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Gareth von Kallenbach (980 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 9, 2019
I was introduced to Scary Stories to Tell in the Dark (the amazing book series written by Alvin Schwartz back in 1981) in my Junior High history class. An odd place for sure to listen to this amazing collection of stories, and yet it displayed how these stories are impactful even if you aren’t reading them around a campfire in the middle of the woods. Schwartz had written two additional sequels to his stories in 1984 and 1991 and the incredibly creepy illustrations (by Stephen Gammell) helped to complete a collection of books that are at home in anyone’s collection both young and old.
The 80’s was a decade obsessed with the occult and works of fiction that parents thought were written to corrupt the minds of the youth of the age. Before video games were blamed for all the evil in the world there was Heavy Metal music, the fantastical role-playing games such as Dungeons and Dragons and books such as these that parents rallied around and attempted to ban from schools and after school functions. Looking back now at the hysteria that this caused is almost laughable, but for those of us growing up in that time it was a very real threat to the imaginations of youth around the globe. Outside of this brief history lesson however, I wondered how the books would translate into a movie.
Our story begins on Halloween night, the year is 1968 and the Vietnam War and the upcoming presidential elections are on everyone’s mind. Stella (Zoe Colletti) and her nerd friends Chuck (Austin Zajur) and Auggie (Gabriel Rush) decide that this will be the year that they get revenge on the local bully Tommy (Austin Abrams) for all his years of stealing candy from them on Halloween. After things go predictably wrong, the young group of kids are pursued to a drive-in theater where they seek refuge in a car that is owned by another out-of-town youngster named Ramon (Michael Garza). As thanks for “saving” them from a certain beating, Stella and the group decide to take Ramon to a real-life haunted house. A place where a young Sarah Bellows would tell stories to frighten children only for them to end up dead days later. While exploring the house the young group discover the hidden room of young Sarah Bellows and come across her book of “Scary Stories”. Unable to contain her own curiosity, Stella takes the book home with her and watches as the words on the pages turn into living nightmares of their own darkest fears.
Produced by Guillermo del Toro, Patrick Melton and Marcus Dunstan, Scary Stories takes a handful of fan favorites and weaves them into a “scary” story of their very own. Instead of simply being a collection of haunting tales, each one serves a purpose, whether it’s the “Red Dot” or “Harold”, each one is used to drive the story even further along. While at first, I was hoping that it would be a collection of short stories featuring these timeless classics, the way in which each individual story progresses the plot leads to a far more interesting experience overall.
Those looking for a movie filled with frightening tales that will have you reaching for the closest shoulder (whether you know who it belongs to or not) will be in for a bit of disappointment. That’s not to take away from the incredible amount of vision needed to bring these classic stories to life, but it takes on a far more contemporary feel, then the dark stories and supernatural visions of the books that came before it. The film comes away feeling more like Goosebumps and less like Freakshow which makes sense given its PG-13 rating and its obvious pre-teen to teen demographic. The movie is still fun however, particularly for those who fondly remember the stories from their youth and is one that will proudly sit beside the likes of Hocus Pocus when it comes to network television down the road as part of its likely Halloween line-up.
4 out of 5 stars
http://sknr.net/2019/08/08/scary-stories-to-tell-in-the-dark/
The 80’s was a decade obsessed with the occult and works of fiction that parents thought were written to corrupt the minds of the youth of the age. Before video games were blamed for all the evil in the world there was Heavy Metal music, the fantastical role-playing games such as Dungeons and Dragons and books such as these that parents rallied around and attempted to ban from schools and after school functions. Looking back now at the hysteria that this caused is almost laughable, but for those of us growing up in that time it was a very real threat to the imaginations of youth around the globe. Outside of this brief history lesson however, I wondered how the books would translate into a movie.
Our story begins on Halloween night, the year is 1968 and the Vietnam War and the upcoming presidential elections are on everyone’s mind. Stella (Zoe Colletti) and her nerd friends Chuck (Austin Zajur) and Auggie (Gabriel Rush) decide that this will be the year that they get revenge on the local bully Tommy (Austin Abrams) for all his years of stealing candy from them on Halloween. After things go predictably wrong, the young group of kids are pursued to a drive-in theater where they seek refuge in a car that is owned by another out-of-town youngster named Ramon (Michael Garza). As thanks for “saving” them from a certain beating, Stella and the group decide to take Ramon to a real-life haunted house. A place where a young Sarah Bellows would tell stories to frighten children only for them to end up dead days later. While exploring the house the young group discover the hidden room of young Sarah Bellows and come across her book of “Scary Stories”. Unable to contain her own curiosity, Stella takes the book home with her and watches as the words on the pages turn into living nightmares of their own darkest fears.
Produced by Guillermo del Toro, Patrick Melton and Marcus Dunstan, Scary Stories takes a handful of fan favorites and weaves them into a “scary” story of their very own. Instead of simply being a collection of haunting tales, each one serves a purpose, whether it’s the “Red Dot” or “Harold”, each one is used to drive the story even further along. While at first, I was hoping that it would be a collection of short stories featuring these timeless classics, the way in which each individual story progresses the plot leads to a far more interesting experience overall.
Those looking for a movie filled with frightening tales that will have you reaching for the closest shoulder (whether you know who it belongs to or not) will be in for a bit of disappointment. That’s not to take away from the incredible amount of vision needed to bring these classic stories to life, but it takes on a far more contemporary feel, then the dark stories and supernatural visions of the books that came before it. The film comes away feeling more like Goosebumps and less like Freakshow which makes sense given its PG-13 rating and its obvious pre-teen to teen demographic. The movie is still fun however, particularly for those who fondly remember the stories from their youth and is one that will proudly sit beside the likes of Hocus Pocus when it comes to network television down the road as part of its likely Halloween line-up.
