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Gareth von Kallenbach (980 KP) rated Mortal Engines (2018) in Movies
Jul 2, 2019
Take a moment and imagine a world where most of humanity has been wiped off the map and those that remain are forced to survive on the remaining resources of a civilization that has been torn apart. In this new existence, leftover technology is coveted like diamonds and massive predator cities prey on weaker smaller cities to steal whatever meager resources they still possess. This is the world of Mortal Engines, the latest Peter Jackson blockbuster based on the young adult novel of the same name by Philip Reeves.
Mortal Engines takes place roughly a thousand years after the conclusion of the Sixty Minute War that decimated the earth and now civilization has banded into two very distinct groups. There are those in the “Traction Cities”, which are behemoth mobile cities that scour what remains of Europe gobbling up smaller cities to convert them and their resources into fuel that keeps the larger cities moving. Then there is the Anti-Traction League, a group that believes in preserving what little resources remain and living in “Traction-less” cities…a.k.a. cities built on land. London is the main Traction City and it is led by Thaddeus Valentine (Hugo Weaving) and his desire to tear down a great wall that is the only barrier between London and the surplus of resources that he so desperately needs.
After London devours one of the smaller cities, we are introduced to Hester Shaw (Hera Hilmar), whose one goal in life is to kill Thaddeus Valentine, the man who murdered her mother. After her failed assassination attempt on his life, she teams up with historian Tom Natsworthy (Robert Sheehan) to not only survive, but also to prevent Valentine’s plan to recreate the war that took down humanity in the first place. This is a big job for the unlikely duo and on top of everything else, Hester is being hunted by a zombie/terminator hybrid named Shrike who wants nothing more than to kill her.
If it sounds like a lot to follow over the course of the two hours and nine-minute run time, you’d be right. In fact, without a lot of backstory which those who have read the novels will really benefit from, it can be a bit too much to take in. It comes across as a combination of Mad Max and the video game Dishonored, but it is lacking an excellent story to back up all of the post-apocalyptic action. That’s not to say that the story is bad, but it is by far the weakest part of the film and a huge missed opportunity to elevate a pretty good movie to the classic Peter Jackson masterpiece status we usually get from him. Considering the genius of Mr. Jackson this movie could have been so much more.
But now on to the good stuff…
Visually speaking Mortal Engines is a true work of art. Taking the steampunk Victorian era backdrop and adding in large mobile cities crashing through trees and forests gives us visuals that are not only magnificent, but also awe inspiring. I was lucky enough to see Mortal Engines in IMAX and the larger screen only helped to emphasize how truly awesome these large rolling cities are. This is a movie that is meant to be seen on the big screen, and with Mortal Engines, the bigger the better. The sound design matches the visuals in its epic scale, as it is loud and menacing. You can actually feel the rumble of the large treads as they move across the earth, and the crunching of smaller cities as the massive cities devour all that crosses their path. The casting and the acting were another positive as the good characters were ones you wanted to root for and the bad characters you hope would get what’s coming to them. All in all, there is quite a bit to like in this film and if nothing else you are sure to have a good time taking in all of the scenery.
In summary, Mortal Engines is a movie that feels as though it had so much potential but couldn’t quite live up to it. It definitely feels more like a summer blockbuster, full of explosions and action, instead of the deeper holiday releases that we usually get around this time. It’s the kind of movie that you go to see for the sheer spectacle of it all as long as you are willing to overlook any plot or story depth. Unfortunately, this leaves the quandary of whether or not it’s worth the full price of admission (or even more if you are planning to see it in IMAX) and my answer to that is…it depends. If you have any interest in seeing it at all then Mortal Engines is definitely a movie you should see on the big screen. On the other hand, it might be worth it to just wait to see it on pay-per-view or Blu-ray even though it may lose a lot of what makes the movie so much fun in the first place. While the movie could have been better, I have definitely seen worse and if the idea of massive rolling cities and steampunk set pieces are your thing, then Mortal Engines is certainly worth a look.
