Search
Search results
Chris Sawin (602 KP) rated Spider-Man: No Way Home (2021) in Movies
Dec 18, 2021
Willem Dafoe (2 more)
The on-screen bickering between characters.
The Doc Ock, Doctor Strange, and villainous team-up action sequences.
The humor doesn't always land. (2 more)
Peter's idiotic logic.
Lizard is supremely underutilized.
Riding the Nostalgia Train
Spider-Man: No Way Home picks up immediately after the events of Spider-Man: Far From Home. Quentin Beck (Jake Gyllenhaal) has revealed to the world that Peter Parker (Tom Holland) is Spider-Man. The world is torn in thinking that Peter is either still a hero or behind the drone attacks on London like Beck stated before his death.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
*＊✿❀ Maki ❀✿＊* (7 KP) rated The Lightning Thief in Books
May 3, 2018
Percy Jackson is a series that I've been meaning to get around to for ages. Pretty much everybody I know who have read the books absolutely adore them.
So, when I needed a few quick reads to play catch up on my reading challenge, I decided that it was a good enough time to give the series a go.
...and it's not too bad.
There was a lot about The Lightning Thief that I enjoyed. The premise was a lot of fun. I liked the humor - especially the chapter titles. I liked the translation of Olympus from ancient European culture to modern American culture. I loved that this is a kids' series that rewards children for knowing mythology - if you're familiar with Greek myths at all, you'll know almost from the start of each encounter what Percy and the group are up against.
That's also kind where I started having problems, though.
The book is essentially non-stop action. Which isn't, in itself, a bad thing. But the action plays out like a series of video game encounters. Percy and his friends will travel so far in their quest, run into someone/a monster who will (sometimes accidentally) help them get to the next step of their quest, where they'll travel a certain distance again before running into something else. Repeat throughout the entire book. There are small moments of character building, but they're squeezed in where they'll fit between action scenes.
I'm more than willing to admit that that's just me, though. I'm not exactly the book's intended audience, and I can completely see how the pacing and whatnot would appeal to kids. I did enjoy it enough to continue on in the series, though.
So, when I needed a few quick reads to play catch up on my reading challenge, I decided that it was a good enough time to give the series a go.
...and it's not too bad.
There was a lot about The Lightning Thief that I enjoyed. The premise was a lot of fun. I liked the humor - especially the chapter titles. I liked the translation of Olympus from ancient European culture to modern American culture. I loved that this is a kids' series that rewards children for knowing mythology - if you're familiar with Greek myths at all, you'll know almost from the start of each encounter what Percy and the group are up against.
That's also kind where I started having problems, though.
The book is essentially non-stop action. Which isn't, in itself, a bad thing. But the action plays out like a series of video game encounters. Percy and his friends will travel so far in their quest, run into someone/a monster who will (sometimes accidentally) help them get to the next step of their quest, where they'll travel a certain distance again before running into something else. Repeat throughout the entire book. There are small moments of character building, but they're squeezed in where they'll fit between action scenes.
I'm more than willing to admit that that's just me, though. I'm not exactly the book's intended audience, and I can completely see how the pacing and whatnot would appeal to kids. I did enjoy it enough to continue on in the series, though.
graveyardgremlin (7194 KP) rated Prime Evil (Buffy the Vampire Slayer: Season 3, #10) in Books
Feb 15, 2019
That's what I get for choosing a book based on Amazon reviews. I should really know by now that I march to the beat of a different drummer...actually it's not a drum at all, it's a bagpipe, and I skip, not march. ;P While I didn't hate the book, it wasn't nearly as good as I was led to believe. The whole feel to the book wasn't quite right, it didn't have that Buffyverse atmosphere. Part of that had to do with the overabundance of Crystal/Shugra's point-of-view, which took away from the other characters. While I didn't mind a bit here and there, the flashbacks were unnecessary, often boring and uninteresting; they really added nothing to the book and were more filler than anything. The characterizations were decent but lacked energy and didn't quite hit the mark. I didn't sense much depth and sometimes, I hate to say it, they were rather bland. There wasn't much humor but it managed to get a few smiles out of me. The ending was the best part and definitely had more of the usual Buffyness than the rest of the book.
