ago also contains versions of people that Shale knows from home.
The result is a book that shows how even a little faith by someone as lost as Shale can give her the will to turn her life around and make herself and those around her better people. It is a very positive message, though not gained without significant trials.
There are a couple of negatives. Sometimes the narrative thread can be a little confusing, a side-effect of the dimension-hopping aspect of the story. Also some of the characters appear to serve little purpose, but perhaps as this is the first of a series they will come into play in later books. There is also one comment from her friend Daniel (another traveller from modern-day Israel) that did concern me, I hope this is due to his personal experience rather than a theme of future books.
Overall this is an engrossing read, managing to deliver a positive Christian message without labouring the point and providing a good story arc for Shale to keep the reader invested in the story
There is quite a clever concept at the heart of this book; that the Holy Land at the time of Jesus is a sort of dimensional nexus where those who are called can travel and gain spiritual help for themselves as well as the other travellers. It is a fine blending of both science fiction and Christian concepts.
There is also much of The Pilgrim's Progress about this, with Shale's journey and the characters she meets. And although she is living near Nazareth and does encounter Jesus (and other people mentioned in the bible) the religious side is not forced but comes naturally from the narrative. There is also a fair smattering of The Wizard of Oz, as the dimensional copy of the Holy Land from 2000 years ago also contains versions of people that Shale knows from home.
The result is a book that shows how even a little faith by someone as lost as Shale can give her the will to turn her life around and make herself and those around her better people. It is a very positive message, though not gained without significant trials.
There are a couple of negatives. Sometimes the narrative thread can be a little confusing, a side-effect of the dimension-hopping aspect of the story. Also some of the characters appear to serve little purpose, but perhaps as this is the first of a series they will come into play in later books. There is also one comment from her friend Daniel (another traveller from modern-day Israel) that did concern me, I hope this is due to his personal experience rather than a theme of future books.
Overall this is an engrossing read, managing to deliver a positive Christian message without labouring the point and providing a good story arc for Shale to keep the reader invested in the story
Phil Leader (619 KP) rated The Hole Opportunity in Books
Nov 14, 2019
Colin Griggs is a farmer who tires of all the red tape and paperwork involved with traditional farming and decides to embark on a new venture - hole farming. Colin's lack of practicality is more than made up for by his wife Izzy who does her best to turn Colin's wild ideas into reality. When they win the contract to provide the holes for the newly refurbished local golf course, the future of Griggs Hole Farming seems assured. But not everything goes as expected...
This book is a good and well thought out farce in the mould of Tom Sharpe. There are misunderstandings and assumptions galore with a cast of characters designed to cause maximum friction between their personalities. The central concept - farming holes - means that no part of this can be taken seriously and is a delightfully surreal basis for the rest of the story to hang off of.
The book is essentially in three sections; the first concerns the setting up of Griggs Hole Farming and the golf course contract. Following this there are various accusations of attempted murder introducing the characters of the local reporter and various members of the police force. The third section involves the arrival of aristocracy to return the local stately home to its former glory, which requires several holes to be provided for the ornamental ponds.
I found the first and last thirds of the book humourous and witty, plenty of laugh out loud jokes and cringeworthy moments as befits a farce. The middle third I didn't enjoy anywhere near as much. I suspect this was mostly because people being arrested for attempted murder is not a very funny concept, even if the charges are obvouisly completely ridiculous and follow a bizarre series of events and assumptions. But once this part is over the third part returns to the form of the first with some terrific class snobbery and social climbing, the staple of many classic British comedies.
Overall this is an enjoyable book with plenty to recommend it. The middle section dropped a few marks for me
This book is a good and well thought out farce in the mould of Tom Sharpe. There are misunderstandings and assumptions galore with a cast of characters designed to cause maximum friction between their personalities. The central concept - farming holes - means that no part of this can be taken seriously and is a delightfully surreal basis for the rest of the story to hang off of.
