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Kirk Bage (1775 KP) rated The Discreet Charm of the Bourgeoisie (1972) in Movies
Jan 28, 2021
The self confessed king of cinema surrealism, Luis Buñuel has 15 feature films listed as 7.5 or higher on IMDb, proving his life’s work is more loved and respected as you might think. This title was the only one I had really heard of being talked about by serious film folk that stuck in my mind, so it was as good a place as any to start with. It is an odd beast that I had a little trouble getting onboard with. It feels entirely 70s and kitsch, and on the surface feels at times little better than The Confessions of a Window Cleaner, or some such bawdy farce. To say it is a comedy is to take comedy to mean intellectual absurdism that pokes fun at the conventions and habits that lurk inside humanity, and the sophistication that masks our base instincts and flaws. I got the “joke”, it just all feels very dated now.
The cast have a lot of fun in the dreamlike landscape of manners and appetites, and the symbolism that abounds is indeed quite clever and arch if you want to analyse it. What I did like is how it feels increasingly like an actual dream, where things done and said begin to lose true meaning, and events and places merge into one flow of madness. You can definitely see a lot of ideas here that have been borrowed by other films since, and I appreciate what it tries to do, but ultimately this one left me a little cold. It has a pompous and smug air about it that is not for me, although I totally understand why it is held in high regard. I will probably never choose to watch it again.
The cast have a lot of fun in the dreamlike landscape of manners and appetites, and the symbolism that abounds is indeed quite clever and arch if you want to analyse it. What I did like is how it feels increasingly like an actual dream, where things done and said begin to lose true meaning, and events and places merge into one flow of madness. You can definitely see a lot of ideas here that have been borrowed by other films since, and I appreciate what it tries to do, but ultimately this one left me a little cold. It has a pompous and smug air about it that is not for me, although I totally understand why it is held in high regard. I will probably never choose to watch it again.
Eleanor Luhar (47 KP) rated The Killables. Gemma Malley in Books
Jun 24, 2019
I first discovered Gemma Malley thanks to my close friend several years ago. I remember loving her books and was so upset when the sequel to the book I'd read had not been released. I'm planning on reading that book soon...
So, the plot. Evie thinks she's evil, doomed to be reconditioned. She has dreams that must be caused by her evilness, and even meets up secretly with her matched one's brother.
The city Evie lives in is supposed to be safe, with no evil. But when her lover, Raffy, is destined to become a K, Evie knows something is wrong. His brother, Lucas, who once seemed so harsh and cold, is now the one helping Evie and Raffy escape. What if everything she had thought about him was wrong?
Beyond the city walls, Raffy and Evie meet Linus. He reveals the truth about the New Baptism, about the effects of the operation - how removing the amygdala does not only remove evil but humanity itself. They devise a plan to overcome the System as it is and return it to its original design.
I love the plot of this, and it's fantastically written. It's exciting and unexpected and really easy to read. But the love triangle... Why... Why does every YA book have one?! Why can't Evie just be in love with one brother and leave it at that?! Meh.
I am soon to read the rest of this trilogy, and will be posting my reviews on those too. But I do really like Gemma Malley, and would certainly recommend reading some of her books.
As for this particular novel, I'm going to rate it 4 stars out of 5. Exciting and thrilling, but not perfect.
So, the plot. Evie thinks she's evil, doomed to be reconditioned. She has dreams that must be caused by her evilness, and even meets up secretly with her matched one's brother.
The city Evie lives in is supposed to be safe, with no evil. But when her lover, Raffy, is destined to become a K, Evie knows something is wrong. His brother, Lucas, who once seemed so harsh and cold, is now the one helping Evie and Raffy escape. What if everything she had thought about him was wrong?
Beyond the city walls, Raffy and Evie meet Linus. He reveals the truth about the New Baptism, about the effects of the operation - how removing the amygdala does not only remove evil but humanity itself. They devise a plan to overcome the System as it is and return it to its original design.
I love the plot of this, and it's fantastically written. It's exciting and unexpected and really easy to read. But the love triangle... Why... Why does every YA book have one?! Why can't Evie just be in love with one brother and leave it at that?! Meh.
I am soon to read the rest of this trilogy, and will be posting my reviews on those too. But I do really like Gemma Malley, and would certainly recommend reading some of her books.
As for this particular novel, I'm going to rate it 4 stars out of 5. Exciting and thrilling, but not perfect.
Jordan Binkerd (567 KP) rated Ad Astra (2019) in Movies
Sep 27, 2019
The cast (3 more)
The score
Realistic science
Beautiful VFX
Anticlimactic/possibly unreliable ending (3 more)
Awkward voiceover
Pacing? Some would disagree....
Action scenes are kind of shoehorned in
Beautiful and haunting
First off, you've got to see this in the theater if you're going to see it. The sparse lunar and Martian vistas, not to mention the star-strewn expanses of space, will be so much less impressive on your living room television. The cast is amazing, though there's not nearly enough Tommy Lee Jones or Donald Sutherland. The tone is haunting and uncomfortable, aided by a subdued score that at times seems to pay tribute to the soundless vacuum in which parts of the film are set. The science is up to date, in that it accurately reflects the fact that after getting sidetracked for a decade or four, we're back to using rockets to explore the solar system. The plot is at heart an exploration of humanity, our needs, drives, relationships and obsessive stubbornness, and dips somewhat into questions of sanity and mental health, again sometimes uncomfortably, though the slow-burn pacing is not for everyone. There are occasional action sequences, but they often feel disconnected and shoehorned in. The ending was a little anti-climactic, and I'm not entirely sure it actually happened - it's barely a spoiler to suggest that the protagonist is in danger as the ending nears, and everything that follows his return to Earth could easily be a dream or dying hallucination (and in fact if argue that this would be a stronger ending). The voiceover was a bit awkward, and would have benefitted from an in-story justification such as the character journalling or leaving a sealed log of some sort. Basically, I think it was worth seeing, but it's not going to be for everyone.
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