Mortal Engines takes place roughly a thousand years after the conclusion of the Sixty Minute War that decimated the earth and now civilization has banded into two very distinct groups. There are those in the “Traction Cities”, which are behemoth mobile cities that scour what remains of Europe gobbling up smaller cities to convert them and their resources into fuel that keeps the larger cities moving. Then there is the Anti-Traction League, a group that believes in preserving what little resources remain and living in “Traction-less” cities…a.k.a. cities built on land. London is the main Traction City and it is led by Thaddeus Valentine (Hugo Weaving) and his desire to tear down a great wall that is the only barrier between London and the surplus of resources that he so desperately needs.
After London devours one of the smaller cities, we are introduced to Hester Shaw (Hera Hilmar), whose one goal in life is to kill Thaddeus Valentine, the man who murdered her mother. After her failed assassination attempt on his life, she teams up with historian Tom Natsworthy (Robert Sheehan) to not only survive, but also to prevent Valentine’s plan to recreate the war that took down humanity in the first place. This is a big job for the unlikely duo and on top of everything else, Hester is being hunted by a zombie/terminator hybrid named Shrike who wants nothing more than to kill her.
If it sounds like a lot to follow over the course of the two hours and nine-minute run time, you’d be right. In fact, without a lot of backstory which those who have read the novels will really benefit from, it can be a bit too much to take in. It comes across as a combination of Mad Max and the video game Dishonored, but it is lacking an excellent story to back up all of the post-apocalyptic action. That’s not to say that the story is bad, but it is by far the weakest part of the film and a huge missed opportunity to elevate a pretty good movie to the classic Peter Jackson masterpiece status we usually get from him. Considering the genius of Mr. Jackson this movie could have been so much more.
But now on to the good stuff…
Visually speaking Mortal Engines is a true work of art. Taking the steampunk Victorian era backdrop and adding in large mobile cities crashing through trees and forests gives us visuals that are not only magnificent, but also awe inspiring. I was lucky enough to see Mortal Engines in IMAX and the larger screen only helped to emphasize how truly awesome these large rolling cities are. This is a movie that is meant to be seen on the big screen, and with Mortal Engines, the bigger the better. The sound design matches the visuals in its epic scale, as it is loud and menacing. You can actually feel the rumble of the large treads as they move across the earth, and the crunching of smaller cities as the massive cities devour all that crosses their path. The casting and the acting were another positive as the good characters were ones you wanted to root for and the bad characters you hope would get what’s coming to them. All in all, there is quite a bit to like in this film and if nothing else you are sure to have a good time taking in all of the scenery.
In summary, Mortal Engines is a movie that feels as though it had so much potential but couldn’t quite live up to it. It definitely feels more like a summer blockbuster, full of explosions and action, instead of the deeper holiday releases that we usually get around this time. It’s the kind of movie that you go to see for the sheer spectacle of it all as long as you are willing to overlook any plot or story depth. Unfortunately, this leaves the quandary of whether or not it’s worth the full price of admission (or even more if you are planning to see it in IMAX) and my answer to that is…it depends. If you have any interest in seeing it at all then Mortal Engines is definitely a movie you should see on the big screen. On the other hand, it might be worth it to just wait to see it on pay-per-view or Blu-ray even though it may lose a lot of what makes the movie so much fun in the first place. While the movie could have been better, I have definitely seen worse and if the idea of massive rolling cities and steampunk set pieces are your thing, then Mortal Engines is certainly worth a look.