What I found amusing is the remark about nothing suspicious happening in Cleveland. Since there happens to be a Hellmouth stationed there, I would think there would be plenty of abnormalities. Demonic activity was actually mentioned in the episode <i>The Wish</i> that came out before this book was written, but maybe I can let that pass since the episode was mainly set in an alternate time-line. Although I still don't get why there wouldn't be a Cleveland Hellmouth in both realities. Gosh, I'm such a BuffyGeek. :D
Still, I enjoyed the book and appreciated the author adding in little things sprinkled throughout for the fans.
What I found amusing is the remark about nothing suspicious happening in Cleveland. Since there happens to be a Hellmouth stationed there, I would think there would be plenty of abnormalities. Demonic activity was actually mentioned in the episode <i>The Wish</i> that came out before this book was written, but maybe I can let that pass since the episode was mainly set in an alternate time-line. Although I still don't get why there wouldn't be a Cleveland Hellmouth in both realities. Gosh, I'm such a BuffyGeek. :D
Still, I enjoyed the book and appreciated the author adding in little things sprinkled throughout for the fans.
Barundar (12 KP) rated Avengers: Endgame (2019) in Movies
Apr 27, 2019
Story (2 more)
Ending
Effects
Endgame No Spoiler Review!
The Epic ending to last year's Infinity War was all you could hope it to be. Not only did this film have to wrap up the devastating cliffhanger we were left hanging on after the 'snap', it also had to tie up all the character arcs the MCU has built so far for the original Avengers. Somehow this film delivers it all!
The three hour run time may seem daunting to some, but to those who have invested in the last 21 films it's just right. Each character has their moments and the film is filled with the usual MCU humor and action.
The first two hours move at a steady pace, fleshing out the characters and story while building up to the third hour and final act. The ending, as expected, was beyond epic and highly satisfying in every way. The story doesn't drag during the three hours, nor is it straight action. In between we get plenty of 'fan moments' that are just perfect and well earned after all these films.
There is a lot to take in with three hours of story. You may need to see it again as you are sure to be blown away by something you may miss something else. Some moments need to be seen again and at some point you may need a critical bathroom break too.
The film does not have any after credit scenes only a 'sound' at the very end. It's enjoyable for the casual MCU fan to the die-hard fan, having seen Infinity War being a prerequisite in my opinion.
Avengers: Endgame is PG-13, so as far as little ones seeing it, if they could handle Infinity War they can handle this.
This is a must see for any MCU fan and an A+ from me.
The three hour run time may seem daunting to some, but to those who have invested in the last 21 films it's just right. Each character has their moments and the film is filled with the usual MCU humor and action.
The first two hours move at a steady pace, fleshing out the characters and story while building up to the third hour and final act. The ending, as expected, was beyond epic and highly satisfying in every way. The story doesn't drag during the three hours, nor is it straight action. In between we get plenty of 'fan moments' that are just perfect and well earned after all these films.
There is a lot to take in with three hours of story. You may need to see it again as you are sure to be blown away by something you may miss something else. Some moments need to be seen again and at some point you may need a critical bathroom break too.
The film does not have any after credit scenes only a 'sound' at the very end. It's enjoyable for the casual MCU fan to the die-hard fan, having seen Infinity War being a prerequisite in my opinion.
Avengers: Endgame is PG-13, so as far as little ones seeing it, if they could handle Infinity War they can handle this.
This is a must see for any MCU fan and an A+ from me.
Myst (0 KP) rated Her Quicksilver Lover (Even Gods Fall in Love #6) in Books
Feb 8, 2018
Interesting idea first off, I always like novels where God(s)/Godesss(es) walk around regular people and fall in love. Not that familiar with Roman lore but I digress Norse lore are even worse to follow. Have not read the books before this so I may be a little jaded in that I have no backstory of characters & events. I have read each summary of the books before this. I will do another short review add-on when I finish #1-5. Did not realize this is set in England during the time of Earls, if you are not familiar with historical times in England this may go over your head. Many times I had to stop and Google when they talk about names that sound Roman or historical items, little off-putting but for names they give simple terms to explain it. The blood fever thing is interesting. You could tell there was something going on with the silent partner. Loved how the Roman crew all rallied behind Mercury/Hermes. Loved the humor at the end over the key. Definitely can read this without really knowing past stories which is always a plus! I liked it just thought everything built up too quickly near the end and the wind up to that point very slow. I give it a 4 for the fact jumping into this 6 books in did not confuse me but the build up was slow and ended too quickly at the end.
