Search

Search only in certain items:

    7 Minute Workout Pro

    7 Minute Workout Pro

    Health & Fitness and Utilities

    (0 Ratings) Rate It

    App

    √ Featured by Apple in 88 countries √ Reach #1 in 17 country‘s Health & Fitness category √...

    Guitar Free with Songs

    Guitar Free with Songs

    Music and Entertainment

    (0 Ratings) Rate It

    App

    The app store’s only guitar with real strumming and fretting that you can learn to play songs on!...

David Brent: Life on the Road (2017)
David Brent: Life on the Road (2017)
2017 | Comedy
6
7.5 (2 Ratings)
Movie Rating
A squirm-athon from beginning to end.
“Life on the Road” is a mockumentary sequel to the classic British version of the TV comedy “The Office” (obviously later remade for the US market and featuring Steve Carell). Ricky Gervais played the ego-centric David Brent, a monster of a character who exercised what little control he had in his managerial role at a Slough paper company.

Here in “Life on the Road” we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.

But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called ‘Foregone Conclusion (2)’. Gathering around him his ethnic rapper ‘friend’ Dom Johnson (Doc Brown) and a band of session musicians (who can’t stand him), Brent cashes in “several pensions” to fund a tour of the venues of Berkshire… or at least, those that will give stage time over to a “shite band”. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.

Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan’s Alan Partridge has come closest with “Alan Partridge – Alpha Papa” and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent – as this film makes much clearer – has real mental illness.
Brent - the sun shines out of his earhole.
Brent – the sun shines out of his earhole.

Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brent’s progressive decline, with his nervous laugh as a constant ‘fingernails on chalk board’ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.

As a black comedy its important that it doesn’t outstay its welcome, and at 96 minutes it doesn’t. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst ‘sweet’, it is also implausible given what’s happened before and I would have suspected the interference of the director in lightening the mood of the writer’s original intent. However, as Gervais is both writer and director, there is no such excuse. That’s a shame.

So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
  
The Beatles: Eight Days A Week - The Touring Years (2016)
The Beatles: Eight Days A Week - The Touring Years (2016)
2016 | Documentary, Music
8
7.9 (7 Ratings)
Movie Rating
A film worth getting into your life.
Reviewing documentaries is always a bit tricky, since it is often difficult to separate the quality of the film making from your emotional attachment to the subject material. In my case, my early life was saturated with Beatlemania. Although I was only 2 year’s old in 1963 at the start of it all, I had three older siblings who ramped up the excitement so much that it permeated my young mind. I still remember being vehemently “Sssshhed” since I was making too much noise during the live and ground-breaking “All you need is Love” telecast!

Ron Howard’s film focuses on “the touring years” which as depicted were truly manic, spanning from 1963 to 1966 before then skipping forward to 1969 for their final rooftop concert. This was in a time when airline travel was not the more comfortable and smoke-free environment it is today, so these worldwide trips much have been seriously grueling, even without the adoration that reached dangerous proportions when they reached their destinations.

Howard has clearly had his research team scour the world for archive clips since – whilst sensitively skipping some of the more ‘commonly seen’ materials, like the “jewelry shaking” clip – the film shows concert action I certainly had never seen before.

The film is also nicely interlaced with celebrity cameos recalling their linkage to the Fab Four’s performances (often moving, like Whoopi Goldberg’s) and the group’s “legacy” effect on modern-day art (in Richard Curtis’s case rather less convincing). One of the most striking of these is that of Sigourney Weaver recounting her attendance as a pre-teen at the Beatle’s Rose Bowl performance in LA. There, in the newsreel footage of adoring fans, is the unmistakable face of the ‘before she was famous’ actress: at least I hope it really was her (as the clip’s timing implied) and not a lookalike, since that would be really disappointing!

Also featuring – although not enough for my liking – are Paul McCartney and Ringo Starr, recounting their feelings about the events and what happened behind the closed doors of hotel rooms or – most notably – a meat truck.
What shines through is the honesty and intelligence of Lennon and McCartney, typified by the idiotic questioning of journalists, some of who had done so little homework they didn’t even know there wasn’t a Beatle called Eric! Some of the group’s off the cuff responses were priceless: “What is the secret of your success?” asks one journo. “We don’t know” quips John. “If we knew we’d form another group and be managers.”

While the film has enormous energy in its first two thirds, it rather runs out of momentum in its final reel…. a bit like the Beatles did in fact. It also has elements of gimmickry like the smoke rising from photo cigarettes which gets a tad tiresome after the tenth occurrence.
But this is a very watchable and enjoyable rock down memory lane for 50-somethings and for any fans old and young of the Fab Four’s music. Highly Recommended. Note that the documentary itself is about 90 minutes in length, with another 30 minutes of live concert music tagged onto the end post-titles (which for travel reasons I was unfortunately unable to stay for so can’t comment on).
  
Captain Fantastic (2016)
Captain Fantastic (2016)
2016 | Drama
Dysfunctionally functional.
The second of my catch-up films for next Sunday’s Oscars, this time featuring Viggo Mortensen who is up for a Best Actor Oscar.
“Captain Fantastic” starts with a dramatic hunting expedition introducing us to the unusual Cash family. Dad Ben (Viggo Mortensen) is bringing up his six kids – Bodevan, Kielyr, Vespyr, Rellian, Zaja and Nai – in the wilds of Washington state. Ben takes home-schooling to a completely new level, with intense study and examinations in quantum physics, philosophy and politics matched with a militaristic approach to weapons-training and physical fitness. Ben also teaches extreme self-sufficiency, most evident during a dramatic rock-climbing sequence.