4 out of 5 stars
http://sknr.net/2019/08/08/scary-stories-to-tell-in-the-dark/
Ivana A. | Diary of Difference (1171 KP) rated Into The Crooked Place (Into The Crooked Place #1) in Books
Oct 5, 2020
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#1 <a href="https://www.goodreads.com/review/show/2999418076">Into the Crooked Place</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/3504840515">City of Spells</a> - TBR
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-76.png?resize=768%2C432&ssl=1"/>;
Into the Crooked Place by Alexandra Christo was a book I was very excited to read in the first place.
There is magic and potions, there is romance and adventure. The hype around it was huge, and it is still talked about in the bookish community.
What’s not to like?
Tavia sells magic potions on the market. One day, she is ordered to sell a new magic potion. When her friend Saxoni drinks the new potion, something bad happens. The potion makes people do terrible things - and Tavia and Saxoni need to stop it, before it destroys everyone!
The storytelling in this book was amazing. I was immediately teleported to a world where going to a market to buy a love potion is normal. I could connect with all characters immediately, and wanted to know more about them. The story is told from multiple character’s points of view, which I found appropriate for this story.
Apart from Tavia and Saxony, we also meet Wesley - who is Tavia’s underboss. He is the one that she follows orders from, and he is the one to grant her her freedom, once she earns it by working for him.
<b><i>“There are no good people, he said. Just ones who haven’t made bad choices yet.”</i></b>
We also meet Karam - a feisty warrior woman, who is fighting in pits for money. Karam is a character that I instantly liked, for her bravery and her free spirit. She knows who she is, she knows how she got there, and she knows exactly what she wants.
<b><i>“She had fought her way to her position and hadn’t needed prayer or magic to do it. Just her fists and her smarts and the knowledge that she could.”</i></b>
I liked Karam and she was probably my favorite character.
I think that her journey was the most adventurous compared to all the other characters, and I feel like she’s grown the most.
<b><i>“She felt at home. And she knew why. She knew then that home could be anywhere, because it wasn’t a place, but a feeling. It was made up of people, not bricks, and it was something you could create for yourself, just like family.”</i></b>
The legacy that Karam and Saxony carry is very conveniently revealed. The author only revealed this when it was needed in the book, to fit a certain situation and prompt plot twists. This wasn’t something I enjoyed, and together with how the book ended, it did leave a bitter aftertaste. I think I would have liked the book more if certain reveals were handled better, and the ending was more interesting.
<b><i>“Sometimes, words spoken in anger are not words spoken in truth, dila.”</i></b>
To sum everything up, I still think Into the Crooked Place was amazing and enjoyable.
I enjoyed being in this magical world and I enjoyed the adventures the characters went through. If you’ve been reading my reviews, you will know I love a good versus evil battle, and this book did indeed have that. Would I change the ending? Yes. Would I change the way the reveals were handled? Yes. But was this still an amazing book? Most definitely. If you love young-adult magic and adventure books - you will enjoy this one!
Thank you to the teams at Hot Key Books and ReadersFirst, for sending me a copy of this book. Into the Crooked Place is the first book in the series. The second book is called City of Spells, and is expected to come out in 2021.
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#1 <a href="https://www.goodreads.com/review/show/2999418076">Into the Crooked Place</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/3504840515">City of Spells</a> - TBR
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-76.png?resize=768%2C432&ssl=1"/>;
Into the Crooked Place by Alexandra Christo was a book I was very excited to read in the first place.
There is magic and potions, there is romance and adventure. The hype around it was huge, and it is still talked about in the bookish community.
What’s not to like?
Tavia sells magic potions on the market. One day, she is ordered to sell a new magic potion. When her friend Saxoni drinks the new potion, something bad happens. The potion makes people do terrible things - and Tavia and Saxoni need to stop it, before it destroys everyone!
The storytelling in this book was amazing. I was immediately teleported to a world where going to a market to buy a love potion is normal. I could connect with all characters immediately, and wanted to know more about them. The story is told from multiple character’s points of view, which I found appropriate for this story.
Apart from Tavia and Saxony, we also meet Wesley - who is Tavia’s underboss. He is the one that she follows orders from, and he is the one to grant her her freedom, once she earns it by working for him.
<b><i>“There are no good people, he said. Just ones who haven’t made bad choices yet.”</i></b>
We also meet Karam - a feisty warrior woman, who is fighting in pits for money. Karam is a character that I instantly liked, for her bravery and her free spirit. She knows who she is, she knows how she got there, and she knows exactly what she wants.
<b><i>“She had fought her way to her position and hadn’t needed prayer or magic to do it. Just her fists and her smarts and the knowledge that she could.”</i></b>
I liked Karam and she was probably my favorite character.
I think that her journey was the most adventurous compared to all the other characters, and I feel like she’s grown the most.
<b><i>“She felt at home. And she knew why. She knew then that home could be anywhere, because it wasn’t a place, but a feeling. It was made up of people, not bricks, and it was something you could create for yourself, just like family.”</i></b>
The legacy that Karam and Saxony carry is very conveniently revealed. The author only revealed this when it was needed in the book, to fit a certain situation and prompt plot twists. This wasn’t something I enjoyed, and together with how the book ended, it did leave a bitter aftertaste. I think I would have liked the book more if certain reveals were handled better, and the ending was more interesting.
