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Dianne Robbins (1738 KP) rated Mamma Mia: Here We Go Again! (2018) in Movies
Apr 24, 2019
Seeing Donna's backstories with her lovers. (1 more)
Nice to see most of the cast together again.
Literally everything else (8 more)
The same dramatic hairstyles on two principal female characters for over twenty years, really? Talk about suspension of belief.
Lifeless.
No real heart to it.
Meryl Streep is in it for mere seconds.
Relationships between the characters. Disjointed and disconnected.
Not the best ABBA songs.
The Kissed the Teacher sequence. I mean, wth was that about?
Not much singing or a reason to sing.
Joyless
Contains spoilers, click to show
I loved the first one and have been known to watch the DVD or listen to the CD on a continuous loop for upwards of 12 hours. I'm not kidding. I adore Meryl Streep and everything she touches is gold. Except for this movie. Omg, it is so bad. It lost all the joy the first film had. Why?! Why did they have to destroy this movie so badly?
Spoiler alert: Donna, Meryl Streep's joyous character is dead at the start of this film. Her story is told through flashbacks with Lily James of Downton Abbey starring as recent college-grad, Donna, and her adventures in the Greek Isles as she meets each of the three men who may be her daughter, Sophie's father. Donna flits around as the bohemian she is but the character is too flighty to be believed and she certainly doesn't flesh out Meryl Streep's version of Donna. It seems pointless for her to even have tried.
The cast is very dated and stagnant, in reverse, as they are shown as their younger selves exactly as they are 20 or 30 years later, even down to the same clothing and hairstyles. It's ridiculous to think these fashionable women would never update their looks over the years or that their personalities and mannerisms had not changed either. Are they living in a vacuum? They're all just so one-note. Maybe the creators did it because they thought the movie would be easier to understand or figure out which character was whom, but it's just not realistic. I'll admit, dramas are my favorite genre and this is meant as much lighter fare but I wish they would have expected the audience to have half a brain and be able to figure out the younger cast and the elder versions of them. It felt dumbed down.
The modern plotline is morose, joyless, and lifeless, and missed all the heart, humor, and passion of the first.
And Cher's character, why bother? She didn't bring anything to the role other than her real-life celebrity.
I regret buying this DVD and even more so, wasting 2 hours of my life watching this dull, spoon-fed money grab.
Spoiler alert: Donna, Meryl Streep's joyous character is dead at the start of this film. Her story is told through flashbacks with Lily James of Downton Abbey starring as recent college-grad, Donna, and her adventures in the Greek Isles as she meets each of the three men who may be her daughter, Sophie's father. Donna flits around as the bohemian she is but the character is too flighty to be believed and she certainly doesn't flesh out Meryl Streep's version of Donna. It seems pointless for her to even have tried.
The cast is very dated and stagnant, in reverse, as they are shown as their younger selves exactly as they are 20 or 30 years later, even down to the same clothing and hairstyles. It's ridiculous to think these fashionable women would never update their looks over the years or that their personalities and mannerisms had not changed either. Are they living in a vacuum? They're all just so one-note. Maybe the creators did it because they thought the movie would be easier to understand or figure out which character was whom, but it's just not realistic. I'll admit, dramas are my favorite genre and this is meant as much lighter fare but I wish they would have expected the audience to have half a brain and be able to figure out the younger cast and the elder versions of them. It felt dumbed down.
The modern plotline is morose, joyless, and lifeless, and missed all the heart, humor, and passion of the first.
And Cher's character, why bother? She didn't bring anything to the role other than her real-life celebrity.
I regret buying this DVD and even more so, wasting 2 hours of my life watching this dull, spoon-fed money grab.
Sensitivemuse (246 KP) rated Jar City in Books
Jan 15, 2018
What made this book enjoyable was how such an intricate web was spun throughout the novel giving the reader enough interest to keep reading. I was not sure what to expect from this book. Although I’ve heard good things about it I didn’t think I would be so engrossed and be flying through the pages to find out what will happen next.
I’m still not sure what to think of Erlandur as a character. Like most protagonists in series like these they usually have an underlying personal issue (whether it be health, or family for example) which he does have, but his personality I can’t really quite make out. He doesn’t seem to have much of one except he cares for his daughter and her well being even though they are estranged. He does have some sense of humor and wit but overall he appears to be driven by his work and hard working to solve the crime (we all need police like these don’t we?.)
