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Awix (3310 KP) rated Apollo 11 (2019) in Movies
Jul 5, 2019 (Updated Jul 5, 2019)
Following the slick disaster movie (1995's Apollo 13) and the oddball horror flick (2011's Apollo 18), cinema's most unpredictable franchise returns with, of all things, a prequel documentary made up almost entirely of contemporary footage of the first manned Moon landing (or possibly a bunch of Stanley Kubrick's out-takes from faking the whole thing, depending on what you personally believe).
No narration, no talking heads, almost no music or graphics: this tells the story in the most stripped-back way imaginable and as a result makes it seem remarkably fresh and engaging. One's first reaction is to wonder where they found all this incredible footage, depicting every aspect of the mission in extraordinary, pristine detail. The director wisely makes the decision to basically get out of the way and let the pictures tell the story of the human race's greatest achievement. Essential viewing for anyone interested in history, or the future.
No narration, no talking heads, almost no music or graphics: this tells the story in the most stripped-back way imaginable and as a result makes it seem remarkably fresh and engaging. One's first reaction is to wonder where they found all this incredible footage, depicting every aspect of the mission in extraordinary, pristine detail. The director wisely makes the decision to basically get out of the way and let the pictures tell the story of the human race's greatest achievement. Essential viewing for anyone interested in history, or the future.
LeftSideCut (3778 KP) rated Monster House (2006) in Movies
Dec 19, 2019 (Updated Jan 14, 2020)
A horror film for children - is what Monster House is marketed as, and it's pretty much just that.
The animation style is different, looks a little ropey by todays standard but is still pretty charming.
The narrative really drags to begin with, with characters who are hard to get on board with (accept the grumpy old man, that guys speaks to me...)
The halfway mark is a turning point. When it becomes clearly obvious that the kids are being terrorized by a living house intent on eating them, it feels like a crazy episode of Scooby Doo.
The final 15 minutes or so are great, and where the animation is at its best. It also packs in a genuinely sad plot point that lends the movie an emotional edge, and it's the exact kind of thing that makes these kind of films good.
There are certainly better animated films out there, but it's not the worst way to spend an hour and a half.
The animation style is different, looks a little ropey by todays standard but is still pretty charming.
The narrative really drags to begin with, with characters who are hard to get on board with (accept the grumpy old man, that guys speaks to me...)
The halfway mark is a turning point. When it becomes clearly obvious that the kids are being terrorized by a living house intent on eating them, it feels like a crazy episode of Scooby Doo.
The final 15 minutes or so are great, and where the animation is at its best. It also packs in a genuinely sad plot point that lends the movie an emotional edge, and it's the exact kind of thing that makes these kind of films good.
There are certainly better animated films out there, but it's not the worst way to spend an hour and a half.
Awix (3310 KP) rated Die, Monster, Die! (1965) in Movies
Jul 5, 2020
Rather annoyingly not-quite-there horror movie based on an H.P. Lovecraft short story ('based on' in the sense of 'almost entirely different from'). Guy goes to see his girl in the remote English countryside, discovers surly locals, finds her father has been up to experiments into Things Which Man Was Not Meant To Know. Includes the obligatory badly-done Lovecraftian squid-monsters.
Interesting cast, and you can tell Karloff in particular is doing his best with the material, but there's an awful lot of wandering about with not much happening, especially for a film only about an hour and a quarter long. Obviously done on the cheap, and too invested in its standard Gothic tropes - creepy old mansion, spooky domestics, cursed family heritage, etc - to make the most of the potential in the short story it's supposed to be based on. All in all, less interesting than it has any right to be in the circumstances.
Interesting cast, and you can tell Karloff in particular is doing his best with the material, but there's an awful lot of wandering about with not much happening, especially for a film only about an hour and a quarter long. Obviously done on the cheap, and too invested in its standard Gothic tropes - creepy old mansion, spooky domestics, cursed family heritage, etc - to make the most of the potential in the short story it's supposed to be based on. All in all, less interesting than it has any right to be in the circumstances.
