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Tracy Letts recommended The Bank Dick (1940) in Movies (curated)

 
The Bank Dick (1940)
The Bank Dick (1940)
1940 | Classics, Comedy
(0 Ratings)
Movie Favorite

"I wish young actors and actresses were better versed in the work of Fields, Chaplin, Keaton, Lloyd, the Marx Brothers, Laurel and Hardy, and even lower-brow comics like the Three Stooges, Abbott and Costello, Jerry Lewis. Actors can partly cultivate a sense of humor from observing and mimicking our forebears. W. C. Fields makes me laugh more than any other film actor. His performances seem effortless, as if Fields is just doing Fields, but he deserves more credit than that. He constructed and honed his character over a twenty-year stage career. That character, known in The Bank Dick as Egbert Sousé, is the cinematic progenitor of a comic archetype: the lazy, drunken misanthrope. Fields wasn’t the innovator that Chaplin or Keaton was, of course, and in fact, his movies are not great. They’re flimsy vehicles for his routines. But I’ve also come to believe that’s part of the joke. “Can you believe they made a whole movie about this guy?” The Bank Dick also features several great comic character actors, such as Franklin Pangborn, Grady Sutton (as Og Oggilby), and Shemp Howard. I wanted to put Contempt on my list but Godard never put Shemp in a movie, know what I’m saying?"

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Jurassic World: Fallen Kingdom (2018)
Jurassic World: Fallen Kingdom (2018)
2018 | Action, Adventure, Sci-Fi
If you liked the first 4 films in this series, you'll like this one
Did you watch - and enjoy - the other 4 films in the JURASSIC PARK series? If so, then you'll enjoy the 5th installment, for it is more of the same - man's hubris causes giant animals to run amok and chaos, death and destruction ensues.

The plot of this film is simple enough - the island where JURASSIC WORLD was built is now in trouble as a dormant volcano is now dormant no more. The debate rages - should Man go to the island to save the Dinosaurs trapped there - or should they let nature take it's course (again). Some nefarious fellows - who's intentions don't seem to be as pure as we are led to believe - convince our heroes from the previous film, Claire and Owen to help "save" the dinosaurs.

But, of course, the plot is just an excuse to get some pretty awesome looking CGI Dinosaurs on the screen - and to put our heroes in peril. And on that score, this film succeeds wonderfully well.

I remember back in 1993 how awed I was at the spectacle on the screen. The CGI Dinosaurs were LIFE-LIKE! I was blown away by it. Today, I have come to expect the CGI will be top-notch - and I was not disappointed, to the point where I forgot that I was watching CGI.

As for the action and acting, Director J.A. Bayona (A MONSTER CALLS) keeps things moving along at a sprightly pace, not letting us catch our breath - or more importantly - stop to think of the plausibility or logic of decisions being made. His mantra seems to be "move our heroes from peril to peril" - and he does that well.

Chris Pratt is back as Owen, the "Raptor handler" and his charm and charisma on screen is in full display and really carries the weight of this film. He is able to charm his way into the audiences heart, so you end up rooting for him fully from start to finish. Bryce Dallas Howard (daughter of "Opie Cunningham" Ron Howard) comes into her own as Claire, the Dinosaur "Scientist" and quasi-love interest for Owen. She is able to avoid (mostly) the cliches of "damsel in distress" or "kick-ass chick" and gives us a rounded character that I rooted for just as strongly as Pratt's character.

The rest of the cast - save two - are pretty much throw away that are set up to be Dinosaur food. The two that stood out are the great James Cromwell as an aging Billionaire who has a connection to the originator of Jurassic Park, John Hammond. Cromwell is his usual, solid self. And...the funniest character in the film...computer expert Franklin Webb (played by Justice Smith) who, of course, is asked to do more than just "computer stuff" that he is ill-equipped to handle.

Going into this film, you know what you are going to get - and this film delivers that entertainingly enough. As I stated at the top, if you like the first 4 films of this series, you'll like this one.