Kris Karcher (10 KP) rated Nashville (1975) in Movies
Jan 11, 2018
A landmark film
Nashville is a very difficult film to pin down. It refuses to be pigeonholed into a genre. (IMDB has it listed as a comedy, Google as Drama/Political Drama, and Wikipedia labels the film a Musical Comedy-Drama. In my opinion, Nashville is all of those things and maybe some more. It would be more beneficial to talk about Nashville, not in terms of how similar it is to any other film, but instead, explore how it is unique and entirely different from almost everything that came before it. Robert Altman attempted to subvert audience expectations in ways never before seen in Hollywood. Where most films try and limit the number of main characters the audience has to follow, Altman instead chose to populate his country music narrative with over 20 different protagonists. Each of these protagonists has their own story to tell and all of these stories are only loosely connected together. This may sound familiar to contemporary audiences who have seen films like Crash, Babel, and Magnolia fresh on their minds, but to a 1975 audience, this was all but unheard of. Altman furthers this sense of chaos by constantly overlapping dialogue tracks throughout the film. This tactic forces viewers to engage more closely to what they can hear during the scenes because it’s not always obvious what you should be listening to. Sometimes that choice is even quite subjective as in most cases there is no clear plot line that stands out as primary. One of the joys of this film comes from the choice you have as a spectator to focus on whatever interests you most. To a certain extent, this film lends itself to multiple viewings that could produce slightly different results each time. Something that might have slipped your attention the first time might stand out upon repeated viewings and that has the possibility to add to the story in interesting and unique ways. In dealing with over 20 characters Altman runs the risk of underdeveloped characters and unsatisfying conclusions to their stories. Not everyone has a satisfying payoff but some characters will surprise you during the final few scenes. Henry Gibson’s Haven rises above what was previously a one-note character of a person and responds to the climax in a surprisingly moving way. All in all, Nashville is an important piece of American cinema history. It may not be everyone’s cup of tea so it’s best to temper your expectations going into a viewing, but if you can keep your eyes and ears intently listening for the full two and a half hour film you will not be disappointed in the humanity you spot in each of these stories. This is a film that rewards an invested viewing.
Phillip McSween (751 KP) rated What Richard Did (2013) in Movies
Mar 26, 2018
Could Have Been Better
Teenage Richard Carlsen (Jack Reynor) is faced with terrible consequences after events at a party go awry. What Richard Did makes the mistake of assuming that its plot alone would be enough to hold the interest of the audience. Lack of intrigue is its ultimate downfall.
Acting: 10
One thing that wasn't lacking was strong acting performances. The cast was excellent from the top down. Reynor shines in his role as Richard having to express and master an array of emotions. He effortlessly controls scenes, evoking the proper emotion from the audience.
Beginning: 7
Characters: 10
Cinematography/Visuals: 8
A multitude of beautiful one-shots were captured throughout the film. It helps when the ocean and sunsets are your backdrop, but those images still have to be captured just right at an appealing angle. Shot of the cast having an innocent good time at their parties helps you to warm up to the crew instantly and remember similar times.
Conflict: 4
While there is some initial friction when we uncover what the heart of the story is about, things taper out from there. There wasn't enough conflict to keep me interested. The movie moves straightforward towards its resolution like an arrow, not really creating much more intrigue along the way.
Genre: 6
I give it credit for its fork in the road, but I have definitely seen better dramas. Dramatic film is supposed to leave an impact and this one...just left me. There was potential there for more.
Memorability: 2
I would have scored this even lower, however, I like the depths of humanity that were touched on through Richard's character. The film explores the reality of what a crisis would probably look like: Us looking out for ourselves first before we think of others. Besides that, there was nothing else that stood out for me.
Pace: 7
As I stated earlier, the film goes through a long lull that it never fully rebounds from. The lack of conflict slows things way down and makes it hard to remain engaged. Had there been more points of intrigue or crisis depth, the pace would probably have righted itself.
Plot: 10
Resolution: 4
If it's one thing I hate, it's ambiguous endings that leave you scratching your head. Expect that here. I won't ruin it, but I will say that I was hoping to have some questions answered by the time the credits started rolling. Unfortunately, the ending left me completely and utterly in the dark.
Overall: 68
I was hoping to like this a lot more and was sadly disappointed. It's not a top notch drama, but easily could have been with just a few more cogs in the wheel. Definitely one you can skip.
Acting: 10
One thing that wasn't lacking was strong acting performances. The cast was excellent from the top down. Reynor shines in his role as Richard having to express and master an array of emotions. He effortlessly controls scenes, evoking the proper emotion from the audience.