<b><i>“Sometimes, words spoken in anger are not words spoken in truth, dila.”</i></b>
To sum everything up, I still think Into the Crooked Place was amazing and enjoyable.
I enjoyed being in this magical world and I enjoyed the adventures the characters went through. If you’ve been reading my reviews, you will know I love a good versus evil battle, and this book did indeed have that. Would I change the ending? Yes. Would I change the way the reveals were handled? Yes. But was this still an amazing book? Most definitely. If you love young-adult magic and adventure books - you will enjoy this one!
Thank you to the teams at Hot Key Books and ReadersFirst, for sending me a copy of this book. Into the Crooked Place is the first book in the series. The second book is called City of Spells, and is expected to come out in 2021.
Kyera (8 KP) rated Flame in the Mist in Books
Jan 31, 2018
I received an ARC/e-galley of this book through Penguin's First to Read program - although that did not influence my opinion of the book or the review provided.
Although the story is vastly different from the Wrath and the Dawn, Renée Ahdieh's poetic style of writing comes across just as beautifully in this novel as her previous series. The gorgeous writing is my favourite aspect of the book, followed very closely by the plot, characters, and the world.
I have always been a huge admirer of the Japanese culture and love seeing the (fictional) historical representation of feudal Japan. There aren't a lot of examples of this that I have personally read and truly fallen in love with. This is by far my favorite iteration of that time and I adore the story that accompanies that world.
Mariko is to be wed to one of the Emperor's sons, an act that would bring her family honour and one that she does not wish to partake in. Alas, she is a girl and thus does not get a choice in her future. Halfway to her destination, her litter is attacked and the entire envoy is killed - except Mariko.
This attempt on her life changes everything and leads her on a journey to discover who put a price on her life, to find answers and ensure her family's honour. Mariko knows that a girl cannot accomplish this on her own and takes drastic measures. Her first act is to cut her hair and it gave me such Mulan vibes. It immediately made me so much more excited to read this book, especially if she channeled my favorite Disney heroine (and spoiler alert, she does).
Mariko is a great female character to look up to because no matter what situation she finds herself and she will persist, fight against the odds, learn whatever she can, and never let anyone keep her down. She is such a strong character and it is so empowering to see that in the novel, especially when you don't see that type of character generally in this world.
She masquerades as a peasant boy and is able to fool everyone. I almost immediately fall in love with Mariko as she is curious, intelligent doesn't always know when to stop talking. She is a feisty, strong female character who is not used to being on her own but is intelligent enough to always want to learn and succeed despite the hurdles. We get to know Mariko best and see her grow over the course of the novel.
Her twin brother Kenshin is the brawn to Mariko's brains. He is much more comfortable on a horse or with a weapon in his hand than in conversation with nobles. It is his actions that truly lead her down the path and make her question everything she's ever believed in. Which is so difficult to do because you want to believe in the best of your family until wonder if that's not true, can shake your entire foundation. It's a really authentic feeling in the book and you wonder just as Mariko wonders - could it be true?
Ranmaru and Okami are members of the Black Clan, a band of notorious thieves who may be more than they appear. The two men are like yin and yang, the counterbalances of one another. Ranmaru is an optimist, more talkative and humorous than Okami, who is more serious and hides himself behind a mask.
Renee Ahdieh's beautiful writing extends to the world at large, painting vibrant pictures of cities like Inaka and foreboding ones of the forest where the Black Clan make their home. You are transported into the world with the characters and don't want to leave, even if the situations you're faced with aren't always pleasant.
I fell in love with the story and the characters almost immediately. Flame in the Mist is a wonderful story and I cannot wait to read the next in the series. The book has a satisfying conclusion while also leading you to excitedly anticipate what will happen in the subsequent books. Highly recommended to young adult/teen readers who have enjoyed Renee Ahdieh's previous novels, strong female leads, and beautifully written stories.
Although the story is vastly different from the Wrath and the Dawn, Renée Ahdieh's poetic style of writing comes across just as beautifully in this novel as her previous series. The gorgeous writing is my favourite aspect of the book, followed very closely by the plot, characters, and the world.
I have always been a huge admirer of the Japanese culture and love seeing the (fictional) historical representation of feudal Japan. There aren't a lot of examples of this that I have personally read and truly fallen in love with. This is by far my favorite iteration of that time and I adore the story that accompanies that world.
Mariko is to be wed to one of the Emperor's sons, an act that would bring her family honour and one that she does not wish to partake in. Alas, she is a girl and thus does not get a choice in her future. Halfway to her destination, her litter is attacked and the entire envoy is killed - except Mariko.
This attempt on her life changes everything and leads her on a journey to discover who put a price on her life, to find answers and ensure her family's honour. Mariko knows that a girl cannot accomplish this on her own and takes drastic measures. Her first act is to cut her hair and it gave me such Mulan vibes. It immediately made me so much more excited to read this book, especially if she channeled my favorite Disney heroine (and spoiler alert, she does).
Mariko is a great female character to look up to because no matter what situation she finds herself and she will persist, fight against the odds, learn whatever she can, and never let anyone keep her down. She is such a strong character and it is so empowering to see that in the novel, especially when you don't see that type of character generally in this world.
She masquerades as a peasant boy and is able to fool everyone. I almost immediately fall in love with Mariko as she is curious, intelligent doesn't always know when to stop talking. She is a feisty, strong female character who is not used to being on her own but is intelligent enough to always want to learn and succeed despite the hurdles. We get to know Mariko best and see her grow over the course of the novel.