I’m liking how his relationship with his daughter is turning out. It’s nice to see them slowly step away from their estrangement and it shows they do truly care for each other even though it’s done through yelling (most families are like that though, aren’t they?) It shows a lot of tough love, and I’m hoping the best for Eva Lind in the next books (I hope she appears as I’m slowly starting to like her more.)
What I enjoyed the most of this book was the plot like I mentioned earlier. It went from point A to point B but in such a dramatic motion it certainly kept you reading to find out what was going to happen next. The mood of the story also, was excellent. It was dark, dreary, melancholy, and although not suspenseful like the majority of the crime novels, it didn’t have to be. It made the setting suitable for the plot and made it more enjoyable.
One little thing I do have to add though, is the side story with the bride. I’m not sure why that was mentioned as it had little to do with the main story and it seemed like a filler. It wasn’t necessary as the plot itself was fine without it. I also enjoyed the ending of the book. It was sad, but you came to the realization it had to come to an ending like this.
As this is book #3 in its native language, it’s considered book #1 in its’ English translation. It seems all right and nothing seems to be lacking. Perhaps a bit of backstory might have helped but it was comprehensible to read. Greatly recommended! It’s a great break from the usual detective novels we have out there.
I’m still not sure what to think of Erlandur as a character. Like most protagonists in series like these they usually have an underlying personal issue (whether it be health, or family for example) which he does have, but his personality I can’t really quite make out. He doesn’t seem to have much of one except he cares for his daughter and her well being even though they are estranged. He does have some sense of humor and wit but overall he appears to be driven by his work and hard working to solve the crime (we all need police like these don’t we?.)
I’m liking how his relationship with his daughter is turning out. It’s nice to see them slowly step away from their estrangement and it shows they do truly care for each other even though it’s done through yelling (most families are like that though, aren’t they?) It shows a lot of tough love, and I’m hoping the best for Eva Lind in the next books (I hope she appears as I’m slowly starting to like her more.)
What I enjoyed the most of this book was the plot like I mentioned earlier. It went from point A to point B but in such a dramatic motion it certainly kept you reading to find out what was going to happen next. The mood of the story also, was excellent. It was dark, dreary, melancholy, and although not suspenseful like the majority of the crime novels, it didn’t have to be. It made the setting suitable for the plot and made it more enjoyable.
One little thing I do have to add though, is the side story with the bride. I’m not sure why that was mentioned as it had little to do with the main story and it seemed like a filler. It wasn’t necessary as the plot itself was fine without it. I also enjoyed the ending of the book. It was sad, but you came to the realization it had to come to an ending like this.
As this is book #3 in its native language, it’s considered book #1 in its’ English translation. It seems all right and nothing seems to be lacking. Perhaps a bit of backstory might have helped but it was comprehensible to read. Greatly recommended! It’s a great break from the usual detective novels we have out there.
Carma (21 KP) rated Rainy Day Friends (Wildstone, #2) in Books
Jun 17, 2019
Rainy Day Friends by Jill Shalvis is a Wildstone series book and of course another great one from this author. I loved the format of this book, and I really dont think Ive seen it before, of each page having an interaction between Lanie and her anxiety.
Lanie (Delaney) Jacobs is 30, starting a new job 2 ½ hours away from her old life and leaving everything behind (including her anxiety) for 2 months. Unfortunately her anxiety decides to come along for the ride. Lanie just lost her husband and what she finds out about her husband after his death would send anyone packing for a quick getaway. She agrees to take on a temporary job helping a family business re-brand their business and quickly finds herself in the middle of a real Walton family family.
Mark Capriotti is as rough and rugged as they come. He is an ex military man, an assistant sheriff, but at the end of the day, this tough guys heart has long been captured by his twin daughters. Having to move back home with his family to be a single dad to his girls was the last thing he ever thought would happen. He is grateful to have his mom, 2 sisters, uncles and more to pick up the slack of helping to care for Samantha and Sierra. He never wants to fall in love again, and isnt that just what happens.
With a back story for Lanie that comes out piece by piece and secondary characters to help push it along, this story was really well told. My only gripe about this entire book was the abrupt ending. I dont know if it was due to reading on an ereader that it felt more abrupt but it stopped and I was feeling like I missed some pages. As I said above I loved the anxiety quotes on each page, how many of us have those same thoughts on a daily or weekly basis. I loved how this family came together and stayed together through thick and thin. Being sarcastic myself, I enjoyed Mias sarcastic humor most of all. Even Uncle Jack, though sometimes behaving like a overgrown frat boy, had insightful wisdom to share with anyone who asked (or even those who didnt).