EDIT: I have since caught up with the series, you really DO NOT need to read the ones before this. There's small nuances/events but it does not distract you.
<i>This is a free review via netgalley, I do not get paid for this!</i>
EDIT: I have since caught up with the series, you really DO NOT need to read the ones before this. There's small nuances/events but it does not distract you.
<i>This is a free review via netgalley, I do not get paid for this!</i>
Louise (64 KP) rated Horrorstör in Books
Jul 2, 2018
I was super excited about reading this book, when I first read the synopsis of a haunted Ikea style superstore I was instantly intrigued and couldn’t wait to pick it up. I showed my friend the book and she too wanted to read this book on the synopsis alone. There is something quite thrilling about a superstore being haunted especially as I have an Ikea around the corner from where I live.
Lets talk about the design of this book first of all, when I picked it up it looked and felt just like a shopping catalogue,the book also had french flaps and on the inside of the cover there was a layout of the store and list of areas, such as kitchens, bedrooms, wardrobes etc etc. Every chapter had a product advertisement that become more and more sinister throughout the book.
This book was definitely intense and got very creepy and definitely scary in parts but I didn’t feel any connection with the characters, This could be that it was told from a third person perspective or that none of them had personalities.All of the characters were just boring. The reason why it was haunted was quite interesting and I really liked that aspect of the story. The ending, I think is a bit 50/50 you are either going to love it or hate it and I didn’t like it.When I finished this book there was one question on my mind WHY? This book is described as a parody/humor which I found wasn’t the case at all and I perhaps sniggered once.
Overall I enjoyed the book and loved the aesthetic side of it but it just didn’t blow me away. I recommend this for people who want a quick read with elements of horror.
I rated this 2.5 out of 5 stars
Lets talk about the design of this book first of all, when I picked it up it looked and felt just like a shopping catalogue,the book also had french flaps and on the inside of the cover there was a layout of the store and list of areas, such as kitchens, bedrooms, wardrobes etc etc. Every chapter had a product advertisement that become more and more sinister throughout the book.
This book was definitely intense and got very creepy and definitely scary in parts but I didn’t feel any connection with the characters, This could be that it was told from a third person perspective or that none of them had personalities.All of the characters were just boring. The reason why it was haunted was quite interesting and I really liked that aspect of the story. The ending, I think is a bit 50/50 you are either going to love it or hate it and I didn’t like it.When I finished this book there was one question on my mind WHY? This book is described as a parody/humor which I found wasn’t the case at all and I perhaps sniggered once.
Overall I enjoyed the book and loved the aesthetic side of it but it just didn’t blow me away. I recommend this for people who want a quick read with elements of horror.
I rated this 2.5 out of 5 stars
Carma (21 KP) rated Hot Winter Nights (Heartbreaker Bay, #6) in Books
Jun 17, 2019
Lucas Knight never wants to get shot again. If thinking the pain from a bullet in your side was bad, being stuck at home not released for work duty is a bigger pain to deal with. To top it off he wakes up with a woman at his side and no memory of how they got there. He gets the hell out of his apartment before she wakes up and it gets awkward. Making his way into the office to see if maybe he could fudge his way around his non-release and get back into a case. Joe and Archer might throw him a bone if they see him around the office.
Molly Malone is tired of living as Joes younger sister or just the office help. She wants to get her own case to solve for their company and thinks Santa might just be the way. Waking up in Lucas bed, even knowing nothing happened, lands her the perfect opportunity to get what she wants one way or another.
Molly and Lucas set out to vindicate the angry elves and figure out the money trail. All the while they start understanding their attraction to each other. Can they find a way to mix business and pleasure for the whole package?
I loved this book, my first Heartbreaker Bay book to read (though I have most on my TBR shelf). I absolutely loved the hashtags as chapter titles angle. And the relationship between Molly and Lucas has all the dimensions we look for in a partner. Her father brings awareness to PTSD and protective fathers humor where their daughters are concerned. I voluntarily read an advance copy without expectations for review. Any and all opinions expressed are my own. 4 ½ stars for this return to Heartbreaker Bay.
Molly Malone is tired of living as Joes younger sister or just the office help. She wants to get her own case to solve for their company and thinks Santa might just be the way. Waking up in Lucas bed, even knowing nothing happened, lands her the perfect opportunity to get what she wants one way or another.