Her twin brother Kenshin is the brawn to Mariko's brains. He is much more comfortable on a horse or with a weapon in his hand than in conversation with nobles. It is his actions that truly lead her down the path and make her question everything she's ever believed in. Which is so difficult to do because you want to believe in the best of your family until wonder if that's not true, can shake your entire foundation. It's a really authentic feeling in the book and you wonder just as Mariko wonders - could it be true?
Ranmaru and Okami are members of the Black Clan, a band of notorious thieves who may be more than they appear. The two men are like yin and yang, the counterbalances of one another. Ranmaru is an optimist, more talkative and humorous than Okami, who is more serious and hides himself behind a mask.
Renee Ahdieh's beautiful writing extends to the world at large, painting vibrant pictures of cities like Inaka and foreboding ones of the forest where the Black Clan make their home. You are transported into the world with the characters and don't want to leave, even if the situations you're faced with aren't always pleasant.
I fell in love with the story and the characters almost immediately. Flame in the Mist is a wonderful story and I cannot wait to read the next in the series. The book has a satisfying conclusion while also leading you to excitedly anticipate what will happen in the subsequent books. Highly recommended to young adult/teen readers who have enjoyed Renee Ahdieh's previous novels, strong female leads, and beautifully written stories.
Heather Cranmer (2721 KP) rated Fallout (Crank, #3) in Books
Jun 6, 2018
(This review can also be found on my blog at <a href="http://www.themisadventuresofatwentysomething.blogspot.com">The (Mis)Adventures of a Twenty Something Year Old Girl</a>).
Fallout by Ellen Hopkins is the final book in the Crank trilogy. I so wanted and expected this book to be just as great as the first two. However, this wasn't the case. It was alright, but no where near as good as Crank and Glass. Perhaps it was just because I wanted more Kristina, and she wasn't mentioned too much in this book.
Fallout follows the lives of three of Kristina's children. Hunter is the oldest at 19. He is extremely angry at his mother and can't understand why his mother abandoned him. Next is Autumn who lives with her aunt and grandfather. When the stability of her home life falls out beneath her, Autumn turns to drinking and becomes a bit of a wild child. Summer doesn't even know she has any biological siblings. She's been living in and out of foster homes her whole life for the most part. When she meets the boy who seems to love her, things start to go wrong. However, each one of them wants Kristina to acknowledge them.
The title of this book makes sense as all of Kristina's children have fallen out with her. I think it does a great job of giving you a hint about what this book will be about.
The cover of this book doesn't really do it for me. I like how the author stuck with the whole druggy looking title. However, I just didn't care for the ugly yellow background and how plain the cover looked. Perhaps that's just a personal thing as all the covers have been plain looking, but as this was told from the point of view from Kristina's children, I thought this cover would just have a different look.
The world building in Fallout is alright, but it's easy to forget which world you're in. Maybe that's just my bad memory, but I always had to remind myself which setting belonged to what character.
The pacing in this book is slower than the first two books, and is just a bit slow overall. It took me a longer time than usual to read this book because most of the time, I just had trouble getting into it. I just found myself not caring really when it came to everything in Fallout.
There's not much dialogue going on between the characters as with the first two books in the series. I thought the internal dialogue which each character was really good, and I felt like the dialogue between each individual character was appropriate for each of their age. There are a few swear words in this book so be warned if that's not your cup of tea.
I found myself not caring about the characters most of the time. I don't know if this was because I wanted more Kristina or because they weren't as well developed as Kristina. I got Autumn and Summer confused a lot of the time whilst reading since they almost seem to have the same personality. The only way I was able to tell them apart (besides it having their name printed at the top of the page when it was time for their point of view) was because of the setting, and even then it was sometimes difficult. With that said, I started off enjoying reading about Hunter as he seemed to just be a more well defined, more interesting character. About halfway through the book, I even stopped caring about him because he just became a little bit boring.
I enjoyed that Fallout was written in verse like the first two books in the series. Hopkins does a fantastic job putting words in verse and putting it into a story. I just wish this book could've been as good as the first two. Instead Fallout falls a little bit flat with the characters and the plot both leaving me feeling uncaring. Don't get me wrong, it's still an okay book, but I just think that this book didn't need to be written as not much is going on.
I'd recommend this book to those aged 15+ who are interested in learning about Kristina's children since you won't be hearing much about Kristina in this book.
Fallout by Ellen Hopkins is the final book in the Crank trilogy. I so wanted and expected this book to be just as great as the first two. However, this wasn't the case. It was alright, but no where near as good as Crank and Glass. Perhaps it was just because I wanted more Kristina, and she wasn't mentioned too much in this book.
Fallout follows the lives of three of Kristina's children. Hunter is the oldest at 19. He is extremely angry at his mother and can't understand why his mother abandoned him. Next is Autumn who lives with her aunt and grandfather. When the stability of her home life falls out beneath her, Autumn turns to drinking and becomes a bit of a wild child. Summer doesn't even know she has any biological siblings. She's been living in and out of foster homes her whole life for the most part. When she meets the boy who seems to love her, things start to go wrong. However, each one of them wants Kristina to acknowledge them.
The title of this book makes sense as all of Kristina's children have fallen out with her. I think it does a great job of giving you a hint about what this book will be about.
The cover of this book doesn't really do it for me. I like how the author stuck with the whole druggy looking title. However, I just didn't care for the ugly yellow background and how plain the cover looked. Perhaps that's just a personal thing as all the covers have been plain looking, but as this was told from the point of view from Kristina's children, I thought this cover would just have a different look.