Overall this story was well written for each character both main or secondary. I enjoyed following along on their journey of escape, attraction, hiding, and eventually not fighting the feelings. I received an advance copy of this novel without any expectations for review. Any and all opinions expressed are my own (whether you like them or not ha).
Lanie (Delaney) Jacobs is 30, starting a new job 2 ½ hours away from her old life and leaving everything behind (including her anxiety) for 2 months. Unfortunately her anxiety decides to come along for the ride. Lanie just lost her husband and what she finds out about her husband after his death would send anyone packing for a quick getaway. She agrees to take on a temporary job helping a family business re-brand their business and quickly finds herself in the middle of a real Walton family family.
Mark Capriotti is as rough and rugged as they come. He is an ex military man, an assistant sheriff, but at the end of the day, this tough guys heart has long been captured by his twin daughters. Having to move back home with his family to be a single dad to his girls was the last thing he ever thought would happen. He is grateful to have his mom, 2 sisters, uncles and more to pick up the slack of helping to care for Samantha and Sierra. He never wants to fall in love again, and isnt that just what happens.
With a back story for Lanie that comes out piece by piece and secondary characters to help push it along, this story was really well told. My only gripe about this entire book was the abrupt ending. I dont know if it was due to reading on an ereader that it felt more abrupt but it stopped and I was feeling like I missed some pages. As I said above I loved the anxiety quotes on each page, how many of us have those same thoughts on a daily or weekly basis. I loved how this family came together and stayed together through thick and thin. Being sarcastic myself, I enjoyed Mias sarcastic humor most of all. Even Uncle Jack, though sometimes behaving like a overgrown frat boy, had insightful wisdom to share with anyone who asked (or even those who didnt).
Overall this story was well written for each character both main or secondary. I enjoyed following along on their journey of escape, attraction, hiding, and eventually not fighting the feelings. I received an advance copy of this novel without any expectations for review. Any and all opinions expressed are my own (whether you like them or not ha).
Gareth von Kallenbach (977 KP) rated Dick Wilde 2 in Video Games
Jun 19, 2019
When I hear people talk about V.R. being just a fad and saying that they do not see the reason for it, I often tell them while it is not for everyone; there are some very good games and experiences out there and the technology continues to improve and become more and more affordable.
For those who own a PSVR gaming system; there are numerous quality V.R. games available as the system has a number of great exclusives as well as some that are available for other V.R. platforms as well.
Dick Wilde 2 is a fun, challenging, and action filled adventure that casts players as the title character as you travel on your raft down rivers and waterways. Of course the areas are inhabited by all sorts of debris and mutated creatures so players have to shoot first and fast in order to survive.
Should a player make it to the end of the level; then they can by health, armor, new weapons, and more to help them better survive the challenges ahead. Using the Playstation Move Controller in a guns akimbo style; players start with dual pistols and can add shotguns, machine guns, and other weapons to the mix to use in pairs or to alternate. The shotguns for example do great damage; but are slow to fire. The machine guns spew bullets at an amazing rate but are not the most accurate of choices which for moving targets and incoming projectiles makes things a challenge.
The country themed humor and abundance of enemies and locales makes the game lots of fun and it is great to look around your V.R. raft and see the detailed amount of decorations that are along for the ride.
Players will also get the option to select which path to take during levels and can also opt to play the game in a multiplayer setting with another player.
One of the best endorsements I can give for the game is that my wife took a turn playing it and played through several sessions of the game. This is unique in while she does play games; she had not played a V.R. game since doing a demo before the PSVR was released at PAX as she found it gave her a headache. The new system updates have alleviated that and she played several other titles as well that evening.
The cartoon style graphics work well within the setting of the game and it is tons of fun to play as well as a real challenge at times.
If you own a V.R. system, I highly suggest Dick Wilde 2 as it is great shooter and lots of fun.
http://sknr.net/2019/03/17/dick-wilde-2-psvr/
For those who own a PSVR gaming system; there are numerous quality V.R. games available as the system has a number of great exclusives as well as some that are available for other V.R. platforms as well.
Dick Wilde 2 is a fun, challenging, and action filled adventure that casts players as the title character as you travel on your raft down rivers and waterways. Of course the areas are inhabited by all sorts of debris and mutated creatures so players have to shoot first and fast in order to survive.
