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LoganCrews (2861 KP) rated Fonzo (Capone) (2020) in Movies

Jul 4, 2021

Fonzo (Capone) (2020)

2020 | Biography, Crime

3.8

(4 Ratings)

Movie Rating

What's the scariest thing to reckon with: mortality, humanity, or yourself? Tom Hardy plays a constipated bulldog with a pinch of Beetlejuice in this utterly beguiling Frankenstein's monster of a film which can only be described as 𝘎𝘰𝘵𝘵𝘪 (2018) hopped up on a bunch of prescription medication. I think the major takeaway from this is that Trank makes a tedious gangster movie - but a pretty fuckin' sweet horror/fantasy curio. Right off the bat I admire it for being so scene-to-scene fascinating based solely on how wholeheartedly unique it is; I expected no less from Trank than an auteurist stamp as big, original, and defined as this. Yes this is wonderfully experimental, yes this is very uncomfortable - seasoned with bodily fluids, a good amount of violence, and the sort of medical anguish which starts out grim and only gets more merciless as it continues... however, it also doesn't amount to too much. Hardy's grotesque turn here is memorable but 80% of the time it's reduced to staring off into the distance making various faces. It also has a similar issue to Barry Levinson's 𝘛𝘩𝘦 𝘞𝘪𝘻𝘢𝘳𝘥 𝘰𝘧 𝘓𝘪𝘦𝘴 in that the show-stealing macabre nightmare segments are just *crying* to break out more than the seemingly stock, incompetently structured narrative. However this was still super cool just on principle alone, and as someone who is sick of rote biopics it's nice to see one of them not be afraid to try something unquestionably different for a change (especially by dragging such a historic, opulent figure through the mud the whole time). Plus one of these are finally under an hour-45, go figure!

Kudos

Kirk Bage (1775 KP) rated The Draughtsman's Contract (1982) in Movies

Jan 28, 2021

Quite often more interesting in theory than practice, the films of Peter Greenaway can be inaccessible, oppressive and pretentious in the worst way. He himself would say his work is half film, half art, without apologising for it, and why should he? Looking at his CV, I can say there have been some I have enjoyed, or at least marvelled at: The Cook, The Thief, His Wife and Her Lover being the obvious one. Drowning by Numbers being another – ambitious and ingenious constructions that are startlingly effective if in the mood for such conceits. Whereas things like Prospero’s Books and The Pillow Book cross the line of pomposity and pretentiousness just too far. So it was with trepidation I approached this one, expecting that the wigs and costumes would far outshine the content of the story. I was quite wrong.

The Draughtsman’s Contract is still difficult to engage with, especially on first viewing, as the plot is dense and often hidden within the trivialities, as it unfolds, however, it becomes an ingenious murder mystery with all the clues hidden in plain sight under the artifice of surface detail. The things that are happening are not the story, the story is underneath, much as the real humanity of these people is hidden under ostentatious wigs and skirts. Familiar British actors of the time such as Anthony Higgins, Janet Suzman and Hugh Fraser serve Greenaway as consummate storytellers in a borderline theatre style throughout. It shouldn’t work or be half as compelling as it is, but there is magic at work here of some kind. Unique and marvelous if not always easy. But that is Greenaway!

Kudos

Merissa (12358 KP) rated Rovesciamento: Overthrown (New Blood Rising #2) in Books

Sep 4, 2019

Rovesciamento: Overthrown is the second book in the New Blood Rising series, and we continue where we left off in book one. April has been changed into a 'monster', and she's not happy about it. Well, not during the daytime at least. At night, she has a personality change (literally) and becomes a killing machine. She is determined not to lose her humanity, but Marcus and Sebastian don't realise that. It is Andrei who makes them realise, and that to me, was one of the best scenes in the book!!!

This is an amazing read, full of intricacies and betrayal, with layer upon layer of story. Trust me, you will not be bored with this tale!! I loved seeing how April united with herself, and the reasons she was behaving the way she was. Sebastian is as hot as ever, and I loved how April ignored his over-protectiveness when it suited her. Marcus and Andrei continue to be the best supporting characters you could wish for.

As with most Maya Daniels books, this one ends on a cliffhanger. I really wish I didn't enjoy her writing as much as I do, because these cliffhangers kill me! With no editing or grammatical errors, this was another fantastic read from start to finish that I have no hesitation in recommending. I can't wait for book 3. I need to know if someone is dead or not!

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!