The world building in Fallout is alright, but it's easy to forget which world you're in. Maybe that's just my bad memory, but I always had to remind myself which setting belonged to what character.
The pacing in this book is slower than the first two books, and is just a bit slow overall. It took me a longer time than usual to read this book because most of the time, I just had trouble getting into it. I just found myself not caring really when it came to everything in Fallout.
There's not much dialogue going on between the characters as with the first two books in the series. I thought the internal dialogue which each character was really good, and I felt like the dialogue between each individual character was appropriate for each of their age. There are a few swear words in this book so be warned if that's not your cup of tea.
I found myself not caring about the characters most of the time. I don't know if this was because I wanted more Kristina or because they weren't as well developed as Kristina. I got Autumn and Summer confused a lot of the time whilst reading since they almost seem to have the same personality. The only way I was able to tell them apart (besides it having their name printed at the top of the page when it was time for their point of view) was because of the setting, and even then it was sometimes difficult. With that said, I started off enjoying reading about Hunter as he seemed to just be a more well defined, more interesting character. About halfway through the book, I even stopped caring about him because he just became a little bit boring.
I enjoyed that Fallout was written in verse like the first two books in the series. Hopkins does a fantastic job putting words in verse and putting it into a story. I just wish this book could've been as good as the first two. Instead Fallout falls a little bit flat with the characters and the plot both leaving me feeling uncaring. Don't get me wrong, it's still an okay book, but I just think that this book didn't need to be written as not much is going on.
I'd recommend this book to those aged 15+ who are interested in learning about Kristina's children since you won't be hearing much about Kristina in this book.
Gareth von Kallenbach (980 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jun 19, 2019
The eagerly anticipated next chapter in the Star Wars saga; “Star Wars: The Last Jedi” has arrived and it is by far one of the best films in the series and a significant upgrade over “Star Wars: The Force Awakens”. The film picks up where the last film concluded as Rey (Daisy Ridley), has located the long in hiding Luke Skywalker (Mark Hamill), and attempts to recruit him to return to fight the evil First Order and train her in the ways of the Force.
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
Gareth von Kallenbach (980 KP) rated The Hobbit: An Unexpected Journey (2012) in Movies
Aug 7, 2019
Following the Lord of the Rings Trilogy was going to be no easy feat. The series not only made incredible amounts of cash at the box office worldwide, but also garnered an Academy award for best picture for the final film in the series. In the years since the trilogy, writer-director-producer Peter Jackson has not overwhelmed at the box office. His big-budget remake of “King Kong” performed below expectations and the high-profile collapse of the “Halo” movie to which he was attached, as well as the underwhelming box office of “The Lovely Bones” made many people question if Jackson had peaked and was better suited for the lower budgeted independent films that first gave him his start.
When it was announced that a film version of “The Hobbit” was in the works and that director Guillermo del Toro would direct the film as well as help write the screenplay and that Jackson would produce, the fans’ interest level was definitely piqued. But after a long state of pre-production, del Torro decided not to direct the film as he was unwilling to commit the next six years to living and working in New Zealand. Jackson then took over the film and soon after it was announced that it would be stretched into three movies to form a new trilogy.
For those unfamiliar with the story it was actually the first book written by J.R.R. Tolkien, which sets the stage for what was to follow in the Lord of the Rings even though it was originally conceived as a standalone story. The film opens with an older Bilbo Baggins (Martin Freeman), writing a memoir while preparations for a party are underway. Bilbo discusses how there was one story that he had not disclosed and sets pen to paper in order to chronicle his legendary journey 60 years prior.
Gandolf Wizard (Sir Ian McKellen) visits the younger Bilbo and suggests he go on an adventure. Bilbo immediately declines, as being a Hobbit, he has no desire to leave the creature comforts and serenity of The Shire, much less face the dangers that exist in the world beyond. A group of dwarves arrive’ that evening and despite their gluttonous appetites and loud behavior, Bilbo has a change of heart the following morning and accompanies them on their quest.
The group’s goal is to travel to the dwarves’ kingdom of Erebor to reclaim their stronghold which was lost many years earlier to a vicious Dragon named Smaug. In the decades since, the dwarves existed as people without a home, forced to live as nomads taking work wherever they can find it. Along the way the group deals with all manner of threats and dangers ranging from trolls, goblins, orcs, and other supernatural elements. Of course there were some internal tensions and conflicts within the group as it marched towards a finale that sets the stage for the next film.
The movie has a runtime of nearly 3 hours and there were times that I caught a couple members in press row dozing briefly. While I enjoyed the film more than I did any of the Lord of the Rings movies, it was clearly obvious that things were being stretched out in order to justify a third film in the series. There were countless scenes of the band walking over hills and across the countryside so much so that at times I felt that I was watching the longest commercial for New Zealand tourism ever created. We get it. It’s a long journey. They travel near and far. I got it. I don’t need to see it every 10 minutes.
There were also several scenes that were done almost as if in aside that truthfully did not add much to the story but seem to exist as nothing more than time fillers. In the subsequent films it is learned that characters and scenes that did not appear in the book will be inserted into the film. Once again I have to question this as I do believe they could have easily cut an hour out of this movie and not lose much of the necessary narrative.
There’s been a lot of talk about the higher frame rate 3-D that was used to create the film. There have been claims that it was distracting, jerky, and detracted from the movie. I on the other hand found it absolutely captivating because it did not have that movie look to it, and it felt like I was watching an HD television. Even during the CGI heavy sequences, it did appear as if the performers were literally right there in front of me and I got the impression more of watching a play than of watching a movie.
