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BankofMarquis (1832 KP) rated Hotel Artemis (2018) in Movies
Feb 10, 2019
Not as interesting as it wanted to be
On my airplane ride from Mpls to San Diego I was able to catch up with gritty, action-noir thriller BAD TIMES AT THE EL ROYALE and was really surprised by how much I enjoyed it. So, I was excited to see that another gritty,, action-noir film, HOTEL ARTEMIS was showing on the flight back.
Well...HOTEL ARTEMIS is no EL ROYALE and maybe that's not fair to Artemis, for I was constantly comparing the two films, so let me see if I can separate the 2 and hold HOTEL ARTEMIS up to it's own scrutiny.
Telling the tale of a JOHN WICK-type world where - instead of a safehouse Hotel for crooks, the HOTEL ARTEMIS is a safehouse HOSPITAL for crooks where the rules are that the crooks cannot hurt each other on the premises. When a riot breaks out in downtown Los Angeles, the rules go out the window and mayhem - and violence - ensue.
Well...this film is no JOHN WICK either. Oh shoot, I've done it again. I've compared this film to another film.
And that's the problem with HOTEL ARTEMIS, it treads ground that has been trod better - and with more style - before. So this film, no matter how well intention-ed, falls short in originality, style and substance. I was still entertained, but not as entertained as I was by JOHN WICK or EL ROYALE.
Jodie Foster (in her first acting role since 2013's ELYSIUM) stars as the person who runs the Artemis. She has a mysterious background (of course) and runs the Artemis with an emotional-less efficiency. Her performance is quirky and interesting and almost holds the film together - almost. She is joined by Sterling K. Brown, Charlie Day, Brian Tyree Henry and Sofia Boutella as patients in the Hotel - none of which were interesting or unusual. They all were playing variants of the characters they usually play, almost as if Director/Writer Drew Pearce said "Get my a Charlie Day-type and a Sterling K. Brown-type", and the Casting Director thought they "scored" by getting the original person - each of whom looks like they are coasting through this film at about 70% output.
Only Dave Bautista shines as the "Health Care Professional" who works with Foster. He brings an interesting charisma to his character and was almost the high point in the film.
Almost. All of the performances pale in comparison to the Mob Boss who shows up about 2/3 of the way through the film. This character is talked about in reverential and scary terms throughout the film. The build-up was huge for this character and I was prepared for the inevitable let down when the mob boss finally shows up, but when the elevator door opens up and I saw that is was Jeff Goldblum in "full Goldblum" mode, I was thrilled and he did not disappoint. He commanded the screen at a time that the film was getting tiresome and he wound up the characters, the energy of the film and the action to help it ride to its inevitable, bloody conclusion.
Ultimately, Pearce delivered a solid B- film, one that has moments of quirk and interest, but set against a backdrop - and supporting actors - that are subdued and not memorable. This is a cardinal sin for this kind of film, instead of subduing those parts, Pearce needed to enhance those and he just plainly did not.
If you want to see a good, stylized, gritty action film, with interesting locales and supporting players, check out JOHN WICK or BAD TIMES AT THE EL ROYALE. If you've seen these, HOTEL ARTEMIS is fine, but the other two do it better.
Letter Grade: B-
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Well...HOTEL ARTEMIS is no EL ROYALE and maybe that's not fair to Artemis, for I was constantly comparing the two films, so let me see if I can separate the 2 and hold HOTEL ARTEMIS up to it's own scrutiny.
Telling the tale of a JOHN WICK-type world where - instead of a safehouse Hotel for crooks, the HOTEL ARTEMIS is a safehouse HOSPITAL for crooks where the rules are that the crooks cannot hurt each other on the premises. When a riot breaks out in downtown Los Angeles, the rules go out the window and mayhem - and violence - ensue.
Well...this film is no JOHN WICK either. Oh shoot, I've done it again. I've compared this film to another film.
And that's the problem with HOTEL ARTEMIS, it treads ground that has been trod better - and with more style - before. So this film, no matter how well intention-ed, falls short in originality, style and substance. I was still entertained, but not as entertained as I was by JOHN WICK or EL ROYALE.
Jodie Foster (in her first acting role since 2013's ELYSIUM) stars as the person who runs the Artemis. She has a mysterious background (of course) and runs the Artemis with an emotional-less efficiency. Her performance is quirky and interesting and almost holds the film together - almost. She is joined by Sterling K. Brown, Charlie Day, Brian Tyree Henry and Sofia Boutella as patients in the Hotel - none of which were interesting or unusual. They all were playing variants of the characters they usually play, almost as if Director/Writer Drew Pearce said "Get my a Charlie Day-type and a Sterling K. Brown-type", and the Casting Director thought they "scored" by getting the original person - each of whom looks like they are coasting through this film at about 70% output.
Only Dave Bautista shines as the "Health Care Professional" who works with Foster. He brings an interesting charisma to his character and was almost the high point in the film.
Almost. All of the performances pale in comparison to the Mob Boss who shows up about 2/3 of the way through the film. This character is talked about in reverential and scary terms throughout the film. The build-up was huge for this character and I was prepared for the inevitable let down when the mob boss finally shows up, but when the elevator door opens up and I saw that is was Jeff Goldblum in "full Goldblum" mode, I was thrilled and he did not disappoint. He commanded the screen at a time that the film was getting tiresome and he wound up the characters, the energy of the film and the action to help it ride to its inevitable, bloody conclusion.
