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Gareth von Kallenbach (980 KP) rated Lawless (2012) in Movies
Aug 7, 2019
Prohibition means profit to the bootlegging Bondurant brothers, until a new deputy appears wanting a cut of the action. When the family, led by oldest brother Forrest (Tom Hardy), refuses, it ignites a pattern of violent lawless retribution between the corrupt local authorities and the moonshine-selling brothers.
While adapted from the pages of a successful book, the plot of “Lawless” portrays a familiar story. A young romance slated against the challenges of a family who is literally and metaphorically, sticking to their guns. The brilliance of the film exists in the vivid set work, understated characterization, and graphic portrayals of unbridled yet historically accurate punishments.
There are bullet holes everywhere in this wild land of violence. The depictions of torture, while not the most graphically intensive in cinema, are characterized by psychological malice. The result is a film that manages to entirely pull the viewer into a different, much less civilized, time.
Led and narrated by seasoned actor, Shia LaBeouf, as the youngest brother, Jack Bondurant, the role is hardly a challenge. Yet his performances only stands out when supported by other cast members, such as the gangster Floyd Banner, played by Gary Oldman. And while LaBeouf’s performance is not a great as it could be, it shines next to his lackluster costar, Mia Wasikowska as Bertha Minnix the forbidden preacher’s daughter and object of young Jack’s eye.
The best performance in the film is not the lead, but that of his brother Forrest who dispenses well-timed wisdom or humor even in direst situations. Further helping in the films success are the supporting characters; the third Bondurant brother, Howard (Jason Clarke), mechanically gifted family friend, Cricket Pate (Dane DeHaan), and city wise beauty Maggie Beauford (Jessica Chastain).
While not as impressive as expected, the slow but steady story and complex visceral nature of “Lawless”, make it a film that is worth the price of a ticket, for anyone who can make it through the squeamish bits.
While adapted from the pages of a successful book, the plot of “Lawless” portrays a familiar story. A young romance slated against the challenges of a family who is literally and metaphorically, sticking to their guns. The brilliance of the film exists in the vivid set work, understated characterization, and graphic portrayals of unbridled yet historically accurate punishments.
There are bullet holes everywhere in this wild land of violence. The depictions of torture, while not the most graphically intensive in cinema, are characterized by psychological malice. The result is a film that manages to entirely pull the viewer into a different, much less civilized, time.
Led and narrated by seasoned actor, Shia LaBeouf, as the youngest brother, Jack Bondurant, the role is hardly a challenge. Yet his performances only stands out when supported by other cast members, such as the gangster Floyd Banner, played by Gary Oldman. And while LaBeouf’s performance is not a great as it could be, it shines next to his lackluster costar, Mia Wasikowska as Bertha Minnix the forbidden preacher’s daughter and object of young Jack’s eye.
The best performance in the film is not the lead, but that of his brother Forrest who dispenses well-timed wisdom or humor even in direst situations. Further helping in the films success are the supporting characters; the third Bondurant brother, Howard (Jason Clarke), mechanically gifted family friend, Cricket Pate (Dane DeHaan), and city wise beauty Maggie Beauford (Jessica Chastain).
While not as impressive as expected, the slow but steady story and complex visceral nature of “Lawless”, make it a film that is worth the price of a ticket, for anyone who can make it through the squeamish bits.
Gareth von Kallenbach (980 KP) rated Captain America: The First Avenger (2011) in Movies
Aug 7, 2019
Captain America: The First Avenger is a return to form for the Marvel comic-book film universe, and a solid final lead-up to the multi-hero film The Avengers, coming next year.
Chris Evans does a fantastic job of introducing us to the wiry little guy with guts who eventually becomes Captain America. Such unashamed, honest virtue is different from the typical superhero movie we’ve come to see over the last few years, and for good reason: internal conflicts often make for dramatic films. However, I don’t think such unwavering idealism would have worked with any other comic-book character than Captain America. Stanley Tucci and Tommy Lee Jones add heart to the movie, but the soul of this movie really is the Captain. Hugo Weaving as The Red Skull plays a satisfying villain here, but his motives aren’t clarified enough to warrant his fervor for evil. Hayley Atwell, playing love interest and British agent Peggy Carter does a more convincing job in her role than Hugo Weaving does in his.
The plot of the film was pretty standard fare. Hero battles villain. The ending was more climactic and earnest than I had expected walking into the theater, and it gracefully sets up the Avengers movie. Like many of the other Marvel movies of recent note, there is a decent amount of self-deprecating comic book humor that helps break up the slower parts between action scenes.
The effects of the film were solid. They were pulpy enough to feel like a Marvel universe, rather than our own, but they still carried the action to an exciting level. The art department and cinematographer did a good job recreating the 40’s asthetic throughout the film, though there was enough exotic comic book elements to bring you back into a world where superheroes really do exist.
