"I wish young actors and actresses were better versed in the work of Fields, Chaplin, Keaton, Lloyd, the Marx Brothers, Laurel and Hardy, and even lower-brow comics like the Three Stooges, Abbott and Costello, Jerry Lewis. Actors can partly cultivate a sense of humor from observing and mimicking our forebears. W. C. Fields makes me laugh more than any other film actor. His performances seem effortless, as if Fields is just doing Fields, but he deserves more credit than that. He constructed and honed his character over a twenty-year stage career. That character, known in The Bank Dick as Egbert Sousé, is the cinematic progenitor of a comic archetype: the lazy, drunken misanthrope. Fields wasn’t the innovator that Chaplin or Keaton was, of course, and in fact, his movies are not great. They’re flimsy vehicles for his routines. But I’ve also come to believe that’s part of the joke. “Can you believe they made a whole movie about this guy?” The Bank Dick also features several great comic character actors, such as Franklin Pangborn, Grady Sutton (as Og Oggilby), and Shemp Howard. I wanted to put Contempt on my list but Godard never put Shemp in a movie, know what I’m saying?"

"That was one of those movies I saw and it’s… I’m sure that there are movies that are more important, you know? But it was one of those movies that I saw, and it was just perfect, if that makes sense. It’s like all movies are like listening to a bunch of different instruments playing at the same time, and suddenly they all sync up for certain moments, and there’s other times where it’s not quite in rhythm. JCVD was just bang-on the entire time. It was just so lean and solid and this perfect blend of dark humor and some really genuinely touching moments. That moment when he goes up into the loft and it’s all very surreal, and he’s crying, I was like, “This is for real, man. This has really got me.” It’s such a beautiful thing when you’re watching a movie and if somebody told you, “Oh, he’s about to start crying and you’re about to get really emotional in five minutes,” that you would go “No way. Come on, it’s not that kind of movie,” or it’s gonna feel really forced and it’s not gonna work, and they manage to take you there. That’s so impressive."