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Notes on a Foreign Country
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In the wake of the September 11 attacks and the U.S. invasion of Iraq, Suzy Hansen was enjoying...
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Lucy Buglass (45 KP) rated Welcome Home (2018) in Movies
Jun 20, 2019
The holiday from hell
We’ve all had holidays that didn’t go according to plan, but George Ratliff’s new thriller takes this idea to a whole new level. Welcome Home follows couple Cassie and Bryan as they travel to Italy together. They’ve rented a secluded, spacious home for a few days, so they can spend some quality time together. So far, so simple. However, it’s soon revealed that they’ve been having relationship problems due to Cassie having a drunken one night stand. It’s clear that this isn’t going to be an easy trip for them, and that’s before we meet the real threat.
Aaron Paul and Emily Ratajkowski are great in the lead roles. They feel like your everyday, plausible couple who are simply trying to repair their relationship. I found myself rooting for them and hoping they could reconnect throughout. Despite the slow pacing in places, I did genuinely care about them as characters. Without the strength of their acting, I think this film might have struggled in places as some of it seemed to drag or could’ve easily been cut out. Welcome Home does have similarities to the 2008 film The Strangers, in which see a strained relationship set within a secluded summer home, with the couple being terrorised by masked murderers.
This film’s antagonist, Frederico, is less ambiguous than that, and instead spends time with the couple and tries to befriend them in order to gain their trust. Cassie is a lot more receptive to this than Bryan, who is distrustful of Frederico after he brought Cassie back to the house when she sprained her ankle whilst running. He believes something else is going on, based on the one night stand. At first they believe he’s a neighbour, so nothing really seems out of the ordinary. Then, it starts to get weird. He says some strange things and starts showing up uninvited, even running into them on the street and deciding to turn up to the house to cook dinner.
Every second that Frederico’s on the screen is an uncomfortable one, and you know he’s not the innocent person he’s pretending to be. It’s only a matter of time before his true intentions are revealed to the couple, putting them both in danger. Italian actor Riccardo Scamarcio really blew me away in this film and I’m excited to see more from him.
Although it takes a while to get going, the second and third act of Welcome Home is a tense and unnerving experience. Frederico goes from friendly, helpful neighbour to a creepy psychopath very quickly, and it turns out he has very dark intentions for the couple. He spends the film manipulating them and turning them against each other. I won’t spoil it for you, but it turns this couple’s holiday into a complete nightmare. I did quite like the big reveal at the end, though it seems a little far-fetched it’s not beyond the realms of possibility given the digital age that we live in. This fact is emphasised by the voyeuristic nature of the camera, how we’re always peeking around doors or watching things we shouldn’t be.
I have seen stronger thrillers with better pacing, but Welcome Home is certainly an entertaining watch if you’re looking for a new, exciting story with a strong cast list. It puts a fun twist on your classic home invasion horror, with a charming, magnetic antagonist to really lure you in. I’d recommend giving it a go if you get the opportunity, as it’s worth it for the characters and the ending.
https://lucygoestohollywood.com/2018/11/13/the-holiday-from-hell-a-review-of-welcome-home/
Aaron Paul and Emily Ratajkowski are great in the lead roles. They feel like your everyday, plausible couple who are simply trying to repair their relationship. I found myself rooting for them and hoping they could reconnect throughout. Despite the slow pacing in places, I did genuinely care about them as characters. Without the strength of their acting, I think this film might have struggled in places as some of it seemed to drag or could’ve easily been cut out. Welcome Home does have similarities to the 2008 film The Strangers, in which see a strained relationship set within a secluded summer home, with the couple being terrorised by masked murderers.
This film’s antagonist, Frederico, is less ambiguous than that, and instead spends time with the couple and tries to befriend them in order to gain their trust. Cassie is a lot more receptive to this than Bryan, who is distrustful of Frederico after he brought Cassie back to the house when she sprained her ankle whilst running. He believes something else is going on, based on the one night stand. At first they believe he’s a neighbour, so nothing really seems out of the ordinary. Then, it starts to get weird. He says some strange things and starts showing up uninvited, even running into them on the street and deciding to turn up to the house to cook dinner.
Every second that Frederico’s on the screen is an uncomfortable one, and you know he’s not the innocent person he’s pretending to be. It’s only a matter of time before his true intentions are revealed to the couple, putting them both in danger. Italian actor Riccardo Scamarcio really blew me away in this film and I’m excited to see more from him.
Although it takes a while to get going, the second and third act of Welcome Home is a tense and unnerving experience. Frederico goes from friendly, helpful neighbour to a creepy psychopath very quickly, and it turns out he has very dark intentions for the couple. He spends the film manipulating them and turning them against each other. I won’t spoil it for you, but it turns this couple’s holiday into a complete nightmare. I did quite like the big reveal at the end, though it seems a little far-fetched it’s not beyond the realms of possibility given the digital age that we live in. This fact is emphasised by the voyeuristic nature of the camera, how we’re always peeking around doors or watching things we shouldn’t be.
