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Alison Pink (7 KP) rated Cloudland in Books

Jan 15, 2018  
C
Cloudland
6
6.0 (1 Ratings)
Book Rating
So I'm still not quite sure what to make of this book. The language used in it's writing was very poetic & descriptive. I enjoyed that aspect of it a great deal. My real issue with it was the plot. For being a murder/suspense/crime novel, it sure didn't move very quickly. I wasn't kept on the edge of my seat as I usually expect from novels that fall into this category. The "edge of my seat-ness" didn't happen for me until about the last 40 pages or so. :(
This book tells the story of a former New York Times writer & teacher who loses her adjunct professorship because she becomes romanitcally involved with a student. She is asked to leave the university & eventually settles in upstate Vermont in a rural area called Cloudland. While walking home from a neighboor's house, she comes upon the body of a woman who has been missing for months. From there you a sprung into the middle of an investigation of a group of murders taking place in the area & the manhunt for the killer...
...except you aren't really thrown into the middle of it. The writing is good, but I always felt like a bit of an outsider looking in, instead of being put in the middle of the action. The minor twists & turns that came up in the plot felt forced & insignificant to the work as a whole. Was it a bad book, no not at all. I just wasn't swept away with it by any means.
  
Here Come the Warm Jets by Brian Eno
Here Come the Warm Jets by Brian Eno
1974 | Rock
9.0 (4 Ratings)
Album Favorite

"When I was about 15, Danny and Mick [Quinn, Supergrass bassist] lived in this row of cottages that was literally 10 metres from my family house. That was our base; we’d get together in Mick’s living room. I feel very lucky to have been in a band at that time because we were still approaching music – playing live, writing and recording – the way they had since the beginning; it was the last little window where there was only two-inch tape recording, just a few A&R men around who would come to gigs and stuff, no internet, mobile phones. It seems weird now! We were in the house getting stoned and playing loads of records, everything from Pink Floyd to Gong, Muppets albums, Zappa and Patti Smith. A big one for us was Brian Eno’s Here Come The Warm Jets – it was one we were really hooked on. For somebody so experimental he had killer melodies and the way he double-tracked his voice is just really cool. The production and instrumentation are kind of understated and hint at lo-fi, but in an honest way. We had a meeting with him in New York in the early 00s about producing us. I don’t think it was anything creative that was the issue, it was a boring calendar thing from what I remember, but it was great to meet him and have a chat."

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