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Moving into my first house is step one in starting my new life. Next is setting up my contracting...
Age Gap Found Family Contemporary MM Romance Series
Acanthea Grimscythe (300 KP) rated Glass Sword in Books
May 16, 2018
When it comes to book series, there's always a risk of the phenomenon called "second book syndrome." For those who aren't bookwyrms, this term refers most often to books that should have been left alone, rather than followed with a sequel. When I began reading Victoria Aveyard's sequel to Red Queen, Glass Sword, I was wary. A fellow bookwyrm informed me that she had not read the series yet and was largely unsure of whether or not she would because she'd heard quite a bit regarding the second book in the series being a flop. Nonetheless, I charged onward with the audiobook, once again narrated by the lovely voice of Amanda Dolan.
Beginning precisely where Red Queen left off, Glass Sword picks up after Mare and Cal have escaped the Bowl of Bones and Maven's betrayal. Together with Farley, Kilorn, and a few other characters come together in secrecy after relocating to rise against the new Silver King. Along the way, they pick up some allies - both expected and unexpected. Packed with action, it is easy to see why this series is a hit among young adults.
Naturally, I've read a few other reviews to see what the general consensus of this book is and I've discovered that most readers either hate it or love it - there's not a whole lot of in between. Personally, I enjoyed it. I found Glass Sword to be a fairly entertaining read and it served its purpose of keeping me awake on the hour long commute home (with no traffic). A few new characters are introduced, none of which are too memorable.
As far as romantic interests go, I can't really decide one way or another in regards to the three eligible males. I adore Maven's cold, cunning persona, Cal's stoic disposition, and Kilorn's particular shade of envy equally. Given that I don't care much for romantic sub-plots, a large part of me hopes that Mare doesn't choose any of them in the end. I enjoy watching as Mare changes and grows, and I am more vested in the kind of woman she turns out to be than her love life. Will she be the queen that her people need? Or will she become like Elara?
My only gripe with the narration of Glass Sword is the fact that Dolan pronounced Titanos in a completely different manner than she did throughout the entirety of Red Queen.
Beginning precisely where Red Queen left off, Glass Sword picks up after Mare and Cal have escaped the Bowl of Bones and Maven's betrayal. Together with Farley, Kilorn, and a few other characters come together in secrecy after relocating to rise against the new Silver King. Along the way, they pick up some allies - both expected and unexpected. Packed with action, it is easy to see why this series is a hit among young adults.
Naturally, I've read a few other reviews to see what the general consensus of this book is and I've discovered that most readers either hate it or love it - there's not a whole lot of in between. Personally, I enjoyed it. I found Glass Sword to be a fairly entertaining read and it served its purpose of keeping me awake on the hour long commute home (with no traffic). A few new characters are introduced, none of which are too memorable.
As far as romantic interests go, I can't really decide one way or another in regards to the three eligible males. I adore Maven's cold, cunning persona, Cal's stoic disposition, and Kilorn's particular shade of envy equally. Given that I don't care much for romantic sub-plots, a large part of me hopes that Mare doesn't choose any of them in the end. I enjoy watching as Mare changes and grows, and I am more vested in the kind of woman she turns out to be than her love life. Will she be the queen that her people need? Or will she become like Elara?
My only gripe with the narration of Glass Sword is the fact that Dolan pronounced Titanos in a completely different manner than she did throughout the entirety of Red Queen.
Whatchareadin (174 KP) rated Look For Me in Books
Apr 9, 2019
DD Warren is trying to find out who has killed the Baez family. Mother, Justine; her boyfriend, Charlie; her youngest daughter, Lola; and her only son, Manny. But there is another child, Roxanna, as well as two dogs, Rosie and Blaze. Where are they? Did Roxanna do this to her family? If so, why? But Roxy was the protector of the family. Her mom is a recovering alcoholic and when she was drinking Roxy made sure her siblings ate and made it to school. When the state took the kids away from Justine for a year, this role for Roxy became more prominent. After that year, the girls were never the same. Did something happen during their year in foster care that could have warranted this kind of violence? Will DD be able to find the person or people responsible for this before more people are killed? Will her new CI, Flora Dane prove to be helpful or detrimental to this case?
Thank you to NetGalley and Dutton Books for the opportunity to read and review this book.
When I made the request from NetGalley for this book, I was intrigued by the description and didn't know that this was the 9th book in the series. I don't think that I needed to read the entire series to get into this book, but I'm sure the background on some of the characters would have been helpful. So, I'm definitely going to go back now and read the rest of the series.