Should a player make it to the end of the level; then they can by health, armor, new weapons, and more to help them better survive the challenges ahead. Using the Playstation Move Controller in a guns akimbo style; players start with dual pistols and can add shotguns, machine guns, and other weapons to the mix to use in pairs or to alternate. The shotguns for example do great damage; but are slow to fire. The machine guns spew bullets at an amazing rate but are not the most accurate of choices which for moving targets and incoming projectiles makes things a challenge.
The country themed humor and abundance of enemies and locales makes the game lots of fun and it is great to look around your V.R. raft and see the detailed amount of decorations that are along for the ride.
Players will also get the option to select which path to take during levels and can also opt to play the game in a multiplayer setting with another player.
One of the best endorsements I can give for the game is that my wife took a turn playing it and played through several sessions of the game. This is unique in while she does play games; she had not played a V.R. game since doing a demo before the PSVR was released at PAX as she found it gave her a headache. The new system updates have alleviated that and she played several other titles as well that evening.
The cartoon style graphics work well within the setting of the game and it is tons of fun to play as well as a real challenge at times.
If you own a V.R. system, I highly suggest Dick Wilde 2 as it is great shooter and lots of fun.
http://sknr.net/2019/03/17/dick-wilde-2-psvr/
Gareth von Kallenbach (977 KP) rated Hot Tub Time Machine 2 (2015) in Movies
Jun 19, 2019
When “Hot Tub Time Machine” came out almost five years ago, it took a whacky concept of four friends whisked back in time during a getaway to the 80s giving them a chance to fix aspects of their lives they wished they had done differently.
The outrageous and bawdy humor as well as strong performances from John Cusack and Crispin Glover made the film a cult hit that earned over $64 million worldwide and did well on DVD sales as well.
Naturally a sequel was planned and when I first heard it was looking to be a direct to DVD sequel sans Cusack, I had an idea that the film may be little more than an effort to cash in on the success of the first film without offering much to the continued story of the characters.
I was encouraged by the early trailers for the sequel and as such went into the screener with better expectations than I had originally had when I first heard of the projects.
The film explains that “John Cusack’s character is off on adventure of self-discovery as the friends have all become wealthy and famous after the events of the first film. Lou (Rob Corddry) has milked Motley Crue and his knowledge of pending tech to establish himself as a major player, Nick (Craig Robinson) has cashed in on a recording career by covering famous songs from his day before they were ever released and Jacob (Clark Duke) is stuck playing Butler to his father Lou.
Lou has become an example of an ego run wild and during one of his lavish parties; he is shot and left near death. In a move of desperation, Nick and Jacob whisk Lou into the Hot Tub and attempt to go back in time to stop the shooting.
Things do not go as planned as the trio end up 15 years into the future and must find a way to put things right and get home.
One would think that this premise would be able to produce some funny moments, but sadly the film is painfully slow and plodding and most shocking of all, very, very unfunny. The film tries to get some crude laughs from a gameshow of the future and a homicidal Smart Car but the film just wanders from situation to situation looking for laughs and does not setup or execute them properly.
There is a montage scene at the end of the film which sadly is the best part and shows what could have been a much better sequel with the group going through time taking the place of famous individuals and interacting with them.
As it stands, “Hot Tub Time Machine 2”, is a trip you do not want to make.
http://sknr.net/2015/02/20/hot-tub-time-machine-2/
The outrageous and bawdy humor as well as strong performances from John Cusack and Crispin Glover made the film a cult hit that earned over $64 million worldwide and did well on DVD sales as well.
Naturally a sequel was planned and when I first heard it was looking to be a direct to DVD sequel sans Cusack, I had an idea that the film may be little more than an effort to cash in on the success of the first film without offering much to the continued story of the characters.
I was encouraged by the early trailers for the sequel and as such went into the screener with better expectations than I had originally had when I first heard of the projects.
The film explains that “John Cusack’s character is off on adventure of self-discovery as the friends have all become wealthy and famous after the events of the first film. Lou (Rob Corddry) has milked Motley Crue and his knowledge of pending tech to establish himself as a major player, Nick (Craig Robinson) has cashed in on a recording career by covering famous songs from his day before they were ever released and Jacob (Clark Duke) is stuck playing Butler to his father Lou.
Lou has become an example of an ego run wild and during one of his lavish parties; he is shot and left near death. In a move of desperation, Nick and Jacob whisk Lou into the Hot Tub and attempt to go back in time to stop the shooting.
Things do not go as planned as the trio end up 15 years into the future and must find a way to put things right and get home.
