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Bubbu Cat – My Virtual Pet
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Meet Bubbu, your new virtual pet. He is a cute, emotional and adorable cat who loves to eat tasty...
We Served With Honor: Memoirs of the Men Who Served the 91st Strategic Reconnaissance Wing
Linda Rios Bromley, James F. Bard and Frank T. Hayes
Book
The 91st Bombardment Group, the forerunner of the 91st Strategic Reconnaissance Wing, arrived in...
Scotland's First World War
Book
The First World War was the largest and deadliest war the world had ever seen. A century on, it can...
Lyndsey Gollogly (2893 KP) rated Claimed (Brides of the Kindred #1) in Books
Sep 10, 2019
Olivia Waterhouse has just graduated from nursing school and has her whole life ahead of her—until she gets drafted. Problem is, she isn’t being forced into the Army, she’s been chosen as a Kindred bride.
The Kindred are huge alien warriors—a race of genetic traders whose population is ninety-five percent male. After saving Earth from the threat of invasion they demand a reward—the right to find brides among the population. The chances of being chosen are about the same as those of winning the lottery—guess it’s just Liv’s lucky day.
Baird is a Beast Kindred who recently escaped imprisonment and torture at the hands of the malevolent Scourge. Through the torment and pain only one thing kept him sane—the thought of finding and claiming his bride—Olivia. His need to possess her is a burning intensity that threatens to consume them both.
Angry at having her future and her family taken away from her, Liv vows to fight back the only way she can—by resisting. She has one month on the Kindred Mothership with Baird—their claiming period. If she can keep from having bonding sex with him during that time, she can go home and get on with her life on Earth.
But Baird isn’t going to make it easy for her. Every week he is allowed to touch Liv more and more intimately and according to the contract she signed, she has to let him. She’s determined to resist him but his touch sets her on fire. And just as she thinks she knows what she wants, a twist of fate and an attack by the faceless Scourge AllFather changes everything…
<strong>It was ok</strong>
So I wasn't expecting becoming like it but it was actually ok. Think Black dagger brotherhood in space. Seemed a bit oh I've heard it before but it got better.I will be sticking with the series as I'm interested in where it will go.
⭐⭐⭐

The Kindred are huge alien warriors—a race of genetic traders whose population is ninety-five percent male. After saving Earth from the threat of invasion they demand a reward—the right to find brides among the population. The chances of being chosen are about the same as those of winning the lottery—guess it’s just Liv’s lucky day.
Baird is a Beast Kindred who recently escaped imprisonment and torture at the hands of the malevolent Scourge. Through the torment and pain only one thing kept him sane—the thought of finding and claiming his bride—Olivia. His need to possess her is a burning intensity that threatens to consume them both.
Angry at having her future and her family taken away from her, Liv vows to fight back the only way she can—by resisting. She has one month on the Kindred Mothership with Baird—their claiming period. If she can keep from having bonding sex with him during that time, she can go home and get on with her life on Earth.
But Baird isn’t going to make it easy for her. Every week he is allowed to touch Liv more and more intimately and according to the contract she signed, she has to let him. She’s determined to resist him but his touch sets her on fire. And just as she thinks she knows what she wants, a twist of fate and an attack by the faceless Scourge AllFather changes everything…
<strong>It was ok</strong>
So I wasn't expecting becoming like it but it was actually ok. Think Black dagger brotherhood in space. Seemed a bit oh I've heard it before but it got better.I will be sticking with the series as I'm interested in where it will go.
⭐⭐⭐

Gareth von Kallenbach (980 KP) rated Battle: Los Angeles (2011) in Movies
Aug 7, 2019
War movies depicting a group of soldiers against overwhelming odds are nothing new. For generations, moviegoers have been treated to cinematic recreations as well as new scenarios of fighting units in combat. Usually these films follow a typical formula that includes the tough and gritty commanding officer, the naïve new soldier, the one with a woman and children waiting at home, and one who has difficulties with combat. In the new movie Battle: Los Angeles a new twist is given to the formulaic troops-in-combat picture which produces a mixed bag of results.
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Movie Metropolis (309 KP) rated The Purge (2013) in Movies
Jun 11, 2019
Ethan Hawke is no stranger to the horror genre, in 2009 he starred in the Australian vampire flick Daybreakers, a film which promised so much, and delivered relatively little. Now he teams up with director James DeMonaco in a horror film that promises to be anything but ordinary; The Purge, but can it live up to its exciting trailer?
The Purge plays out like a poor-man’s Hunger Games. In the year 2020, America is prospering, crime is at an all-time low and unemployment is at 1%. The reason? Once a year, for twelve hours, all crime is legal and people across US can commit any atrocities they wish.