I have seen stronger thrillers with better pacing, but Welcome Home is certainly an entertaining watch if you’re looking for a new, exciting story with a strong cast list. It puts a fun twist on your classic home invasion horror, with a charming, magnetic antagonist to really lure you in. I’d recommend giving it a go if you get the opportunity, as it’s worth it for the characters and the ending.
https://lucygoestohollywood.com/2018/11/13/the-holiday-from-hell-a-review-of-welcome-home/
Joe Julians (221 KP) rated Suburbicon (2017) in Movies
Jan 30, 2018
Good performances (1 more)
Well shot
Muddled story (1 more)
Messy narrative
Despite a promising and fun fist couple of minutes, it quickly becomes clear that Suburbicon is both a missed opportunity and a jumbled attempt at constructing a story.
On the one hand, we have a black family moving into the area and being subjected to abuse and extreme prejudice, and on the other, a family hiding a dirty secret about a home invasion that led to the death of the mother. The problem is, neither of these plots is given the right amount of attention. The racial story is by far the most interesting here, yet it's relegated to a side plot and, with the exception of the young boy, none of the family get a chance to develop into actual characters. Then you have the murder story which takes up the bulk of the running time, but it's neither fresh nor original- it's actually rather dull.
Despite being beautifully shot and occasionally amusing (Matt Damon on a kid's bike), Suburbicon ends up being a bit of a slog. It's a mish mash of ideas and tones that don't come close to forming a coherent story. There's decent performances to be found, but beyond that- don't expect much.
On the one hand, we have a black family moving into the area and being subjected to abuse and extreme prejudice, and on the other, a family hiding a dirty secret about a home invasion that led to the death of the mother. The problem is, neither of these plots is given the right amount of attention. The racial story is by far the most interesting here, yet it's relegated to a side plot and, with the exception of the young boy, none of the family get a chance to develop into actual characters. Then you have the murder story which takes up the bulk of the running time, but it's neither fresh nor original- it's actually rather dull.
Despite being beautifully shot and occasionally amusing (Matt Damon on a kid's bike), Suburbicon ends up being a bit of a slog. It's a mish mash of ideas and tones that don't come close to forming a coherent story. There's decent performances to be found, but beyond that- don't expect much.
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Emma @ The Movies (1786 KP) rated Suburbicon (2017) in Movies
Sep 25, 2019
Suburbicon is a peaceful, idyllic, suburban community with affordable homes and manicured lawns -- the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge must navigate the town's dark underbelly of betrayal, deceit and violence.
I saw this trailer so many times in the run up to the Unlimited Screening. It initially intrigued me, I'm not a particular fan of Matt Damon, but I do like Julianne Moore, and Oscar Isaac the more I see him. Both Moore and Isaac seemed at home in this 50s setting, but Damon didn't feel very convincing.
The story had a lot of potential. Lodge wants to kill his wife who has become bitter towards him since he caused an accident that left her in a wheelchair. The plan is to stage a home invasion that leads to her death. This will leave room for her twin sister to move in and take her sister's place in the family. But when a suspicious insurance investigator comes sniffing around the case things start to fall apart. In the background of this though there is a story about the new African-American neighbours that have moved into the property behind the Lodge's. I know that this is fitting for that era, and some sort of big "distraction" was needed for a lot of things to work, but it just felt very detached from everything.
This isn't one that I'd watch again, I feel like it's going to fade into obscurity in my mind and in about ten years someone is going to ask me if I've seen it and I won't be able to remember.
I saw this trailer so many times in the run up to the Unlimited Screening. It initially intrigued me, I'm not a particular fan of Matt Damon, but I do like Julianne Moore, and Oscar Isaac the more I see him. Both Moore and Isaac seemed at home in this 50s setting, but Damon didn't feel very convincing.
The story had a lot of potential. Lodge wants to kill his wife who has become bitter towards him since he caused an accident that left her in a wheelchair. The plan is to stage a home invasion that leads to her death. This will leave room for her twin sister to move in and take her sister's place in the family. But when a suspicious insurance investigator comes sniffing around the case things start to fall apart. In the background of this though there is a story about the new African-American neighbours that have moved into the property behind the Lodge's. I know that this is fitting for that era, and some sort of big "distraction" was needed for a lot of things to work, but it just felt very detached from everything.
This isn't one that I'd watch again, I feel like it's going to fade into obscurity in my mind and in about ten years someone is going to ask me if I've seen it and I won't be able to remember.
Future Crimes: A Journey to the Dark Side of Technology - and How to Survive it
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This is The New York Times Bestseller. Technological advances have benefited our world in...