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Lenard (726 KP) rated Pet Sematary (2019) in Movies
Apr 9, 2019
A Boston doctor moves his family to what is believed to be a quiet town in Maine. He soon discovers that the town has a secret past and supernatural powers. A good horror movie requires an atmosphere and a good movie based on the book makes you want to read the book to see what was left out. Neither requirement is met in this version of "Pet Sematary." The setting of the atmosphere I may have missed due to longer credits attached to "Shazam" that my gig required me to view. When I entered the theater, the family was already in their Maine house. In the short time I was not there, two things were established, the gas trucks that constantly careen through the town, a ominous sign of accidents to come and the family move to Maine to get away from the hustle of the city. The shadow of death could not have come until I was already in the theater. This aspect of the family dynamic was firmly established later when Ellie sees an animal dead on the road. The titular pet cemetary was also introduced while I was in attendance. The directors did not set up any foreboding specters for the cemetary or the family past, a sign of people in need of paying attention to their own creation. Throughout the film, there should be moments that terrify you from Church to the zombie child to Judd's mysteriously dead wife. None of these approach master level suspense.
Gareth von Kallenbach (980 KP) rated It: Chapter Two (2019) in Movies
Sep 13, 2019
I’ve always been a fan of Stephen King movies, even some of those that were not particularly good or well received. For someone who is a fan you think that would inspire me to pick up at least one of his books to get a feel for what the author truly intended over the stripped down,
“Hollywood-ised” versions. I can’t put my finger on why I haven’t, it’s not because the size of many of his novels are daunting, it’s more that as a reader I’m just not a horror book fan. So when it comes to sitting in on a Stephen king movie I have to rely on the story by it’s modified merits then to compare and contrast what IT does well (or not).
Like many before me, my first movie experience of IT was the classic mini-series featuring an incredibly creepy (and non-CGI’d version) of Pennywise portrayed by the extremely talented Tim Curry.
I even went out and purchased the mini-series before I went to see the first chapter of the remake of IT, just to see how those two compared. IT: Chapter One introduced us in great depth to the teens of the original losers club. A group of misfits, who went on their own personal crusade to attack and kill the nefarious clown while saving one of their own. A strong pact was formed and an oath sworn that if IT ever returned to Derry that the group would once again join together to put a stop to IT for good.
IT: Chapter Two picks up 27 years later, the group has moved on with their lives, all except Mike (Isaiah Mustafa as an adult and Chosen Jacobs as a younger version) who has felt a sense of responsibility to watch over the town and research how to kill IT if IT were to ever return. A horrific killing of an adult at the fair and subsequent disappearances of children alert Mike that the plague that has befallen Derry for generations has returned to feed. Mike reaches out to each of the losers reminding them that something they have all feared has come to pass.
Each when notified experience a fear that is indescribable yet for some reason the groups memories of the past have become clouded.
The now adult losers (with several flashbacks featuring the original cast) come together to remind themselves of the past, and the pact they made to protect the future. Featuring a star studded cast, Mike, Bill (James McAvoy/Jaeden Martell), Beverly (Jessica Chastain/Sophia Lillis), Ben (Jay Ryan/Jeremy Ray Taylor), Richie (Bill Hader/Finn Wolfhard), Eddie (James Ransone/Jack Dylan Grazer) and Stanley (Andy Bean/Wyatt Oleff), must battle their lost memories, their fears and the very real danger if they are to save Derry and themselves.
IT: Chapter 2 continues the incredible character building that Chapter 1 began. Where each of the young actors were perfectly cast as their book counterparts, their adult versions could easily be mistaken for the grown-up versions. This is the area where IT shines the most, the story of the losers who have grown and moved away, yet still share the unescapable bond of friendship. While an older Bill struggles (much like Stephen King himself) to come up with good endings to his stories it’s what he writes at the end of IT: Chapter 2 that really sums up the movie as a whole. To summarize, there are no good friends or bad friends, there are only friends, and chapter 2 is an example of how you take a band of misfits and turn them into heroes.
Sadly, for all the things IT does from a character side, it tends to drag on and over CGI its monster side. Pennywise the clown (portrayed brilliantly by Bill Skarsgård) brings with him all the creepiness and fear that the movie needs, even posters of his maniacal self is promoting lawsuits in other countries due to his ability to scare small children. So, it seems a bit disheartening that the studio felt it was necessary to go overboard with their CGI budgets. Many scenes go from being creepy and scary to simply being silly when our favorite clown is turned into a giant naked hag like figure. This is where I felt the mini-series did a far better job, due to its limited budget and shorter time requirements it allowed for the viewers to imagine the evil and not see it thrown out for the world to see.
IT: Chapter 2 also drags out far longer than it needed to. Make sure you get your bathroom breaks in, because the film, not counting previews, is just about 10 minutes shy of being three hours. I’m normally not one to complain about the length of a movie, as I’d rather they tell the story they want instead of trying to compress it into a shorter run time. However, in this case, it seemed entirely wasted on an overabundance of clown mutations and an extremely drawn out final battle. It’s unfortunate, because one of the most unused (and potentially interesting characters) Henry Bowers (Teach Grant/Nicholas Hamilton) is given only a few minutes of screen time and ultimately adds nothing to the movie as a whole. As I stated earlier, I haven’t read the novel, but I have to assume that he played a far bigger role in the book.
As it stands in the movie, his character is both unnecessary and completely ineffective at whatever he was attempting to do. I think some of the time taken away from the battle scenes to flesh out his (or other supporting characters) would have be time better spent.
IT: Chapter 2 is a good movie, that with some reduced special effects and better time management is just shy of being a great movie. The story of the kids, now grown up, is one of forgiveness, bravery and love. It shows how true friendship can overcome distance and time and that those things never truly vanish, even if the particulars of what separated you in the first place is a bit fuzzy. Horror movies with outrageous budgets tend to lose the spirit of what makes a true horror movie scary…it’s rarely about the effects, and more about the imagination.
That’s what makes the books typically so much better than the movies, after all, each one of us imagines our own version of what truly scares us (although clowns tend to be scary regardless of how they are portrayed). IT: Chapter 2 provides a satisfying ending to a story that began a few years ago, it suffers a bit from its budget and its use of CGI effects, but it’s still a story of what all of us losers can accomplish if we band together.
