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Dispatches from Pluto: Lost and Found in the Mississippi Delta
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Adventure writer Richard Grant takes on "the most American place on Earth" the enigmatic, beautiful,...
Lyndsey Gollogly (2893 KP) rated Blood Born ( Guardians book 4) in Books
Jul 13, 2023
93 of 235
Kindle
Blood Born ( Guardian book 4)
By Rayanne Haines
⭐️⭐️⭐️⭐️⭐️
The week before Olivia Dawson died, everything changed. Her little publishing house that could started pumping out best-sellers. A mysterious uncle passed away, leaving her a penthouse loft looking over Central Park. And her experimental cancer treatments finally seemed to be working. Who could’ve known that after her death life would literally suck.
She could do without craving her sexy new sire’s blood and the fact that her death had been rather brutal, thank you very much. Now, the shadows that go bump in the night were calling her the Vessel, bowing at her feet, expecting her to fulfill a prophecy. And wasn’t that a lot to live up to. Still, Olivia had a bad feeling that if she didn’t take them up on the offer, she’d soon find herself deader than dead.
Rhys Callas has ambitions. He’d been raised to rule. Had plans to free his people from living in the shadows. He wasn’t called the King of New York because he played nice. Now with the help of the guardians and the vessel he’d soon be the leader of the North American vampires. All he had to do was find an assassin, keep the other vampire factions at bay, keep the guardian Domhall Taleisin out of his hair, and keep Miss Olivia Dawson undead long enough to woo her. Best laid plans, right?
Soon enough Rhys and Olivia find out fighting for her undead life could mean the difference between a real future or oblivion for the entire vampire race.
Ok that was my favourite, this series has progressed so well this had all the emotions and yes I’m an emotional reader and my reviews reflect that! This was a sweet ending to a story of 2 sisters I absolutely loved Liv and B the one thing this series has had is well written female leads. I am hoping we may see more from it if not it was a fab ending.
Kindle
Blood Born ( Guardian book 4)
By Rayanne Haines
⭐️⭐️⭐️⭐️⭐️
The week before Olivia Dawson died, everything changed. Her little publishing house that could started pumping out best-sellers. A mysterious uncle passed away, leaving her a penthouse loft looking over Central Park. And her experimental cancer treatments finally seemed to be working. Who could’ve known that after her death life would literally suck.
She could do without craving her sexy new sire’s blood and the fact that her death had been rather brutal, thank you very much. Now, the shadows that go bump in the night were calling her the Vessel, bowing at her feet, expecting her to fulfill a prophecy. And wasn’t that a lot to live up to. Still, Olivia had a bad feeling that if she didn’t take them up on the offer, she’d soon find herself deader than dead.
Rhys Callas has ambitions. He’d been raised to rule. Had plans to free his people from living in the shadows. He wasn’t called the King of New York because he played nice. Now with the help of the guardians and the vessel he’d soon be the leader of the North American vampires. All he had to do was find an assassin, keep the other vampire factions at bay, keep the guardian Domhall Taleisin out of his hair, and keep Miss Olivia Dawson undead long enough to woo her. Best laid plans, right?
Soon enough Rhys and Olivia find out fighting for her undead life could mean the difference between a real future or oblivion for the entire vampire race.
Ok that was my favourite, this series has progressed so well this had all the emotions and yes I’m an emotional reader and my reviews reflect that! This was a sweet ending to a story of 2 sisters I absolutely loved Liv and B the one thing this series has had is well written female leads. I am hoping we may see more from it if not it was a fab ending.
Daniel Boyd (1066 KP) rated Fantastic Beasts and Where to Find Them (2016) in Movies
Jul 19, 2017
Some of the lighting is well implemented (1 more)
Colin Farrell
Bad CGI (2 more)
The movies 3 leads are extremely annoying
Johnny 'oooh' Depp
Fantastic Beasts and Where To Find Them - Or JK Rowling and the Never Ending Quest for More Money
Contains spoilers, click to show
First off, full disclosure, I have never been a fan of the Harry Potter franchise. I’ve read a few of the books and seen a few of the movies and it just isn’t my thing. Honestly, I’m not even a fan of fantasy in general, I think Lord Of The Rings is nonsense and Game Of Thrones is vastly overrated and the last Harry Potter movie I saw was the fourth one. However, I was willing to go into this movie with a clean slate and hopefully have it win me over and unfortunately it didn’t. Also this review will contain spoilers if you care about that sort of thing.