Beginning: 7
Characters: 10
Cinematography/Visuals: 8
A multitude of beautiful one-shots were captured throughout the film. It helps when the ocean and sunsets are your backdrop, but those images still have to be captured just right at an appealing angle. Shot of the cast having an innocent good time at their parties helps you to warm up to the crew instantly and remember similar times.
Conflict: 4
While there is some initial friction when we uncover what the heart of the story is about, things taper out from there. There wasn't enough conflict to keep me interested. The movie moves straightforward towards its resolution like an arrow, not really creating much more intrigue along the way.
Genre: 6
I give it credit for its fork in the road, but I have definitely seen better dramas. Dramatic film is supposed to leave an impact and this one...just left me. There was potential there for more.
Memorability: 2
I would have scored this even lower, however, I like the depths of humanity that were touched on through Richard's character. The film explores the reality of what a crisis would probably look like: Us looking out for ourselves first before we think of others. Besides that, there was nothing else that stood out for me.
Pace: 7
As I stated earlier, the film goes through a long lull that it never fully rebounds from. The lack of conflict slows things way down and makes it hard to remain engaged. Had there been more points of intrigue or crisis depth, the pace would probably have righted itself.
Plot: 10
Resolution: 4
If it's one thing I hate, it's ambiguous endings that leave you scratching your head. Expect that here. I won't ruin it, but I will say that I was hoping to have some questions answered by the time the credits started rolling. Unfortunately, the ending left me completely and utterly in the dark.
Overall: 68
I was hoping to like this a lot more and was sadly disappointed. It's not a top notch drama, but easily could have been with just a few more cogs in the wheel. Definitely one you can skip.
Steph Freeman (26 KP) rated Altered Carbon in TV
Feb 19, 2018
Excellent character development (2 more)
Phenomenal special effects
Edge of your seat action throughout the plot line, never felt the story lagging.
Phenomenal Show
Contains spoilers, click to show
In this age of technology I am rarely singularly glued to the television when a show is playing; I'm playing Candy Crush, surfing Etsy, creating new glassware designs... From the moment Takeshi Kovacs is apprehended from the Protectorate until the very last scene of the series this show had me glued to the screen. It combines the "locked room" mystery Agatha Christie made famous with a sci-fi Game of Thrones feel that evokes the Red Rising trilogy sense of Golds vs. Reds.
The lack of regard for anyone below them (literally as well as figuratively) makes it easy to hate the Meths and the decadence that surrounds them. Their wealth allows a god-like immortality, and a lack of respect for life and "real death". Kovacs was detained for crimes against the Protectorate and his stack placed "on ice" for 250 years until the meth Laurens Bancroft pays for his release and a new skin. As Kovacs accepts the offer to find Bancrofts murder, and as he searches for the killer he finds friendship in an AI Edgar Allen Poe (one of the best characters in the whole show), a former military drunk and his wife and daughter, who is damaged emotionally trapped in virtual life, and a police officer. There are also several people after Elias Ryker (a police officer who was a little too curious), which causes issue for Kovacs because that is the skin Bancroft selected when he was taken off ice.
The locked room mystery portion of the season ends in episode 7, but that is far from the end of the action. As we learn more about Kovacs' history his interest in the Envoy mission of recapturing humanity and forcing real death on the world is made more evident, as is his love for Quell. His sister, Rei, did not believe in the mission as much as spending eternity with her big brother. While Kovacs was on ice his sister built a meth empire, acquiring wealth and power, becoming everything Quell and Kovacs fought against. The final moments with his sister, and his decision to find Quell's stack were gripping.
The cinematography, costuming, and CGI in this show are phenomenal, and the attention to detail is obvious. As Netflix is transitioning to big budget productions it's clear they have the right people handling the decisions. I didn't realize this series was also a book trilogy written by Richard Morgan, this series has definitely peaked my interest and I will be reading the books before the next season drops.