“Hollywood-ised” versions. I can’t put my finger on why I haven’t, it’s not because the size of many of his novels are daunting, it’s more that as a reader I’m just not a horror book fan. So when it comes to sitting in on a Stephen king movie I have to rely on the story by it’s modified merits then to compare and contrast what IT does well (or not).
Like many before me, my first movie experience of IT was the classic mini-series featuring an incredibly creepy (and non-CGI’d version) of Pennywise portrayed by the extremely talented Tim Curry.
I even went out and purchased the mini-series before I went to see the first chapter of the remake of IT, just to see how those two compared. IT: Chapter One introduced us in great depth to the teens of the original losers club. A group of misfits, who went on their own personal crusade to attack and kill the nefarious clown while saving one of their own. A strong pact was formed and an oath sworn that if IT ever returned to Derry that the group would once again join together to put a stop to IT for good.
IT: Chapter Two picks up 27 years later, the group has moved on with their lives, all except Mike (Isaiah Mustafa as an adult and Chosen Jacobs as a younger version) who has felt a sense of responsibility to watch over the town and research how to kill IT if IT were to ever return. A horrific killing of an adult at the fair and subsequent disappearances of children alert Mike that the plague that has befallen Derry for generations has returned to feed. Mike reaches out to each of the losers reminding them that something they have all feared has come to pass.
Each when notified experience a fear that is indescribable yet for some reason the groups memories of the past have become clouded.
The now adult losers (with several flashbacks featuring the original cast) come together to remind themselves of the past, and the pact they made to protect the future. Featuring a star studded cast, Mike, Bill (James McAvoy/Jaeden Martell), Beverly (Jessica Chastain/Sophia Lillis), Ben (Jay Ryan/Jeremy Ray Taylor), Richie (Bill Hader/Finn Wolfhard), Eddie (James Ransone/Jack Dylan Grazer) and Stanley (Andy Bean/Wyatt Oleff), must battle their lost memories, their fears and the very real danger if they are to save Derry and themselves.
IT: Chapter 2 continues the incredible character building that Chapter 1 began. Where each of the young actors were perfectly cast as their book counterparts, their adult versions could easily be mistaken for the grown-up versions. This is the area where IT shines the most, the story of the losers who have grown and moved away, yet still share the unescapable bond of friendship. While an older Bill struggles (much like Stephen King himself) to come up with good endings to his stories it’s what he writes at the end of IT: Chapter 2 that really sums up the movie as a whole. To summarize, there are no good friends or bad friends, there are only friends, and chapter 2 is an example of how you take a band of misfits and turn them into heroes.
Sadly, for all the things IT does from a character side, it tends to drag on and over CGI its monster side. Pennywise the clown (portrayed brilliantly by Bill Skarsgård) brings with him all the creepiness and fear that the movie needs, even posters of his maniacal self is promoting lawsuits in other countries due to his ability to scare small children. So, it seems a bit disheartening that the studio felt it was necessary to go overboard with their CGI budgets. Many scenes go from being creepy and scary to simply being silly when our favorite clown is turned into a giant naked hag like figure. This is where I felt the mini-series did a far better job, due to its limited budget and shorter time requirements it allowed for the viewers to imagine the evil and not see it thrown out for the world to see.
IT: Chapter 2 also drags out far longer than it needed to. Make sure you get your bathroom breaks in, because the film, not counting previews, is just about 10 minutes shy of being three hours. I’m normally not one to complain about the length of a movie, as I’d rather they tell the story they want instead of trying to compress it into a shorter run time. However, in this case, it seemed entirely wasted on an overabundance of clown mutations and an extremely drawn out final battle. It’s unfortunate, because one of the most unused (and potentially interesting characters) Henry Bowers (Teach Grant/Nicholas Hamilton) is given only a few minutes of screen time and ultimately adds nothing to the movie as a whole. As I stated earlier, I haven’t read the novel, but I have to assume that he played a far bigger role in the book.
As it stands in the movie, his character is both unnecessary and completely ineffective at whatever he was attempting to do. I think some of the time taken away from the battle scenes to flesh out his (or other supporting characters) would have be time better spent.
IT: Chapter 2 is a good movie, that with some reduced special effects and better time management is just shy of being a great movie. The story of the kids, now grown up, is one of forgiveness, bravery and love. It shows how true friendship can overcome distance and time and that those things never truly vanish, even if the particulars of what separated you in the first place is a bit fuzzy. Horror movies with outrageous budgets tend to lose the spirit of what makes a true horror movie scary…it’s rarely about the effects, and more about the imagination.
That’s what makes the books typically so much better than the movies, after all, each one of us imagines our own version of what truly scares us (although clowns tend to be scary regardless of how they are portrayed). IT: Chapter 2 provides a satisfying ending to a story that began a few years ago, it suffers a bit from its budget and its use of CGI effects, but it’s still a story of what all of us losers can accomplish if we band together.
Darren (1599 KP) rated The Hole in the Ground (2019) in Movies
Dec 1, 2019
Verdict: Suspenseful
Story: The Hole in the Ground starts as Sarah (Kerslake) and her son Chris (Markey) are getting used to their new home in the Irish countryside, they learn they have a disturbed neighbour Noreen Brady (Outinen) and a giant hole in the middle of a woodland area surrounding the house.
After losing her son in the woods one night, Sarah is trying to be more protective, but the disturbed neighbour Noreen, doesn’t believe that is her son anymore, similar to what she experienced herself, years before.
Thoughts on The Hole in the Ground
Characters – Sarah is the single mother who has moved away from her previous life, which does have hints of abuse, she has started a simpler life in a small village with her son and soon starts to learn about something strange that has happened to her son, with her needing to figure out the truth before it is too late. Chris is the son who isn’t happy trying to make new friends, he is terrified of spiders and after he goes missing one night, when he returns something has changed in him. Noreen Brady went through a similar experience to Sarah, which has seen her branded crazy by the locals, she can sense more being wrong, though it has haunted her whole life.
Performances – Seana Kerslake in the leading role adds so much to this film, her performance shows the pain her character has been through, despite showing the strength she is carrying on with. James Quinn Markey is great for a young actor, showing the innocent side to his character and the change he has been through. The supporting cast don’t get many scenes but do a good job when called up.
Story – The story here follows a single mother who starts to see a strange change in her son and must decide what has caused this and what she is going to do about it. The story does dive into one of the most famous horror myths, which is clear to see early on, though never directly uses the name, we won’t say just to stop any spoilers. We have the themes of an abuse victim trying to rebuild their own life, while remaining strong for her child. We only focus on the two characters, with any others only offer hints to what is happening. What the story offers, would be the slowly building moments that Sarah is going through, where she is torn about the truth, we focus on dread feeling over any shock value.
