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Luke (12 KP) rated Young Frankenstein (1974) in Movies
Oct 2, 2017
Stand out performances from Gene Wilder, Peter Boyle, and Marty Feldman. (2 more)
Written by Gene Wilder and Mel Brooks
Great parody of Mary Shelley's Frankenstein
Young Frankenstein is a comedy horror film from 1974 directed by Mel Brooks, also known for his work on Blazing Saddles and Spaceballs. The film follows Gene Wilder's character of Dr. Frederick Frankenstein, or should I say Froderick Fronkenstein, as he discovers that he has inherited the estate of his grandfather Victor von Frankenstein. It's interesting to see Wilder go from a calm and collected neuroscience professer to a stark raving madman throughout his performance. The film also benefits from being filmed entirely in black and white, evoking the style of old Universal horror movies from the 1930s. Most of the jokes land, making this film a treat to watch. However, some of them are a bit crude and reference sexual activities, so some people may be a bit turned off by them. The good thing is that there aren't that many of these types of crude jokes so it's not quite so overbearing. In conclusion, this is really one of Mel Brooks' best films and one of Wilder's best performances in his career. Go check it out this Halloween.
Jesters_folly (230 KP) rated Bring it on, Ghost in TV
Jul 17, 2020
Park Bong-pal can see ghosts, he uses this ability to make money as an exorcist. On one of his jobs he meets Kim Hyeon-ji, a ghost who can't remember her own death. Park Bong- pal agrees to help Kim Hyeon-ji find out about her past if she helps him exorcise the evil ghost but Kim Hyeon-ji isn't the only one with a mysterious past and Park Bong-pal's might just kill both of them.
Bring it on, Ghost is a Korean, horror, romance, comedy romance series on Netflix. Each episode is a 'Monster of the week' type of story with also builds up the story of Park Bong-pal and how he gained the ability to see ghosts and what it means to his future.
The horror aspect of the series is quite tame, some of the ghosts are creepy but the show focus's on Park Bong-pal and Kim Hyeon-ji's relationship and works on building up the over aching series story line.
Being about ghosts there are the occasional episodes that touch on suicide and child abuse but these are handled well and manly focus on the effect such actions have on the survives and are not glorified or used for shock value.
Bring it on, Ghost is a Korean, horror, romance, comedy romance series on Netflix. Each episode is a 'Monster of the week' type of story with also builds up the story of Park Bong-pal and how he gained the ability to see ghosts and what it means to his future.
The horror aspect of the series is quite tame, some of the ghosts are creepy but the show focus's on Park Bong-pal and Kim Hyeon-ji's relationship and works on building up the over aching series story line.
Being about ghosts there are the occasional episodes that touch on suicide and child abuse but these are handled well and manly focus on the effect such actions have on the survives and are not glorified or used for shock value.
LeftSideCut (3778 KP) rated Yummy (2019) in Movies
Nov 10, 2020
Contains spoilers, click to show
First of all, this is marketed as a horror comedy, which is arguably misleading. Bar a couple of throw away gags near the start (and an obligatory dismembered penis), Yummy plays things pretty straight, as it violently hurtles towards it's bleak (as fuck) conclusion.
The lack of laughs isn't a bad thing by any means. There are plenty of zombie comedies already out there (granted, there are plenty of zombie movies in general to choose from) but as this particular sub genre refuses to die, the serious entries may as well be half decent, which Yummy certainly is.
It's has some great set pieces, some nice camera work, and a good cast.
Maaike Neuville and Bart Hollanders are a likable lead duo, and give us a pair of sympathetic characters to root for, and are a huge asset to this movie.
For zombie fans, have no fear, it doesn't take long for the shit to hit the fan, and the gore comes thick and fast when things start tumbling downhill. The practical effects are fantastic, the CGI effects are painfully average, but overall it gets the job done.
Yummy is a genuinely solid entry into the vast Zombie Horror catalogue. It's bloody, it's morbid, and it's hectic, which is good enough for me.
The lack of laughs isn't a bad thing by any means. There are plenty of zombie comedies already out there (granted, there are plenty of zombie movies in general to choose from) but as this particular sub genre refuses to die, the serious entries may as well be half decent, which Yummy certainly is.
It's has some great set pieces, some nice camera work, and a good cast.
Maaike Neuville and Bart Hollanders are a likable lead duo, and give us a pair of sympathetic characters to root for, and are a huge asset to this movie.
For zombie fans, have no fear, it doesn't take long for the shit to hit the fan, and the gore comes thick and fast when things start tumbling downhill. The practical effects are fantastic, the CGI effects are painfully average, but overall it gets the job done.