Anand Wilder recommended The Wicker Man by Paul Giovanni & Magnet in Music (curated)
LeftSideCut (3778 KP) rated Intruder (1989) in Movies
Feb 19, 2021
If you were to look up the definition of "underrated horror gem" then Intruder would be staring you in the face.
Brought to life by several members of the team behind Evil Dead II, it's no surprise that this movie is equally as fun as it is gory. It's cast of likable characters drive the film for the mostly bloodless first half, with final girl Elizabeth Cox being a stand out.
When things do get gory, Intruder doesn't fuck about. The kills inflicted upon the main cast are pretty damn creative, and incredibly realised by fantastic practical effects courtesy of Robert Kurtzman and Greg Nicotero. The scenes not set in the main supermarket hall have a low budget and dimly lit Evil Dead feel to them, and results in a genuinely nasty atmosphere when coupled with the more violent moments.
It's a shame that Intruder isn't as widely hailed as some of its better known slasher contemporaries, for all of the above reasons.
Brought to life by several members of the team behind Evil Dead II, it's no surprise that this movie is equally as fun as it is gory. It's cast of likable characters drive the film for the mostly bloodless first half, with final girl Elizabeth Cox being a stand out.
When things do get gory, Intruder doesn't fuck about. The kills inflicted upon the main cast are pretty damn creative, and incredibly realised by fantastic practical effects courtesy of Robert Kurtzman and Greg Nicotero. The scenes not set in the main supermarket hall have a low budget and dimly lit Evil Dead feel to them, and results in a genuinely nasty atmosphere when coupled with the more violent moments.
It's a shame that Intruder isn't as widely hailed as some of its better known slasher contemporaries, for all of the above reasons.
LeftSideCut (3778 KP) rated The Final Girls (2015) in Movies
Apr 23, 2021
There are several reasons why The Final Girls is a goddam delight.
For a start, it's an unabashed love letter to the Friday the 13th series, both playing tribute, and poking fun at its tropes. If you're a fan of summer camp slashers, then you'll find a lot to love. The comedy on display is decent and never feels too try hard, and even manages to lightly berate the horror fan community whilst managing to remain endearing.
Amongst all the silliness however, lurks a touching and often sad story about loss and coming to terms with grief. Fantastic performances from Taissa Farmiga and Malin Akerman compliment these moments, and they land pretty well. The characters are solidly balanced, and result in a movie that knows when to be funny, and when to be serious.
The Final Girls has quickly become a bit of a cult favourite since it's release in 2015, and it's easy to see why. Good stuff!
For a start, it's an unabashed love letter to the Friday the 13th series, both playing tribute, and poking fun at its tropes. If you're a fan of summer camp slashers, then you'll find a lot to love. The comedy on display is decent and never feels too try hard, and even manages to lightly berate the horror fan community whilst managing to remain endearing.
Amongst all the silliness however, lurks a touching and often sad story about loss and coming to terms with grief. Fantastic performances from Taissa Farmiga and Malin Akerman compliment these moments, and they land pretty well. The characters are solidly balanced, and result in a movie that knows when to be funny, and when to be serious.
The Final Girls has quickly become a bit of a cult favourite since it's release in 2015, and it's easy to see why. Good stuff!
LeftSideCut (3778 KP) rated Stung (2015) in Movies
Feb 10, 2021
If you're looking for an entertaining as hell, throwback creature feature, then look no further.
Stung is a perfectly imperfect B-Movie horror about some mutated wasps causing havoc at a garden party, leading to giant mutated wasps bursting out of various party guests, hell bent on feasting on any survivors. It's really really silly, but manages to be frequently funny, impressively gory, and shamelessly schlocky.
It has two likable protagonists in Matt O'Leary and Jessica Cook, and it's a nice surprise to see that Lance Henriksen wasn't just a cameo. It's let down a little by some dodgy CGI, but a lot of the gory scenes are practical, and a lot of the action takes place at night, so the effects aren't too much of an eyesore.
Stung is a straight up trashy good time, and the often used Wilhelm scream gets given to a wasp, which is low key hilarious, and absolutely slayed me, so bonus points there.
