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If the world ended, could you keep your morals and values? Imagine that your a father, with a young child in a burned-out world, barely surviving out on the road, and there are cannibals and murderers out to get you. Over time, you would watch your child become thinner and thinner, and every now and then you're lucky enough to find some canned or jarred food here and there, but it's only a matter of time before you can't find anymore. Soon, you would both be too weak to move - - - would you murder someone if they had food? Yet, most people out on the road are just like you, with no food and searching for more - - - in that case, could you kill and eat a person to survive? Or would you let yourself and your child starve, keeping your morals and values intact?
This is a scenario people may have to face one day, especially with the shape the world is in today. Even now people are faced with sticking with their morals and values, from helping our fellow man to the decision of holding a door open for a stranger. The Road, Cormac McCarthy's Pulitzer Prize winning novel, brings the very question of humanity to the forefront, as well as how hard it is to hold onto it.
The father, The Road's main character, takes us on a journey through the mountains in a burned-out America, but the fires that took over are never explained and they didn't need to be. Apparently having been on the move for a couple of years, he wants to take his young son South to survive the winter months that are very close by. Readers get glimpses of what happened the night the grid went down from the father's point-of-view, but so many years have passed that the memories are few, the facts aren't completely straight, and any type of life before the fires seems to have been just a dream. So the two begin the story heading South, dragging everything they have scavenged in their travels inside of a metal shopping cart, and the father isn't sure they'll make it out of the mountains before winter. He only has tattered pieces of a map that they have carried for a long time, having numbered each piece with a broken crayon they had found, making it hard to estimate how far they need to travel.
While traveling, they very rarely run into other people, at one point, when they run into a very bad man, the father realizes he hasn't spoken to another person (other than his son) in at least a year. This is mostly because the majority of people that are still alive are the type of people that would rather kill you and take whatever you have than speak to you. Even most of the houses they come upon are burned and abandoned, but the father sees these buildings as a chance to find food and supplies: "The roadside hedges were gone to rows of black and twisted brambles. No sign of life. He left the boy standing in the road holding the pistol while he climbed an old set of limestone steps and walked down the porch of the farmhouse shading his eyes and peering in the windows. He let himself in through the kitchen. Trash in the floor, old newsprint. China in a breakfront, cups hanging from their hooks. He went down the hallway and stood in the door to the parlor. There was an antique pumporgan in the corner. A television set. Cheap stuffed furniture together with an old handmade cherrywood chifforobe. He climbed the stairs and walked through the bedrooms. Everything covered with ash. A child's room with a stuffed dog on the windowsill looking out at the garden. He went through the closets. He stripped back the beds and came away with two good woolen blankets and went back down the stairs. In the pantry were three jars of homecanned tomatoes. He blew the dust from the lids and studied them. Someone before him had not trusted them and in the end neither did he and he walked out with the blankets over his shoulder and they set off along the road again. " The young son is usually left close by outside because he seems scared that either there will be bad people or dead people inside.
Throughout this incredible, heart wrenching novel, the father slowly becomes more ill with what seems to be a case of pneumonia, possibly caused by all of the ash that is in the air from the fires; this makes him cough uncontrollably. Yet, he doesn't focus on that he may not live too much longer, instead he tries everything to get his son as far South as possible without too much of a plan of what to do when they get there.
The horror of this book is brought to light by the realism of what could happen if the world were to end, when people lose their humanity and begin to kill and eat their fellow humans. It leaves us wondering if we could hold onto what we are today when the basic need for shelter and food become more important than another person's life. But the father and son are examples of the few individuals who are able to hold onto their humanity during the end of the world: they share supplies if they can, they don't kill humans or animals to feed themselves, and they live by one rule: if a person is still alive, they take nothing from them.
The struggle these two go through is very real and believable, and McCarthy's writing is so well done that this book is hard to put down. Even while reading, most won't notice that there is only one character in the entire story that is given a name; our two main characters are never addressed by anything other than Papa or son/boy. The father's worry about keeping his son alive and unharmed is heartbreaking, for instance, one scene where he believes that he and his son are going to be found by cannibals, he quickly goes over with his son on how to shoot himself with the pistol, so neither of them will be taken alive. As a parent, I choked up in quite a few scenes, including this one - - - and as with the film adaptation, I cried heartily at the end.