The lack of regard for anyone below them (literally as well as figuratively) makes it easy to hate the Meths and the decadence that surrounds them. Their wealth allows a god-like immortality, and a lack of respect for life and "real death". Kovacs was detained for crimes against the Protectorate and his stack placed "on ice" for 250 years until the meth Laurens Bancroft pays for his release and a new skin. As Kovacs accepts the offer to find Bancrofts murder, and as he searches for the killer he finds friendship in an AI Edgar Allen Poe (one of the best characters in the whole show), a former military drunk and his wife and daughter, who is damaged emotionally trapped in virtual life, and a police officer. There are also several people after Elias Ryker (a police officer who was a little too curious), which causes issue for Kovacs because that is the skin Bancroft selected when he was taken off ice.
The locked room mystery portion of the season ends in episode 7, but that is far from the end of the action. As we learn more about Kovacs' history his interest in the Envoy mission of recapturing humanity and forcing real death on the world is made more evident, as is his love for Quell. His sister, Rei, did not believe in the mission as much as spending eternity with her big brother. While Kovacs was on ice his sister built a meth empire, acquiring wealth and power, becoming everything Quell and Kovacs fought against. The final moments with his sister, and his decision to find Quell's stack were gripping.
The cinematography, costuming, and CGI in this show are phenomenal, and the attention to detail is obvious. As Netflix is transitioning to big budget productions it's clear they have the right people handling the decisions. I didn't realize this series was also a book trilogy written by Richard Morgan, this series has definitely peaked my interest and I will be reading the books before the next season drops.
Phillip McSween (751 KP) rated Dogma (1999) in Movies
Jul 28, 2018
Funny and Deep
Talk about off the beaten path. Dogma is at weird as it comes. Offensive to some, hilarious to others, if you can take it for what it is and not get overly deep about it, you'll find yourself watching a quality comedy. The plot? A little complicated to explain without using more words than I would like. I will say that it involves two fallen angels who are looking for a way back into heaven.
Acting: 10
Beginning: 8
Characters: 10
You want characters? This film has them by the boatload. Outside of the fallen angels, you will meet the likes of a woman who is the savior of humanity, a messenger from heaven, and an apostle holding a grudge just to name a few. Dogma is a melting pot of personalities and temperament which is a huge part of what makes the film such a good one. You are going to love Jay the Prophet. He is just plain hilarious. And Alan Rickman's dry sarcasm always makes for a good laugh.
Cinematography/Visuals: 8
Conflict: 8
There are never any real lulls where the film gets boring. There is a lot of dialogue but the progression of the conflict keeps the film moving at a solid speed. I did dock a couple of point for a brief dead spot about an hour in, but there is pretty solid action and comedy throughout for the most part.
Genre: 7
There is a special scene where the characters are discussing a John Hughes movie. The dialogue builds and, before you know it, you're cracking up at every word they're saying. It's scenes like these that contribute to making the film a pretty solid comedy. If the strip club scene doesn't make you laugh, I don't know what will!
Memorability: 10
The originality of the plot and the messaging help the film stand out in my mind among a sea of other movies I've seen. I appreciated the interesting introspection of faith and life. The Belief Vs. Ideas convo was another solid moment. Dogma is funny, but it gives you some things to digest as well.
Pace: 8
Plot: 5
While the plot is certainly intriguing, it was also a bit of a hindrance for me as it got confusing as all get out in certain spots. The struggle to find a short plot description above was real. Not sure what they could have done differently here, but there were certain spots where my experience was dampened by all the crazy stuff happening.
Resolution: 8
Overall: 82
With a solid cast (Ben Afleck and Matt Damon always work well together) and a number of memorable moments, Dogma is definitely worth a watch. Glad I can check this one off the list and add it to my favorites.
Acting: 10
Beginning: 8
Characters: 10
You want characters? This film has them by the boatload. Outside of the fallen angels, you will meet the likes of a woman who is the savior of humanity, a messenger from heaven, and an apostle holding a grudge just to name a few. Dogma is a melting pot of personalities and temperament which is a huge part of what makes the film such a good one. You are going to love Jay the Prophet. He is just plain hilarious. And Alan Rickman's dry sarcasm always makes for a good laugh.