Ethan Hawke plays James Sandin, a security salesman who has capitalised on the public’s fear of being ‘purged’ by selling hi-tech safety equipment to the rich to ensure they stay safe. Lena Headey plays his wife Mary and his two children, Charlie and Zoe are played by Max Burkholder and Adelaide Kane respectively. In a moment of madness after the commencement of the annual purge, a ‘target’ (Edwin Hodge) is let into their home causing all hell to break loose.
Borrowing heavily from other ‘home invasion’ horror films such as When a Stranger Calls and The Strangers, The Purge really ‘gets going’ about two-thirds in when an army of killers swoop on Ethan Hawke’s impressive property looking for their ‘target.’ The family have one hour to reply before they all become ‘targets.’
Unfortunately, an exciting and unique premise is completely lost in a film that is riddled with many horror clichés, some of them blatantly obvious, (woman opening fridge door, door closes and harmless child shocks woman), some not so obvious. This is a terrible shame as the idea of all crime being legal is ridiculously exciting, but after about 40 minutes, we are locked in the Sandin’s home as they play cat and mouse with an array of forgettable serial killers and the original story is lost.
Another problem is the acting. Competent is the only word to describe it; Ethan Hawke is good in his role and his stern demeanour which has earned him so many acting jobs in the past is in full force here, but you can’t help feeling he was a budgetary decision rather than being who the producers actually wanted. Lena Headey seems to phone in a rather wooden performance, whilst the two kids do marginally better. By far the stand-out here is Rhys Wakefield, credited only as ‘Polite Stranger’ who is excellent and terrifying as equal measure; his facial expressions are enough to make you wince.
Overall, The Purge is an exciting film that delivers some unique thrills and spills mixed in with the usual horror clichés. Unfortunately, it doesn’t deliver on its unique and exciting starting point and delves into a generic slasher film around 45 minutes in. A stand-out performance from one of the cast isn’t enough to lift the acting above mediocre and the Sandin family are as characters, frightfully dull. It’s definitely worth a watch, but don’t let the trailer fool you; it’s not as unique as you might expect.
The new review system breaks down the film into categories allowing you, as the readers to see just where I have awarded points to the film. It is still in a testing stage, so if there are any categories you think could improve it, please let me know.
https://moviemetropolis.net/2013/05/31/the-purge-review-2013/
The Purge plays out like a poor-man’s Hunger Games. In the year 2020, America is prospering, crime is at an all-time low and unemployment is at 1%. The reason? Once a year, for twelve hours, all crime is legal and people across US can commit any atrocities they wish.
Ethan Hawke plays James Sandin, a security salesman who has capitalised on the public’s fear of being ‘purged’ by selling hi-tech safety equipment to the rich to ensure they stay safe. Lena Headey plays his wife Mary and his two children, Charlie and Zoe are played by Max Burkholder and Adelaide Kane respectively. In a moment of madness after the commencement of the annual purge, a ‘target’ (Edwin Hodge) is let into their home causing all hell to break loose.
Borrowing heavily from other ‘home invasion’ horror films such as When a Stranger Calls and The Strangers, The Purge really ‘gets going’ about two-thirds in when an army of killers swoop on Ethan Hawke’s impressive property looking for their ‘target.’ The family have one hour to reply before they all become ‘targets.’
Unfortunately, an exciting and unique premise is completely lost in a film that is riddled with many horror clichés, some of them blatantly obvious, (woman opening fridge door, door closes and harmless child shocks woman), some not so obvious. This is a terrible shame as the idea of all crime being legal is ridiculously exciting, but after about 40 minutes, we are locked in the Sandin’s home as they play cat and mouse with an array of forgettable serial killers and the original story is lost.
Another problem is the acting. Competent is the only word to describe it; Ethan Hawke is good in his role and his stern demeanour which has earned him so many acting jobs in the past is in full force here, but you can’t help feeling he was a budgetary decision rather than being who the producers actually wanted. Lena Headey seems to phone in a rather wooden performance, whilst the two kids do marginally better. By far the stand-out here is Rhys Wakefield, credited only as ‘Polite Stranger’ who is excellent and terrifying as equal measure; his facial expressions are enough to make you wince.
Overall, The Purge is an exciting film that delivers some unique thrills and spills mixed in with the usual horror clichés. Unfortunately, it doesn’t deliver on its unique and exciting starting point and delves into a generic slasher film around 45 minutes in. A stand-out performance from one of the cast isn’t enough to lift the acting above mediocre and the Sandin family are as characters, frightfully dull. It’s definitely worth a watch, but don’t let the trailer fool you; it’s not as unique as you might expect.