Horror – The horror in this film does give us a clear look at dread and gloom, instead of playing of the jump scares, it so easily could have turned too.
Settings – The film takes us to a small Irish countryside village, the house is outside the village surrounded by woodland, which only adds to the unknown coming from inside the woods.
Special Effects – The effects being used in the film are kept to a minimum, which does help when we need to see them happening.
Scene of the Movie – What is Chris up to.
That Moment That Annoyed Me – We only get the hints of the former life they lived.
Final Thoughts – This is a dread filled horror that will keep us wondering what is happening, with strong performances from the lead actors.
Overall: Dread Filled Horror.
Story: The Hole in the Ground starts as Sarah (Kerslake) and her son Chris (Markey) are getting used to their new home in the Irish countryside, they learn they have a disturbed neighbour Noreen Brady (Outinen) and a giant hole in the middle of a woodland area surrounding the house.
After losing her son in the woods one night, Sarah is trying to be more protective, but the disturbed neighbour Noreen, doesn’t believe that is her son anymore, similar to what she experienced herself, years before.
Thoughts on The Hole in the Ground
Characters – Sarah is the single mother who has moved away from her previous life, which does have hints of abuse, she has started a simpler life in a small village with her son and soon starts to learn about something strange that has happened to her son, with her needing to figure out the truth before it is too late. Chris is the son who isn’t happy trying to make new friends, he is terrified of spiders and after he goes missing one night, when he returns something has changed in him. Noreen Brady went through a similar experience to Sarah, which has seen her branded crazy by the locals, she can sense more being wrong, though it has haunted her whole life.
Performances – Seana Kerslake in the leading role adds so much to this film, her performance shows the pain her character has been through, despite showing the strength she is carrying on with. James Quinn Markey is great for a young actor, showing the innocent side to his character and the change he has been through. The supporting cast don’t get many scenes but do a good job when called up.
Story – The story here follows a single mother who starts to see a strange change in her son and must decide what has caused this and what she is going to do about it. The story does dive into one of the most famous horror myths, which is clear to see early on, though never directly uses the name, we won’t say just to stop any spoilers. We have the themes of an abuse victim trying to rebuild their own life, while remaining strong for her child. We only focus on the two characters, with any others only offer hints to what is happening. What the story offers, would be the slowly building moments that Sarah is going through, where she is torn about the truth, we focus on dread feeling over any shock value.
Horror – The horror in this film does give us a clear look at dread and gloom, instead of playing of the jump scares, it so easily could have turned too.
Settings – The film takes us to a small Irish countryside village, the house is outside the village surrounded by woodland, which only adds to the unknown coming from inside the woods.
Special Effects – The effects being used in the film are kept to a minimum, which does help when we need to see them happening.
Scene of the Movie – What is Chris up to.
That Moment That Annoyed Me – We only get the hints of the former life they lived.
Final Thoughts – This is a dread filled horror that will keep us wondering what is happening, with strong performances from the lead actors.
Overall: Dread Filled Horror.
Darren (1599 KP) rated Gnaw (2017) in Movies
Dec 3, 2019
Verdict: Slow Build, Great Ending
Story: Gnaw starts when Jennifer Conrad (Mitchell) escapes from her abusive husband, to start a new life in a small apartment complex, where the handyman Terry (Gass) takes her under his wing, trying to make her feel welcome. When one of the neighbours spends hours crying at night before killing herself.
Jennifer must deal with her ex-husband Boyd (Johnson) finding her, just as she gets a pet turtle and more painfully an uncomfortable bite, which just seems to keep getting worse.
Thoughts on Gnaw
Characters – Jennifer has been struck in an abusive relationship which she has gotten the courage to leave behind her, this does leave her in a small apartment complex where she must try to start a new life. Things seem positive, when she bumps into an old friend who wants to help her get a job, only things start going badly after her neighbour’s suicide and bites which appear on her skin, with no explanation behind them. She must face her own past, deal with a problem before moving on with her own life. Terry Lumley is the friendly handyman that offers Jennifer all the support while staying the apartments. Boyd is the abusive ex-husband and police officers, making it harder for Jennifer to escape him, he has always put her down and wants to keep his control over her. Claudette runs the apartments she doesn’t get on with anybody, just wants to see money coming in.
Performances – Penelope Mitchell in the leading role is the star of the show here, being able to show the pain she is running from and the hope she is fighting for. Kyle Gass is the next best thing in the film, where he does bring moments of laughter in his kind natured character. The rest of the cast do a solid job without being tested with what they have to do.
Story – The story here follows an abuse victim that is trying to escape her own life’s pain only to find herself dealing with the latest problem which has come her way in the form of a bite. This story does manage to show us how difficult getting out of an abusive relationship can be for the victim, where starting a new life can take more time than people believe, this side of the story is the strongest part because it shows the real horrors of Jennifer’s life. When we get into the mystery about the bites, it does go on the routine way, until we learn the truth, which makes both sides of the story get connected nicely.
Horror – The horror side of the film mixes the reality of being abused by a partner with the unknown of mysterious bites being found on the body and why they are there.
Settings – Most of the film remains in the hotel complex which is a place where people go to start life again.
Special Effects – When it comes to the effects we see what happens with the bites getting worse and the revel of what is behind it.
Scene of the Movie – The showdown in the room.
That Moment That Annoyed Me – The job interview.
Final Thoughts – This is a nice slow build horror that tries to reflect the ideas of the horror being in real life rather than needing supernatural elements.
Overall: Horror that tests the reality of life.
Story: Gnaw starts when Jennifer Conrad (Mitchell) escapes from her abusive husband, to start a new life in a small apartment complex, where the handyman Terry (Gass) takes her under his wing, trying to make her feel welcome. When one of the neighbours spends hours crying at night before killing herself.
Jennifer must deal with her ex-husband Boyd (Johnson) finding her, just as she gets a pet turtle and more painfully an uncomfortable bite, which just seems to keep getting worse.