Cinematography/Visuals: 8
Conflict: 8
There are never any real lulls where the film gets boring. There is a lot of dialogue but the progression of the conflict keeps the film moving at a solid speed. I did dock a couple of point for a brief dead spot about an hour in, but there is pretty solid action and comedy throughout for the most part.
Genre: 7
There is a special scene where the characters are discussing a John Hughes movie. The dialogue builds and, before you know it, you're cracking up at every word they're saying. It's scenes like these that contribute to making the film a pretty solid comedy. If the strip club scene doesn't make you laugh, I don't know what will!
Memorability: 10
The originality of the plot and the messaging help the film stand out in my mind among a sea of other movies I've seen. I appreciated the interesting introspection of faith and life. The Belief Vs. Ideas convo was another solid moment. Dogma is funny, but it gives you some things to digest as well.
Pace: 8
Plot: 5
While the plot is certainly intriguing, it was also a bit of a hindrance for me as it got confusing as all get out in certain spots. The struggle to find a short plot description above was real. Not sure what they could have done differently here, but there were certain spots where my experience was dampened by all the crazy stuff happening.
Resolution: 8
Overall: 82
With a solid cast (Ben Afleck and Matt Damon always work well together) and a number of memorable moments, Dogma is definitely worth a watch. Glad I can check this one off the list and add it to my favorites.
Gareth von Kallenbach (980 KP) rated The Last Witch Hunter (2015) in Movies
Jun 19, 2019
Over 800 years ago, a group of warriors and Clergy set off on a journey to destroy a witch and her minions in her lair. The witch had unleashed a plague upon the human race and she was determined to wipe them from the face of the planet.
During the battle, the witch is defeated but with her dying breath, she curses the one who vanquished her to a life of eternity, destined to be alone and never know peace.
Flash forward to modern day New York, and we find that man is now an elite Witch Hunter named Kaulder (Vin Diesel), who toils his trade working for a group who along with Witches maintain the peace. The Witches promise not to practice their craft against humans and in turn they are left alone. But when one does not follow the rules or is a threat to humanity, Kaulder and his ability to heal from injury via his immortality is dispatched to dispense justice.
When his Dolan (Michael Caine) is found dead the day after he retires, Koulder and his new Dolan (Elijah Wood), set out to find the Witch who is responsible which in turn leads to a discovery that his former Dolan is not dead but deeply cursed. In a race against time, Koulder must find the Witch who issues the curse and make an uneasy alliance with a witch named Chloe (Rose Leslie) to get to the bottom of a mystery darker and more deadly than they could have ever imagined.
One would think with the presence of Diesel and the interesting premise of the film, “The Last Witch Hunter”, would be more than it is. The film sadly plods along and has no real tension or surprises and at times, plays out more like a direct to DVD release or something one would find on cable late at night. I think the presence of Diesel is what got the film a theatrical release but one would hope with such a fine supporting cast it would have been better.
That is not to say the film is bad, as it was better than I thought it would be, but sadly as it went along, it simply failed to deliver on the potential of the premise.
In many ways I see this like “Hansel and Gretel” in that it will likely play better to the foreign market but after the total box office, DVD, and Pay Per View are factored in, do not be shocked if a second outing for the characters arrives someday as Diesel has shown a fondness for franchise characters.
For now the film is a decent distraction and offers entertainment as long as you set your expectations accordingly.
http://sknr.net/2015/10/23/the-last-witch-hunter/
During the battle, the witch is defeated but with her dying breath, she curses the one who vanquished her to a life of eternity, destined to be alone and never know peace.
Flash forward to modern day New York, and we find that man is now an elite Witch Hunter named Kaulder (Vin Diesel), who toils his trade working for a group who along with Witches maintain the peace. The Witches promise not to practice their craft against humans and in turn they are left alone. But when one does not follow the rules or is a threat to humanity, Kaulder and his ability to heal from injury via his immortality is dispatched to dispense justice.