The new review system breaks down the film into categories allowing you, as the readers to see just where I have awarded points to the film. It is still in a testing stage, so if there are any categories you think could improve it, please let me know.
https://moviemetropolis.net/2013/05/31/the-purge-review-2013/
Jesters_folly (230 KP) rated 10 Cloverfield Lane (2016) in Movies
Oct 6, 2020
Contains spoilers, click to show
10 Cloverfield Lane is the second film in the Cloverfield series but isn't a sequel. 10 Cloverfield lane doesn't follow on from the first film but is set at the same time however, there is almost nothing that links the two films (at least to begin with) and even some of the links aren't obvious. for example, right at the beginning of the film, Michelle is grabbing her belongings when the house is shaken. There is nothing made of this however, according to official sources this is caused by Clover's first attack in the first film.
In my review of Cloverfield I stated that it wasn't necessarily the film for Kaiju fans, especially if you want monster vs monster action and this is even more true for 10 Cloverfield Lane. This is not a monster film it's more a phycological thriller.
After leaving her home Michelle is in a car crash and wakes up in a bunker belonging to survivalist Howard. The only other person in the bunker is Howards neighbour, Emmett.
10 Cloverfield Lane is a slow burn, Howard tells Michelle that there has been an attack and that she can't leave because the air is probably contaminated, Michelle is not sure if this is true. And this is where the film is clever, if you know about the connection to the first Cloverfield film then you know that there could be something out there but that it may not be contamination, if you don't know about the connection then the attack could be possible. It's John Goodman's acting as Howard that really pulls the film along, sometimes he seems believable whilst other times he seems crazy never quite revealing just how much he actually knows, right down to his last line where he tells Michelle that she can't out run what is out there, hinting that he knows what is really going on.
It's the end of the film that (kind of) links 10 Cloverfield Lane to Cloverfield but still possibly not the part you'd think. When Michelle finally gets out of the bunker she is attacked by monsters but nothing we've seen before, there is a four legged dog type thing that is not one of the parasites from the first film and what at first looks like a space ship (an idea that is further enhanced by something Howard had said earlier) but we later see that it is a creature with a mechanical looking shell, this creature also has two tentacles similar to those on Clover. The biggest link to the first film is actually after these creatures, there are radio announcements that 'we have taken back the coast' referring to the fact that we the army have defeated Clover, showing us how much time has past.
As I said, 10 Cloverfield Lane is a good thriller, if you take it for what it is (not a monster film) then it is tense and enjoyable but, if you don't know about the link then the monsters at the end would be just odd as, if it was a stand alone film, it would work better as an invasion, even if it was an alien invasion where as these monsters do just seem to be there.
As an attempt to create a larger world and to show how the events in the first film affect other places it's a good start but there needs to more. Of course there is a third film but more about that next time.
In my review of Cloverfield I stated that it wasn't necessarily the film for Kaiju fans, especially if you want monster vs monster action and this is even more true for 10 Cloverfield Lane. This is not a monster film it's more a phycological thriller.
After leaving her home Michelle is in a car crash and wakes up in a bunker belonging to survivalist Howard. The only other person in the bunker is Howards neighbour, Emmett.
10 Cloverfield Lane is a slow burn, Howard tells Michelle that there has been an attack and that she can't leave because the air is probably contaminated, Michelle is not sure if this is true. And this is where the film is clever, if you know about the connection to the first Cloverfield film then you know that there could be something out there but that it may not be contamination, if you don't know about the connection then the attack could be possible. It's John Goodman's acting as Howard that really pulls the film along, sometimes he seems believable whilst other times he seems crazy never quite revealing just how much he actually knows, right down to his last line where he tells Michelle that she can't out run what is out there, hinting that he knows what is really going on.
It's the end of the film that (kind of) links 10 Cloverfield Lane to Cloverfield but still possibly not the part you'd think. When Michelle finally gets out of the bunker she is attacked by monsters but nothing we've seen before, there is a four legged dog type thing that is not one of the parasites from the first film and what at first looks like a space ship (an idea that is further enhanced by something Howard had said earlier) but we later see that it is a creature with a mechanical looking shell, this creature also has two tentacles similar to those on Clover. The biggest link to the first film is actually after these creatures, there are radio announcements that 'we have taken back the coast' referring to the fact that we the army have defeated Clover, showing us how much time has past.
As I said, 10 Cloverfield Lane is a good thriller, if you take it for what it is (not a monster film) then it is tense and enjoyable but, if you don't know about the link then the monsters at the end would be just odd as, if it was a stand alone film, it would work better as an invasion, even if it was an alien invasion where as these monsters do just seem to be there.