Yummy is a genuinely solid entry into the vast Zombie Horror catalogue. It's bloody, it's morbid, and it's hectic, which is good enough for me.
Sarah (7798 KP) rated Ready or Not (2019) in Movies
Oct 3, 2019
Wonderfully dark fun
I went into this film not even having seen the trailer, instead going in blind based on having read some favourable reviews. And I can say that I was very pleasantly surprised.
This is a rather wonderful and fun horror, with a lot of laughs, a bit of gore and some marvellous dark comedy. This really doesn’t take itself too seriously and it’s all the better for it, some of the best scenes in this are of the family bickering between each other. That’s not to say the darker and more thrilling scenes in the film aren’t good, because they are. It’s rather tense watching Grace try and escape and her encounters with the deranged family members, and Samara Weaving plays her perfectly. I love the strong heroine aspect of this film, and that they haven’t gone down the stereotypical female needing to be rescued plot. I do think the scary and horror aspects of the film could have been increased and made more of, but it’s still a rather surprisingly good and bonkers film. The ending, whilst parts of it were potentially predictable, was absolutely genius and hilarious and such a fantastic way to end the film.
This is a rather wonderful and fun horror, with a lot of laughs, a bit of gore and some marvellous dark comedy. This really doesn’t take itself too seriously and it’s all the better for it, some of the best scenes in this are of the family bickering between each other. That’s not to say the darker and more thrilling scenes in the film aren’t good, because they are. It’s rather tense watching Grace try and escape and her encounters with the deranged family members, and Samara Weaving plays her perfectly. I love the strong heroine aspect of this film, and that they haven’t gone down the stereotypical female needing to be rescued plot. I do think the scary and horror aspects of the film could have been increased and made more of, but it’s still a rather surprisingly good and bonkers film. The ending, whilst parts of it were potentially predictable, was absolutely genius and hilarious and such a fantastic way to end the film.
The Empty Ones
Book
Overview The Empty Ones: A Novel by Robert Brockway Following on the heels of Robert Brockway's...
Horror comedy
BankofMarquis (1832 KP) rated Young Frankenstein (1974) in Movies
Apr 20, 2020
My All Time Favorite Comedy
There are certain films that I can revisit time and time again and the effects of the film do not diminish for me and I would argue that they get better with age...and with repeated viewings.
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated Krampus (2015) in Movies
Jun 11, 2019
Full of festive chills and thrills
It’s the most wonderful time of the year, or in the case of one typical US family, it’s not, as they face off against a whole host of festive monsters and ghouls, all serving their evil overlord, Krampus.
This horror comedy takes the genre to a whole new level, throwing in a nice dose of cheesy festive calamity for good measure. But will you be wishing for it on this year’s Christmas list?
Krampus follows the story of a family, who after getting together for the holiday; forget the spirit of Christmas and what it means to hope for a better future and for the well-being of those around you.
Unfortunately, there aren’t any visits from Santa on the cards for this unlucky group, as their continuous bickering summons Krampus, St. Nicholas’ shadow. Krampus is a popular piece of German folklore, a hooded anthropomorphic figure who punishes naughty children in the run up to Christmas.
Naturally, the legend of Krampus gets an American makeover but surprisingly the end result is one of the best horror comedy films in years with some well-time scares and just the right amount of laughs. The family, known only by their first names, is a well-acted group featuring talent like Toni Collette, Adam Scott and the ever-popular David Koechner.
The family unit has just the right amount of chemistry to make their relationships feel believable with Krista Stadler providing an eerie performance as the film’s eldest character.
What sets Krampus apart from its peers is the ingenious plot and fascinating story, with one particular scene featuring some crazed gingerbread men and demonic toys proving to be the film’s highlight. The constant shifts in tone ensure it never settles into a rut, and unusually for the genre, Krampus manages to steamroll itself to a genuinely pleasing climax that’ll have you talking long after you’ve walked out of the cinema.
There’s also a beautifully animated backstory explaining the origins of our antagonist that just proves how above average this film truly is. Only Harry Potter & the Deathly Hallows: Part 1 managed to do such a tasteful cut to animation and it works fantastically well here too.
The titular character is a menacing figure in a long cloak, with dangling chains and large hooves, and despite his lack of screen time, he makes his presence felt. There’ll be no chance of bickering around the Christmas dinner table if there’s the possibility of Krampus showing up.
If there’s one criticism to be directed towards Krampus, it’s the lack of actual horror. Yes, there are scares but the majority of them are of the jump variety and there’s only so much terror that can be inflicted by maniacal biscuits.