Thoughts on Gnaw
Characters – Jennifer has been struck in an abusive relationship which she has gotten the courage to leave behind her, this does leave her in a small apartment complex where she must try to start a new life. Things seem positive, when she bumps into an old friend who wants to help her get a job, only things start going badly after her neighbour’s suicide and bites which appear on her skin, with no explanation behind them. She must face her own past, deal with a problem before moving on with her own life. Terry Lumley is the friendly handyman that offers Jennifer all the support while staying the apartments. Boyd is the abusive ex-husband and police officers, making it harder for Jennifer to escape him, he has always put her down and wants to keep his control over her. Claudette runs the apartments she doesn’t get on with anybody, just wants to see money coming in.
Performances – Penelope Mitchell in the leading role is the star of the show here, being able to show the pain she is running from and the hope she is fighting for. Kyle Gass is the next best thing in the film, where he does bring moments of laughter in his kind natured character. The rest of the cast do a solid job without being tested with what they have to do.
Story – The story here follows an abuse victim that is trying to escape her own life’s pain only to find herself dealing with the latest problem which has come her way in the form of a bite. This story does manage to show us how difficult getting out of an abusive relationship can be for the victim, where starting a new life can take more time than people believe, this side of the story is the strongest part because it shows the real horrors of Jennifer’s life. When we get into the mystery about the bites, it does go on the routine way, until we learn the truth, which makes both sides of the story get connected nicely.
Horror – The horror side of the film mixes the reality of being abused by a partner with the unknown of mysterious bites being found on the body and why they are there.
Settings – Most of the film remains in the hotel complex which is a place where people go to start life again.
Special Effects – When it comes to the effects we see what happens with the bites getting worse and the revel of what is behind it.
Scene of the Movie – The showdown in the room.
That Moment That Annoyed Me – The job interview.
Final Thoughts – This is a nice slow build horror that tries to reflect the ideas of the horror being in real life rather than needing supernatural elements.
Overall: Horror that tests the reality of life.
Darren (1599 KP) rated Citadel (2012) in Movies
Oct 14, 2019
Characters – Tommy is a father with agoraphobia after he saw his wife attacked by a group of children, he is trying to be the good father for his new born child, but his fears are controlling the situation, he sees children trying to take his child, he needs to face his fears to make it through this trauma he is going through. Priest is a renegade man that is aggressively searching for a way to bring down the feral children, he sees Tommy as a chance to get the job done, even if it is against what his religion states. Marie is one of the social workers that will help Tommy, she is trying to help him through the medical side even if she is the one that puts him in contact with the priest. The Feral Children are the highlight of the film because they are genuinely frightening when they attack.
Performances – Aneurin Barnard in the leading role does make us feel for his character, we believe he has been through the trauma and is the desperation to save his family. James Cosmo is fun to watch as anti-priest figure. Wunmi Mosaku doesn’t do anything wrong in the supporting role, if only we could have seen more from the character.
Story – The story here follows a new father that is dealing with his own trauma while raising his new born child, which will see him needing to face off against feral child that feed on people’s fears. The early thing that must be pointed out here, comes from the idea that we are not full convinced that we are seeing the fears of the character dealt with, for the most part we are seeing one man terrorised but even the people without the fear seem to be targets too, this mostly confuses the rule point in place. the idea that the feral child live in the abandoned flat complex doesn’t improve on things either because you would think more incidents would happen. The part of the story that does standout and is interesting to watch would be seeing how Tommy is dealing with his own traumas while remaining strong facing the possibility of not being able to raise his own child because of his problems, sadly we don’t see enough of this addressed with the horror side of the story taking over, which simply put, isn’t as interesting.
Horror – The horror starts of being home invasion like horror, which worked for the illness Tommy had, but when we enter the flats, it does become the highlight of the action in the film, feeling dark, scary with anything able to jump out to get them.
Settings – The settings show us the run down neighbourhood in which Tommy lives, the support groups around it and most importantly the empty flat block which has the feral children in it.
Special Effects – The effects are used mostly look practical, with the moments surrounding the feral child being the most notable and scary ones.
Scene of the Movie – Inside the flat block.
That Moment That Annoyed Me – It breaks the rules it sets up too easily.
Final Thoughts – This is a horror film that does take its time getting going, one the chaos is unleashed with get a highly intense final act which ramps the fear up to the max.
Overall: Slow Start, Strong Finish.
Performances – Aneurin Barnard in the leading role does make us feel for his character, we believe he has been through the trauma and is the desperation to save his family. James Cosmo is fun to watch as anti-priest figure. Wunmi Mosaku doesn’t do anything wrong in the supporting role, if only we could have seen more from the character.
Story – The story here follows a new father that is dealing with his own trauma while raising his new born child, which will see him needing to face off against feral child that feed on people’s fears. The early thing that must be pointed out here, comes from the idea that we are not full convinced that we are seeing the fears of the character dealt with, for the most part we are seeing one man terrorised but even the people without the fear seem to be targets too, this mostly confuses the rule point in place. the idea that the feral child live in the abandoned flat complex doesn’t improve on things either because you would think more incidents would happen. The part of the story that does standout and is interesting to watch would be seeing how Tommy is dealing with his own traumas while remaining strong facing the possibility of not being able to raise his own child because of his problems, sadly we don’t see enough of this addressed with the horror side of the story taking over, which simply put, isn’t as interesting.
Horror – The horror starts of being home invasion like horror, which worked for the illness Tommy had, but when we enter the flats, it does become the highlight of the action in the film, feeling dark, scary with anything able to jump out to get them.
Settings – The settings show us the run down neighbourhood in which Tommy lives, the support groups around it and most importantly the empty flat block which has the feral children in it.
Special Effects – The effects are used mostly look practical, with the moments surrounding the feral child being the most notable and scary ones.
Scene of the Movie – Inside the flat block.
That Moment That Annoyed Me – It breaks the rules it sets up too easily.
Final Thoughts – This is a horror film that does take its time getting going, one the chaos is unleashed with get a highly intense final act which ramps the fear up to the max.
Overall: Slow Start, Strong Finish.
Darren (1599 KP) rated Rabid (2019) in Movies
Oct 14, 2019
Characters – Rose is the quiet assistant to a fashion designer, she has her own ideas that she does want to see made, the girls come to her to get small adjustments, but the designer treats her like a carpet. She isn’t seen in the same light as the models and often keeps to herself. She gets involved in an accident which first sees her horribly disfigured and secondly lose her job, desperate to fix this, she turns to an experimental procedure which fixes everything, giving her a new lease for life and a taste for blood. Brad is one of the co-workers that does try to help Rose come out of her shell by inviting her to the party before the accident. Chelsea is the foster sister to Rose that has been working with her too, she is the one that opens up her home after the accident, helping her get back on her feet, supporting her through the treatment, not looking away like most the others in her life would.