Stung is a perfectly imperfect B-Movie horror about some mutated wasps causing havoc at a garden party, leading to giant mutated wasps bursting out of various party guests, hell bent on feasting on any survivors. It's really really silly, but manages to be frequently funny, impressively gory, and shamelessly schlocky.
It has two likable protagonists in Matt O'Leary and Jessica Cook, and it's a nice surprise to see that Lance Henriksen wasn't just a cameo. It's let down a little by some dodgy CGI, but a lot of the gory scenes are practical, and a lot of the action takes place at night, so the effects aren't too much of an eyesore.
Stung is a straight up trashy good time, and the often used Wilhelm scream gets given to a wasp, which is low key hilarious, and absolutely slayed me, so bonus points there.
Awix (3310 KP) rated The Wolf Man (1941) in Movies
May 8, 2021
The first Universal werewolf film to really make an impression doesn't have the same iconic status as either Frankenstein or Dracula, but is still a much more proficient movie in purely technical terms. Larry Talbot is plunged into a world of misery and horror when he returns to his family home in Wales; many visitors to the principality will probably empathise, but his experience is particularly bad when he is bitten by a gypsy and becomes a werewolf.
Solid story, decently structured; the wolf man make-up is honestly not that great, and neither is Chaney's performance, but the rest of the cast is decent and the plot rattles along. Notable as the film which established the 'rules' of lycanthropy as far as mainstream cinema is concerned. As ever, probably more interesting from a historical point of view than as a genuine piece of entertainment, but still a film which has deservedly resonated in the culture.
Solid story, decently structured; the wolf man make-up is honestly not that great, and neither is Chaney's performance, but the rest of the cast is decent and the plot rattles along. Notable as the film which established the 'rules' of lycanthropy as far as mainstream cinema is concerned. As ever, probably more interesting from a historical point of view than as a genuine piece of entertainment, but still a film which has deservedly resonated in the culture.
Awix (3310 KP) rated Scanners (1981) in Movies
Oct 12, 2020
Horror-SF from David Cronenberg. A man with psychic powers is sent to infiltrate a dangerous network of others with similar abilities: they have many subtle telepathic and telekinetic powers, such as being able to make people's heads explode.
Actually rather less graphic and icky than the film's reputation (and advertising) might suggest; the really spectacularly gory bits bookend the movie, and much of the rest of it looks like a relatively conventional thriller. The film is arguably ahead of its time in its suspicion of the military-industrial complex and big pharma; there is perhaps a subtext about the souring of 60s idealism as free-thinkers are persecuted or exploited by vested interests. Pretty good performances from the hero and the villain, but (not really surprisingly) Patrick McGoohan steals the film as the protagonist's father-figure. A thoughtful and intelligent film that isn't afraid to really go for the splatter now and then.
Actually rather less graphic and icky than the film's reputation (and advertising) might suggest; the really spectacularly gory bits bookend the movie, and much of the rest of it looks like a relatively conventional thriller. The film is arguably ahead of its time in its suspicion of the military-industrial complex and big pharma; there is perhaps a subtext about the souring of 60s idealism as free-thinkers are persecuted or exploited by vested interests. Pretty good performances from the hero and the villain, but (not really surprisingly) Patrick McGoohan steals the film as the protagonist's father-figure. A thoughtful and intelligent film that isn't afraid to really go for the splatter now and then.
Lenard (726 KP) rated The Banana Splits Movie (2019) in Movies
Sep 2, 2019
You never meet your heroes
In an alternate universe, The Banana Splits Adventure Hour is still running on TV and the youth of today still watch it. Harley is a huge fan of the chaotic puppet rock quartet. Harley has few friends, his father died, and his brother is turning into a millenial. His mother gets five tickets to a taping of the Banana Splits show for Harley's birthday. Unbeknownst to the studio audience, the network has just cancelled the show. Now all those fans are in danger as the show has nothing to lose so why not oversized Sid and Marty Krofft puppets murdering people. The concept for the movie is absolutely brilliant. However, the child actors in the cast can carry the tone of the film. Some of the campiness is evident, but the filmmakers never really match the surrealism of the Sid and Marty Krofft original to counter out the horror elements the writers have included.