One would think that this premise would be able to produce some funny moments, but sadly the film is painfully slow and plodding and most shocking of all, very, very unfunny. The film tries to get some crude laughs from a gameshow of the future and a homicidal Smart Car but the film just wanders from situation to situation looking for laughs and does not setup or execute them properly.
There is a montage scene at the end of the film which sadly is the best part and shows what could have been a much better sequel with the group going through time taking the place of famous individuals and interacting with them.
As it stands, “Hot Tub Time Machine 2”, is a trip you do not want to make.
http://sknr.net/2015/02/20/hot-tub-time-machine-2/
Gareth von Kallenbach (977 KP) rated Transformers (2007) in Movies
Aug 14, 2019
Based on the popular line of toys and animated television series from the 80’s. Steven Spielberg and Michael Bay have teamed up to create a mega million FX extravaganza that will delight fans both old and new.
The story involves a group of sentient machines who have battled for centuries in an effort to locate and possess an all powerful object. The kind Autobots led by Optimus Prime, wish to locate and destroy the artifact to keep it from the evil Decepticons who would use the artificat for their own evil purposes, and the deaths of billions.
The film opens with a spectacular battle at a U.S. military installation in the middle east, where one of the Decepticons is attempting to access sensative information from the computer network. Overwhelmed by the attack and subsequent assault on Air Force One, the U.S. government has called in the best and brightest in effort to get to the bottom of the mysterious attacks and the mysterious assailants.
Meanwhile, mild mannered high school student Sam Witicky (Shia LaBeouf), is trying to raise money for a car, and uses his class presentation to hawk his Ebay auctions, unaware that the fate of the universe will soon rest in his hands. After purchasing a used Camaro and giving a ride to the hottest girl in school Mikaela (Megan Fox), Sam thinks his luck is about to change. Little does Sam know that his car is actually one of the advanced scouts for the Autobots, who are attempting to locate one of the items in Sam’s online auction, as it actually contains clues as to the location of the lost artifact.
In short order, the two sides are facing off in several shape changing battles with Sam, Mikaela, and the rest of humanity caught in the balance. Bay and Spielberg have done a great job of combining jaw-dropping FX and action with the humor, charm, and fun that made the original series such a huge success. The audience at my press screening reacted very positively to the film, and there were numerous cheers and rounds of enthusiastic applause throughout the film.
If I had to find fault with the film, it would be that at roughly the 3/4 point, a plot line involving John Turturro as an agent in a secret organization seems forced and unnecessary, as it greatly detracts from the pacing and action of the film. Until this point, the film was very engrossing and moved along at a brisk clip. When the film gets back to the action, it delivers with a solid finale, that while using some of the action film staples, still manages to keep it exciting.
LaBeof works well with Fox and there are numerous supporting roles and cameos that make “Transformers” a pleasant, if silly treat.
The story involves a group of sentient machines who have battled for centuries in an effort to locate and possess an all powerful object. The kind Autobots led by Optimus Prime, wish to locate and destroy the artifact to keep it from the evil Decepticons who would use the artificat for their own evil purposes, and the deaths of billions.
The film opens with a spectacular battle at a U.S. military installation in the middle east, where one of the Decepticons is attempting to access sensative information from the computer network. Overwhelmed by the attack and subsequent assault on Air Force One, the U.S. government has called in the best and brightest in effort to get to the bottom of the mysterious attacks and the mysterious assailants.
Meanwhile, mild mannered high school student Sam Witicky (Shia LaBeouf), is trying to raise money for a car, and uses his class presentation to hawk his Ebay auctions, unaware that the fate of the universe will soon rest in his hands. After purchasing a used Camaro and giving a ride to the hottest girl in school Mikaela (Megan Fox), Sam thinks his luck is about to change. Little does Sam know that his car is actually one of the advanced scouts for the Autobots, who are attempting to locate one of the items in Sam’s online auction, as it actually contains clues as to the location of the lost artifact.
In short order, the two sides are facing off in several shape changing battles with Sam, Mikaela, and the rest of humanity caught in the balance. Bay and Spielberg have done a great job of combining jaw-dropping FX and action with the humor, charm, and fun that made the original series such a huge success. The audience at my press screening reacted very positively to the film, and there were numerous cheers and rounds of enthusiastic applause throughout the film.