The visual effects in the film were quite stunning. The live-action and computer-generated elements were absolutely amazing, especially during the latter part of the film when we meet Gollum (Andy Serkis), and during the battle and the goblin stronghold. Although the book is considered a children’s novel, I would really have to think twice about bringing young children to see this film as there is a lot of action and violence in the film as well as potential scares in the form of the monsters that abound.
The film could have definitely used some star power to it. While the cast does a solid job, they are fairly generic and almost interchangeable during certain segments of the film. That being said, the film works because despite its issues, it’s a visually spectacular masterpiece that, if you can endure the long periods of inaction, pays off especially well during the film’s battle sequences.
When it was announced that a film version of “The Hobbit” was in the works and that director Guillermo del Toro would direct the film as well as help write the screenplay and that Jackson would produce, the fans’ interest level was definitely piqued. But after a long state of pre-production, del Torro decided not to direct the film as he was unwilling to commit the next six years to living and working in New Zealand. Jackson then took over the film and soon after it was announced that it would be stretched into three movies to form a new trilogy.
For those unfamiliar with the story it was actually the first book written by J.R.R. Tolkien, which sets the stage for what was to follow in the Lord of the Rings even though it was originally conceived as a standalone story. The film opens with an older Bilbo Baggins (Martin Freeman), writing a memoir while preparations for a party are underway. Bilbo discusses how there was one story that he had not disclosed and sets pen to paper in order to chronicle his legendary journey 60 years prior.
Gandolf Wizard (Sir Ian McKellen) visits the younger Bilbo and suggests he go on an adventure. Bilbo immediately declines, as being a Hobbit, he has no desire to leave the creature comforts and serenity of The Shire, much less face the dangers that exist in the world beyond. A group of dwarves arrive’ that evening and despite their gluttonous appetites and loud behavior, Bilbo has a change of heart the following morning and accompanies them on their quest.
The group’s goal is to travel to the dwarves’ kingdom of Erebor to reclaim their stronghold which was lost many years earlier to a vicious Dragon named Smaug. In the decades since, the dwarves existed as people without a home, forced to live as nomads taking work wherever they can find it. Along the way the group deals with all manner of threats and dangers ranging from trolls, goblins, orcs, and other supernatural elements. Of course there were some internal tensions and conflicts within the group as it marched towards a finale that sets the stage for the next film.
The movie has a runtime of nearly 3 hours and there were times that I caught a couple members in press row dozing briefly. While I enjoyed the film more than I did any of the Lord of the Rings movies, it was clearly obvious that things were being stretched out in order to justify a third film in the series. There were countless scenes of the band walking over hills and across the countryside so much so that at times I felt that I was watching the longest commercial for New Zealand tourism ever created. We get it. It’s a long journey. They travel near and far. I got it. I don’t need to see it every 10 minutes.
There were also several scenes that were done almost as if in aside that truthfully did not add much to the story but seem to exist as nothing more than time fillers. In the subsequent films it is learned that characters and scenes that did not appear in the book will be inserted into the film. Once again I have to question this as I do believe they could have easily cut an hour out of this movie and not lose much of the necessary narrative.
There’s been a lot of talk about the higher frame rate 3-D that was used to create the film. There have been claims that it was distracting, jerky, and detracted from the movie. I on the other hand found it absolutely captivating because it did not have that movie look to it, and it felt like I was watching an HD television. Even during the CGI heavy sequences, it did appear as if the performers were literally right there in front of me and I got the impression more of watching a play than of watching a movie.
The visual effects in the film were quite stunning. The live-action and computer-generated elements were absolutely amazing, especially during the latter part of the film when we meet Gollum (Andy Serkis), and during the battle and the goblin stronghold. Although the book is considered a children’s novel, I would really have to think twice about bringing young children to see this film as there is a lot of action and violence in the film as well as potential scares in the form of the monsters that abound.
The film could have definitely used some star power to it. While the cast does a solid job, they are fairly generic and almost interchangeable during certain segments of the film. That being said, the film works because despite its issues, it’s a visually spectacular masterpiece that, if you can endure the long periods of inaction, pays off especially well during the film’s battle sequences.
Haley Mathiot (9 KP) rated Fade to Black (Rojan Dizon, #1) in Books
Apr 27, 2018
Imagine a combination of 1984, The Hunger Games, and a James Patterson mystery novel. That is the best way I can sum up Fade to Black. A world so intriguing, mysterious, and exciting that you want to live in it, and yet then again, maybe you don’t. A plot that never stops moving and throwing stuff at you, and with every page you become more and more wrapped up in it. Characters that you want to be, or be friends with, or take a good swing at. I am so excited about this novel, guys. I can’t recommend it enough.
First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.
First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.
Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.
Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).
The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!
Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!
Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.
First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.
Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.
Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).
The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!
Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!
Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
Kyera (8 KP) rated City of Glass (The Mortal Instruments, #3) in Books
Jan 31, 2018
City of Glass sent me on an emotional rollercoaster. You know characters are well written when you viscerally feel the emotions that they are experiencing, you connect with them as if they are real people and cannot help but be completed enamoured with the story. Of course, to get this experience you need to follow the characters on their journey from the first book, City of Bones. This is not a book that you could read by itself and fully understand the immersive and expansive world that Cassie has built.
