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Return of the Living Dead 3 (1993)
Return of the Living Dead 3 (1993)
1993 | Horror, Sci-Fi
On the surface, Return of the Living Dead III may seem like another zombie crawling splatter fest from genre favourite Brian Yuzna, but underneath the copious amounts of gore, is a tragic and often melancholy story about forbidden love, and hiding ones true nature. Sort of like the principles of King Kong, masquerading as a gory zombie flick, with a dash of Romeo & Juliet.

This wouldn't work quite so well if it wasn't for an equally menacing, touching, and occasionally emotional performance from Melinda Clarke, playing a character who is wrestling with her urge to consume flesh after being bought back to life following a fatal motorbike accident. Watching her humanity slowly vanish whilst her boyfriend (J. Trevor Edmund) tries to protect the woman he loves is genuinely sad. The rest of the cast are fine, but Clarke is the glue that holds everything together, whilst giving us an incredibly memorable horror anti-hero.

The effects work done on the various creatures and the subsequent gore is great. All done practically, and when it comes to the more visceral moments, this movie doesn't fuck about. It also builds up as it goes on. The last 20 minutes are absolutely nuts in almost every way.

ROTLD3 came highly recommended to me as a horror fan, and I would pass on that recommendation wholeheartedly. A hugely bloody film, with a whole bunch of heart.
  
Army of Shadows (L'Armée des ombres) (1969)
Army of Shadows (L'Armée des ombres) (1969)
1969 | International, Drama
(0 Ratings)
Movie Favorite

"To me, these are the two best resistance films ever made. And each is its director’s best film. I saw them very early, and they were very formative for me. They really show the complex nature of resistance, glorifying it but also showing the compromises you have to make when you’re in wartime. I love that The Battle of Algiers starts off with that line: “None of this is documentary footage.” What audacity to be like: this is going to feel and look so real that you’re going to think this is a documentary, so I need to tell you that it’s not. It’s a way of setting the bar so high, and then the film lives up to it and surpasses it! You feel the ambition in all of it. It’s just spectacular in every sense of the word. Army of Shadows is similar, though obviously it’s much more in Melville’s cinematic language. Something that has always struck me is that by the end of the film everyone does exactly what you would expect them to do, what they’re supposed to do, but it still just leads to fucked-up situations. It’s this real mess of an ending, but it’s all grounded in very real decisions that I can sympathize with across the board. It’s rare to see a film that gets to the humanity of every decision, to the point where they’re lived-in, not just plot points."

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