This film is a prequel to the other Harry Potter movies, this time set in America rather than Britain and telling the story of the events that led to the great wizarding war between Dumbledore and Grindlewald. The film did have potential, to see what would have essentially been WWII fought with magic could be really cool but unfortunately all we get here is setup and that actual event we want to see will probably take place 4 or 5 movies down the line. The film opens with Eddie Redmayne’s character, Newt Scamander going to New York from London to set free one of the beasts that he keeps inside his Tardis-like brief case. Then he ends up in a bank and meets a ‘Nomaj,’ which is this film’s lazy version of a ‘muggle,’ who we learn is a simple lonely guy that just wants to open his own bakery and that’s another character cliché ticked off the list. We now have the double act of the nerdy, sniveling protagonist and the overweight sympathetic sidekick. Also, for the rest of this review I will be referring to the baker character as fat bloke and this isn’t to be derogatory, but is purely because the script relies on the, ‘fat, jolly, sympathetic, pathetic loner’ stereotype and passes it off as a character arc. If the script isn’t treating the character with any respect, then why should I? So fat bloke it is then.
So the two of them of course have the exact same briefcase and after some cartoony looking CGI animals escape from Redmayne’s case in the bank the suitcases predictably get mixed up and then the fat bloke gets his bakery loan declined and returns home with Redmayne’s suitcase, then more bad CGI animals open the case and attack the fat bloke. Redmayne’s character then gets arrested by some wizarding inspector for letting the, ‘Nomaj,’ (urgh) get away after seeing the animals in the case and is taken to the New York Wizards base, I guess? Then it’s revealed that the wizarding inspector that arrested Redmayne is a bit of a shit inspector and she is trying to redeem herself in the eyes of her superiors, so in front of this high wizard council, she confiscates the case from Redmayne and opens it only to reveal a bunch of cakes inside. Yes, really… Who writes this shit? Rowling is doing to Harry Potter what Lucas did to Star Wars during the prequels at this point.
So Redmayne gets set free and he goes to fat bloke’s house to find him lying on the floor, then some more bad CGI later the inspector turns up and they take him back to her house to meet her sister? Friend? Does it matter? She ends up becoming the love interest for fat bloke. Then for no apparent reason Redmayne and fat bloke enter the case and he shows fat bloke all this crazy shit that apparently humans aren’t supposed to see and then Redmayne does some more sniveling and decides they have to sneak out of the girls’ apartment and recapture the animals that escaped in the bank and from fat bloke’s apartment. They get a couple of the beasts back then they go to central park to find Redmayne’s horny rhino and they dress fat bloke up in a leather rhino costume and use him as rape bait then they ice skate for a bit and capture the rhino. Again, really… I am not making this shit up for satirical reasons.
Then we see a real life prick Ezra Miller playing some sort of weird emo child who is beat by his mother and we see he is working with Colin Farrell to find a big bad dark spirit that is killing people around New York. Colin Farrell is definitely the best thing about the film at this point. After this a bunch of other stupid shit happens, like Ron Perlman and John Voight coming into the movie, showing a ray of potential then being totally wasted. The movie drags in the middle, but eventually after some more fat jokes, bad CGI and sniveling, all of the creatures are captured and Ezra Miller turns into a black death cloud or some such nonsense. Then he is boosting around New York, fucking up shit as he goes and so Redmayne and Farrell follow him down to the subway to stop him. Redmayne seems to be talking him down and then Farrell shows up and essentially tells him to join the dark side. Then there is a CGI wand battle and the council from earlier show up out of nowhere and kill the black cloud of death. Then Colin Farrell gets pissed off and in the best scene in the movie murders half of the council members before he gets arrested by Eddie Redmayne with some magic handcuffs.
Then the worst part in the movie takes place. It is revealed that Colin Farrell is actually Johnny Depp in disguise. I mean he is Grindlewald in disguise but the important part for me is the replacement of Colin Farrell with Johnny Depp. Now I’m not the world’s biggest Colin Farrell fan, he is great in, ‘In Bruges,’ but other than that he is pretty meh, but he was definitely the best thing that this movie had going for it and they fucking swapped him out! With fucking Johnny-‘ooh’-Depp. As if this movie wasn’t shit enough they swapped out the best thing about it for Johnny Depp, the biggest joke in Hollywood. I’m done, fuck this movie, fuck Johnny Depp, fuck JK Rowling, fuck Harry Potter, I’m out.
Okay, let’s briefly talk about the technical side of the film before I score this thing. The whole cast of this movie is phoning it in, so the acting is fine but nothing to write home about, Farrell is the best thing in this movie, but I feel that in the sequels it will just be an ‘ooh,’ off between Depp and Redmayne. The direction is okay as the movie plods along sufficiently, but the writing is wildly inconsistent and the plot as stated above is all over the place. The lighting and cinematography in one scene are fantastic, when Farrell and Miller are conversing in a dark alleyway but other than that they are pretty mundane too. The score is suitably Harry Potter like and the CGI is also to a similar standard of the Harry Potter films. The problem with that is that the CGI was ropey and of a fairly poor standard in the Harry Potter movies 10 years ago and it doesn’t seem like it has improved much since then. This movie isn’t for me, but even from an objective standpoint, based solely from a moviemaking perspective this movie is poor.