Can you imagine coming home and finding your whole family dead? Your younger sister clutching your brother in order to protect him from a crazy killer? How do you come back from that? Over the course of a few days Detective DD Warren is trying to find out who could do such a thing to this family. With the help of confidential informant, Flora Dane, will they be able to find the killer as well as find Roxana before it's too late. Who would want to hurt these people? What did they do? So many questions and the answers can't come fast enough, until they all do come crashing into one another in one fell swoop.
I can't wait to read more books in this series.
Thank you to NetGalley and Dutton Books for the opportunity to read and review this book.
When I made the request from NetGalley for this book, I was intrigued by the description and didn't know that this was the 9th book in the series. I don't think that I needed to read the entire series to get into this book, but I'm sure the background on some of the characters would have been helpful. So, I'm definitely going to go back now and read the rest of the series.
Can you imagine coming home and finding your whole family dead? Your younger sister clutching your brother in order to protect him from a crazy killer? How do you come back from that? Over the course of a few days Detective DD Warren is trying to find out who could do such a thing to this family. With the help of confidential informant, Flora Dane, will they be able to find the killer as well as find Roxana before it's too late. Who would want to hurt these people? What did they do? So many questions and the answers can't come fast enough, until they all do come crashing into one another in one fell swoop.
I can't wait to read more books in this series.
Whatchareadin (174 KP) rated Still Me in Books
Apr 9, 2019
Louisa Clark is headed to New York City to start a new job. Life in England is not going the way she had hoped, so across the pond she goes. She will be the personal assistant to Agnes Gopnik. Agnes is the new wife of Mr. Gopnik. So far Agnes's life being married has not been easy having to deal with all of the former Mrs. Gopnik's friends. Agnes looks to Louisa as a friend and a relief in her life. Louisa is trying to adjust to her new life as well. With her boyfriend in England and her this new life in New York, will Louisa be able to survive this new situation she has put herself in?
Thank you to NetGalley and Viking Books for the opportunity to read and review this book.
For me, this by far is the best book in the series. I'm not sure if it is because it was set in the United States or for another reason, but this one captivated me and I enjoyed it more than other books in the series.
After the death of Will Traynor and spending a few years close enough to home, Louisa has finally decided to take a big leap and go for her dreams. When she lands in New York, things seem to be going fairly well for her, but as Louisa life goes, things take a dramatic turn and she has to find a way to adjust to her new way of life. She goes on many adventures and discovers many new things about life, but also about herself in the process.
The Gopnik family is not quite what Louisa is expecting when she first arrives in New York. The job she signed up for and the one she tries to execute aren't quite the same, but she always does her best. When she is unexpected released from her duties, she has to scramble to find out what will happen next. An unlikely opportunity presents itself and Louisa finds joy in this new position, a joy she had never experienced before.
If you haven't read the series, I think it is important to start with book one. You have to go on the journey with Louisa. I don't know if her story will continue after this book, but it will be interesting to know what happens next. This book made the series as a whole more enjoyable for me.
Thank you to NetGalley and Viking Books for the opportunity to read and review this book.
For me, this by far is the best book in the series. I'm not sure if it is because it was set in the United States or for another reason, but this one captivated me and I enjoyed it more than other books in the series.
After the death of Will Traynor and spending a few years close enough to home, Louisa has finally decided to take a big leap and go for her dreams. When she lands in New York, things seem to be going fairly well for her, but as Louisa life goes, things take a dramatic turn and she has to find a way to adjust to her new way of life. She goes on many adventures and discovers many new things about life, but also about herself in the process.
The Gopnik family is not quite what Louisa is expecting when she first arrives in New York. The job she signed up for and the one she tries to execute aren't quite the same, but she always does her best. When she is unexpected released from her duties, she has to scramble to find out what will happen next. An unlikely opportunity presents itself and Louisa finds joy in this new position, a joy she had never experienced before.
If you haven't read the series, I think it is important to start with book one. You have to go on the journey with Louisa. I don't know if her story will continue after this book, but it will be interesting to know what happens next. This book made the series as a whole more enjoyable for me.
Ross (3284 KP) rated After Life in TV
Apr 11, 2019
Gervais tries to break the mould again
Once again we see Ricky Gervais try to break the mould for a sit-com, this time by covering some pretty deep and heavy topics. While the humour is still there, it comes through fairly infrequently and is a little off kilter, when compared to the drama of the series.
