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With "Places Around", finding any place around you, is only a tap. Restaurants to Hospitals, Gas...
My Disney Experience
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The official Walt Disney World® app! Now it’s easier than ever to plan and share your vacation...
Merida Mexico Offline City Map Navigation
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"TRAVEL AROUND THE WORLD WITH OUR NEW TEXTURED TRAVEL APP TO THE MOST WONDERFUL DESTINATION AROUND...
Whatchareadin (174 KP) rated The First Lady in Books
Aug 8, 2019
It's four weeks until the election for the new President. Current President Tucker is enjoying himself at a hotel in Atlanta with his girlfriend, while his wife and first lady, Grace Tucker, is fulfilling the duties of her office. When the President leave the hotel with his mistress, all hell breaks loose. There are reporters everywhere, there to catch the scandal. It's all just too much for the First Lady to handle, so she retreats to one of her favorite places and then, she turns up missing. Sally Grissom is the Secret Service Agent in charge of the presidential detail and doesn't know how the First Lady going missing isn't something she is told. Until she is called into the President's office and is asked to look for her secretively. What is going on? Something isn't right. And Sally has her eye on the President's Chief of Staff and his strange request. But Sally doesn't work for him, she serves the Office of the President and she will find the First Lady, no matter what.
This is a book I really enjoyed. It captured my attention from the start and had some twists and turns, I didn't see coming. There was only one drawback from this audio version of the book, the narrator. She did a fine job of reading the story and the voices, but her pronunciation drove me crazy. If you're not from the Washington, DC area, you might not notice, but it is so obvious. Pronouncing Maryland like Merry-Land. Potomac like Pot A Mack, and Arapaho like Air a pay ho. I cringed every time.
Imagine in this day and time with smart phones everywhere if the First Lady went missing. It would be all over the news. Why doesn't the Chief of Staff want to share this with the world, to help find her? Why isn't the FBI involved? Something is going on in the White House and Sally doesn't know if the President is aware at all. Or is his mistress and the election much more important to him than finding his wife.
Sally is going to do all she can to do her job even when she is asked to stand down. Even when it seems like there is always an obstacle there to stop her. Will she find the First Lady before it's too late? You'll have to read the book to find out.
This is a book I really enjoyed. It captured my attention from the start and had some twists and turns, I didn't see coming. There was only one drawback from this audio version of the book, the narrator. She did a fine job of reading the story and the voices, but her pronunciation drove me crazy. If you're not from the Washington, DC area, you might not notice, but it is so obvious. Pronouncing Maryland like Merry-Land. Potomac like Pot A Mack, and Arapaho like Air a pay ho. I cringed every time.
Imagine in this day and time with smart phones everywhere if the First Lady went missing. It would be all over the news. Why doesn't the Chief of Staff want to share this with the world, to help find her? Why isn't the FBI involved? Something is going on in the White House and Sally doesn't know if the President is aware at all. Or is his mistress and the election much more important to him than finding his wife.
Sally is going to do all she can to do her job even when she is asked to stand down. Even when it seems like there is always an obstacle there to stop her. Will she find the First Lady before it's too late? You'll have to read the book to find out.
London Uncovered: Sixty Unusual Places to Explore
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London Uncovered opens the doors to sixty of the capital's most intriguing places, all visitable but...
BankofMarquis (1832 KP) rated One Night in Miami (2020) in Movies
Apr 15, 2021
Keeps the audience at arms length
The issue when adapting a stage play to the screen is that, often times, the subject matter and style of the script does not lend itself to being “opened up”, what is powerful when sitting in a theater with the actors performing the piece in front of you can often times be seen as “flat” when it jumps to the screen.
Such is the case with ONE NIGHT IN MIAMI the Major Motion Picture Directorial debut of Oscar Winning Actress Regina King and based on the stage play by Kemp Powers. This film/play fictionalizes the true story of 4 powerful African American legends that meet up in a hotel room, one night in Miami.
And…this film feels like 4 people sitting in a hotel room talking - and that’s the problem with it. What should be powerful dialogue (and, I’m sure, IS powerful when seen live on stage) just doesn’t translate well enough on the screen, so the film just sits there demanding we pay attention, while not inviting us in to do so.
Since this is a story about 4 people sitting around talking, the acting needs to take center stage and hold our attention and, quite frankly, it just does not. Eli Goree as Cassius Clay, Aldis Hodge as Jim Brown and Leslie Odom, Jr. as Sam Cook are all “fine” in their roles, but they don’t rise above the script and direction. Odom gets an Oscar nod for his turn in this film, but I have to think that, maybe, it is as much for his turn in HAMILTON as it is in this film.
Only Kingsley Ben-Adir as Malcolm X shows a spark and draws an emotional response in this film and that might not be fair to the other actors for he has the flashier role with the most speeches.
The Direction by King and the Script by Kemp Powers (based on his stage play) has some moments, but never draws the audience in. It keeps everyone at arms length and doesn’t touch the soul.
The subject matter in this film is an important one, and depicts a pivotal time in American History, but other films do a better job of driving that point home by inviting the audience into the conversation.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with ONE NIGHT IN MIAMI the Major Motion Picture Directorial debut of Oscar Winning Actress Regina King and based on the stage play by Kemp Powers. This film/play fictionalizes the true story of 4 powerful African American legends that meet up in a hotel room, one night in Miami.
And…this film feels like 4 people sitting in a hotel room talking - and that’s the problem with it. What should be powerful dialogue (and, I’m sure, IS powerful when seen live on stage) just doesn’t translate well enough on the screen, so the film just sits there demanding we pay attention, while not inviting us in to do so.
Since this is a story about 4 people sitting around talking, the acting needs to take center stage and hold our attention and, quite frankly, it just does not. Eli Goree as Cassius Clay, Aldis Hodge as Jim Brown and Leslie Odom, Jr. as Sam Cook are all “fine” in their roles, but they don’t rise above the script and direction. Odom gets an Oscar nod for his turn in this film, but I have to think that, maybe, it is as much for his turn in HAMILTON as it is in this film.
Only Kingsley Ben-Adir as Malcolm X shows a spark and draws an emotional response in this film and that might not be fair to the other actors for he has the flashier role with the most speeches.
The Direction by King and the Script by Kemp Powers (based on his stage play) has some moments, but never draws the audience in. It keeps everyone at arms length and doesn’t touch the soul.
The subject matter in this film is an important one, and depicts a pivotal time in American History, but other films do a better job of driving that point home by inviting the audience into the conversation.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
CheapOair Cheap Flight Booking
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** 2017 App Store Best Ways to Book Travel ** Book the cheapest flight deals, last minute hotels...
L'TUR Last Minute Urlaub & Pauschalreisen
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Die NEUE, komplett überarbeitete und für iOS 10 optimierte iPhone & iPad App bietet Ihnen den...
Bob Mann (459 KP) rated Table 19 (2017) in Movies
Sep 29, 2021
Mean spirited and atrocious.
I really hated this film. There. BOOM. Got it off my chest.
It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.
Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).
The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.
This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.
This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.
It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.
Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).
The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.
This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.
This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.