Letter Grade: B+

7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
  
Jurassic World: Fallen Kingdom (2018)
Jurassic World: Fallen Kingdom (2018)
2018 | Action, Adventure, Sci-Fi
Greedy men + Dinosaurs = Lunch!
I’ve really had a rollercoaster of emotions on this one. As a general fan of dinosaurs running riot, since I saw the brilliant original in 1993, I was pretty disillusioned by the teaser trailer for this one: all over-the-top CGI. But as the lights dimmed and the Universal logo faded to ominous sonar sounds, the hairs stood up again and I thought J.A. Bayona (“A Monster Calls“) *might* deliver something really special here. Ultimately though, I left the theatre disappointed… but only slightly so.

With extreme topicality given what is happening on one of the Hawaiian islands at the moment, Isla Nublar – home to the now derelict Jurassic World theme park – is in serious trouble due to a volcanic eruption. Swayed by chaos theory expert Ian Malcolm (Jeff Goldblum), a US senate committee decides to do…. absolutely nothing, letting the dinosaurs face re-extinction. This is much to the fury of our heroine from the first film, Claire Dearing (Bryce Dallas-Howard), who now runs a “Save the Dinosaurs” group. When all seems lost, help comes from the wallet of philanthropist Benjamin Lockwood (James Cromwell, “Babe”, “LA Confidential”) and his ops manager Eli Mills (Rafe Spall, “The Big Short“) who propose to fund a private rescue mission: a mission that requires the involvement of Velociraptor-wrangler Owen Grady (Chris Pratt, “Guardians of the Galaxy“, “Passengers“). But are their motives truly honourable?

The film has its moments, with some well-executed action scenes, some nice munching of bad people and a few scenes that are truly touching: shots of a brachiosauruses’ last moments is a memorable piece of cinema. But that said, the film is extremely patchy. An exciting (but not particularly logical) pre-title sequence seques into a very wordy and action-free first reel, headed up by Goldblum (always seated: did he have his legs chewed off by a raptor?) droning on (blah blah blah), no doubt for a huge fee but not for much purpose. The early part of the movie is good however at introducing new characters: specifically the geeky Franklin (Justice Smith) and the pre-requisite 2018 ‘Times Up” kick-ass female character Zia ( Daniella Pineda), who is actually very good. As a whole though it’s not terribly engaging, leading to even the reveal of the derelict theme park – which should have been a high point – falling somewhat flat.

The much trailered volcano scenes that follow are impressive but should have been left to impress in the film.

Things ratchet up again though when the action moves to the more confining environment of Lockwood’s estate, bringing in arch-villain Gunnar Eversol played by Toby Jones (“The Snowman“, “Atomic Blonde“), who really should have taken the stairs, and Lockwood’s granddaughter Maisie ( Isabella Sermon) who is excellent as the ‘child in peril’. Some of the character’s actions don’t make a lot of sense (laser-targeting Owen? Why?) but they do generate some memorable scenes, supported by Michael Giacchino’s stirring soundtrack.

So, it pretty much works as an action film, but in terms of character development it doesn’t go anywhere in particular: Claire and Owen come out in about the same condition as they came in. I was expecting something deeper from Bayona (with his “A Monster Calls” being my personal No. 2 film of last year) than just a ‘running and screaming’ film.

It’s also difficult to avoid the fact that after five of these films there’s nothing much new under the Isla Nublar sun. Some of the plot here is a retread of the genetic shenanigans of the last film, mixed with the ‘off-island’ antics of “The Lost World”. And most of the action scenes are just stripped and re-painted from the earlier films. For example, the “about to get eaten but saved by another dinosaur” trope so expertly done by Spielberg in the finale of JP1 is re-hashed not once but THREE times in this movie: leading to more yawning that excitement if I’m honest.

Overall though, it’s an effective summer blockbuster that mostly delivers on the thrills and should be a good crowd-pleaser. By the way, staying through the endless credits is worth it not just for getting the full force of Giacchino and Williams’ majestic themes: there is quite a nice “monkey” at the end, illustrating that gambling might involve more than just money in the future!