This emotional, dark novel is an amazing book to read. The Road is bound to leave readers questioning what they would do in the same circumstances as the father. I highly recommend this book to people who love dystopian novels, but beware, this is a story you won't be able to forget.
This is a scenario people may have to face one day, especially with the shape the world is in today. Even now people are faced with sticking with their morals and values, from helping our fellow man to the decision of holding a door open for a stranger. The Road, Cormac McCarthy's Pulitzer Prize winning novel, brings the very question of humanity to the forefront, as well as how hard it is to hold onto it.
The father, The Road's main character, takes us on a journey through the mountains in a burned-out America, but the fires that took over are never explained and they didn't need to be. Apparently having been on the move for a couple of years, he wants to take his young son South to survive the winter months that are very close by. Readers get glimpses of what happened the night the grid went down from the father's point-of-view, but so many years have passed that the memories are few, the facts aren't completely straight, and any type of life before the fires seems to have been just a dream. So the two begin the story heading South, dragging everything they have scavenged in their travels inside of a metal shopping cart, and the father isn't sure they'll make it out of the mountains before winter. He only has tattered pieces of a map that they have carried for a long time, having numbered each piece with a broken crayon they had found, making it hard to estimate how far they need to travel.
While traveling, they very rarely run into other people, at one point, when they run into a very bad man, the father realizes he hasn't spoken to another person (other than his son) in at least a year. This is mostly because the majority of people that are still alive are the type of people that would rather kill you and take whatever you have than speak to you. Even most of the houses they come upon are burned and abandoned, but the father sees these buildings as a chance to find food and supplies: "The roadside hedges were gone to rows of black and twisted brambles. No sign of life. He left the boy standing in the road holding the pistol while he climbed an old set of limestone steps and walked down the porch of the farmhouse shading his eyes and peering in the windows. He let himself in through the kitchen. Trash in the floor, old newsprint. China in a breakfront, cups hanging from their hooks. He went down the hallway and stood in the door to the parlor. There was an antique pumporgan in the corner. A television set. Cheap stuffed furniture together with an old handmade cherrywood chifforobe. He climbed the stairs and walked through the bedrooms. Everything covered with ash. A child's room with a stuffed dog on the windowsill looking out at the garden. He went through the closets. He stripped back the beds and came away with two good woolen blankets and went back down the stairs. In the pantry were three jars of homecanned tomatoes. He blew the dust from the lids and studied them. Someone before him had not trusted them and in the end neither did he and he walked out with the blankets over his shoulder and they set off along the road again. " The young son is usually left close by outside because he seems scared that either there will be bad people or dead people inside.
Throughout this incredible, heart wrenching novel, the father slowly becomes more ill with what seems to be a case of pneumonia, possibly caused by all of the ash that is in the air from the fires; this makes him cough uncontrollably. Yet, he doesn't focus on that he may not live too much longer, instead he tries everything to get his son as far South as possible without too much of a plan of what to do when they get there.
The horror of this book is brought to light by the realism of what could happen if the world were to end, when people lose their humanity and begin to kill and eat their fellow humans. It leaves us wondering if we could hold onto what we are today when the basic need for shelter and food become more important than another person's life. But the father and son are examples of the few individuals who are able to hold onto their humanity during the end of the world: they share supplies if they can, they don't kill humans or animals to feed themselves, and they live by one rule: if a person is still alive, they take nothing from them.
The struggle these two go through is very real and believable, and McCarthy's writing is so well done that this book is hard to put down. Even while reading, most won't notice that there is only one character in the entire story that is given a name; our two main characters are never addressed by anything other than Papa or son/boy. The father's worry about keeping his son alive and unharmed is heartbreaking, for instance, one scene where he believes that he and his son are going to be found by cannibals, he quickly goes over with his son on how to shoot himself with the pistol, so neither of them will be taken alive. As a parent, I choked up in quite a few scenes, including this one - - - and as with the film adaptation, I cried heartily at the end.
This emotional, dark novel is an amazing book to read. The Road is bound to leave readers questioning what they would do in the same circumstances as the father. I highly recommend this book to people who love dystopian novels, but beware, this is a story you won't be able to forget.
