"I think it’s always incredibly difficult to thread that needle between real pathos and comedy. And I think Postcards dances on that knife’s edge, not to go overboard with the metaphors, but it’s just so beautifully calibrated because the script, Carrie Fisher’s. There is no greater writing mind ever; Carrie Fisher had such a particular lens that she looked through the world with, and it just translated incredibly into her writing. I just thought the script was just so funny, but the performances! It’s one of those movies that for me is the whole package. Although I did not grow up with a mother who was in show business, the relationship between them was not dissimilar from mine in a way, and made me feel connected to the material. But it’s the kind of movie that I actually own still on VHS. I remember buying this movie and wanting it, so I have it for just memory’s sake, but I also have it on DVD, and Cody Fern, who’s an actor on American Horror Story last year, as a wrap present gave me an original poster. That’s how much I love the movie and that’s how much people around me tend to know I love the movie, because I do quote it a lot. And you just don’t want to sit next to me when we’re watching it though, because you won’t hear the movie. I’m just doing the whole thing, line by line."

"My fifth film — it’s the movie that literally got me wanting to make movies to begin with — is the David Cronenberg film Scanners. When I was a kid, I was a little weird kid, and I loved horror films, I loved gore films. When Michael Ironside made that guy’s head explode in that movie, I was like, “Whatever this is, I want to do this!” I was ten, eleven years old, and my parents would take me to see these. Like, I saw The Exorcist in movie theaters; I saw The Evil Dead in a movie theater. I went to see all this crazy, freaky s*** that you would never take a little kid to see today. But I saw Jaws in a movie theater. Like, I wanted to see all these scary movies, and my parents were like, “Absolutely. Let’s go.” And so here I was, as a teenager, learning how to make my own blood, and my own scars and wounds. I wanted to be Rick Baker or Tom Savini. When I was a kid, that’s who I looked up to. When I saw An American Werewolf in London, it was phenomenal, to see all those makeup special effects they were doing. And then when I went to high school and learned you could actually go to college to study film and learn how to make movies, I was like, “I’m in. That’s exactly what I want to do.”"