Despite its own flaws, this is one of the better Marvel films to come out since Iron Man, and count me in to watch The Avengers next year.
Chris Evans does a fantastic job of introducing us to the wiry little guy with guts who eventually becomes Captain America. Such unashamed, honest virtue is different from the typical superhero movie we’ve come to see over the last few years, and for good reason: internal conflicts often make for dramatic films. However, I don’t think such unwavering idealism would have worked with any other comic-book character than Captain America. Stanley Tucci and Tommy Lee Jones add heart to the movie, but the soul of this movie really is the Captain. Hugo Weaving as The Red Skull plays a satisfying villain here, but his motives aren’t clarified enough to warrant his fervor for evil. Hayley Atwell, playing love interest and British agent Peggy Carter does a more convincing job in her role than Hugo Weaving does in his.
The plot of the film was pretty standard fare. Hero battles villain. The ending was more climactic and earnest than I had expected walking into the theater, and it gracefully sets up the Avengers movie. Like many of the other Marvel movies of recent note, there is a decent amount of self-deprecating comic book humor that helps break up the slower parts between action scenes.
The effects of the film were solid. They were pulpy enough to feel like a Marvel universe, rather than our own, but they still carried the action to an exciting level. The art department and cinematographer did a good job recreating the 40’s asthetic throughout the film, though there was enough exotic comic book elements to bring you back into a world where superheroes really do exist.
Despite its own flaws, this is one of the better Marvel films to come out since Iron Man, and count me in to watch The Avengers next year.
Gareth von Kallenbach (980 KP) rated Mr. Popper's Penguins (2011) in Movies
Aug 7, 2019
A loosely based modern retelling of the beloved 1939 classic book by Florence and Richard Atwater, Mr. Popper Penguin’s tells the story of Tom Popper (Jim Carrey) a successful New York real estate developer, who is focused on becoming a partner in his company.
One day Tom finds out his father has passed away and left him a gift. To his surprise he inherits six penguins (Captain, Loudy, Bitey, Stinky, Lovey and Nimrod) from his father. With a serious case of resentment towards his father’s absent role in his life and the hindrance it puts on his lifestyle and work.
Mr. Popper tries every avenue he possibly can to get rid of the penguins. Once the flock is introduced to his children, he realizes he has no choice but to keep them. As the movie progresses on, we see Mr. Popper bonding with the penguins, teaching them how dance, going to the potty and also learning from them how to be a better person. He realizes that there are more important things in life than work, money and power. He begins spending more time with his children and tries to rekindle his relationship with his ex wife, Amanda (Carla Gugino) and less time focused on work.
I tend to see a common thread in some of Jim Carrey’s characters; he plays a guy who neglects the people he loves because of his work, for example, Liar Liar and Bruce Almighty. In this movie, Carrey is back with his usual physical slapstick comedy, however Mr. Popper’s Penguins is definitely a toned down version of Carrey’s ever so hilarious Ace Ventura: Pet Detective role. You can’t help but laugh at the shenanigans and charm of these amazing penguins as well as Jim Carrey’s ability to find the humor in the most uncomfortable situations. If you can get past Mr. Popper’s assistant Pippi (Ophelia Lovibond) and her positively unpleasant practice of perpetually trying to use words that start with the letter P, there are some great laugh out loud moments the whole family will love.
One day Tom finds out his father has passed away and left him a gift. To his surprise he inherits six penguins (Captain, Loudy, Bitey, Stinky, Lovey and Nimrod) from his father. With a serious case of resentment towards his father’s absent role in his life and the hindrance it puts on his lifestyle and work.
Mr. Popper tries every avenue he possibly can to get rid of the penguins. Once the flock is introduced to his children, he realizes he has no choice but to keep them. As the movie progresses on, we see Mr. Popper bonding with the penguins, teaching them how dance, going to the potty and also learning from them how to be a better person. He realizes that there are more important things in life than work, money and power. He begins spending more time with his children and tries to rekindle his relationship with his ex wife, Amanda (Carla Gugino) and less time focused on work.
I tend to see a common thread in some of Jim Carrey’s characters; he plays a guy who neglects the people he loves because of his work, for example, Liar Liar and Bruce Almighty. In this movie, Carrey is back with his usual physical slapstick comedy, however Mr. Popper’s Penguins is definitely a toned down version of Carrey’s ever so hilarious Ace Ventura: Pet Detective role. You can’t help but laugh at the shenanigans and charm of these amazing penguins as well as Jim Carrey’s ability to find the humor in the most uncomfortable situations. If you can get past Mr. Popper’s assistant Pippi (Ophelia Lovibond) and her positively unpleasant practice of perpetually trying to use words that start with the letter P, there are some great laugh out loud moments the whole family will love.
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