Performances – Laura Vandervoort does give us a strong performance throughout, being able to balance the losing her mind and determined personality. Hanneke Talbot is strong too and the supportive friend, that does get to show the pushy personality her character has around Rose. Benjamin Hollingsworth does show us a strong friend or potential love interest in the film, while big names like Stephen McHattie and C.M. Punk make entertaining supporting appearance.
Story – The story here follows a young lady that sees her life turned upside down after an accident leaves her disfigured, only for an experiment procedure bringing out a new version of herself and an unwanted side effect along the way. This is a remake and one story that can remain similar is places, while bringing the social side of the film to new heights, the fashion world does make a wonderful backdrop for the story because it reflects the world that image needs to be fix with surgery. There are certain ways the story does feel weaker, that is mostly seeing how everything is spreading, which is important, but it doesn’t follow Rose, which is the important side of the story.
Horror/Sci-Fi – The horror side of the film comes from the real world situation that Rose goes through, with the accident before hitting the graphic violence of what is happening to Rose, which is also the sci-fi side of the film, the changes Rose goes through.
Settings – The film uses the fashion world as the main settings backdrop, it shows us just how important image is to Rose and the people close to her.
Special Effects – The complete highlight of this film comes from the practical effects, which look as graphic as they can, the injury suffered by Rose is one of the worst wounds you will see in this year’s horror films. We should give a shout out to the team (According to IMDB) Graham Chivers, Jeff Derushie, Anahita Loghmanifar, Emily O’Quinn and Omar Roessler
Scene of the Movie – The first reveal from the injury.
That Moment That Annoyed Me – We do move away from Rose, as the bigger problems spread around the city, we could have been given more fear from not seeing this, only hearing about it.
Final Thoughts – This is a practical effects masterclass in horror, it will use some of the best you will see this year even if the story is a modernised look at a cult classic.
Overall: Bloody graphic horror.
Performances – Laura Vandervoort does give us a strong performance throughout, being able to balance the losing her mind and determined personality. Hanneke Talbot is strong too and the supportive friend, that does get to show the pushy personality her character has around Rose. Benjamin Hollingsworth does show us a strong friend or potential love interest in the film, while big names like Stephen McHattie and C.M. Punk make entertaining supporting appearance.
Story – The story here follows a young lady that sees her life turned upside down after an accident leaves her disfigured, only for an experiment procedure bringing out a new version of herself and an unwanted side effect along the way. This is a remake and one story that can remain similar is places, while bringing the social side of the film to new heights, the fashion world does make a wonderful backdrop for the story because it reflects the world that image needs to be fix with surgery. There are certain ways the story does feel weaker, that is mostly seeing how everything is spreading, which is important, but it doesn’t follow Rose, which is the important side of the story.
Horror/Sci-Fi – The horror side of the film comes from the real world situation that Rose goes through, with the accident before hitting the graphic violence of what is happening to Rose, which is also the sci-fi side of the film, the changes Rose goes through.
Settings – The film uses the fashion world as the main settings backdrop, it shows us just how important image is to Rose and the people close to her.
Special Effects – The complete highlight of this film comes from the practical effects, which look as graphic as they can, the injury suffered by Rose is one of the worst wounds you will see in this year’s horror films. We should give a shout out to the team (According to IMDB) Graham Chivers, Jeff Derushie, Anahita Loghmanifar, Emily O’Quinn and Omar Roessler
Scene of the Movie – The first reveal from the injury.
That Moment That Annoyed Me – We do move away from Rose, as the bigger problems spread around the city, we could have been given more fear from not seeing this, only hearing about it.
Final Thoughts – This is a practical effects masterclass in horror, it will use some of the best you will see this year even if the story is a modernised look at a cult classic.
Overall: Bloody graphic horror.
Bob Mann (459 KP) rated A Quiet Place (2018) in Movies
Sep 29, 2021
“There’s a kind of hush, all over the world tonight”.
What a masterpiece this is! The most novel, the most tense, the most exhilarating, the most edge-of-your-seat Indie horror movie I could hope to see this year.
It’s 2020 and 89 days after “it” happens, the world is a very different place. Making any noise at all becomes a death sentence…. that bad cold could kill you and nothing seems to be able to prevent mankind from being annihilated one sneeze at a time.
In what could be a nice “Cloverfield”-style series, the action here focuses in on the resourceful Abbott family: the father Lee (John Krasinski, “Away We Go”) is handy with electronics and back-woods skills; the mother Evelyn (Emily Blunt, “The Girl on the Train“; “Edge of Tomorrow“) has medical training. So they are well suited then to take care of their offspring: the profoundly deaf Regan (Millicent Simmonds); Marcus (Noah Jupe); and their youngest Beau (a cute Cade Woodward). It’s a battle of brains against vicious, relentless and malevolent alien brawn: how far will Lee and Evelyn go to keep their family safe?
Man, this is a tense film! It doesn’t pull its punches from the get-go and thereafter there is an air of brooding and ever-building menace that gets right under your skin. This is certainly not helped by the fact that there is a ticking clock of an oncoming ‘event’ – no spoilers here – to worry about. As incessantly and inevitably as the rising tide in “The Shallows” a clock ticks down. Thank heavens then that the ‘event’ and the outcome of that ‘event’ are both traditionally such quiet affairs!
While all of the buzz at the moment is on the 80’s Easter Eggs in “Ready Player One”, here is a movie packed with delights for movie lovers. There are recognisable elements here from such classics as “The Road”, “Signs”, “Witness”, “Alien”, “Jurassic Park”, “Jaws”…. even (traumatically) “Home Alone”! So is it then just a rag-bag collection of stolen moments from other films? No – not at all. This stands tall and proud as a master work in its own right, the standout and unique quality of the movie being its use (or rather absence) of sound… something that works so magnificently as a concept in a movie-theatre.
I was lucky enough in the late September of 1979 to see (at 10 am in the morning as I remember!) in the Odeon Leicester Square in London, the first ever UK (and probably worldwide) showing of a little film called “Alien”. The cinema was pretty empty, but I have never sat through such an electric viewing. This had some of the same aura about it: a hushed audience, totally gripped. (I agree with Simon Mayo and Ali Plumb on this though that all snacks, and especially popcorn in scrapy SCRAPY cardboard boxes, should be banned from these screenings… I had to physically move seats away a noisy muncher as the film started!). But for sure, distractions accepted, this is a classic communal movie experience and so is a movie you should most DEFINITELY see in the cinema.