Merissa (12358 KP) rated Make Me Hunger (Isle of the Forgotten #2) in Books
May 19, 2017
Make Me Hunger (Isle of the Forgotten #2) by Tiffany Roberts
Make Me Hunger is the second book in the Isle of the Forgotten series, and we start with the High Mage giving one of his Justicars a job to do on the quiet. He feels that some of the prisoners have been sent there without proper trial, and wants Amnestria to find out for sure. Along in the group though, as their commander, is the one person who Amnestria has a one night history with! The one person who wants that one night again, even though she isn't interested. The others in the team pick up on this, and try to help her any which way they can. During a fight with some of those who have lost their humanity on the island, Amnestria is separated from the rest of them, and Baltherus comes to her rescue - if you can call cuffing and kidnapping her rescue! Although they both have histories and secrets, they seem to be working things out. It isn't just them on the Island though, and real life has a way of intruding...
After meeting Baltherus in the first book, I was hopeful of him turning out to be an alright guy, but I wasn't sure. Amnestria was a strong and sassy female, whilst also having her vulnerabilities. Together, these two are strong and will fight for each other AND what is right. Their story is very well written, with plenty of feels (figuratively and literally!). The pace is smooth and yet it is full of action in all the right places. There were no editing or grammatical errors to disrupt the reading flow, and this book pretty much read itself as I got lost within the pages. It will be interesting to find out what comes next in The Order, and I would personally love to hear more about our happy couples and how life is treating them. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
After meeting Baltherus in the first book, I was hopeful of him turning out to be an alright guy, but I wasn't sure. Amnestria was a strong and sassy female, whilst also having her vulnerabilities. Together, these two are strong and will fight for each other AND what is right. Their story is very well written, with plenty of feels (figuratively and literally!). The pace is smooth and yet it is full of action in all the right places. There were no editing or grammatical errors to disrupt the reading flow, and this book pretty much read itself as I got lost within the pages. It will be interesting to find out what comes next in The Order, and I would personally love to hear more about our happy couples and how life is treating them. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Rachel King (13 KP) rated Shiver (The Wolves of Mercy Falls #1) in Books
Feb 11, 2019
I read this book as a recommendation from a friend. Even though I knew lots of other book bloggers love this series, all I kept thinking was "not another werewolf book." I am very glad that I read this anyways. It is very different from what I expected, and most of the book was unpredictable.
The idea of werewolves brings to mind extra strength, no weakness, and no fear, but these werewolves are more victims of a progressive disease with lives that are dictated by changes in the weather. Even in wolf form, they behave as a normal wolf would with no extras to benefit themselves.
Grace is quite an anomaly in the book, and she spends half the book in denial of the obvious. What bothered me about her character was that even though she is "book-smart," she never thinks to question what she is and how she became this way. Outside forces had to propel her out her denial. I really like Sam's character, especially because he tries so hard to hang on to his humanity, not just presently, but ever since he was bitten. The memories he shares of being home-schooled by the other werewolves shows me that even then he understood the importance of this. I grew to really like Isabel's character, too. Even though she has attitude to spare, she still has a heart and wants to do what is right. She actually reminds me a bit of the character of Cordelia from BTVS.
I was a little disappointed about what happened to Jack, but he wasn't exactly the most likable character. I was also a little confused about Olivia, as she seemed to lack uniformity in her character - at one point she seemed to not care too much about the wolves, and then I get the idea that she is supposed to be obsessed with them.
The ending came as a complete shock to me, as I really thought something else would happen right up until the very end. So now I have tons of questions, and I can not wait to get my hands on the next book, Linger (Wolves of Mercy Falls, Book 2).
The idea of werewolves brings to mind extra strength, no weakness, and no fear, but these werewolves are more victims of a progressive disease with lives that are dictated by changes in the weather. Even in wolf form, they behave as a normal wolf would with no extras to benefit themselves.
Grace is quite an anomaly in the book, and she spends half the book in denial of the obvious. What bothered me about her character was that even though she is "book-smart," she never thinks to question what she is and how she became this way. Outside forces had to propel her out her denial. I really like Sam's character, especially because he tries so hard to hang on to his humanity, not just presently, but ever since he was bitten. The memories he shares of being home-schooled by the other werewolves shows me that even then he understood the importance of this. I grew to really like Isabel's character, too. Even though she has attitude to spare, she still has a heart and wants to do what is right. She actually reminds me a bit of the character of Cordelia from BTVS.