When his Dolan (Michael Caine) is found dead the day after he retires, Koulder and his new Dolan (Elijah Wood), set out to find the Witch who is responsible which in turn leads to a discovery that his former Dolan is not dead but deeply cursed. In a race against time, Koulder must find the Witch who issues the curse and make an uneasy alliance with a witch named Chloe (Rose Leslie) to get to the bottom of a mystery darker and more deadly than they could have ever imagined.
One would think with the presence of Diesel and the interesting premise of the film, “The Last Witch Hunter”, would be more than it is. The film sadly plods along and has no real tension or surprises and at times, plays out more like a direct to DVD release or something one would find on cable late at night. I think the presence of Diesel is what got the film a theatrical release but one would hope with such a fine supporting cast it would have been better.
That is not to say the film is bad, as it was better than I thought it would be, but sadly as it went along, it simply failed to deliver on the potential of the premise.
In many ways I see this like “Hansel and Gretel” in that it will likely play better to the foreign market but after the total box office, DVD, and Pay Per View are factored in, do not be shocked if a second outing for the characters arrives someday as Diesel has shown a fondness for franchise characters.
For now the film is a decent distraction and offers entertainment as long as you set your expectations accordingly.
http://sknr.net/2015/10/23/the-last-witch-hunter/
Hazel (1853 KP) rated The Murder of Adam and Eve in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
The Murder of Adam and Eve</i> by William Dietrich is a young adult, science fiction thriller combining aliens and time travel. What started out as sixteen year old Nick Brynner researching for his History Day project on an out of bounds island, leads to him falling through a wormhole, meeting an alien – a Xu, and eventually finding himself in prehistoric Africa.
Before finding himself in a completely different era, Nick meets a biology-loving teenager, Eleanor Terrell, who tells him she had been abducted by aliens. Initially thinking she is crazy, Nick believes her once one of the said aliens appears to them and claims they have been chosen to try and save mankind. The Xu intend to wipe out humanity by travelling back in time and killing the two people from whom the human race descend from – the people named Adam and Eve in the bible. However they are giving Nick and Ellie a final chance to prevent this from happening.
Once transported to ancient Africa, Nick and Ellie start a desperate search for Adam and Eve in order to protect them from the Xu. But in order to do this they need to be able to take care of themselves in a place where water, food and shelter are not easily come by. Once locating the people they seek for they begin to realize the enormity of the task they have been given; whatever they do will have a massive impact on the future of the world.
<i>The Murder of Adam and Eve</i> is an interesting concept that really gets you thinking about the way in which the world has developed. Despite the usage of the biblical names Adam and Eve this book is not based on religious theory at all. It is a science-based idea maintaining that the human race can eventually be traced back to two people.
Many readers may be able to relate to both Nick and Ellie’s personalities. Nick in particular is a quiet, unnoticeable boy without any great talent, however during the book he grows into a more confident person and becomes the leader needed in order to save mankind.
Overall this fast paced book is fun to read. Although a little too far-fetched to take seriously, it makes the reader think more about the ways humans have behaved over the years but also highlights the positives and our ability to make things and learn. The clash of the two different time periods makes it a thought-provoking novel that many teenagers will love to read.
The Murder of Adam and Eve</i> by William Dietrich is a young adult, science fiction thriller combining aliens and time travel. What started out as sixteen year old Nick Brynner researching for his History Day project on an out of bounds island, leads to him falling through a wormhole, meeting an alien – a Xu, and eventually finding himself in prehistoric Africa.
Before finding himself in a completely different era, Nick meets a biology-loving teenager, Eleanor Terrell, who tells him she had been abducted by aliens. Initially thinking she is crazy, Nick believes her once one of the said aliens appears to them and claims they have been chosen to try and save mankind. The Xu intend to wipe out humanity by travelling back in time and killing the two people from whom the human race descend from – the people named Adam and Eve in the bible. However they are giving Nick and Ellie a final chance to prevent this from happening.