If there is one Oscar for February 2019 that I think should already be a shoe-in for a nomination, if not a win, it is the sound team led by Erik Aadahl and Ethan Van der Ryn: breathtakingly spectacular. This is assisted enormously by the musical score of Marco Beltrami (“Logan“, “The Shallows“) which helps augment and annotate the action jump-scares brilliantly.
Another critical member of the crew for a film like this is the editor, and here Christopher Tellefsen (“Joy“) delivers the goods with tight and effective execution of those cuts (the film sort!) that made me vertically leave my seat at least a couple of times.
Real life couple Krasinski and Blunt share such obvious and tender chemistry that it is impossible to not get emotionally involved. A shared iPhone listening moment, as a lull in the action, is very moving. Millicent Simmonds, who is actually deaf from childhood in an inspired piece of storytelling/casting, is also an acting force to be reckoned with: her only other movie is last year’s “Wonderstruck” that I have yet to see.
Writers Bryan Woods and Scott Beck (with contribution to the screenplay from Krasinski) also deserve praise for an intelligent and highly satisfying plot that never fails to disappoint to the last drop. Every detail, down to the painted footsteps on the un-squeaky floorboards, is just pitch-perfect. It’s also a film that very wisely doesn’t outstay its welcome: 90 minutes of such adrenaline is almost too much for anyone to stand! Krasinski as director keeps everything deliciously tight during that running time with no time to breath, particularly in the frenetic final reel.
I’ve gushed enough. This is a must see for sci-fi and horror fans of all ages. And with a “BvS quotient” of just 6.8%, it’s enormously good value for money. Go see it!
It’s 2020 and 89 days after “it” happens, the world is a very different place. Making any noise at all becomes a death sentence…. that bad cold could kill you and nothing seems to be able to prevent mankind from being annihilated one sneeze at a time.
In what could be a nice “Cloverfield”-style series, the action here focuses in on the resourceful Abbott family: the father Lee (John Krasinski, “Away We Go”) is handy with electronics and back-woods skills; the mother Evelyn (Emily Blunt, “The Girl on the Train“; “Edge of Tomorrow“) has medical training. So they are well suited then to take care of their offspring: the profoundly deaf Regan (Millicent Simmonds); Marcus (Noah Jupe); and their youngest Beau (a cute Cade Woodward). It’s a battle of brains against vicious, relentless and malevolent alien brawn: how far will Lee and Evelyn go to keep their family safe?
Man, this is a tense film! It doesn’t pull its punches from the get-go and thereafter there is an air of brooding and ever-building menace that gets right under your skin. This is certainly not helped by the fact that there is a ticking clock of an oncoming ‘event’ – no spoilers here – to worry about. As incessantly and inevitably as the rising tide in “The Shallows” a clock ticks down. Thank heavens then that the ‘event’ and the outcome of that ‘event’ are both traditionally such quiet affairs!
While all of the buzz at the moment is on the 80’s Easter Eggs in “Ready Player One”, here is a movie packed with delights for movie lovers. There are recognisable elements here from such classics as “The Road”, “Signs”, “Witness”, “Alien”, “Jurassic Park”, “Jaws”…. even (traumatically) “Home Alone”! So is it then just a rag-bag collection of stolen moments from other films? No – not at all. This stands tall and proud as a master work in its own right, the standout and unique quality of the movie being its use (or rather absence) of sound… something that works so magnificently as a concept in a movie-theatre.
I was lucky enough in the late September of 1979 to see (at 10 am in the morning as I remember!) in the Odeon Leicester Square in London, the first ever UK (and probably worldwide) showing of a little film called “Alien”. The cinema was pretty empty, but I have never sat through such an electric viewing. This had some of the same aura about it: a hushed audience, totally gripped. (I agree with Simon Mayo and Ali Plumb on this though that all snacks, and especially popcorn in scrapy SCRAPY cardboard boxes, should be banned from these screenings… I had to physically move seats away a noisy muncher as the film started!). But for sure, distractions accepted, this is a classic communal movie experience and so is a movie you should most DEFINITELY see in the cinema.
If there is one Oscar for February 2019 that I think should already be a shoe-in for a nomination, if not a win, it is the sound team led by Erik Aadahl and Ethan Van der Ryn: breathtakingly spectacular. This is assisted enormously by the musical score of Marco Beltrami (“Logan“, “The Shallows“) which helps augment and annotate the action jump-scares brilliantly.
Another critical member of the crew for a film like this is the editor, and here Christopher Tellefsen (“Joy“) delivers the goods with tight and effective execution of those cuts (the film sort!) that made me vertically leave my seat at least a couple of times.
Real life couple Krasinski and Blunt share such obvious and tender chemistry that it is impossible to not get emotionally involved. A shared iPhone listening moment, as a lull in the action, is very moving. Millicent Simmonds, who is actually deaf from childhood in an inspired piece of storytelling/casting, is also an acting force to be reckoned with: her only other movie is last year’s “Wonderstruck” that I have yet to see.
Writers Bryan Woods and Scott Beck (with contribution to the screenplay from Krasinski) also deserve praise for an intelligent and highly satisfying plot that never fails to disappoint to the last drop. Every detail, down to the painted footsteps on the un-squeaky floorboards, is just pitch-perfect. It’s also a film that very wisely doesn’t outstay its welcome: 90 minutes of such adrenaline is almost too much for anyone to stand! Krasinski as director keeps everything deliciously tight during that running time with no time to breath, particularly in the frenetic final reel.
I’ve gushed enough. This is a must see for sci-fi and horror fans of all ages. And with a “BvS quotient” of just 6.8%, it’s enormously good value for money. Go see it!
Darren (1599 KP) rated 47 Meters Down (2017) in Movies
Jun 20, 2019
Story: 47 Meters Down starts as two sisters Lisa (Moore) and Kate (Holt) are holidaying in Mexico with Lisa trying to get over her ex, the two look to have a good time. Two locals Benjamin (Segura), Louis (Gellman) talk the girls into joining Captain Taylor (Modine) on the Sea Esta to swim with sharks.
When the dream experience for the girls turns into a nightmare when the cable holding the cage snaps, sending them both trapped in the cage 47 metres to the bottoms of the ocean, the two must stay calm and wait for rescue but do they have the air to wait that long?