I was a little disappointed about what happened to Jack, but he wasn't exactly the most likable character. I was also a little confused about Olivia, as she seemed to lack uniformity in her character - at one point she seemed to not care too much about the wolves, and then I get the idea that she is supposed to be obsessed with them.
The ending came as a complete shock to me, as I really thought something else would happen right up until the very end. So now I have tons of questions, and I can not wait to get my hands on the next book, Linger (Wolves of Mercy Falls, Book 2).
graveyardgremlin (7194 KP) rated First Grave on the Right (Charley Davidson, #1) in Books
Feb 15, 2019
FIRST GRAVE ON THE RIGHT introduces Charley Davidson, the Grim Reaper who also works as a private investigator. She's a smart-ass, chaotic, accident-prone, knows exactly who she is, and has some serious attitude -- she'll never win Miss Congeniality, but Charley also has heart and humanity. I like her, she has enough depth to sympathize with and enough grit to make me root for her, while showing the right amounts of strength and vulnerability to be realistic. If I had to choose a grim reaper and it was between her and Callie Reaper-Jones from Amber Benson's series ([b:Death's Daughter|6354365|Death's Daughter (Calliope Reaper-Jones, #1)|Amber Benson|http://ecx.images-amazon.com/images/I/51lRt2VmaCL._SL75_.jpg|4632897]), I'd definitely pick Charley. And did I mention she names her "unmentionables"? Of which I found hilarious, although maybe not everyone will.
There are two major plot lines involved within the covers: the murder of three lawyers and how it ties into an innocent man and the mysterious entity who steams up Charley's dreams with some hot, hot action (and isn't as stalkerish as it sounds from the description). While the former seems to become an afterthought by the end, it ties up rather nicely, even if it's rather abrupt in comparison to how it's paced at the beginning. Though it is the other plot that is the more intriguing of the two and kept me reading so I could find out what happened next. I'm happy with how it ended and the author did a good job leaving me wanting to know more. The writing is capable, even if there was some redundancy of certain phrases and words, but it got better the further into the story I got. The book is bursting with sarcasm, which I love, and there's rarely a passage that doesn't have one snarky little morsel included. I hope future entries in the series will expand some of the other characters that are glossed over, but overall, this was a blast to read. If you're looking for a fast, fun piece of brain-candy, look no further, pop into this for a sweet treat. Also, kudos to whoever chose the cover, it captures the book perfectly.
3.5 stars
There are two major plot lines involved within the covers: the murder of three lawyers and how it ties into an innocent man and the mysterious entity who steams up Charley's dreams with some hot, hot action (and isn't as stalkerish as it sounds from the description). While the former seems to become an afterthought by the end, it ties up rather nicely, even if it's rather abrupt in comparison to how it's paced at the beginning. Though it is the other plot that is the more intriguing of the two and kept me reading so I could find out what happened next. I'm happy with how it ended and the author did a good job leaving me wanting to know more. The writing is capable, even if there was some redundancy of certain phrases and words, but it got better the further into the story I got. The book is bursting with sarcasm, which I love, and there's rarely a passage that doesn't have one snarky little morsel included. I hope future entries in the series will expand some of the other characters that are glossed over, but overall, this was a blast to read. If you're looking for a fast, fun piece of brain-candy, look no further, pop into this for a sweet treat. Also, kudos to whoever chose the cover, it captures the book perfectly.
3.5 stars
Mariafrancesca (30 KP) rated Only Ever Yours in Books
Mar 30, 2019
I am not sure what to think about this book.
I didn't like a single thing, I couldn't put it down for a second but I didn't like it: I didn't like the story or the settings, and the characters are horrible.
Then again I don't think this book is meant to be liked.
It disturbs me in a way that I cannot really understand: it disturbs me because it is so cliche that I would like to laugh at it, but in the same time I can see so much of my younger self in those girls that it scares the hell out of me: all the doubts, and the mean best friends, the willing to fit in no matter the costs - even if it means betraying yourself.
This book makes me feel uncomfortable.
At the beginning I didn't like the line that the author put between women and men, like saying "this is all men's fault, they did this, they are the bad guys", and then you meet this men and you realize that they are just scared teenager as well, with a life already decided for them. Maybe this book disturbs me because it just put you in the middle of the story but it does't explain how humanity arrived at that point: how is it possible that people just stopped to have daughters? Why women didn't fight this culture when it was spreading? Why did they accept all of that in the first place?