As an attempt to create a larger world and to show how the events in the first film affect other places it's a good start but there needs to more. Of course there is a third film but more about that next time.
Ross (3284 KP) rated The Wheel of Osheim in Books
May 23, 2018
Contains spoilers, click to show
The conclusion of the Red Queen's War trilogy is a significant improvement over the previous book, The Liar's Key. Though again this is a book of two halves: the first half following Jalan as he travels home from the Afriquan desert and is tasked with defending his home city from invasion; the second half sees him meet up with old friends and travel back to the eponymous Wheel to try and halt mankind's destruction and stop "the wheel" from turning.
I loved the first half of this book - Jalan is a much easier character to like/put up with on his own, and the city defence against siege was some of the most enjoyable of Lawrence's work, for me.
The second half was a definite nose-dive. Jalan goes back to being an insufferable coward (and given his companions say and do very little this makes these scenes quite a trudge). And it seems as if this was the chance to suddenly explain the point of the earlier "companion" Broken Empire trilogy and cram in loads of science and philosophy. Suddenly we went from knowing next to nothing but occasional hints to being repeatedly told what had happened 1100 years ago and what is still happening. And then in the last few pages, all back to normal, having no idea what was real or not.
At the end of The Liar's Key, I had such anticipation for this book: Jalan and Snorri entering Hell to try and bring back Snorri's family. This became such a massive anti-climax - the whole journey through Hell was covered in about 20 pages total and nothing of any import happened at all. It was a complete let-down.
One of the standout aspects of The Broken Empire trilogy was how two different timelines were maintained and meshed together beautifully at the perfect pace. Here we have an element of that, but Lawrence seems to feel the need to have a reason for Jalan to be experiencing the other timeline (in Liar's Key is was due to a magic spell which had unexpected recurring side-effects, here it is either through having flashbacks at inappropriate times or being told a story by Snorri) - it just totally jars when this suddenly has to happen.
The conclusion of the book I found very unsatisfying - too many key events/characters/plot points were suddenly thrown into one room fighting for attention and resolution - and what were meant to be epic foes to be bested were defeated fairly easily. And then the actual climax - a complete load of philosophical nonsense completely unravelling everything (not in a "woah, that blew my mind" way, more of a "well, what was the point then and what about ... ").
Overall a mostly great book but with some downright annoying aspects and a deeply unsatisfactory ending.
I loved the first half of this book - Jalan is a much easier character to like/put up with on his own, and the city defence against siege was some of the most enjoyable of Lawrence's work, for me.
The second half was a definite nose-dive. Jalan goes back to being an insufferable coward (and given his companions say and do very little this makes these scenes quite a trudge). And it seems as if this was the chance to suddenly explain the point of the earlier "companion" Broken Empire trilogy and cram in loads of science and philosophy. Suddenly we went from knowing next to nothing but occasional hints to being repeatedly told what had happened 1100 years ago and what is still happening. And then in the last few pages, all back to normal, having no idea what was real or not.
At the end of The Liar's Key, I had such anticipation for this book: Jalan and Snorri entering Hell to try and bring back Snorri's family. This became such a massive anti-climax - the whole journey through Hell was covered in about 20 pages total and nothing of any import happened at all. It was a complete let-down.
One of the standout aspects of The Broken Empire trilogy was how two different timelines were maintained and meshed together beautifully at the perfect pace. Here we have an element of that, but Lawrence seems to feel the need to have a reason for Jalan to be experiencing the other timeline (in Liar's Key is was due to a magic spell which had unexpected recurring side-effects, here it is either through having flashbacks at inappropriate times or being told a story by Snorri) - it just totally jars when this suddenly has to happen.
The conclusion of the book I found very unsatisfying - too many key events/characters/plot points were suddenly thrown into one room fighting for attention and resolution - and what were meant to be epic foes to be bested were defeated fairly easily. And then the actual climax - a complete load of philosophical nonsense completely unravelling everything (not in a "woah, that blew my mind" way, more of a "well, what was the point then and what about ... ").
Overall a mostly great book but with some downright annoying aspects and a deeply unsatisfactory ending.