Overall, Krampus is a highly entertaining romp with one of the best endings ever seen in the horror comedy genre. This frighteningly funny festive treat should most definitely be on your must watch list – it’s a delight.
Just remember, he knows when you’ve been bad or good, so be good for goodness sake! Krampus is coming to town.
https://moviemetropolis.net/2015/12/06/full-of-festive-thrills-and-chills-krampus-review/
This horror comedy takes the genre to a whole new level, throwing in a nice dose of cheesy festive calamity for good measure. But will you be wishing for it on this year’s Christmas list?
Krampus follows the story of a family, who after getting together for the holiday; forget the spirit of Christmas and what it means to hope for a better future and for the well-being of those around you.
Unfortunately, there aren’t any visits from Santa on the cards for this unlucky group, as their continuous bickering summons Krampus, St. Nicholas’ shadow. Krampus is a popular piece of German folklore, a hooded anthropomorphic figure who punishes naughty children in the run up to Christmas.
Naturally, the legend of Krampus gets an American makeover but surprisingly the end result is one of the best horror comedy films in years with some well-time scares and just the right amount of laughs. The family, known only by their first names, is a well-acted group featuring talent like Toni Collette, Adam Scott and the ever-popular David Koechner.
The family unit has just the right amount of chemistry to make their relationships feel believable with Krista Stadler providing an eerie performance as the film’s eldest character.
What sets Krampus apart from its peers is the ingenious plot and fascinating story, with one particular scene featuring some crazed gingerbread men and demonic toys proving to be the film’s highlight. The constant shifts in tone ensure it never settles into a rut, and unusually for the genre, Krampus manages to steamroll itself to a genuinely pleasing climax that’ll have you talking long after you’ve walked out of the cinema.
There’s also a beautifully animated backstory explaining the origins of our antagonist that just proves how above average this film truly is. Only Harry Potter & the Deathly Hallows: Part 1 managed to do such a tasteful cut to animation and it works fantastically well here too.
The titular character is a menacing figure in a long cloak, with dangling chains and large hooves, and despite his lack of screen time, he makes his presence felt. There’ll be no chance of bickering around the Christmas dinner table if there’s the possibility of Krampus showing up.
If there’s one criticism to be directed towards Krampus, it’s the lack of actual horror. Yes, there are scares but the majority of them are of the jump variety and there’s only so much terror that can be inflicted by maniacal biscuits.
Overall, Krampus is a highly entertaining romp with one of the best endings ever seen in the horror comedy genre. This frighteningly funny festive treat should most definitely be on your must watch list – it’s a delight.
Just remember, he knows when you’ve been bad or good, so be good for goodness sake! Krampus is coming to town.
https://moviemetropolis.net/2015/12/06/full-of-festive-thrills-and-chills-krampus-review/
Dean (6926 KP) rated Attack the Block (2011) in Movies
Feb 11, 2018
Original
A great little low budget, English comedy horror! This has a good B movie feel to it, featuring a young, largely unknown cast it has a good balance of laughs at the silliness of it all, followed by moments of danger. I also like these type of films when they are grounded in a real setting, this being an every day council estate in South London. Also unexpected for this type of film is how well shot it is, good use of light and cinematography is plain to see in most scenes. The creature design while simple is pretty good. The only downer for me was some of the over use, of so much slang, but again there are teenagers who do talk like that! An enjoyable small budget film that will put a big smile on your face!
Cyn Armistead (14 KP) rated The Nightmare Stacks: A Laundry Files Novel in Books
Feb 23, 2018
Another fun entry in the Laundry Files series, this one is narrated by Dr. Schwartz, from the previous novel. Poor Alex is trying to come to grips with his sudden career change and living life as a PHANG (vampire, to the rest of us). He has also fallen into social interactions with an actual female person, which is vastly unusual in his life. In fact, having a social life is rather foreign.
There are a fair number of cringe-worthy scenes, if you (like me) are embarrassed when anyone else is. Of course, this is a comedy/horror/science fiction/fantasy series, so there are the requisite horrid things in the plot. If you've gotten this far in the series, I shouldn't need to warn you about that. I really wouldn't choose this volume as an entry point if I were you.
There are a fair number of cringe-worthy scenes, if you (like me) are embarrassed when anyone else is. Of course, this is a comedy/horror/science fiction/fantasy series, so there are the requisite horrid things in the plot. If you've gotten this far in the series, I shouldn't need to warn you about that. I really wouldn't choose this volume as an entry point if I were you.