Molly and Lucas set out to vindicate the angry elves and figure out the money trail. All the while they start understanding their attraction to each other. Can they find a way to mix business and pleasure for the whole package?
I loved this book, my first Heartbreaker Bay book to read (though I have most on my TBR shelf). I absolutely loved the hashtags as chapter titles angle. And the relationship between Molly and Lucas has all the dimensions we look for in a partner. Her father brings awareness to PTSD and protective fathers humor where their daughters are concerned. I voluntarily read an advance copy without expectations for review. Any and all opinions expressed are my own. 4 ½ stars for this return to Heartbreaker Bay.
Carma (21 KP) rated A Nanny For the Reclusive Billionaire in Books
Jun 17, 2019
Mallory Worthington needs a change of scenery. She is tired of being labeled the sick kid or handle with care. What she needs is an escape from the stigma that a cancer diagnosis brings. She signs up with a temp agency and finds herself flying to Southern Florida to be a nanny to a Billionaire. It is a far cry from being a chef but it might be just what she needs.
Rhys Dalton is reclusive to say the least. Living in Flamingo Key with his son Oliver and a handful of trusted employees is just what he needs after losing his wife 3 years ago. He couldnt protect Beth but he will do whatever it takes to protect Oliver including cutting them off from civilization. Hiring a nanny to help with Olivers needs while he works seems the perfect solution, until Mallory shows up on his doorstep. Werent nannies old and wrinkled with wool dresses?
Mallory and Rhys find themselves needing each other more than they are willing to admit. Together they bring out the best of each other and can offer more live lessons and love to Oliver. But Mallory is reluctant to share her past with Rhys given his personal history with cancer. That can only mean trouble ahead, right?
A Nanny for the Reclusive Billionaire is the first book Ive read by Regina Kyle after meeting her in Cincinnati earlier this year. I am regretting now, not having known about her before because her writing style is wonderful. Believable characters with great storyline flow and humor. If you havent read anything by Ms. Kyle before make this a one click immediately. I voluntarily read an advance copy without expectation for review. Any and all opinions expressed are my own.
Rhys Dalton is reclusive to say the least. Living in Flamingo Key with his son Oliver and a handful of trusted employees is just what he needs after losing his wife 3 years ago. He couldnt protect Beth but he will do whatever it takes to protect Oliver including cutting them off from civilization. Hiring a nanny to help with Olivers needs while he works seems the perfect solution, until Mallory shows up on his doorstep. Werent nannies old and wrinkled with wool dresses?
Mallory and Rhys find themselves needing each other more than they are willing to admit. Together they bring out the best of each other and can offer more live lessons and love to Oliver. But Mallory is reluctant to share her past with Rhys given his personal history with cancer. That can only mean trouble ahead, right?
A Nanny for the Reclusive Billionaire is the first book Ive read by Regina Kyle after meeting her in Cincinnati earlier this year. I am regretting now, not having known about her before because her writing style is wonderful. Believable characters with great storyline flow and humor. If you havent read anything by Ms. Kyle before make this a one click immediately. I voluntarily read an advance copy without expectation for review. Any and all opinions expressed are my own.
Gareth von Kallenbach (977 KP) rated Big Stone Gap (2015) in Movies
Jun 19, 2019
Wise County, Virginia in 1978. Ave Maria Mulligan (Ashley Judd), owner of the town pharmacy, director of the town’s outdoor drama. Ave having lived in Big Stone Gap all her life, is perfectly content in her place as the town spinster. Adriana Trigiani, the author of the book “Big Stone Gap” brings the little town with the big heart to the silver screen as the Director and Screenwriter.
We are taken by the hand from the opening scene where we Fleeta Mullins (Whoopi Goldberg) her acerbic assistant at the pharmacy; Ida Lou Wade (Jenna Elfman) best friend and Town Librarian; Theodore Tipton (John Benjamin Hickey) the school band director, star of the outdoor drama and Spec Broadwater (Anthony La Paglia) the town lawyer. These people are the pillars that help hold Ave up as her life gets upended with loss and challenges plus the awkward two-step of a courtship with Jack MacChesney (Patrick Wilson) whom she has known since childhood.