Neon's Nerd Nexus (360 KP) rated Us (2019) in Movies
May 13, 2019
A stab in the dark
#usmovie is a powerful, #political & psychological #horror that has so many strong messages to convay that it constantly intimates & frightens the viewer in ways that most mainstream horror films simply can't comprehend. ?THIS #REVIEW MAY CONTAIN SPOILERS? #jordanpeele manages to do it again this time around & while not quite to the quality of #getout #us manages to shine with its impressive direction & nerve shattering soundtrack. To start i want to talk about the messages that I think came across to me while viewing Us. For most of its runtime you could be fooled into thinking Peele has made a simple but very decent #80s #nostalgia/home invasion/#slasher movie but once we hit the final act it almost tests you to see how much of the finer details you been paying attention to by hitting you with the overall message its been trying to convey. This world is falling apart at the seems & we are the ones responsible, we create imaginary #borders, distance/alienate ourselves from one another day by day, weve stoped comunicating, #loving trusting in one another & we gradually grow our hatred & fuel our #social awkwardness with technology. Its highly #depressing stuff & when it finally sinks in this is whats at the movies core & how it relates so well to the world today the burden of it ways heavy as you leave the cinema. Cutting ties with one another is a strong theme here as well as how lack of comunication, childhood trauma & inner #demons can become toxic/contagious & lead to the destruction of a family. Acting is simply phenomenal with #LupitaNyongo giving a performance so nerve shattering yet so humble that she deserves an award for sure. Its not a flawless movie however as does have flaws, its a little drawn out at times & when the film feels the need to talk you through & explain itself i found it a little tedious but that being said it accomplishes a perfect balance of #comedy, horror & seriousness with a spine tingling score & #gorgeous cinematography making it well worth experiencing. #odeon #odeonlimitless #filmbuff #filmcritic #friyay #weekend #scary #black #gore #trump #america #usa
JT (287 KP) rated The Guest (2014) in Movies
Mar 10, 2020
If there was any further indication needed that British leading men make for accomplished villains, this is a prime example. The softly spoken Dan Stevens (Downton Abbey) can now walk shoulder to shoulder with the likes of other talented antagonists such as Mark Strong, Tom Hiddleston and Ben Kingsley.
Director Adam Wingard‘s home invasion horror You’re Next received high acclaim so this was always going to be an exciting follow up. When I caught the trailer not a lot was given away. I like the fact that you’re going in almost blind. It makes for better viewing.
David (Stevens) enters the life of the Peterson family who are still grieving from the loss of their son Caleb who was killed in Iraq. Quickly he becomes an integral part of their lives, always around to help them out of difficult situations or as a shoulder to cry on.
It’s clear there is something more disturbing beneath his chilling blue eyes and it doesn’t take long for us to find out what. The Guest is a tense intriguing thriller that never gives too much away, making it one of its strong points. We all know there is something wrong with David, that much is clear from the shots of him grimly staring into the distance.
He manifests himself as a psychotic guardian angel with ulterior motives that are never revealed until the bodies start to pile up and we get to delve further into his back story. Even then Stevens plays his character with deadpan charm that makes us like him even more.
There are a number of genres all thrown in that ultimately work well alongside each other. A nice dose of action thanks to a backyard shootout is quickly morphed into an 80s slasher horror that echoes Halloween. The soundtrack is slick and pulsating, with comparisons drawn to Drive not just from the score but from Stevens somewhat uncanny resemblance to Ryan Gosling.
It never feels disjointed at any point and while it might wobble a little with the surprise ending (of which you knew was coming) it doesn’t damage the overall integrity if the story.
Director Adam Wingard‘s home invasion horror You’re Next received high acclaim so this was always going to be an exciting follow up. When I caught the trailer not a lot was given away. I like the fact that you’re going in almost blind. It makes for better viewing.
David (Stevens) enters the life of the Peterson family who are still grieving from the loss of their son Caleb who was killed in Iraq. Quickly he becomes an integral part of their lives, always around to help them out of difficult situations or as a shoulder to cry on.
It’s clear there is something more disturbing beneath his chilling blue eyes and it doesn’t take long for us to find out what. The Guest is a tense intriguing thriller that never gives too much away, making it one of its strong points. We all know there is something wrong with David, that much is clear from the shots of him grimly staring into the distance.
He manifests himself as a psychotic guardian angel with ulterior motives that are never revealed until the bodies start to pile up and we get to delve further into his back story. Even then Stevens plays his character with deadpan charm that makes us like him even more.
There are a number of genres all thrown in that ultimately work well alongside each other. A nice dose of action thanks to a backyard shootout is quickly morphed into an 80s slasher horror that echoes Halloween. The soundtrack is slick and pulsating, with comparisons drawn to Drive not just from the score but from Stevens somewhat uncanny resemblance to Ryan Gosling.
It never feels disjointed at any point and while it might wobble a little with the surprise ending (of which you knew was coming) it doesn’t damage the overall integrity if the story.