This film is a prequel to the other Harry Potter movies, this time set in America rather than Britain and telling the story of the events that led to the great wizarding war between Dumbledore and Grindlewald. The film did have potential, to see what would have essentially been WWII fought with magic could be really cool but unfortunately all we get here is setup and that actual event we want to see will probably take place 4 or 5 movies down the line. The film opens with Eddie Redmayne’s character, Newt Scamander going to New York from London to set free one of the beasts that he keeps inside his Tardis-like brief case. Then he ends up in a bank and meets a ‘Nomaj,’ which is this film’s lazy version of a ‘muggle,’ who we learn is a simple lonely guy that just wants to open his own bakery and that’s another character cliché ticked off the list. We now have the double act of the nerdy, sniveling protagonist and the overweight sympathetic sidekick. Also, for the rest of this review I will be referring to the baker character as fat bloke and this isn’t to be derogatory, but is purely because the script relies on the, ‘fat, jolly, sympathetic, pathetic loner’ stereotype and passes it off as a character arc. If the script isn’t treating the character with any respect, then why should I? So fat bloke it is then.
So the two of them of course have the exact same briefcase and after some cartoony looking CGI animals escape from Redmayne’s case in the bank the suitcases predictably get mixed up and then the fat bloke gets his bakery loan declined and returns home with Redmayne’s suitcase, then more bad CGI animals open the case and attack the fat bloke. Redmayne’s character then gets arrested by some wizarding inspector for letting the, ‘Nomaj,’ (urgh) get away after seeing the animals in the case and is taken to the New York Wizards base, I guess? Then it’s revealed that the wizarding inspector that arrested Redmayne is a bit of a shit inspector and she is trying to redeem herself in the eyes of her superiors, so in front of this high wizard council, she confiscates the case from Redmayne and opens it only to reveal a bunch of cakes inside. Yes, really… Who writes this shit? Rowling is doing to Harry Potter what Lucas did to Star Wars during the prequels at this point.
So Redmayne gets set free and he goes to fat bloke’s house to find him lying on the floor, then some more bad CGI later the inspector turns up and they take him back to her house to meet her sister? Friend? Does it matter? She ends up becoming the love interest for fat bloke. Then for no apparent reason Redmayne and fat bloke enter the case and he shows fat bloke all this crazy shit that apparently humans aren’t supposed to see and then Redmayne does some more sniveling and decides they have to sneak out of the girls’ apartment and recapture the animals that escaped in the bank and from fat bloke’s apartment. They get a couple of the beasts back then they go to central park to find Redmayne’s horny rhino and they dress fat bloke up in a leather rhino costume and use him as rape bait then they ice skate for a bit and capture the rhino. Again, really… I am not making this shit up for satirical reasons.
Then we see a real life prick Ezra Miller playing some sort of weird emo child who is beat by his mother and we see he is working with Colin Farrell to find a big bad dark spirit that is killing people around New York. Colin Farrell is definitely the best thing about the film at this point. After this a bunch of other stupid shit happens, like Ron Perlman and John Voight coming into the movie, showing a ray of potential then being totally wasted. The movie drags in the middle, but eventually after some more fat jokes, bad CGI and sniveling, all of the creatures are captured and Ezra Miller turns into a black death cloud or some such nonsense. Then he is boosting around New York, fucking up shit as he goes and so Redmayne and Farrell follow him down to the subway to stop him. Redmayne seems to be talking him down and then Farrell shows up and essentially tells him to join the dark side. Then there is a CGI wand battle and the council from earlier show up out of nowhere and kill the black cloud of death. Then Colin Farrell gets pissed off and in the best scene in the movie murders half of the council members before he gets arrested by Eddie Redmayne with some magic handcuffs.
Then the worst part in the movie takes place. It is revealed that Colin Farrell is actually Johnny Depp in disguise. I mean he is Grindlewald in disguise but the important part for me is the replacement of Colin Farrell with Johnny Depp. Now I’m not the world’s biggest Colin Farrell fan, he is great in, ‘In Bruges,’ but other than that he is pretty meh, but he was definitely the best thing that this movie had going for it and they fucking swapped him out! With fucking Johnny-‘ooh’-Depp. As if this movie wasn’t shit enough they swapped out the best thing about it for Johnny Depp, the biggest joke in Hollywood. I’m done, fuck this movie, fuck Johnny Depp, fuck JK Rowling, fuck Harry Potter, I’m out.