This film centers on relationships. The love of a mother and the secret that changes Ave’s path, the best friends on your side through thick and thin; the love that is timeless and enduring. Ashley Judd is exceptional, conveying to us what Ave’s feelings. Whoopi Goldberg delivering lines that are gems full of comedic punches; Jenna Elfman and Patrick Wilson(as Lyle Makin) giving a chaotic wedding scene with such physical humor that I wish could have gone on much longer.
This film is a Adriana Trigiani’s love story to the people of Big Stone Gap. The phenomenal ensemble of actors hook us in by charming us with comedy and warmth throughout the story, inviting the audience to be part of their town.
http://sknr.net/2015/10/09/big-stone-gap/
We are taken by the hand from the opening scene where we Fleeta Mullins (Whoopi Goldberg) her acerbic assistant at the pharmacy; Ida Lou Wade (Jenna Elfman) best friend and Town Librarian; Theodore Tipton (John Benjamin Hickey) the school band director, star of the outdoor drama and Spec Broadwater (Anthony La Paglia) the town lawyer. These people are the pillars that help hold Ave up as her life gets upended with loss and challenges plus the awkward two-step of a courtship with Jack MacChesney (Patrick Wilson) whom she has known since childhood.
This film centers on relationships. The love of a mother and the secret that changes Ave’s path, the best friends on your side through thick and thin; the love that is timeless and enduring. Ashley Judd is exceptional, conveying to us what Ave’s feelings. Whoopi Goldberg delivering lines that are gems full of comedic punches; Jenna Elfman and Patrick Wilson(as Lyle Makin) giving a chaotic wedding scene with such physical humor that I wish could have gone on much longer.
This film is a Adriana Trigiani’s love story to the people of Big Stone Gap. The phenomenal ensemble of actors hook us in by charming us with comedy and warmth throughout the story, inviting the audience to be part of their town.
http://sknr.net/2015/10/09/big-stone-gap/
Gareth von Kallenbach (977 KP) rated Ted 2 (2015) in Movies
Jun 19, 2019
The foul-mouthed but lovable Ted is back in a brand new adventure bigger and more outrageous than the first film. The new film opens with Ted (Seth MacFarlane), marrying Tami-Lynn and in the first five minutes floors the audience with drug, Gay, and sex jokes, with a Flash Gordon sighting and a musical number to boot.
When Ted attempts to adopt a baby, he triggers a chain of events into motion that cause him to be classified as property. As such he has no legal rights and cannot hold a job, have a bank account, adopt, and marry which causes everything Ted has worked for to vanish.
Thankfully for Ted his best friend John (Mark Wahlberg), is by his side no matter what and helps him find a new lawyer named Samantha (Amanda Seyfried), who decides to take on the case and resolves to get Ted recognized as a person.
Naturally things do not go as planned as Ted and John keep getting into trouble despite their best intentions and combined with a threat from Ted’s past emerging once again, things are looking bleak indeed.
Along the way there are more than a few celebrity cameos and tons of rude, crude, and often very funny jokes to go along with the constant drug humor. Ted is not for everyone but there is a softer side to the character, and Mac Farlane keeps things moving at a fast clip, which never lets the film drag on without unleashing a new barrage of comedic situations on the audience.
If you liked the first film, you will likely enjoy “Ted 2” as I found it a very pleasant and often funny film that actually improved on the first film.
http://sknr.net/2015/06/26/ted-2/
When Ted attempts to adopt a baby, he triggers a chain of events into motion that cause him to be classified as property. As such he has no legal rights and cannot hold a job, have a bank account, adopt, and marry which causes everything Ted has worked for to vanish.
Thankfully for Ted his best friend John (Mark Wahlberg), is by his side no matter what and helps him find a new lawyer named Samantha (Amanda Seyfried), who decides to take on the case and resolves to get Ted recognized as a person.
Naturally things do not go as planned as Ted and John keep getting into trouble despite their best intentions and combined with a threat from Ted’s past emerging once again, things are looking bleak indeed.
Along the way there are more than a few celebrity cameos and tons of rude, crude, and often very funny jokes to go along with the constant drug humor. Ted is not for everyone but there is a softer side to the character, and Mac Farlane keeps things moving at a fast clip, which never lets the film drag on without unleashing a new barrage of comedic situations on the audience.
If you liked the first film, you will likely enjoy “Ted 2” as I found it a very pleasant and often funny film that actually improved on the first film.
http://sknr.net/2015/06/26/ted-2/