Gervais plays Tony, a journalist on a local free paper who has recently lost his wife to cancer. Tony has simply given up on life and, while he cannot bring himself to end it, he seems to have decided to just do whatever he wants, no matter the consequences. He is rude to people in the street, makes his colleagues' working days miserable, and while he visits his dad in a care home regularly he clearly hates it and is just doing it out of duty.
Most of the comedy comes through in Gervais doing what he does best - being rude and nasty and way over the top in insulting people. The humour here is more for the shock value (calling a 6 year old a tubby little c**t for example) rather than a more considered layer of humour. As Tony has decided he can just do whatever he wants and hang the consequences, he takes a stand against stupid rules (the scene where he takes his nephew for tea in a café was brilliant).
I preferred the drama side of the series - him trying drugs, meeting new people and gradually softening over the series were some very touching moments and very well written. However when weighed against the comedy it just seems incongruous. I think Gervais needs to think about whether he wants to write a drama (and tone down the comedy a little more) or a comedy (and try less to push the boundaries).
Tony's epiphany was a little rushed/hard to spot. It seems that after 5 episodes of not caring about anything, the 6th starts off with him suddenly being a changed man out of nowhere. There were small moments where he seemed to soften but there was no sudden realisation big enough to justify the change of heart in the last episode.
This was a pretty hard hitting, emotional series, but I think it lost a little of the impact by having Gervais in it and trying to shoe-horn his sense of humour into it.
Gervais plays Tony, a journalist on a local free paper who has recently lost his wife to cancer. Tony has simply given up on life and, while he cannot bring himself to end it, he seems to have decided to just do whatever he wants, no matter the consequences. He is rude to people in the street, makes his colleagues' working days miserable, and while he visits his dad in a care home regularly he clearly hates it and is just doing it out of duty.
Most of the comedy comes through in Gervais doing what he does best - being rude and nasty and way over the top in insulting people. The humour here is more for the shock value (calling a 6 year old a tubby little c**t for example) rather than a more considered layer of humour. As Tony has decided he can just do whatever he wants and hang the consequences, he takes a stand against stupid rules (the scene where he takes his nephew for tea in a café was brilliant).
I preferred the drama side of the series - him trying drugs, meeting new people and gradually softening over the series were some very touching moments and very well written. However when weighed against the comedy it just seems incongruous. I think Gervais needs to think about whether he wants to write a drama (and tone down the comedy a little more) or a comedy (and try less to push the boundaries).
Tony's epiphany was a little rushed/hard to spot. It seems that after 5 episodes of not caring about anything, the 6th starts off with him suddenly being a changed man out of nowhere. There were small moments where he seemed to soften but there was no sudden realisation big enough to justify the change of heart in the last episode.
This was a pretty hard hitting, emotional series, but I think it lost a little of the impact by having Gervais in it and trying to shoe-horn his sense of humour into it.
Kyera (8 KP) rated One Dark Throne in Books
Feb 1, 2018
As this is the second book in a series, there may be spoilers in this review for the first book. Please be aware and read the first book (or my first review) before delving into this. I found One Dark Throne to be a little slow to start, but that may have just been because I didn't reread Three Dark Crowns before jumping back into the world. It would have been better to be reacquainted with the world and all of the minor characters (that can get confusing) before I started the second book. Once I was engrossed in the world again, I was completely drawn into the story and enjoyed myself.
The three sisters continue their fight for the crown and there is more plotting in this book. Mirabella is no longer the chosen queen after her sisters' strong showings in the first book. Katharine is willing to do whatever it takes to win her crown. Arsinoe doesn't want to kill, even to save her own life. Mirabella is hurt and betrayed and realizes that she might not be willing to cross the line to be queen. The three queens develop and grow over the course of the novel.
While there is character growth in this novel, I do wish there was more development. It was nice to see glimpses into the relationship between Natalia and Katharine, as it is deeper than either generally let on. But Nicholas, Pietyr and Genieve felt more like flat characters than ones I could feel were well fleshed out. This problem extends to other characters both in Arsinoe's home and Mirabella's. There are so many minor characters that most of them don't have the "screen time" to become fully developed characters that contribute to the story. (And some a very similar names to others, which can be very confusing if each person doesn't feel like a unique creation.)
Personally, I really like Arsinoe and Mirabella (sorry Katharine supporters) so I have a tough time determining how I would like the series to play out. That being said, the series continues to surprise and confuse me. It is not formulaic and I really enjoy the plot. The world building and magic system are fascinating, which is what keeps me wanting more from the series.
