"That first album, that sounds great to me. The first one we heard was ‘Heartbreak Hotel', because I don't think they ever released the Sun records - the RCA records came out first. We had a great friendship - I met him in 1965 the first year I went to the States. He was doing a movie at Paramount Studios, and I was at Paramount to talk about a song for a movie and they said 'Elvis Presley is filming here today, and he heard that you're coming over, and he'd like to meet you.' Like to meet me? I tell you, I didn't even know he knew I existed. I had three singles out at the time: ‘It's Not Unusual', ‘What's New Pussycat?' and a ballad called ‘With These Hands', and he had the three of them. He was walking towards me singing ‘With These Hands' - [impersonates Elvis] 'with these hands'. And then he said, 'How do you sing like that?' And I said, 'It's your fault, you were partly to blame!' He said, 'Well, you know, I come from Mississippi, I was born there, I was brought up with this stuff. What's it like in Wales? Are there any black people there?' I said, 'Only when they come out of the coal mine! No, it's listening to American music on the radio - that's where I've got it from.' He couldn't believe that somebody could sing like me not being influenced first hand, like he was - the gospel thing, listening to gospel groups and blues clubs like that. He preferred a lot of the later things that he did. I said, 'That early stuff on Sun Records, man, I mean jeez'. He said, 'Ah, it was very primitive - we didn't have very good equipment and it's a lot better now."" And I said, 'But there's fire there', and he said 'I'm glad you think so."" But he didn't do them on stage. I said, 'You want to open with them, open with ‘Blue Suede Shoes'.' But no, he wouldn't do it. Then one time, on his own special, he starts to go into some ‘Whole Lotta Shakin'' and then he goes on into another, and he said, 'We could do this all night', so you could see he was really wanting to do it. But he wasn't thrilled with those early recordings, he thought he made better records later on.#"

"Full disclosure - I'm a little biased. They're on DFA, they're my friends, and one of them is my boyfriend. But regardless of that I think it's a really beautiful record. The first record they did was great but I know that they were still trying to hone their sound, figure out what they were and what sort of stance to take. So with Dynamics I think it's way more solid and way more confident. Knowing them, they're such an interesting combination writing-wise because one of them, if it were up to him, would make a Tangerine Dream record, and the other has real pop sensibilities. So together they can make this thing that's really lush, beautiful and complex, but also accessible. I feel the album was overlooked somehow, and I don't really understand it. It makes me question my musical sensibility. I think this record is amazing so why doesn't everybody think this record is amazing? But it is. I listened to it a couple of months before it came out and at the time I was touring a lot as a DJ, spending a lot of time by myself because that's just what happens when you're a DJ that has to travel. So it was getting a little bleak. Every day I was in some other place, alone, inside of a hotel room, inside a club, on an aeroplane. But I had that record on my iPod and I would have to go running just to stop myself from throwing myself under a bus. I loved every song and each time I listened to it I'd try and pick my favourite track but as each one ended another one would start that I thought was better than the other. It's a mystery to me though, because it's not like I was the only person who loved it. All of our friends, the whole of DFA, whose musical tastes I trust over anybody else, we were all in agreement that it was a great record. I think maybe I just don't know what other people want to hear, which is an uncomfortable position to be in doing what I do. But I know that they're very proud of the record and so I'm glad for that."