Even though I may usually not be consciously thinking about the fact that I’m going to review a book – I believe having been writing reviews much more frequently I am more cognizant of the aspects of a book. I am now subconsciously more aware of a book, especially with a re-read or an author I’m familiar with. I’m so used to having spent the last decade with the characters from the Mortal Instruments, that I feel I had forgotten who they were at the start. You don’t realize just how much they’ve grown until you re-read the books.
Each character learns so much over the course of the books that we get to know them and watch them evolve. The Clary I think of is artistic, strong, passionate, fiercely loyal and loving, brave and capable – so it is strange seeing her when she is new to the Shadow World. You can see the potential, although she has not grown and matured into that person yet. In City of Glass, I was amazed to be reminded just how whiny, child-like, quick to anger and throw temper tantrums, and reckless she could be.
I’ve mentioned it before, but I am continually impressed with and in awe of how much Cassandra Clare’s writing has improved over the years. Just the level of growth each principle character experiences over the course of the novels is fantastic. There were also so many emotional or action-filled scenes that the plot just raced by, but not in a bad it. I just fell completely into the story and didn’t want to put it down.
The fact that, even three books later, Cassie continues to expand the world she builds is incredible. I love when a fictional world, even one set within our own with hidden depth, is so real that you feel like you could live there. You understand the way of the world and its nuances. It was wonderful getting to see the Shadowhunters’ home country, Idris and the city of Alicante.
I can’t really discuss more without there being spoilers from the first two books or City of Glass, so all I have left to say is please read this series. If you give it a chance, even if it’s not perfect at first, I hope you will fall in love with it just like I did.
Even though I may usually not be consciously thinking about the fact that I’m going to review a book – I believe having been writing reviews much more frequently I am more cognizant of the aspects of a book. I am now subconsciously more aware of a book, especially with a re-read or an author I’m familiar with. I’m so used to having spent the last decade with the characters from the Mortal Instruments, that I feel I had forgotten who they were at the start. You don’t realize just how much they’ve grown until you re-read the books.
Each character learns so much over the course of the books that we get to know them and watch them evolve. The Clary I think of is artistic, strong, passionate, fiercely loyal and loving, brave and capable – so it is strange seeing her when she is new to the Shadow World. You can see the potential, although she has not grown and matured into that person yet. In City of Glass, I was amazed to be reminded just how whiny, child-like, quick to anger and throw temper tantrums, and reckless she could be.
I’ve mentioned it before, but I am continually impressed with and in awe of how much Cassandra Clare’s writing has improved over the years. Just the level of growth each principle character experiences over the course of the novels is fantastic. There were also so many emotional or action-filled scenes that the plot just raced by, but not in a bad it. I just fell completely into the story and didn’t want to put it down.
The fact that, even three books later, Cassie continues to expand the world she builds is incredible. I love when a fictional world, even one set within our own with hidden depth, is so real that you feel like you could live there. You understand the way of the world and its nuances. It was wonderful getting to see the Shadowhunters’ home country, Idris and the city of Alicante.
I can’t really discuss more without there being spoilers from the first two books or City of Glass, so all I have left to say is please read this series. If you give it a chance, even if it’s not perfect at first, I hope you will fall in love with it just like I did.
Lilyn G - Sci-Fi & Scary (91 KP) rated Lilac Skully and the Haunted House in Books
Feb 10, 2018
Lilac is a character you can't help but root for.
I don't often comment on covers, but I've got to start this by saying I love the cover for Lilac Skully and the Haunted House. The house is definitely suitably creepy, and the color choice for the sky is absolutely gorgeous. I did pick it up just to look at the cover more than once before it made it’s way to the top of my to-read pile. And at only 168 pages, when I finally did pick it up to read, it was a book that I flew through. Obviously it’ll take the intended age range a bit longer to read than it did for me, but I can’t imagine it being a slow go for anyone. It’s well-written and nicely paced. The story hits the ground running.
I liked Lilac Skully and the Haunted House. Lilac reminded, at least vaguely, of Luna Lovegood from the Harry Potter series. Not as crazy, mind you, but with the blonde hair, the big eyes, and the outcast status, it was hard for her not to feel a little familiar. This was a good thing, as it enabled me to immediately connect with the character a little more quickly than I might have normally. The fact that Lilac was scared of ghosts was perfect. Young readers will definitely be able to empathize with the little girl who does all the sensible things to avoid running into them. Who in their right mind would want to go into a haunted basement, right?
The set up is fairly typical of a kid’s book. A single parent family, with the father additionally and conveniently absent for the majority of the book. The adults that are in the picture for Lilac Skully and the Haunted House are bumbling, sometimes up to no good, and ridiculously easily fooled. Nothing new to see, but still entertaining to read. The formula works for a reason, even if we do celebrate times when things veer from the norm. In this case, it allowed Lilac to participate in some Home Alone-esque shenanigans that had me grinning.
It’s obvious the author has more adventures for Lilac Skully planned (seven, to be exact), and I think she will swiftly gain a loyal fanbase. Lilac Skully and the Haunted House was easy to read, and featured a little girl with a lot of heart. I enjoyed watching Lilac learn that appearances can be deceiving, and that sometimes the people you least expect can become your best friends.
Overall, a very good read for young readers who want something with ghosts, but not something ‘too scary’. Lilac Skully and the Haunted House worth picking up, and something you can let them read on their own, or read with you each evening.
Disclaimer: I received a copy of this book from the author for review consideration.