Maybe again, this is not the point of the book and maybe what it really bothers me about it is the complete lack of hope: there is not a single character that can be considered good (even though no one can be considered the bad guy), not a single character took the right path, they are all absolutely incapable. But worst than that I think is the complete lack of hope for the society, the resignation to a system that cannot be changed, drugs and death as the only way out.
I didn't like this book at all, I wasn't impress by it, I felt offended, angry, sometimes bored.
But I couldn't put it down until the end, and maybe this is why is worth reading it.
I didn't like a single thing, I couldn't put it down for a second but I didn't like it: I didn't like the story or the settings, and the characters are horrible.
Then again I don't think this book is meant to be liked.
It disturbs me in a way that I cannot really understand: it disturbs me because it is so cliche that I would like to laugh at it, but in the same time I can see so much of my younger self in those girls that it scares the hell out of me: all the doubts, and the mean best friends, the willing to fit in no matter the costs - even if it means betraying yourself.
This book makes me feel uncomfortable.
At the beginning I didn't like the line that the author put between women and men, like saying "this is all men's fault, they did this, they are the bad guys", and then you meet this men and you realize that they are just scared teenager as well, with a life already decided for them. Maybe this book disturbs me because it just put you in the middle of the story but it does't explain how humanity arrived at that point: how is it possible that people just stopped to have daughters? Why women didn't fight this culture when it was spreading? Why did they accept all of that in the first place?
Maybe again, this is not the point of the book and maybe what it really bothers me about it is the complete lack of hope: there is not a single character that can be considered good (even though no one can be considered the bad guy), not a single character took the right path, they are all absolutely incapable. But worst than that I think is the complete lack of hope for the society, the resignation to a system that cannot be changed, drugs and death as the only way out.
I didn't like this book at all, I wasn't impress by it, I felt offended, angry, sometimes bored.
But I couldn't put it down until the end, and maybe this is why is worth reading it.
Janeeny (200 KP) rated A History of the World in 100 Objects in Books
Jun 10, 2019
When I first read this I didn’t realise that this was a book to accompany a very successful radio show on BBC Radio 4, which is thankfully still available to listen to.
I’ve had this for 6 years and have been reluctant to read this as I have to be in the right frame of mind for certain non-fiction books. Especially ones that seem like they are going to be a stream of facts with not a lot of context, so “A History of the world . . “ pleasantly surprised me. This book isn’t weighed down with facts and history, the author doesn’t go into too much uneccesary detail or waffle on too much. He provides just enough information to peak your interest.
Each object has its own chapter, and each chapter is reassuringly only a few pages long and nicely segmented. Its a bite-size history of the era in which the object was made, the story of the finding the object, and a couple of ‘expert’ opinions on the objects impact on the world.
When I read Non-fiction I like to come away from the experience with a ‘Party fact’ (you know, that bit of useless trivia you tell people at social gatherings to either fill a silence or sound interesting) and I certainly got my fair share with this book.
My party fact would be the flood tablet, the story on the tablet tells the tale of a man who was told by his god to build a boat and load it with his family and animals because a deluge is about to wipe humanity from earth. The thing that made this stick in my mind was that it pre-dated the Noah story by about 400 years.
Of course, since reading I’ve looked into this and found out that there are many flood stories that pre-date Noah, but at the time I was thinking “How does the world not know about this?” “Does Richard Dawkins know about this?” A little research has prevented me from a social faux pas, but still it’s all intriguing.
The History of the world in 100 objects, does exactly what it says on the tin!
I’ve had this for 6 years and have been reluctant to read this as I have to be in the right frame of mind for certain non-fiction books. Especially ones that seem like they are going to be a stream of facts with not a lot of context, so “A History of the world . . “ pleasantly surprised me. This book isn’t weighed down with facts and history, the author doesn’t go into too much uneccesary detail or waffle on too much. He provides just enough information to peak your interest.
Each object has its own chapter, and each chapter is reassuringly only a few pages long and nicely segmented. Its a bite-size history of the era in which the object was made, the story of the finding the object, and a couple of ‘expert’ opinions on the objects impact on the world.
When I read Non-fiction I like to come away from the experience with a ‘Party fact’ (you know, that bit of useless trivia you tell people at social gatherings to either fill a silence or sound interesting) and I certainly got my fair share with this book.