I would definitely recommend this book (after you've read or reread the first, of course) and cannot wait to see how this story continues in future books.
The three sisters continue their fight for the crown and there is more plotting in this book. Mirabella is no longer the chosen queen after her sisters' strong showings in the first book. Katharine is willing to do whatever it takes to win her crown. Arsinoe doesn't want to kill, even to save her own life. Mirabella is hurt and betrayed and realizes that she might not be willing to cross the line to be queen. The three queens develop and grow over the course of the novel.
While there is character growth in this novel, I do wish there was more development. It was nice to see glimpses into the relationship between Natalia and Katharine, as it is deeper than either generally let on. But Nicholas, Pietyr and Genieve felt more like flat characters than ones I could feel were well fleshed out. This problem extends to other characters both in Arsinoe's home and Mirabella's. There are so many minor characters that most of them don't have the "screen time" to become fully developed characters that contribute to the story. (And some a very similar names to others, which can be very confusing if each person doesn't feel like a unique creation.)
Personally, I really like Arsinoe and Mirabella (sorry Katharine supporters) so I have a tough time determining how I would like the series to play out. That being said, the series continues to surprise and confuse me. It is not formulaic and I really enjoy the plot. The world building and magic system are fascinating, which is what keeps me wanting more from the series.
I would definitely recommend this book (after you've read or reread the first, of course) and cannot wait to see how this story continues in future books.
Gareth von Kallenbach (977 KP) rated Allegiant (2016) in Movies
Jun 19, 2019
The third film in the popular “Divergent” series is here and will follow the pattern of recent book based films of splitting the finale into two films. In “The Divergent Series: Allegiant Part 1”, we catch up with Tris (Shailene Woodley), and Four (Theo James), shortly after the events of the previous film.
The wall has been opened and residents seek to leave the city and see what lies beyond. This is cut short when a power grab arises as Four’s mother is putting people on trial for supporting the last regime and executions or a common place as mob mentality has arisen.
Risking it all, Tris, Four, and a few companions make a daring brake and discover a wasteland beyond the wall before being taken in by a seemingly ideal community under the leadership of David (Jeff Daniels). It is learned that via sophisticated technology, they have watched Tris and the others as well as their society for ages as they were conducting a social experiment to undo evils of the previous world which lead to war.
Tris is highly prized as she is seen as genetically pure and David hopes to find out why and how so it can be replicated for the betterment of humanity. Naturally things are not always as they appear and before long, Tris, Four, and the others are forced to pick sides especially with a civil war brewing back at home.
The movie has some decent visuals but relies on the characters to carry the film. In many ways this is the downfall of the film as Woodley simply does not emote and James is very one-dimensional. Only Miles Teller and Jeff Daniels show any real or sustained emotion throughout the film.
There is also the matter of plot holes such as a society which amazing surveillance technology but they could not see a fairly obvious and common effort used during the finale of the film.
The movie is setting up the finale which hopefully will bring some advancement and satisfying closure to the series and characters. For now the film is a flawed but at times entertaining entry which should keep fans happy until the final film arrives.
http://sknr.net/2016/03/18/divergent-series-allegiant-part-1/
The wall has been opened and residents seek to leave the city and see what lies beyond. This is cut short when a power grab arises as Four’s mother is putting people on trial for supporting the last regime and executions or a common place as mob mentality has arisen.
Risking it all, Tris, Four, and a few companions make a daring brake and discover a wasteland beyond the wall before being taken in by a seemingly ideal community under the leadership of David (Jeff Daniels). It is learned that via sophisticated technology, they have watched Tris and the others as well as their society for ages as they were conducting a social experiment to undo evils of the previous world which lead to war.
Tris is highly prized as she is seen as genetically pure and David hopes to find out why and how so it can be replicated for the betterment of humanity. Naturally things are not always as they appear and before long, Tris, Four, and the others are forced to pick sides especially with a civil war brewing back at home.
The movie has some decent visuals but relies on the characters to carry the film. In many ways this is the downfall of the film as Woodley simply does not emote and James is very one-dimensional. Only Miles Teller and Jeff Daniels show any real or sustained emotion throughout the film.
There is also the matter of plot holes such as a society which amazing surveillance technology but they could not see a fairly obvious and common effort used during the finale of the film.