If I had to find fault with the film, it would be that at roughly the 3/4 point, a plot line involving John Turturro as an agent in a secret organization seems forced and unnecessary, as it greatly detracts from the pacing and action of the film. Until this point, the film was very engrossing and moved along at a brisk clip. When the film gets back to the action, it delivers with a solid finale, that while using some of the action film staples, still manages to keep it exciting.
LaBeof works well with Fox and there are numerous supporting roles and cameos that make “Transformers” a pleasant, if silly treat.
Gareth von Kallenbach (977 KP) rated Wedding Crashers (2005) in Movies
Aug 14, 2019
In the tricky world of arbitration, John Beckwith (Owen Wilson) and Jeremy Grey (Vince Vaughn), are two of the best in their field. Day after day, John and Jeremy negotiate divorce settlements between many bitter and hostile clients in an attempt to avoid long and drawn out court cases.
As good as John and Jeremy are at mediation, this pales to their real talents as professional wedding crashers. John and Jeremy revel in their ability to crash weddings and in the process scoring all the food, drink and women they can handle as they move from one event to another with ease.
The actions of the two are based on a strict set of rules for crashing weddings that was passed down to Jeremy and have lead to many moments of merriment and debauchery for the duo. The rules are so detailed that everything from cover stories, ways to gain sympathy, and clues for gaining points with the guests are included.
After a very successful wedding season, John and Jeremy are set to take it easy for a while to recover from the barrage of seduction and partying they have subjected themselves to.
Alas, things do not go as planned as Jeremy convinces John to help him crash the wedding event of the year that will have a prominent political figure in attendance. Despite much reluctance, John goes along an in no time, the duo are at the social event of the year.
Eager to slip into their seduction modes, John and Jeremy have concocted their alibis and set their sites a pair of young ladies, Claire and Gloria Cleary (Rachael McAdams) and (Isla fisher). The two are the daughters of rising political figure Secretary Claire (Christopher Walken), who many think may be on the fast track to the Oval Office.
Things take a turn when John agrees to accompany Claire to an island retreat. Seeing the danger and eager to get away from the bizarre Gloria, Jeremy attempts to extricate himself from the situation.
Of course there would not be much of a film if this were to happen, and before long, John and Jeremy are surrounded by vicious boyfriends, over amorous suitors, and enough mayhem to keep the audience laughing.
The laughs come frequently and each situation becomes even more outrageous than the one that preceded it making for some of the most hilarious moments ever committed to film.
Sure the plot is very thing, but Wilson and Vaughn are enjoyable and if you do not mind some crude humor, you are likely to find yourself laughing along at one of the most pleasant comedic surprises of the year.
As good as John and Jeremy are at mediation, this pales to their real talents as professional wedding crashers. John and Jeremy revel in their ability to crash weddings and in the process scoring all the food, drink and women they can handle as they move from one event to another with ease.
The actions of the two are based on a strict set of rules for crashing weddings that was passed down to Jeremy and have lead to many moments of merriment and debauchery for the duo. The rules are so detailed that everything from cover stories, ways to gain sympathy, and clues for gaining points with the guests are included.
After a very successful wedding season, John and Jeremy are set to take it easy for a while to recover from the barrage of seduction and partying they have subjected themselves to.
Alas, things do not go as planned as Jeremy convinces John to help him crash the wedding event of the year that will have a prominent political figure in attendance. Despite much reluctance, John goes along an in no time, the duo are at the social event of the year.
Eager to slip into their seduction modes, John and Jeremy have concocted their alibis and set their sites a pair of young ladies, Claire and Gloria Cleary (Rachael McAdams) and (Isla fisher). The two are the daughters of rising political figure Secretary Claire (Christopher Walken), who many think may be on the fast track to the Oval Office.
Things take a turn when John agrees to accompany Claire to an island retreat. Seeing the danger and eager to get away from the bizarre Gloria, Jeremy attempts to extricate himself from the situation.
Of course there would not be much of a film if this were to happen, and before long, John and Jeremy are surrounded by vicious boyfriends, over amorous suitors, and enough mayhem to keep the audience laughing.
The laughs come frequently and each situation becomes even more outrageous than the one that preceded it making for some of the most hilarious moments ever committed to film.
Sure the plot is very thing, but Wilson and Vaughn are enjoyable and if you do not mind some crude humor, you are likely to find yourself laughing along at one of the most pleasant comedic surprises of the year.
Gareth von Kallenbach (977 KP) rated Paycheck (2003) in Movies
Aug 14, 2019
In the year 2007, memories can be erased almost as easily as they can be created. With corporate security being of top concern, this technology is in high demand for corporations who hire people to work on sensitive projects.
