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The Iron Giant (1999)

8.2 (45 Ratings) Rate It

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The film takes place in October of 1957, when America had plenty to be worried about. Rock ’n’...

Lenard (726 KP) rated Pig (2021) in Movies

Aug 1, 2021

Pig (2021)

2021 | Drama, Thriller

7.8

(6 Ratings)

Movie Rating

One could look at the film as Nicolas Cage's "Ransom" ("Give me back my pig!"), "John Wick" (if the dog had survived the original attack), or "Taken" ("I don't know who you are. I don't know what you want. If you're looking for ransom, I can tell you I don't have money but what I do have are a very particular set of skills. Skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my pig go now, that will be the end of it. I will not look for you, I will not pursue you. But if you don't, I will look for you, I will find you and I will kill you."). Ten years ago, Rob left the civilized world behind and chose an isolated life in the mountains, just him and his highly talented truffle pig. Once a week, twentysomething Alex Wolff comes to buy his "finds." That is the lone connection to humanity after tragedy left him broken. Then, in the middle of the night, a couple break in to steal the pig and leave him physically scarred. Rob must now return to the old life he left behind in order to get back his pig. Along for the ride is his young benefactor who has his own tragic backstory. Similar to "John Wick," there is a powerful puppetmaster behind all the tragedy. But that is where the similarities end as no one is a highly skilled assassin or underworld boss. Both Rob and his antagonist are just men with skills, connections, and money not guns and muscles. In fact, there is a running joke where people ask Rob if his face hurts or he needs medical attention for his wounds. This is a film for your heart and your mind to absorb starring two of the greatest shouters in Hollywood giving quiet performances. I highly recommend the film.

Kudos

Alexis Taylor recommended Nebraska by Bruce Springsteen in Music (curated)

Nebraska by Bruce Springsteen

1982 | Folk, Singer-Songwriter

7.6

(5 Ratings)

Album Favorite

"Nebraska is different from all the other Bruce Springsteen albums because it's not very bombastic! It's just acoustic guitar on a four-track machine. It's got to be the most lo-fi record you could get from Bruce Springsteen. I believe that's because he made demos for the E Street Band, and just didn't like how they sounded when they were played with the band. His producers, and I think one of his bandmates said to him, "The demos sound better". When I first heard it, I think that I only knew Bob Dylan and Woody Guthrie in terms of that type of sound - someone working with a harmonica and an acoustic guitar. He's writing about the working classes of America, or people who are failing in their lives or trying to make it but failing. It's darker than other records too though. I think he's taking inspiration from stories he's read in the newspaper about criminals who are serving life sentences or those who are going to the electric chair. At the same time, it's about families, brothers and someone's father who is no long alive. It's got a lot of humanity in it as a record, with this resonating and wonderful sound - daunting vocals and very haunting harmonica parts. There are also loads of reverbs and a glockenspiel is on there too. It's a murky-sounding record at first, but the more you listen to it, you find all of these other details. I was at school when I first heard it. I couldn't think of an obvious way that Bruce has influenced me, until I wrote a song called 'Elvis Has Left The Building' which is on my new album. I just thought that the kind of song it was, and the mood, reminded me of 'Streets Of Philadelphia' or 'Nebraska' - not in an obvious way, and I didn't think of him in order to write it, but it reminded me of that in an odd way."

Source

Kudos

Zoe Nock (13 KP) rated The Last in Books

Jun 26, 2019

The Last

Hanna Jameson | 2019 | Dystopia, Fiction & Poetry, Thriller

6.6

(5 Ratings)

Book Rating

Different take on a dystopian theme (0 more)

Lost it's way a little towards the end (0 more)

What scares you the most? Ghouls, vampires, slime-fanged aliens ...or something terrible that truly could happen? For me it's definitely the latter.

Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.

Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.

I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.

Kudos

Kelly Knows (95 KP) rated The House of Doors in Books

Jun 28, 2019

The House of Doors

Brian Lumley | 1990 | Fiction & Poetry, Horror, Science Fiction/Fantasy

9.0

(2 Ratings)

Book Rating

The sheer originality is refreshing. (0 more)

The government sub plot is kinda lame. (0 more)

Worlds of Horror

Wow, what a fantastic book. I am still surprised this story has not been optioned for a movie adaptation. House of Doors is a unique tale with a simple concept, the age old question of man meets aliens and how that first contact would go down. What if we were tested? Brutally? Would we measure up? This book answers those questions and more in terrifying fashion. Brian Lumley spins a rich tale of daring and adventure, with a new even more terrifying world behind each door the characters open. The illustrative text will illuminate wondrous monsters in your mind and fill your head to the brim with images of strange worlds twisted by alien machinery, born of the desires and fears within us all. The alien species in this story is unlike anything you've seen before. The characters are witty and engaging. Even the ones you hate are written so well you can't help but question your instinct to despise them. My personal favorite aspects of this book are the world designs. No spoilers, you'll just have to find out what I mean, but it is seriously awesome. Also bringing a lot to this fast paced thrill ride is the main character, Spencer Gill. A wry, clever man with more to him than meets the eye, Spencer Gill reminds me of the Indiana Jones/Jack Ryan, kind of heroes I grew up admiring. All of the characters involved have their moments to shine, whether it be a bright light or a darker moment. Even the sinister alien Thone get a role in the narrative in an unlikely writing style that pays off the investment, with interest. This is the kind of book that gets you into reading books, and if you like it, there is a pretty good sequel as well. Sci-fi and horror clash spectacularly as humanity finds out if they measure up, and the terrible consequences that will occur if they don't.