Ultimately, Pearce delivered a solid B- film, one that has moments of quirk and interest, but set against a backdrop - and supporting actors - that are subdued and not memorable. This is a cardinal sin for this kind of film, instead of subduing those parts, Pearce needed to enhance those and he just plainly did not.
If you want to see a good, stylized, gritty action film, with interesting locales and supporting players, check out JOHN WICK or BAD TIMES AT THE EL ROYALE. If you've seen these, HOTEL ARTEMIS is fine, but the other two do it better.
Letter Grade: B-
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
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Lee (2222 KP) rated Hell House LLC (2015) in Movies
Jan 20, 2020
I'd heard very little about Hell House LLC before watching it and hadn't even seen the trailer either. But, it had been highly recommended by a few people and had been sitting on my Amazon Prime watch-list for some time anyway, so I decided to give it a shot. It's a found footage horror, which has been done to death now, so it's easy to go into another one feeling cynical and apprehensive. However, there is still the occasional hidden gem out there waiting to be found and, for me, Hell House LLC turned out to be one of them.
The plot surrounds a Halloween house tour in an old abandoned hotel in a small American town. On opening night, as dozens of thrill-seekers descend on the house to enjoy the various mannequins and lighting effects that have been setup to try and scare them, there is an incident down in the basement. Panic ensues as everyone tries to locate the exits and there are a number of mysterious deaths, along with numerous injuries. We see a YouTube video that somebody recorded during their tour, but they didn't quite make it to the basement to capture what went on, so all we see is them making a hasty exit. Five years on and the hotel is now boarded up, while the whole tragedy remains unexplained. Now though, the sole survivor of the crew responsible for putting on the event has approached a documentary crew with a bunch of video tapes that were recorded by the team in the run-up to opening night, so hopefully the truth will finally be revealed.
We begin with the team driving to the hotel for the first time, before going inside to check it all out. They've put on Halloween house tours before, but this one is a bit of a challenge due to the derelict nature of the hotel. First they need to get power to the place, in order to setup safety cameras in every room and corridor, strobe lighting etc. Then they start setting up the various rooms, working out themes and hiring a small group of actors to dress up and scare people during the tour. Early on in the movie, these scenes are interspersed with interviews from reporters, photographers and historians who recount some of the troubled history of the hotel and give us a bit more detail as to what happened during and after the events of the tours opening night.
The crew of five are all staying in the hotel as they work towards the big day, all the while documenting their progress and the various challenges they encounter. The place is seriously creepy anyway and the movie takes it's time in establishing the characters and making sure you're familiar with everything they've installed and the general layout of the hotel before mysterious things start happening, usually at night while everyone is trying to sleep. At first, things are basic enough that it's easy for them to accuse someone of trying to prank the others, but they soon start to increase in intensity and creepiness. Despite all common sense, preparations still continue for the big night which, as we already know, turns out to be a big mistake.
I really liked Hell House LLC. I'm still not actually sure what happened down in the basement, or afterwards for that matter, but the build up to it really did work well for me and there were some very effective and genuinely unsettling moments. And I do love feeling unsettled by a movie!
The plot surrounds a Halloween house tour in an old abandoned hotel in a small American town. On opening night, as dozens of thrill-seekers descend on the house to enjoy the various mannequins and lighting effects that have been setup to try and scare them, there is an incident down in the basement. Panic ensues as everyone tries to locate the exits and there are a number of mysterious deaths, along with numerous injuries. We see a YouTube video that somebody recorded during their tour, but they didn't quite make it to the basement to capture what went on, so all we see is them making a hasty exit. Five years on and the hotel is now boarded up, while the whole tragedy remains unexplained. Now though, the sole survivor of the crew responsible for putting on the event has approached a documentary crew with a bunch of video tapes that were recorded by the team in the run-up to opening night, so hopefully the truth will finally be revealed.
We begin with the team driving to the hotel for the first time, before going inside to check it all out. They've put on Halloween house tours before, but this one is a bit of a challenge due to the derelict nature of the hotel. First they need to get power to the place, in order to setup safety cameras in every room and corridor, strobe lighting etc. Then they start setting up the various rooms, working out themes and hiring a small group of actors to dress up and scare people during the tour. Early on in the movie, these scenes are interspersed with interviews from reporters, photographers and historians who recount some of the troubled history of the hotel and give us a bit more detail as to what happened during and after the events of the tours opening night.
The crew of five are all staying in the hotel as they work towards the big day, all the while documenting their progress and the various challenges they encounter. The place is seriously creepy anyway and the movie takes it's time in establishing the characters and making sure you're familiar with everything they've installed and the general layout of the hotel before mysterious things start happening, usually at night while everyone is trying to sleep. At first, things are basic enough that it's easy for them to accuse someone of trying to prank the others, but they soon start to increase in intensity and creepiness. Despite all common sense, preparations still continue for the big night which, as we already know, turns out to be a big mistake.
I really liked Hell House LLC. I'm still not actually sure what happened down in the basement, or afterwards for that matter, but the build up to it really did work well for me and there were some very effective and genuinely unsettling moments. And I do love feeling unsettled by a movie!