Once transported to ancient Africa, Nick and Ellie start a desperate search for Adam and Eve in order to protect them from the Xu. But in order to do this they need to be able to take care of themselves in a place where water, food and shelter are not easily come by. Once locating the people they seek for they begin to realize the enormity of the task they have been given; whatever they do will have a massive impact on the future of the world.
<i>The Murder of Adam and Eve</i> is an interesting concept that really gets you thinking about the way in which the world has developed. Despite the usage of the biblical names Adam and Eve this book is not based on religious theory at all. It is a science-based idea maintaining that the human race can eventually be traced back to two people.
Many readers may be able to relate to both Nick and Ellie’s personalities. Nick in particular is a quiet, unnoticeable boy without any great talent, however during the book he grows into a more confident person and becomes the leader needed in order to save mankind.
Overall this fast paced book is fun to read. Although a little too far-fetched to take seriously, it makes the reader think more about the ways humans have behaved over the years but also highlights the positives and our ability to make things and learn. The clash of the two different time periods makes it a thought-provoking novel that many teenagers will love to read.
Jessica - Where the Book Ends (15 KP) rated Hopeless (Hopeless, #1) in Books
Jan 30, 2019
This book was recommended to my by a fellow blogger Edee Marine Fallon (check out her blog at My Book Addiction ). This book was remarkable in every way shape and form. I never knew a book could make me feel the way this one did. I laughed, I cried, I was built up, I lost faith in humanity, but in the very next chapter that faith was restored. My emotions were run through the ringer, and it was amazing! I read this book in less than a day, as I simply couldn't put it down. As soon as I opened my e-reader and started reading this book my world drifted away and I was instantly thrown into Sky & Holder's lives. The topic of this book is one that can be hard to get past, and may hit a lot of us very close to home. However, if you stick with it I assure you it is extremely rewarding.
The characters in this book are extremely well written. Sky is very believable as a character and you really can't help but love her, feel sorry for her, and in some ways wish you were her. Holder is another story. From the beginning I wasn't entirely sure how I should feel about him. He seemed kind of aloof, but I could tell he wanted more from Sky, but I wasn't sure what. I wanted to trust him, and I wanted Sky to trust him. After reading the book, I can completely understand why he was the way he was.
The most refreshing aspect of this book is the way the love story is written. Often times two characters meet in stories like this and its love at first site. That's not the case with Sky and Holder. Sky often doesn't quite know what to make of Holder, and she finds herself slowly giving him pieces of her heart. I can't tell you how many books I have read where the author has pushed the characters to fall in love so quickly that you don't get a chance to know who the characters are independently. Other authors have a tendency to draw out the flirting only to realize that they are getting near the end of the story and they have to push the characters together to quickly. These are the more infuriating types of relationships written. But Hoover doesn't do that with her characters. You can honestly see them falling in love one page at a time. PHENOMENAL!
I can't tell you how much I loved this book. I will recommend it to everyone I know, and has now gone on my must read list.
The characters in this book are extremely well written. Sky is very believable as a character and you really can't help but love her, feel sorry for her, and in some ways wish you were her. Holder is another story. From the beginning I wasn't entirely sure how I should feel about him. He seemed kind of aloof, but I could tell he wanted more from Sky, but I wasn't sure what. I wanted to trust him, and I wanted Sky to trust him. After reading the book, I can completely understand why he was the way he was.
The most refreshing aspect of this book is the way the love story is written. Often times two characters meet in stories like this and its love at first site. That's not the case with Sky and Holder. Sky often doesn't quite know what to make of Holder, and she finds herself slowly giving him pieces of her heart. I can't tell you how many books I have read where the author has pushed the characters to fall in love so quickly that you don't get a chance to know who the characters are independently. Other authors have a tendency to draw out the flirting only to realize that they are getting near the end of the story and they have to push the characters together to quickly. These are the more infuriating types of relationships written. But Hoover doesn't do that with her characters. You can honestly see them falling in love one page at a time. PHENOMENAL!
I can't tell you how much I loved this book. I will recommend it to everyone I know, and has now gone on my must read list.