The movie is setting up the finale which hopefully will bring some advancement and satisfying closure to the series and characters. For now the film is a flawed but at times entertaining entry which should keep fans happy until the final film arrives.
http://sknr.net/2016/03/18/divergent-series-allegiant-part-1/
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Lee (2222 KP) rated Annabelle Comes Home (2019) in Movies
Jul 12, 2019
Enjoyable, not as good as Annabelle Creation
Annabelle Comes Home is the third standalone movie for the creepy looking doll since her introduction during the original Conjuring movie. It's also the seventh feature movie from the ever expanding 'Conjuring Universe', a series of movies that have seen wildly varying degrees of quality and success thus far. I tend to start my reviews for this series of movies by declaring my love for the first Conjuring, before wishing that the latest release I'm reviewing might actually match that. But so far the only other movie in the series to come anywhere close to doing that for me was the last Annabelle movie - Annabelle Creation. So, I had very high hopes for this next Annabelle installment.
After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.
From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.
Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.
The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.
Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.
After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.
From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.
Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.
The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.
Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.
Gareth von Kallenbach (977 KP) rated The Woman in Black (2012) in Movies
Aug 7, 2019
“During afternoon tea, there’s a shift in the air. A bone-trembling chill that tells you she’s there. There are those who believe the whole town is cursed. But the house in the marsh is by far the worst. What she wants is unknown, but she always comes back. The specter of darkness, the Woman in Black.”
Arthur Kipps (Daniel Radcliff) is a young lawyer who lost his wife during the birth of his son. He is a hardworking man who will do anything to take care of his family. Duty calls when he is ordered to go to the home of a recently diseased woman who lives in a remote marsh. When the local town catches wind that Mr. Kipps will be working at the remote house they start to fear what he might uncover while he works within the walls of the creepy home. He soon starts hearing noises and seeing shadows of an old woman in black. The town seems to think that it is somehow cursed as children keep dying unexpectedly and in bizarre circumstances. Is this the result of a woman scorned or is it just a superstition? Without the help from the town Mr. Kipps races to find out what the secret of the Woman in Black is.
Daniel Radcliff picked the perfect project to stray away from the Harry Potter series and I am glad he did. Now don’t get me wrong; the Harry Potter series is pretty awesome but the fact of the matter is most child actors don’t go very far within their acting careers. Take Shirley Temple for instance, she ended up not getting any major roles after growing out of her child faze. In any case it was a perfect decision on his part to take the chance on this character and just proves that we will be seeing much more of him throughout the coming years.
If you enjoy a good ghost story from time to time, The Woman in Black is such a treat to watch. Finally a really good ghost story that is not filmed like a home movie or a documentary but encompasses what a good ghost story should. The movie also has tidbits of British humor which I am a big fan of. Really good ghost stories like this one will chill you to the bone and startle your senses. Not an award winning movie but an excellent spine tingling story without the gore and special effects we have all become anesthetized to. Don’t miss this one in theaters I promise you won’t be disappointed.
Arthur Kipps (Daniel Radcliff) is a young lawyer who lost his wife during the birth of his son. He is a hardworking man who will do anything to take care of his family. Duty calls when he is ordered to go to the home of a recently diseased woman who lives in a remote marsh. When the local town catches wind that Mr. Kipps will be working at the remote house they start to fear what he might uncover while he works within the walls of the creepy home. He soon starts hearing noises and seeing shadows of an old woman in black. The town seems to think that it is somehow cursed as children keep dying unexpectedly and in bizarre circumstances. Is this the result of a woman scorned or is it just a superstition? Without the help from the town Mr. Kipps races to find out what the secret of the Woman in Black is.
Daniel Radcliff picked the perfect project to stray away from the Harry Potter series and I am glad he did. Now don’t get me wrong; the Harry Potter series is pretty awesome but the fact of the matter is most child actors don’t go very far within their acting careers. Take Shirley Temple for instance, she ended up not getting any major roles after growing out of her child faze. In any case it was a perfect decision on his part to take the chance on this character and just proves that we will be seeing much more of him throughout the coming years.
If you enjoy a good ghost story from time to time, The Woman in Black is such a treat to watch. Finally a really good ghost story that is not filmed like a home movie or a documentary but encompasses what a good ghost story should. The movie also has tidbits of British humor which I am a big fan of. Really good ghost stories like this one will chill you to the bone and startle your senses. Not an award winning movie but an excellent spine tingling story without the gore and special effects we have all become anesthetized to. Don’t miss this one in theaters I promise you won’t be disappointed.