Thoughts on 47 Meters Down
Characters/Performance – Lisa is the stable one of the two sisters, she doesn’t take the risks her sister does and finds herself using this holiday to follow her sisters lead. Kate is the free spirited of the two sisters that enjoys taking risk and will not be saying no to an adventure. We do have a captain and his crew too but we barely see them.
Performance wise, Holt and Moore are fine, you don’t actually believe them to be sisters and the peril they find themselves in doesn’t seem to be anything overly fresh in performance eyes.
Story – The story does offer us something fresh when it comes to the shark attack genre, the film takes place underwater instead of on the surface as the girls are trapped at the bottom of the ocean. The problem using this situation is that the near death moments just don’t come off, for example we have a good 5 minutes sequence with one of the girls trying to drag an oxygen tank closer, now this happens too early in the film for us to believe that she might die. On the surface this is a good idea and does work but puts together the maybes too far apart.
Adventure/Horror – The adventure would be about what the two girls could be experiencing with the horror being how this adventure could go horribly wrong with shark attack happening.
Settings – The bottom of the ocean in a shark cage, well this is a new and brilliant setting for the movie and is easily the highlight of everything.
Special Effects – The effects are used to create the shark attack sequences which are all filled with terror.
Final Thoughts – This is a fresh approach to the shark attack movie, it is smartly created but does lack in the idea of peril which the surface has on the higher levels.
Overall: Shark attack movie with new breath but less teeth.
https://moviesreview101.com/2017/07/03/47-meters-down-2017/
When the dream experience for the girls turns into a nightmare when the cable holding the cage snaps, sending them both trapped in the cage 47 metres to the bottoms of the ocean, the two must stay calm and wait for rescue but do they have the air to wait that long?
Thoughts on 47 Meters Down
Characters/Performance – Lisa is the stable one of the two sisters, she doesn’t take the risks her sister does and finds herself using this holiday to follow her sisters lead. Kate is the free spirited of the two sisters that enjoys taking risk and will not be saying no to an adventure. We do have a captain and his crew too but we barely see them.
Performance wise, Holt and Moore are fine, you don’t actually believe them to be sisters and the peril they find themselves in doesn’t seem to be anything overly fresh in performance eyes.
Story – The story does offer us something fresh when it comes to the shark attack genre, the film takes place underwater instead of on the surface as the girls are trapped at the bottom of the ocean. The problem using this situation is that the near death moments just don’t come off, for example we have a good 5 minutes sequence with one of the girls trying to drag an oxygen tank closer, now this happens too early in the film for us to believe that she might die. On the surface this is a good idea and does work but puts together the maybes too far apart.
Adventure/Horror – The adventure would be about what the two girls could be experiencing with the horror being how this adventure could go horribly wrong with shark attack happening.
Settings – The bottom of the ocean in a shark cage, well this is a new and brilliant setting for the movie and is easily the highlight of everything.
Special Effects – The effects are used to create the shark attack sequences which are all filled with terror.
Final Thoughts – This is a fresh approach to the shark attack movie, it is smartly created but does lack in the idea of peril which the surface has on the higher levels.
Overall: Shark attack movie with new breath but less teeth.
https://moviesreview101.com/2017/07/03/47-meters-down-2017/
Matthew Krueger (10051 KP) rated Creepshow 2 (1987) in Movies
Sep 27, 2019
More Scary Stories To Tell In The Dark
Creepshow 2- is also a very good movie, with its three stories. That are horrorfyed and terrorfyed. Each one of them of are scary.
The Plot: This second horror anthology presents more eerie tales based on Stephen King stories. One episode finds a cigar-store Native American statue coming to life to avenge the death of the shop owner (George Kennedy) and his wife (Dorothy Lamour). Another features a group of teens menaced by a blob-like creature. The final installment follows a wealthy and callous woman (Lois Chiles) who hits a hitchhiker with her car and decides to flee the scene, but the victim isn't inclined to remain dead.
It features three more horror segments consisting of Old Chief Wooden Head, The Raft and The Hitchhiker.
Originally, the film was planned to have five stories much like the first film, two of these consisted of Pinfall and Cat from Hell. These two segments, however, were cut from the film due to the film's budget. "Cat from Hell", which would later be used in Tales from the Darkside: The Movie, focused on a wealthy old man hiring a hitman for $100,000 to kill a black cat, which was believed to killed three other people inside the residence he lives in and fears to be next. Unbeknownst to them, the cat soon exacts cosmic revenge on the two.
Pinfall", which was set to appear after Old Chief Wood'nhead, told the story of two rivalry teams consisted of the Regi-Men and the Bad News Boors competing in a bowling alley owned by an aged millionaire; the owner is soon killed in a freak accident and the teams found out afterwards that he would award one of them $5 million for whoever got the highest score. Soon, things turn up for the worst of the Regi-Team when the Boors, after they were killed in a fiery car-crash purposely caused by the Regi-Team, return as burnt-up revenants and soon get their revenge on their killers. Unlike Cat from Hell which managed to be brought onto the screen through a different film, Pinfall was never shot and never appeared outside of the film's original script.
During "The Raft" segment, actor Daniel Beer cited that he had almost died from hypothermia due to the water being very cold. While the crew wanted him to continue working with his role, the director Michael Gornick brought him to the hospital as he feared the actor would leave the set and never return if they get him to keep working during his cold condition. After a full recovery, he managed to finish the segment.
Again i would highly reccordmend this movie.
The Plot: This second horror anthology presents more eerie tales based on Stephen King stories. One episode finds a cigar-store Native American statue coming to life to avenge the death of the shop owner (George Kennedy) and his wife (Dorothy Lamour). Another features a group of teens menaced by a blob-like creature. The final installment follows a wealthy and callous woman (Lois Chiles) who hits a hitchhiker with her car and decides to flee the scene, but the victim isn't inclined to remain dead.
It features three more horror segments consisting of Old Chief Wooden Head, The Raft and The Hitchhiker.
Originally, the film was planned to have five stories much like the first film, two of these consisted of Pinfall and Cat from Hell. These two segments, however, were cut from the film due to the film's budget. "Cat from Hell", which would later be used in Tales from the Darkside: The Movie, focused on a wealthy old man hiring a hitman for $100,000 to kill a black cat, which was believed to killed three other people inside the residence he lives in and fears to be next. Unbeknownst to them, the cat soon exacts cosmic revenge on the two.