Michael Jennings (Ben Affleck), is a master of technology, and as such, is in high demand for his ability to reverse engineer technology. Companies hire him to work in private to unlock technological secrets of their competition and upon completion of his work; Jennings has his memories of his work and time at the company removed. This arrangement protects the companies, as they do not have to disclose how they came about the new technologies and the only person who can attest to the source of the work has no memory of it making the claim valid, and keeping him from being able to recoup long-term profits from the company.
Jennings is well paid for his work, and has recently completed a two-month job when his friend Rethrick (Aaron Eckhart), asks Michael to come work on a secret thee-year project for his company. Michael is told only that it deals with optics and that he will be paid with stock options worth hundreds of millions of dollars.
After thinking about the deal, Michael agrees to the job and sets out to complete the task ahead of him.
In what seems like a few minutes to him, Michael comes to in the office of Rethrick and is stunned to learn that he has completed his work and that it was a huge success.
Pleased, Michael sets out to collect his payment but is surprised to learn that he forfeited his stocks four days earlier and sent himself an envelope containing various mundane items such as paperclips, ball bearings, matches, and keys.
Before long, Michael is running for his life and attempting to unravel the mystery of the missing three years in his memory.
Based on the short story by renowned Sci-Fi author Phillip K. Dick, and directed by famed action helmer John Woo, “Paycheck” is a pleasant and entertaining surprise. The previews do not do this film justice, as it is an entertaining and engrossing film with good supporting work by Uma Thurman and Paul Giamatti.
There are a number of twists and turns to the story and some good action and humor along the way. Affleck does solid work as a man desperate to solve the mystery and struggling to cope with his life spun out of control.
While the ending was a bit to Hollywood for me, “Paycheck” is a solid and entertaining film and worth seeing.
Michael Jennings (Ben Affleck), is a master of technology, and as such, is in high demand for his ability to reverse engineer technology. Companies hire him to work in private to unlock technological secrets of their competition and upon completion of his work; Jennings has his memories of his work and time at the company removed. This arrangement protects the companies, as they do not have to disclose how they came about the new technologies and the only person who can attest to the source of the work has no memory of it making the claim valid, and keeping him from being able to recoup long-term profits from the company.
Jennings is well paid for his work, and has recently completed a two-month job when his friend Rethrick (Aaron Eckhart), asks Michael to come work on a secret thee-year project for his company. Michael is told only that it deals with optics and that he will be paid with stock options worth hundreds of millions of dollars.
After thinking about the deal, Michael agrees to the job and sets out to complete the task ahead of him.
In what seems like a few minutes to him, Michael comes to in the office of Rethrick and is stunned to learn that he has completed his work and that it was a huge success.
Pleased, Michael sets out to collect his payment but is surprised to learn that he forfeited his stocks four days earlier and sent himself an envelope containing various mundane items such as paperclips, ball bearings, matches, and keys.
Before long, Michael is running for his life and attempting to unravel the mystery of the missing three years in his memory.
Based on the short story by renowned Sci-Fi author Phillip K. Dick, and directed by famed action helmer John Woo, “Paycheck” is a pleasant and entertaining surprise. The previews do not do this film justice, as it is an entertaining and engrossing film with good supporting work by Uma Thurman and Paul Giamatti.
There are a number of twists and turns to the story and some good action and humor along the way. Affleck does solid work as a man desperate to solve the mystery and struggling to cope with his life spun out of control.
While the ending was a bit to Hollywood for me, “Paycheck” is a solid and entertaining film and worth seeing.
Gareth von Kallenbach (977 KP) rated Harry Potter and the Deathly Hallows - Part 1 (2010) in Movies
Aug 8, 2019
With the slow, familiar strains of “Hedwig’s Theme”, the leitmotif that shepherds us into the world of Harry Potter, we’re once again immersed in the magic and adventure of the wizarding world. If for some reason you forgot where the story left off at the end of The Half-Blood Prince, the mournful dirge that plays as Harry Potter, Hermione Granger and Ron Weasley prepare to meet reminds you that their world has changed drastically.
Like returning to your childhood home, it all looks familiar, but everything feels different. Gone are the school preparations, the train ride to Hogwarts, uniformed students jostling about, the easygoing camaraderie between our favorite trio, all the whimsical elements we’ve come to expect in a Harry Potter movie. Instead we have unease, sorrow and anger taking turns in the form of Hermione, Harry and Ron.