I liked Lilac Skully and the Haunted House. Lilac reminded, at least vaguely, of Luna Lovegood from the Harry Potter series. Not as crazy, mind you, but with the blonde hair, the big eyes, and the outcast status, it was hard for her not to feel a little familiar. This was a good thing, as it enabled me to immediately connect with the character a little more quickly than I might have normally. The fact that Lilac was scared of ghosts was perfect. Young readers will definitely be able to empathize with the little girl who does all the sensible things to avoid running into them. Who in their right mind would want to go into a haunted basement, right?
The set up is fairly typical of a kid’s book. A single parent family, with the father additionally and conveniently absent for the majority of the book. The adults that are in the picture for Lilac Skully and the Haunted House are bumbling, sometimes up to no good, and ridiculously easily fooled. Nothing new to see, but still entertaining to read. The formula works for a reason, even if we do celebrate times when things veer from the norm. In this case, it allowed Lilac to participate in some Home Alone-esque shenanigans that had me grinning.
It’s obvious the author has more adventures for Lilac Skully planned (seven, to be exact), and I think she will swiftly gain a loyal fanbase. Lilac Skully and the Haunted House was easy to read, and featured a little girl with a lot of heart. I enjoyed watching Lilac learn that appearances can be deceiving, and that sometimes the people you least expect can become your best friends.
Overall, a very good read for young readers who want something with ghosts, but not something ‘too scary’. Lilac Skully and the Haunted House worth picking up, and something you can let them read on their own, or read with you each evening.
Disclaimer: I received a copy of this book from the author for review consideration.
Gareth von Kallenbach (980 KP) rated Star Trek Bridge Crew VR in Video Games
Jun 19, 2019
Star Trek fans finally get the chance to take command in the new Star Trek: Bridge Crew by Ubisoft. The Virtual Reality game is cross-platform so Playstation VR, Oculus Rift, and HTC Vive owners can all play with one another which greatly enhance the play experience and options.
Matchmaking was easy as once I completed the training sessions, I was ready to go. I had played the game last summer at PAX West on the Oculus and playing on our Playstation VR was very easy to setup and go. I opted to use the Move controllers vs the Gamepad and in no time I was on the bridge of the USS Ageis.
The game is set in the JJ Abrams Universe and tasks players with finding a new home for the Vulcans in a previously unexplored area of space known as “The Trench”
Players can play as Captain, Helm, Tactical, or Engineering and each has their own tasks essential to mission success and survival. Helm has to pilot the ship, Tactical handles the weapons, Engineering keeps things running and distributes power and repairs, as well as the Transporters, and the Captain calls the shots. Naturally there are navigation maps and other flourishes which help with the immersion as well as being part of the fun.
Players who expect run and gun action will be disappointed as this is a game that works more on tactics than twitch as combat and exploration move at a slower and more deliberate pace than action gamers may be expecting. Encountering hostiles is often a delicate dance of exchanging fire, maneuvering, and damage control, while balancing the decision to fight or flee. Players also have to keep an eye on the energy levels as should a retreat be needed, then power has to be moved from one system to the engines to warp to safety unless you want to try to last on Impulse Power.
The game is challenging and graphics are very solid for a VR game. Players looking for even more nostalgic immersion can play on the Enterprise from the Classic Series but this is suggested for experience crews so it helps to play with others that you know or who have completed multiple missions.
The game does allow players more opened ended options than I expected and it is great fun to have a total stranger who you have just been matched with call you “Captain” and await your orders. The game did have a few glitches at launch but they have been quickly fixed via updates, and I have had mostly smooth sailing aside from an occasional dropped connection or a controller going out of range of the camera.
For pure immersive fun and solid co-op play, Star Trek Bridge Crew offers one of the best Star Trek experiences to date and is a must own for anyone who owns a VR system.
http://sknr.net/2017/06/12/star-trek-bridge-crew/
Matchmaking was easy as once I completed the training sessions, I was ready to go. I had played the game last summer at PAX West on the Oculus and playing on our Playstation VR was very easy to setup and go. I opted to use the Move controllers vs the Gamepad and in no time I was on the bridge of the USS Ageis.
The game is set in the JJ Abrams Universe and tasks players with finding a new home for the Vulcans in a previously unexplored area of space known as “The Trench”
Players can play as Captain, Helm, Tactical, or Engineering and each has their own tasks essential to mission success and survival. Helm has to pilot the ship, Tactical handles the weapons, Engineering keeps things running and distributes power and repairs, as well as the Transporters, and the Captain calls the shots. Naturally there are navigation maps and other flourishes which help with the immersion as well as being part of the fun.
Players who expect run and gun action will be disappointed as this is a game that works more on tactics than twitch as combat and exploration move at a slower and more deliberate pace than action gamers may be expecting. Encountering hostiles is often a delicate dance of exchanging fire, maneuvering, and damage control, while balancing the decision to fight or flee. Players also have to keep an eye on the energy levels as should a retreat be needed, then power has to be moved from one system to the engines to warp to safety unless you want to try to last on Impulse Power.
The game is challenging and graphics are very solid for a VR game. Players looking for even more nostalgic immersion can play on the Enterprise from the Classic Series but this is suggested for experience crews so it helps to play with others that you know or who have completed multiple missions.
The game does allow players more opened ended options than I expected and it is great fun to have a total stranger who you have just been matched with call you “Captain” and await your orders. The game did have a few glitches at launch but they have been quickly fixed via updates, and I have had mostly smooth sailing aside from an occasional dropped connection or a controller going out of range of the camera.
For pure immersive fun and solid co-op play, Star Trek Bridge Crew offers one of the best Star Trek experiences to date and is a must own for anyone who owns a VR system.
http://sknr.net/2017/06/12/star-trek-bridge-crew/