Where is their mum in all of this? That would be a spoiler (so don’t watch the trailer either) but is central to the plot as the family board their old camper van – “Steve” – on a road trip back to the ‘real world’ and the children’s grandparents – the crusty and assertive Jack (a marvellous Frank Langella) and Abigail (Ann Dowd). What follows is filled with black humour, tragedy, not just one but two amazing funeral services and one of the most extraordinarily black and comic laying-to-rests ever seen on the big screen.

Viggo Mortensen is… well… fantastic in his portrayal, getting to run the full gamut of joy, grief, self-doubt, guilt and despair during the movie’s run-time. He’s clearly not going to win the Oscar on Sunday – surely Casey Affleck must be a slam-dunk for that – but this is a well-judged nomination by the Academy.

While the focus is on Mortensen, this shouldn’t overshadow the performances of some of the rest of the young cast, and I would specifically call out those of George MacKay and young Shree Crooks as the youngest of the kids. MacKay has been building up an impressive run of UK-based films with “Sunshine on Leith” and “Pride” but with this (and his key role in the recent TV mini-series “11.22.63”) he should see a break-through to more mainstream feature roles. In “Captain Fantastic” his socially-inept proposal to the delectable Claire (Erin Moriaty) is one of the high-points of the film. He is a name to watch, for sure.

And young Ms Crooks should be given a special honorary Oscar for the ability to learn such dense portions of script and deliver them so faultlessly!

The whole cast in fact was nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture – one of my favourite award categories, but beaten by “Hidden Figures”. And it is that sort of film: a really great ensemble effort.
The film is written and directed by Matt Ross, only his second feature since 2012’s “28 Hotel Rooms” (which I was not aware of, but would now like to seek out). I thought it was terrific; deeply comedic; riveting from beginning to end; a roller-coaster of emotion and ultimately a feelgood classic on the value of family that I will remember fondly for a long time. Once again, the second film this week, that would have made me reconsider my “top films of 2016” list. I strongly recommend that you seek this out on download or DVD and give it a try.
  
40x40

Smashbomb (4687 KP) created a post in Smashbomb AMA

Mar 26, 2019 (Updated Mar 26, 2019)  
AMA: JOANNE HARRIS (AUTHOR)
ANSWERS
Award-winning author Joanne Harris, has answered YOUR questions in Smashbomb's first AMA.

 @Katie Loves Movies asked:
How many half-finished books do you have?
Currently, two, plus one draft that still needs editing. I always tend to work on more than one thing at a time.

How do you choose your character names?
It depends on the book. Sometimes I use the credits from old episodes of DR WHO and BLAKES7. Sometimes I use the names of ex-colleagues from my teaching days.

Do you have anything unusual on your desk?
A brass frog that my grandfather used to have on his desk: a stone from a sandcastle my daughter and I built when she was nine.

 @DaveySmithy asked:
What makes you roll your eyes every time you hear it?
People who say: "I'm going to write a book when I retire."

Do you think that aliens exist?
Statistically, yes. In practical terms, I doubt we'll ever see them.

What song hits you with a wave of nostalgia every time you hear it?
The Flowerpot Men's "Let's go to San Francisco."

Does anything worry you about the 'kids of today'?
The epidemic of mental health and anxiety issues inflicted on them by the previous generation.

 @Random47 asked:
Do you write with a pen or on a machine? If either, what type?
Mostly, I write on a Microsoft Surfacebook, or in Moleskine notebooks with a Rollerball.

Who are some of your biggest inspirations?
Angela Carter, Ray Bradbury, Amelia Earhart, Audrey Hepburn, my daughter.
 
What books are your guilty pleasure?
I don't feel guilty about pleasures.

When did you first start writing?
When I was nine. I wrote and hand-illustrated a sixteen-page book called "Flesh-Eating Warriors of the Forbidden City", and distributed copies around my class at school.

Where are some of your favourite places to write?
My shed; the garden; trains; the penthouse of the Four Seasons in Chicago; the first class lounge at Heathrow airport; the roof of the Duomo in Milan.

 @Drayton Kool asked:
Do you prefer to write in complete silence or whilst listening to music?
Silence - music interferes with the rhythms of my writing - although I do create playlists to get into the mood.

What makes you happier - chocolate or a few margaritas?
Margaritas, every time.

On your website FAQ you mention that you love spaghetti westerns. Which is your favourite and why?
A FISTFUL OF DOLLARS - it's bleak, classic and existentially funny.

Which fictional character would be the most boring to meet in real life?
Virtually any romantic hero.

On average, how long do you sleep each night?
8 hours: more, if I can get it.

 @Whatchareadin asked:
Where is your favourite place to read? To write?
I like to read in the bath, where I can't hear the phone and no-one disturbs me. When I'm at home I write in my shed, but I can write pretty much anywhere. Hotel rooms are great - there are no distractions, and you can get room service...

Which character in your books do you think you connect to most?
Loki. I was just like him when I was in my teens.

If you weren't an author, what would you be doing?
I was a teacher for fifteen years, and I was pretty good at it.

What is your favourite book of all time? Of right now?
Of all time? Probably Victor Hugo's LES MISERABLES. Right now, I'm rediscovering P.G. Wodehouse's THE INIMITABLE JEEVES, and it's sheer joy.

What are you reading now?
Christopher Fowler's THE LONELY HOUR: his Bryant & May books are so funny and deftly-written that it's easy to overlook their dark menace and the sheer gorgeous ingenuity of the plotting.


Thanks Joanne! We'd all love to see you on here again :)
  
40x40

Whatchareadin (174 KP) Mar 26, 2019

Thanks Joanne for answering our questions! I always enjoy getting to know authors better.