Okay, let’s briefly talk about the technical side of the film before I score this thing. The whole cast of this movie is phoning it in, so the acting is fine but nothing to write home about, Farrell is the best thing in this movie, but I feel that in the sequels it will just be an ‘ooh,’ off between Depp and Redmayne. The direction is okay as the movie plods along sufficiently, but the writing is wildly inconsistent and the plot as stated above is all over the place. The lighting and cinematography in one scene are fantastic, when Farrell and Miller are conversing in a dark alleyway but other than that they are pretty mundane too. The score is suitably Harry Potter like and the CGI is also to a similar standard of the Harry Potter films. The problem with that is that the CGI was ropey and of a fairly poor standard in the Harry Potter movies 10 years ago and it doesn’t seem like it has improved much since then. This movie isn’t for me, but even from an objective standpoint, based solely from a moviemaking perspective this movie is poor.
If you thought a modern retelling of [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926]--set mainly in present day Cincinnati--didn't exactly sound like a page-turner, no one could exactly blame you. But, nonetheless, you'd be quite wrong. Sittenfeld's novel imagines the Bennet family in our modern times; Mr. and Mrs. Bennet live in a rambling Tudor home in Cincinnati: broke and somewhat clueless as their house crumbles around them. Mrs. Bennet spends her time clucking around her five unmarried daughters: Jane, Liz, Mary, Kitty, and Lydia. The book revolves mainly around the perspective of Liz, a magazine writer in her upper thirties living in New York City. She and Jane, also in NYC, return home to their parents and younger sisters after Mr. Bennet has a heart attack, only to find the house and the family in a bit of a shambles.
The book is amazing. It's been a while since I read [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926], but even I can tell you that the novel does an excellent job of following the original plot without being annoying or cloying. It's [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926] with lesbians and hate sex! The book comes across as familiar yet new, allowing you to ache, laugh, and rage at what feels like a group of old friends.
Mr. Bennet is a trip, even while having a heartbreaking sadness and sweetness at his core (though some of his zingers are priceless). The younger sisters are as (nearly) vapid as to be expected--truly awful at times--for much of the book. But seriously, Lydia and Kitty loving CrossFit? It's awesome. And Liz is wonderful; you will adore this surprisingly realistic and modern Liz, with all of her foibles and issues: a truly modern Liz struggling mightily to keep her family together and afloat.
As for Darcy, well he's as Darcy as ever. Somehow Sittenfeld has managed to truly capture the essence of Austen's Darcy and Elizabeth in her new characters. I don't know how, but it's funny and lovely all at the same time. (Side note: As a woman in her early thirties, will I ever be able to read about Darcy without picturing Colin Firth? I now have a desperate need to watch the BBC/A&E mini-series again.)
Overall, I found this book funny, touching, and compulsively readable. The characters are truly characters: they are fully formed within moments of picking up the book. The city of Cincinnati makes a great guest appearance, with the city playing a prominent role in many scenes (hi Skyline Chili!). If you loved the original, you'll find this updated version enjoyable and imaginative, with a surprising depth behind it. If you've never read Austen's work (and you should), you will still discover a funny, sweet yet weighty story of a family trying to make it in this day and age. Highly recommended (4.5 stars).
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 4/19/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
The book is amazing. It's been a while since I read [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926], but even I can tell you that the novel does an excellent job of following the original plot without being annoying or cloying. It's [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926] with lesbians and hate sex! The book comes across as familiar yet new, allowing you to ache, laugh, and rage at what feels like a group of old friends.
Mr. Bennet is a trip, even while having a heartbreaking sadness and sweetness at his core (though some of his zingers are priceless). The younger sisters are as (nearly) vapid as to be expected--truly awful at times--for much of the book. But seriously, Lydia and Kitty loving CrossFit? It's awesome. And Liz is wonderful; you will adore this surprisingly realistic and modern Liz, with all of her foibles and issues: a truly modern Liz struggling mightily to keep her family together and afloat.
As for Darcy, well he's as Darcy as ever. Somehow Sittenfeld has managed to truly capture the essence of Austen's Darcy and Elizabeth in her new characters. I don't know how, but it's funny and lovely all at the same time. (Side note: As a woman in her early thirties, will I ever be able to read about Darcy without picturing Colin Firth? I now have a desperate need to watch the BBC/A&E mini-series again.)
Overall, I found this book funny, touching, and compulsively readable. The characters are truly characters: they are fully formed within moments of picking up the book. The city of Cincinnati makes a great guest appearance, with the city playing a prominent role in many scenes (hi Skyline Chili!). If you loved the original, you'll find this updated version enjoyable and imaginative, with a surprising depth behind it. If you've never read Austen's work (and you should), you will still discover a funny, sweet yet weighty story of a family trying to make it in this day and age. Highly recommended (4.5 stars).
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 4/19/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
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