My party fact would be the flood tablet, the story on the tablet tells the tale of a man who was told by his god to build a boat and load it with his family and animals because a deluge is about to wipe humanity from earth. The thing that made this stick in my mind was that it pre-dated the Noah story by about 400 years.
Of course, since reading I’ve looked into this and found out that there are many flood stories that pre-date Noah, but at the time I was thinking “How does the world not know about this?” “Does Richard Dawkins know about this?” A little research has prevented me from a social faux pas, but still it’s all intriguing.
The History of the world in 100 objects, does exactly what it says on the tin!
Kyera (8 KP) rated The Hidden Oracle in Books
Jan 31, 2018
Another fantastic book by RR. We are introduced to our new main character in perfect fashion. "Just another meat sack." Quaint Apollo, or should I call you Lester Papadopoulos? That is an amazing name and starts the book brilliantly.
Apollo is written just as well as RR's other character. The sun God is forced into a powerless mortal body and dumped unceremoniously onto the island of Manhattan. Into a pile of trash. He must undertake a series of trials and get the Oracles back under his control or else he will remain mortal... and Lester. Accompanied by a feisty, sword-wielding street urchin and a bitey peach spirit, Apollo fights for the future. Camp Half-Blood is sparsely populated, campers are disappearing and all forms of communication are on the fritz.
The world building is just as beautifully done as the other Olympians novel. The reader is introduced to myths creatures and gods. Recommended that you read the two previous series before Trials of Apollo. There are characters (like our beloved Percy) and gods/monsters that you either meet or are mentioned in passing and it would be beneficial to at least be familiar with them.
The character development is also well-done. Apollo is his usual self-absorbed self but he also experiences some brilliant moments of humanity. You root for his success and roll your eyes at him simultaneously. Margaret, Meg for short, is his sidekick and occasional friend. Apollo doesn't like to admit that he is actually fond of the little urchin. She immediately reminded me of Megara from Disney's Hercules, sassy, cynical, questioning. The entire time that I was reading I kept expecting her to betray Apollo to the "Big Bad" but have grown fond of Apollo as well and regret her betrayal.
In case you are unfamiliar with some of the terms or gods, RR has a handy glossary at the conclusion of the book. Highly recommended, as are all of RR's novels. Great for YA reader that enjoy witty writers, well-developed characters, mythology, adventures and just general awesomeness.
Apollo is written just as well as RR's other character. The sun God is forced into a powerless mortal body and dumped unceremoniously onto the island of Manhattan. Into a pile of trash. He must undertake a series of trials and get the Oracles back under his control or else he will remain mortal... and Lester. Accompanied by a feisty, sword-wielding street urchin and a bitey peach spirit, Apollo fights for the future. Camp Half-Blood is sparsely populated, campers are disappearing and all forms of communication are on the fritz.
The world building is just as beautifully done as the other Olympians novel. The reader is introduced to myths creatures and gods. Recommended that you read the two previous series before Trials of Apollo. There are characters (like our beloved Percy) and gods/monsters that you either meet or are mentioned in passing and it would be beneficial to at least be familiar with them.
The character development is also well-done. Apollo is his usual self-absorbed self but he also experiences some brilliant moments of humanity. You root for his success and roll your eyes at him simultaneously. Margaret, Meg for short, is his sidekick and occasional friend. Apollo doesn't like to admit that he is actually fond of the little urchin. She immediately reminded me of Megara from Disney's Hercules, sassy, cynical, questioning. The entire time that I was reading I kept expecting her to betray Apollo to the "Big Bad" but have grown fond of Apollo as well and regret her betrayal.
In case you are unfamiliar with some of the terms or gods, RR has a handy glossary at the conclusion of the book. Highly recommended, as are all of RR's novels. Great for YA reader that enjoy witty writers, well-developed characters, mythology, adventures and just general awesomeness.
Kyera (8 KP) rated The Call (The Call #1) in Books
Feb 1, 2018
Be prepared for a dark ride that will hit you with every emotion. The book starts off a little slow as it lays the groundwork for a riveting and horrifying novel. Once you are introduced to the various characters and the world they find themselves in, the book becomes a really quick read. This book takes place in Ireland, but the island is separated from the rest of the world. Thousands of years ago, the Irish people banished the Sidhe (fairies) to another world and now they're back for their revenge. The people are trapped and their teens are being taken. The Call lasts for 3 minutes and 4 seconds in our world, but they have to survive a day in Sidhe. Most don't. Those that do usually aren't the same, either physically, mentally, or both. When they reappear after those 3 minutes, they're likely dead and quite horribly mutilated. The Sidhe enjoy twisting and bending their prey into new shapes as a form of amusement. Dark.