Pinfall", which was set to appear after Old Chief Wood'nhead, told the story of two rivalry teams consisted of the Regi-Men and the Bad News Boors competing in a bowling alley owned by an aged millionaire; the owner is soon killed in a freak accident and the teams found out afterwards that he would award one of them $5 million for whoever got the highest score. Soon, things turn up for the worst of the Regi-Team when the Boors, after they were killed in a fiery car-crash purposely caused by the Regi-Team, return as burnt-up revenants and soon get their revenge on their killers. Unlike Cat from Hell which managed to be brought onto the screen through a different film, Pinfall was never shot and never appeared outside of the film's original script.
During "The Raft" segment, actor Daniel Beer cited that he had almost died from hypothermia due to the water being very cold. While the crew wanted him to continue working with his role, the director Michael Gornick brought him to the hospital as he feared the actor would leave the set and never return if they get him to keep working during his cold condition. After a full recovery, he managed to finish the segment.
Again i would highly reccordmend this movie.
Lee (2222 KP) rated Happy Death Day 2U (2019) in Movies
Feb 18, 2019 (Updated Feb 21, 2019)
A worthy sequel
Contains spoilers, click to show
The original Happy Death Day was a real pleasant surprise. A cross between Groundhog Day and Scream, with our heroine being killed by a baby face mask wearing killer every day, only to wake up again at the start of the same day. With a long list of potential suspects, and slowly feeling the effects of dying repeatedly, she set about trying to find the killers identity. Much of what made the first movie so enjoyable was largely down to lead character Tree, played by Jessica Rothe and the intensely hilarious way that she approached the whole situation. It wasn't exactly a horror movie, more of a comedy thriller.
In Happy Death Day 2U, we begin by following Ryan. Ryan was also in the first movie, bursting into his campus room each morning, interrupting roommate Carter and Tree after she'd spent the night there. As he makes his way to the room from the car he'd spent the night in - avoiding a barking dog, dodging a man asking for money and a boy riding a skateboard - it's pretty clear that we're setting up a series of events likely to be repeated time and again in a similar way that Tree experienced a very specific series of events each day in the first movie. During his morning at university, we discover that Ryan has been working on a Quantum mechanics experiment along with a bunch of nerdy students - a machine dubbed 'Sissy'. Turns out Sissy has been causing some very high power fluctuations and generated some very high readings the day before, the day in which Tree experienced her loop. Soon after, Ryan is killed by the baby face killer and wakes up in his car once again, experiencing the same events we've just seen encounter on the way to his room. When he explains what just happened to Tree and Carter, Tree sets about trying to help him figure out how Sissy caused the time-loop in the first place, and how it has now transferred to Ryan.
At this point you'd think you've got the rest of the movie pretty much figured out - with Ryan repeating his day, aided by experienced looper Tree. But surprisingly, the movie largely abandons its slasher story-line. Instead, we get a more sc-fi story with a varied mix of slapstick comedy and emotional drama. An accident involving Sissy opens up a portal to the multiverse and Tree finds herself caught up in her original loop once more. Only this time, it's in a slightly different universe to the one she's used to - her mum is now alive, and her boyfriend is dating her best friend. Not only does she need to work with Ryan and his nerd friends each day in order to determine how to put things right, she needs to once again work out who the killer is in this particular universe and, more importantly, make the difficult decision to either stay in the universe where her mum is still alive, or return to the one she knows and has lived in all her life.
Once again, Jessica Rothe as Tree is what makes this movie so enjoyable. From the emotional scenes with her mum, to the frustration of the loop, to the bad ass fighting back against it all, she pulls it all off wonderfully. We even get time to enjoy some very funny death scenes too - a particularly enjoyable one being a sky-dive out of an aeroplane, wearing only a bikini and then landing horizontally in slow motion while giving the finger to the camera!
It's difficult for me to say whether or not I enjoyed this movie more or less than the first. A lot of what made the original so enjoyable is present in this sequel. But there are also a lot of new elements introduced, some that work and some that don't. Overall I had a great time watching with this though - definitely a worthy sequel.
In Happy Death Day 2U, we begin by following Ryan. Ryan was also in the first movie, bursting into his campus room each morning, interrupting roommate Carter and Tree after she'd spent the night there. As he makes his way to the room from the car he'd spent the night in - avoiding a barking dog, dodging a man asking for money and a boy riding a skateboard - it's pretty clear that we're setting up a series of events likely to be repeated time and again in a similar way that Tree experienced a very specific series of events each day in the first movie. During his morning at university, we discover that Ryan has been working on a Quantum mechanics experiment along with a bunch of nerdy students - a machine dubbed 'Sissy'. Turns out Sissy has been causing some very high power fluctuations and generated some very high readings the day before, the day in which Tree experienced her loop. Soon after, Ryan is killed by the baby face killer and wakes up in his car once again, experiencing the same events we've just seen encounter on the way to his room. When he explains what just happened to Tree and Carter, Tree sets about trying to help him figure out how Sissy caused the time-loop in the first place, and how it has now transferred to Ryan.
At this point you'd think you've got the rest of the movie pretty much figured out - with Ryan repeating his day, aided by experienced looper Tree. But surprisingly, the movie largely abandons its slasher story-line. Instead, we get a more sc-fi story with a varied mix of slapstick comedy and emotional drama. An accident involving Sissy opens up a portal to the multiverse and Tree finds herself caught up in her original loop once more. Only this time, it's in a slightly different universe to the one she's used to - her mum is now alive, and her boyfriend is dating her best friend. Not only does she need to work with Ryan and his nerd friends each day in order to determine how to put things right, she needs to once again work out who the killer is in this particular universe and, more importantly, make the difficult decision to either stay in the universe where her mum is still alive, or return to the one she knows and has lived in all her life.
Once again, Jessica Rothe as Tree is what makes this movie so enjoyable. From the emotional scenes with her mum, to the frustration of the loop, to the bad ass fighting back against it all, she pulls it all off wonderfully. We even get time to enjoy some very funny death scenes too - a particularly enjoyable one being a sky-dive out of an aeroplane, wearing only a bikini and then landing horizontally in slow motion while giving the finger to the camera!
It's difficult for me to say whether or not I enjoyed this movie more or less than the first. A lot of what made the original so enjoyable is present in this sequel. But there are also a lot of new elements introduced, some that work and some that don't. Overall I had a great time watching with this though - definitely a worthy sequel.