The Deathly Hallows Part I is the first of a two-part adaptation of the final book of J.K. Rowling’s popular series. Just like the anticipation of getting the seventh and final book, my excitement at screening this movie was tempered with the dread of seeing the series end. I actually did not have high expectations for this installment as the first part of the book was slow-paced and, not unlike another movie about wizards and elves, had a lot of walking and searching. But instead of one elusive ring, Harry, Hermione and Ron are searching for three Horcruxes, objects in which Harry’s nemesis, Lord Voldemort has implanted a part of his soul in his quest to achieve immortality. While they seek clues to the remaining Horcruxes, they learn that Voldemort seeks one of three Deathly Hallows, three sacred objects, the stories of which are revealed in a beautifully mesmerizing shadow-puppet sequence.
Director David Yates balances dark action with solid storytelling and arresting cinematography. Daniel Radcliffe is in turn sympathetic and charming as the heavily burdened hero. Rupert Grint’s Ron Weasley brings most of the movie’s humor again, but he’s most impressive when he becomes believably tortured and resentful when the dark magic of Voldemort’s Horcrux takes over. Emma Watson gracefully infuses the normally astute and self-assured Hermione with weary resolve and poignant anguish. The most charged moments are of course when the trio share the screen with the dark wizards, the most notable played with relish by Ralph Fiennes as Voldemort and Helena Bonham Carter as his most ardent minion, Bellatrix.
Having waited what felt like an eternity for this installment, it seems almost cruel to be made to wait until next summer for the conclusion. But that’s the only real complaint I can make about this movie. Widely and wildly anticipated, Deathly Hallows Part I will not disappoint.
Like returning to your childhood home, it all looks familiar, but everything feels different. Gone are the school preparations, the train ride to Hogwarts, uniformed students jostling about, the easygoing camaraderie between our favorite trio, all the whimsical elements we’ve come to expect in a Harry Potter movie. Instead we have unease, sorrow and anger taking turns in the form of Hermione, Harry and Ron.
The Deathly Hallows Part I is the first of a two-part adaptation of the final book of J.K. Rowling’s popular series. Just like the anticipation of getting the seventh and final book, my excitement at screening this movie was tempered with the dread of seeing the series end. I actually did not have high expectations for this installment as the first part of the book was slow-paced and, not unlike another movie about wizards and elves, had a lot of walking and searching. But instead of one elusive ring, Harry, Hermione and Ron are searching for three Horcruxes, objects in which Harry’s nemesis, Lord Voldemort has implanted a part of his soul in his quest to achieve immortality. While they seek clues to the remaining Horcruxes, they learn that Voldemort seeks one of three Deathly Hallows, three sacred objects, the stories of which are revealed in a beautifully mesmerizing shadow-puppet sequence.
Director David Yates balances dark action with solid storytelling and arresting cinematography. Daniel Radcliffe is in turn sympathetic and charming as the heavily burdened hero. Rupert Grint’s Ron Weasley brings most of the movie’s humor again, but he’s most impressive when he becomes believably tortured and resentful when the dark magic of Voldemort’s Horcrux takes over. Emma Watson gracefully infuses the normally astute and self-assured Hermione with weary resolve and poignant anguish. The most charged moments are of course when the trio share the screen with the dark wizards, the most notable played with relish by Ralph Fiennes as Voldemort and Helena Bonham Carter as his most ardent minion, Bellatrix.
Having waited what felt like an eternity for this installment, it seems almost cruel to be made to wait until next summer for the conclusion. But that’s the only real complaint I can make about this movie. Widely and wildly anticipated, Deathly Hallows Part I will not disappoint.
Gareth von Kallenbach (977 KP) rated The Expendables (2010) in Movies
Aug 8, 2019
The latest from Sylvester Stallone since 2008’s Rambo, The Expendables is a movie where the testosterone flows like enemy blood. Both movies have similar themes of redemption, regret, and courage, and also thankfully similar is that the moments of awesomeness are plentiful. The Expendables put up a lot of hype, and it had a lot to live up to with it’s cast of action star greats, but it doesn’t let the audience down. It’s not the cerebral meta-violence of Inglorious Basterds, but a simpler, old-school, fun action movie kind of violence. You can root for your favorite action hero, watch them kick a little bad-guy ass, and sit back and enjoy the show.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
Vegemite Girl (284 KP) Apr 24, 2019
Dianne Robbins (1738 KP) Apr 24, 2019