Sidhe is beautifully, yet horrifically depicted in the book as a place of nightmarish terrors, distorted humanity and deadly Sidhe (fairies). Humans are twisted and shaped into grotesque beings just as depraved as their creators. The landscape is no more forgiving with acid pits and razor folliage. While well represented, I wouldn't recommend this novel to younger teen readers because its pretty dark. Despite that, you're drawn into the book and just <i>need</i> to know what's going to happen.
One comment I have is that the main characters, Anto, Connor, Nessa, Megan, etc don't read like they're 14 years old and that's how old they're supposed to be. Perhaps it's living in this strange new word where you know you can be called at any moment and likely lose your life which might age you prematurely, but I kept being surprised when I was reminded of their ages. They definitely act older than they are, perhaps 16-18 years of age.
I really enjoyed this book because it wasn't like anything I've read before. Highly recommended for (older) young adult/teen readers who like fantasy, great world-building and don't expect everyone to have a happy ending.
Sidhe is beautifully, yet horrifically depicted in the book as a place of nightmarish terrors, distorted humanity and deadly Sidhe (fairies). Humans are twisted and shaped into grotesque beings just as depraved as their creators. The landscape is no more forgiving with acid pits and razor folliage. While well represented, I wouldn't recommend this novel to younger teen readers because its pretty dark. Despite that, you're drawn into the book and just <i>need</i> to know what's going to happen.
One comment I have is that the main characters, Anto, Connor, Nessa, Megan, etc don't read like they're 14 years old and that's how old they're supposed to be. Perhaps it's living in this strange new word where you know you can be called at any moment and likely lose your life which might age you prematurely, but I kept being surprised when I was reminded of their ages. They definitely act older than they are, perhaps 16-18 years of age.
I really enjoyed this book because it wasn't like anything I've read before. Highly recommended for (older) young adult/teen readers who like fantasy, great world-building and don't expect everyone to have a happy ending.
Kristy H (1252 KP) rated Separate Lives in Books
Feb 13, 2018
It all begins when Susie sees the text on Alex's phone: "Start living a different kind of life ...P :-) xxx." Convinced he's having an affair, Susie sets off on her own trajectory that threatens their partnership of ten years and their life with their two children. And Alex? Is he completely innocent in all of this? And what about the mysterious P?
This novel is told from the alternating point of view of Susie, Alex, and Pippa. Susie's pieces come via standard narrative, Alex's mainly through email exchanges with his brothers and sister, and Pippa via emails to her sister. While this starts off as sort of enjoyable and different, it can grow old quickly (though the email format moved quickly at least). For instance, Pippa and Susie have a way of veering off into tangents about their past, which drove me absolutely insane. These summaries seemed not at all relevant to the book (what they wore and read at seventeen!) and dragged the narrative down and the story on forever.
Meanwhile, the novel sounds interesting in its premise: a group of characters brought together by a potential technological misunderstanding. It's certainly why I selected it as an ARC. The problem is that none of the characters are remotely redeemable or likeable. While a book that revolves around infidelity may not always have the most personable of characters, you can usually find some humanity them. This group: I just could not find any reason to root for them. I would find an occasional glimpse in Susie or Pippa, but overall, they all annoyed me with their whining and life choices, and I felt sorry for their children! Add to that a plot filled with a variety of twists and turns that would be better off in a soap opera or Lifetime movie (surprise pregnancies! love affairs with a spouse's siblings!), and my frustration level reached its peak. Again, there were moments I liked, but overall I just didn't find a lot of humor or enjoyment in this novel. 2.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 12/06/2016
This novel is told from the alternating point of view of Susie, Alex, and Pippa. Susie's pieces come via standard narrative, Alex's mainly through email exchanges with his brothers and sister, and Pippa via emails to her sister. While this starts off as sort of enjoyable and different, it can grow old quickly (though the email format moved quickly at least). For instance, Pippa and Susie have a way of veering off into tangents about their past, which drove me absolutely insane. These summaries seemed not at all relevant to the book (what they wore and read at seventeen!) and dragged the narrative down and the story on forever.
