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The Fall
The Fall
Bethany Griffin | 2014 | Young Adult (YA)
4
6.0 (2 Ratings)
Book Rating
*puts on best announcer voice* Ahem.

I'd like to present to you the <b>most confusing book of the year</b>, <i>The Fall</i> by Bethany Griffin. It's a <b>very odd and peculiar book </b>based on Edgar Allen Poe's short story, <i>The Fall of the House of Usher</i>. In Griffin's retelling, Madeline Usher believes that she can break the curse on the Ushers, but then she wakes up in a fabulously claustrophobic box called a coffin.

In all seriousness, <i>The Fall</i> is actually <b>a retelling on one of Poe's stories </b>that I didn't actually read, but watched instead (so bad, it was good). From reading the synopsis of Griffin's retelling, <b>it sounded like Madeline Usher had spent most of her life trying to break free from the curse.</b>

I ended up with something different. At least, that's what I would probably end up with if I actually made it to the end of the book, which I chose not to. I totally admit I peeked at the last few pages just to see what would happen, and it was nothing special.

<b>Griffin starts us out right when Madeline wakes up in a coffin. The rest of the book, however, is all flashback from Madeline's childhood, starting from when she was nine. It's a little out of order, but has a pattern to it in a way</b> – one chapter is nine, the next is fifteen, and occasionally there's a diary/journal entry from Lisbeth Usher. I'm no fan of chapters being even remotely out of order (they can get confusing when you're busy and come back to the story a few days later), but <b>at least Griffin had a pattern.</b>

At least, until about page 150. <b>WHERE IS THIRTEEN AND WHY ARE YOU SKIPPED.</b>

Of course, we go back to thirteen in the next chapter and continue the pattern. In my little game of peek-ahead, I found out <b>there <i>is</i> no particular pattern. My hypothesis to all this is Griffin portraying Madeline's madness increasing as her age increases. As Madeline grows older, she becomes madder. </b>How's that for implementing science?

Anyways, about 50 pages later, I'm pretty much going, "Your point is..?" in a very uninterested mental voice that may or may not include a mental eye roll or two in the process. Here's all that I've found out from what I read:
<ol>
  <li>Madeline wakes up in a coffin – Go figure.</li>
  <li>She and her brother Roderick is cursed – Knew that.</li>
  <li>The House of Usher is, well, alive – Knew that.</li>
  <li>The House of Usher is malicious – Knew that, but this was ten times creepier from the cheesy short film.</li>
  <li>Madeline has a desire to break the curse on her family – It's very subtle.</li>
</ol>
In the long run, <b><i>The Fall</i> is written in a scattered format (see my hypothesis!) to emphasize the fact that the House of Usher is alive, malicious, and will do <i>anything</i> to keep an Usher within its walls for all eternity. It's nothing remotely impressive if you read or watched the original.</b>

And this is when the book club kills me.

<a href="https://bookwyrmingthoughts.com/dnf-review-the-fall-by-bethany-griffin/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
  
Mexican Gothic
Mexican Gothic
Silvia Moreno-Garcia | 2020 | Fiction & Poetry, Horror, Mystery
8
6.7 (3 Ratings)
Book Rating
34 of 230
Book
Mexican Gothic
By Sylvia Moreno-Garcia
⭐️⭐️⭐️⭐️

When glamorous socialite Noemí Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but her claims that her husband is poisoning her and her visions of restless ghosts seem remarkable, even for her.

Noemí's more suited to cocktail parties than amateur sleuthing, but she heads immediately to High Place, a remote mansion in the Mexican countryside, determined to discover what is so affecting her cousin. She's tough and smart, with an indomitable will, and she is not afraid: not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who is fascinated by Noemí; and not of the house itself, which begins to invade Noemi's dreams with visions of blood and doom.

Her only ally in this inhospitable abode is the family's youngest son. Shy and gentle, he wants to help - but he might also be hiding dark knowledge of his family's past. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.

I found this book on TikTok and it’s one of those that you worry won’t live up to the hype, well I thought it did I loved the setting it had such an atmosphere. This creepy tale had me feeling uncomfortable all the way through! I’ve never read this author before but I will definitely be looking for more of her books. This is one I would seriously recommend especially if you love creepy.
  
The Call Of The Wild (2020)
The Call Of The Wild (2020)
2020 | Drama
7
7.4 (7 Ratings)
Movie Rating
Rather too big-budget Jack London adaptation is long on CGI and short on grit, but remains engaging and dignified entertainment. Pampered house dog Buck is abducted from his California home and packed off to Alaska during the gold rush, slowly getting in touch with his wild side. Harrison Ford plays the main human part - there was something oddly familiar about seeing the star team up with a huge, hairy, almost totally non-verbal partner and then I remembered the Russian word for dog is sowbacca and it all made a bit more sense.

The harder edges of London's book have been sanded down considerably, and this does verge on the sentimental and cutesy in places - for one ghastly moment I thought the dogs were going to start talking to each other - and the fact it's made with a CGI dog (Terry Notary has been mo-capped) will probably put some people off. But it's solid, likeable stuff, lifted considerably by performances from Ford and Omar Sy. I still think it was madness to spend over $120 million on a film which will probably struggle to find an audience, but it has a definite charm to it.