The book is essentially in three sections; the first concerns the setting up of Griggs Hole Farming and the golf course contract. Following this there are various accusations of attempted murder introducing the characters of the local reporter and various members of the police force. The third section involves the arrival of aristocracy to return the local stately home to its former glory, which requires several holes to be provided for the ornamental ponds.
I found the first and last thirds of the book humourous and witty, plenty of laugh out loud jokes and cringeworthy moments as befits a farce. The middle third I didn't enjoy anywhere near as much. I suspect this was mostly because people being arrested for attempted murder is not a very funny concept, even if the charges are obvouisly completely ridiculous and follow a bizarre series of events and assumptions. But once this part is over the third part returns to the form of the first with some terrific class snobbery and social climbing, the staple of many classic British comedies.
Overall this is an enjoyable book with plenty to recommend it. The middle section dropped a few marks for me
JT (287 KP) rated Child's Play (2019) in Movies
Mar 10, 2020
Re-imagining of classic horror films can go either way. They can stick close to the original while giving it a fresh injection of gore to satisfy the bloodthirsty millennials. Or deviate it from the storyline altogether to put its own spin on the narrative.
In the Child’s Play remake the original ‘Good Guy’ dolls have been replaced by 21st-century technology in the form of ‘Buddi’ dolls which, have been produced by Kaslan Industries. And instead of a psychotic serial killer transferring his soul to the body of a doll, Buddi has all of his safety features disabled by a disgruntled Kaslan employee. The change from possession to A.I. fits perfectly within the modern world where people rely heavily on their phones and various voice-activated gadgets.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars
Best friends, Chucky and Andy (Gabriel Bateman) share a moment
Chucky, as he will inevitably call himself, makes his way to Chicago and into the home of the Barclay’s, where mum Karen (Aubrey Plaza) gets her hands on the defective doll as an early birthday present for son Andy (Gabriel Bateman). After a few small glitches (eyes turning red) Andy and Chucky start to form a close bond. But the bond takes a sinister turn when Chucky starts to act differently in his pursuit of the ultimate friendship.
One of the highlights of the film is the brilliant casting of Mark Hamill as the voice of the murderous doll. Hamill (outside of Star Wars) is well known as a talented voice actor, having provided the voice of the Joker in the animated series. Hamill uses his full range of softly spoken innocence and demented rage to portray a character who is influenced by everything around him (there are blatant references to E.T.) and then uses it to the best of his ability in killing off people in a range of horrific (and comical) ways.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars. It’s not without its faults but this satirical take on the slasher genre is certainly B-movie levels at best.
In the Child’s Play remake the original ‘Good Guy’ dolls have been replaced by 21st-century technology in the form of ‘Buddi’ dolls which, have been produced by Kaslan Industries. And instead of a psychotic serial killer transferring his soul to the body of a doll, Buddi has all of his safety features disabled by a disgruntled Kaslan employee. The change from possession to A.I. fits perfectly within the modern world where people rely heavily on their phones and various voice-activated gadgets.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars
Best friends, Chucky and Andy (Gabriel Bateman) share a moment
Chucky, as he will inevitably call himself, makes his way to Chicago and into the home of the Barclay’s, where mum Karen (Aubrey Plaza) gets her hands on the defective doll as an early birthday present for son Andy (Gabriel Bateman). After a few small glitches (eyes turning red) Andy and Chucky start to form a close bond. But the bond takes a sinister turn when Chucky starts to act differently in his pursuit of the ultimate friendship.
One of the highlights of the film is the brilliant casting of Mark Hamill as the voice of the murderous doll. Hamill (outside of Star Wars) is well known as a talented voice actor, having provided the voice of the Joker in the animated series. Hamill uses his full range of softly spoken innocence and demented rage to portray a character who is influenced by everything around him (there are blatant references to E.T.) and then uses it to the best of his ability in killing off people in a range of horrific (and comical) ways.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars. It’s not without its faults but this satirical take on the slasher genre is certainly B-movie levels at best.
HM
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