Meanwhile, the novel sounds interesting in its premise: a group of characters brought together by a potential technological misunderstanding. It's certainly why I selected it as an ARC. The problem is that none of the characters are remotely redeemable or likeable. While a book that revolves around infidelity may not always have the most personable of characters, you can usually find some humanity them. This group: I just could not find any reason to root for them. I would find an occasional glimpse in Susie or Pippa, but overall, they all annoyed me with their whining and life choices, and I felt sorry for their children! Add to that a plot filled with a variety of twists and turns that would be better off in a soap opera or Lifetime movie (surprise pregnancies! love affairs with a spouse's siblings!), and my frustration level reached its peak. Again, there were moments I liked, but overall I just didn't find a lot of humor or enjoyment in this novel. 2.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 12/06/2016
Cyn Armistead (14 KP) rated Ready Player One in Books
Mar 1, 2018
Add this book to the short list of must-reads for every True Geek, right alongside [b:Snow Crash|830|Snow Crash|Neal Stephenson|http://photo.goodreads.com/books/1320544000s/830.jpg|493634]. It's a gleeful homage to geekdom and pop culture.
Wade explains to the reader that he was born after humanity wore the world out and escaped to OASIS, a massive simulation that has replaced the internet and all other forms of entertainment. Nobody seems to spend time in reality any more, because it sucks. There are multiple wars going on over the few energy sources that are left. Poverty, hunger, and homelessness are rampant everywhere.
Most people who are fortunate enough to live indoors at all are like Wade, who lives with his aunt and her latest boyfriend in a three-bedroom doublewide trailer shared with 17 people. The trailer is at least near the top of a stack, which is just what it sounds like: a stack of trailers 10 or so high, so many across and wide, so that 500 or more trailers are held together with rusted scaffolding, chains, and whatever other reinforcements people have added over the years. Stack collapses are common.
Wade spends most of his time in his hideout, the back of an old van that's parked in a junkyard and crammed in a stack of vehicles. That's where he keeps his computer and other equipment, so he can attend school (in OASIS, of course) and spend time research The Contest, which is the center of his life.
The creater of OASIS, James Halliday, created The Contest in his will. Whoever wins it will inherit Halliday's vast fortune and control of OASIS. At the opening of the novel, it has been five years since Halliday died and contestants are ridiculed in everyday society as obsessive losers.
Wade's quest through The Contest and his fight to simply survive is far more interesting than I thought it would be. I'll also admit to being entertained by the 80s trivia that pops up throughout the book (integral to The Contest). I'm biased, as I was a teen during those years.
I wholeheartedly recommend this book. It's one of the very few that I'll be saving to re-read in the future.
Wade explains to the reader that he was born after humanity wore the world out and escaped to OASIS, a massive simulation that has replaced the internet and all other forms of entertainment. Nobody seems to spend time in reality any more, because it sucks. There are multiple wars going on over the few energy sources that are left. Poverty, hunger, and homelessness are rampant everywhere.
Most people who are fortunate enough to live indoors at all are like Wade, who lives with his aunt and her latest boyfriend in a three-bedroom doublewide trailer shared with 17 people. The trailer is at least near the top of a stack, which is just what it sounds like: a stack of trailers 10 or so high, so many across and wide, so that 500 or more trailers are held together with rusted scaffolding, chains, and whatever other reinforcements people have added over the years. Stack collapses are common.
Wade spends most of his time in his hideout, the back of an old van that's parked in a junkyard and crammed in a stack of vehicles. That's where he keeps his computer and other equipment, so he can attend school (in OASIS, of course) and spend time research The Contest, which is the center of his life.
The creater of OASIS, James Halliday, created The Contest in his will. Whoever wins it will inherit Halliday's vast fortune and control of OASIS. At the opening of the novel, it has been five years since Halliday died and contestants are ridiculed in everyday society as obsessive losers.
Wade's quest through The Contest and his fight to simply survive is far more interesting than I thought it would be. I'll also admit to being entertained by the 80s trivia that pops up throughout the book (integral to The Contest). I'm biased, as I was a teen during those years.
I wholeheartedly recommend this book. It's one of the very few that I'll be saving to re-read in the future.