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Gareth von Kallenbach (980 KP) rated Hancock (2008) in Movies
Aug 14, 2019
Throughout the annals of cinema, the big screen has been home to some of the most larger-than-life heroes ever to spring from the pages of comic books. Recent adaptations of Spider-Man, Batman, and Superman, all went on to box office gold and with several more character adaptations in the works, there seems to be no end to the public’s desire to see tales based on costumed heroes with amazing powers.
In one of the more original twists on the hero genre, Will Smith stars as Hancock, a surly lush, who is more concerned about his next drink than he is about saving the day. Despite being blessed with amazing strength, invulnerability, and the ability to fly, Hancock is looked upon with disdain by most of the people of Los Angeles because his attitude is second only to the amazing amount of damage he causes in bringing local hoodlums to justice.
Shortly after causing nine million dollars in damage after his latest crime fighting effort, the mayor of L.A. places a warrant out for Hancock, having decided it was time for Hancock to be held accountable for the mayhem he has caused. At the same time, publicist Ray Embrey (Jason Bateman) is returning home after failing in his pitch to get a major pharmaceutical company to donate their new wonder drug in an effort to make the world better.
When danger arises during a traffic jam, Ray is saved by Hancock in the nick of time and is grateful for the efforts of the hero. Unfortunately a group of bystanders are convinced that Hancock could have saved Ray without making wreaking such havoc. In the midst of some heated verbal exchanges, Ray steps up for Hancock and expresses his gratitude to the hero and invites him home for dinner with his son and wife Mary (Charlize Theron). Undaunted by the gruff mannerisms of Hancock, Ray eventually convinces Hancock to let Ray represent him and sets out on a plan to remake Hancock’s image more positive and civic-friendly.
While this scenario presents several comedic moments, the film eventually changes tact, and becomes much darker in tone, and mired in a subplot of fate and mysticism that honestly seems greatly out-of-place with the tone established in the first three quarters of the film.
While it is notable that the filmmakers decided to try something different, the final result is a muddled effort that greatly undermines the laughs and momentum that were established earlier in the film. Smith does a great job but when he is not unleashing his sardonic quips, he seems to be disinterested and going through the motion for much of the last half of the film. Bateman does the best he can with a stock part and Theron seems woefully underused in a role that, while promising, really is not worthy of an actress of her skills.
Director Peter Berg does a solid job with the action and FX of the film, and clearly shows he has a knack for humor. Unfortunately the script by “X-Files” alum Vince Gilligan and Vince Ngo fails to live up to the potential of the premise and in the end leaves “Hancock” grounded.
In one of the more original twists on the hero genre, Will Smith stars as Hancock, a surly lush, who is more concerned about his next drink than he is about saving the day. Despite being blessed with amazing strength, invulnerability, and the ability to fly, Hancock is looked upon with disdain by most of the people of Los Angeles because his attitude is second only to the amazing amount of damage he causes in bringing local hoodlums to justice.
Shortly after causing nine million dollars in damage after his latest crime fighting effort, the mayor of L.A. places a warrant out for Hancock, having decided it was time for Hancock to be held accountable for the mayhem he has caused. At the same time, publicist Ray Embrey (Jason Bateman) is returning home after failing in his pitch to get a major pharmaceutical company to donate their new wonder drug in an effort to make the world better.
When danger arises during a traffic jam, Ray is saved by Hancock in the nick of time and is grateful for the efforts of the hero. Unfortunately a group of bystanders are convinced that Hancock could have saved Ray without making wreaking such havoc. In the midst of some heated verbal exchanges, Ray steps up for Hancock and expresses his gratitude to the hero and invites him home for dinner with his son and wife Mary (Charlize Theron). Undaunted by the gruff mannerisms of Hancock, Ray eventually convinces Hancock to let Ray represent him and sets out on a plan to remake Hancock’s image more positive and civic-friendly.
While this scenario presents several comedic moments, the film eventually changes tact, and becomes much darker in tone, and mired in a subplot of fate and mysticism that honestly seems greatly out-of-place with the tone established in the first three quarters of the film.
While it is notable that the filmmakers decided to try something different, the final result is a muddled effort that greatly undermines the laughs and momentum that were established earlier in the film. Smith does a great job but when he is not unleashing his sardonic quips, he seems to be disinterested and going through the motion for much of the last half of the film. Bateman does the best he can with a stock part and Theron seems woefully underused in a role that, while promising, really is not worthy of an actress of her skills.
Director Peter Berg does a solid job with the action and FX of the film, and clearly shows he has a knack for humor. Unfortunately the script by “X-Files” alum Vince Gilligan and Vince Ngo fails to live up to the potential of the premise and in the end leaves “Hancock” grounded.
Gareth von Kallenbach (980 KP) rated Cars (2006) in Movies
Aug 14, 2019
The technical wizards at Pixar are back with a new feature film which continues their domination of the animated film genre.
With the huge success of their films The Incredibles as well as Finding Nemo, Monsters Inc. and the Toy Story films, it would be easy to think that the studio might be at a creative crossroads. When recent news around the industry involved the end of their deal with Disney and subsequent new deal with the company after a period of free agency as well as delays on their new project, some began to wonder what audiences would see if their next outing.
Thankfully Cars continues the amazing run of success for the studio and sets the bar even higher for animated films to follow.
The film follows the exploits of rookie racing car Lightning MC Queen (Owen Wilson), who is the hotshot rookie attempting to be the first rookie in history to win the Piston Cup title.
As Lightening dreams of winning the prize and in doing so, a hefty sponsorship with the big oil company, he decides to ignore the advice of his crew which causes him to end up in a three way tie for the title.
In order to resolve the tie a special race is to be held a week later in California between the three winners. En route, Lightning ignores the advice of his driver Mack (John Ratzenberger), and in a series of mishaps ends up alone in the desolate
town of Radiator Springs. As if this was not enough trouble for Lightning, he is forced by the local judge Doc Hudson (Paul Newman), to perform community service to complete the damage he caused to the road upon his arrival.
Faced with the prospect of losing time needed to get to and prepare for the race, the selfish Lightning does his best to alienate the local townsfolk including the local tow truck Tom Mater (Larry the Cable Guy), who like all the locals do their best to befriend him.
Along the way, Lightning learns the values of friendship, teamwork and community as he attempts to find the true meaning of the term “Winner”.
Graphically the film is amazing as the amount of CGI rendering that went into the film is said to be so extensive, it literally taxed the computers at Pixar to their limits. That is clear as the detail level and complexity of the film is staggering. You fully believe that this world populated entirely by machines exists.
There is a lot of humor in the film as well and more than enough nods that will appeal to older viewers yet may be over the heads of younger viewers.
If I had to find fault in the film, it would be that with a running time of slightly over two hours, it does tend to drag in a few places. My nephew and his friend became restless about 50 minutes into the film which made me think that the running time may be to long for some younger children to sit through and that the film might have been better served by trimming about 30 minutes as there were segments that while visually appealing, did not really need to be there.
That being said, Cars is a true delight and proof that once again, Pixar is the undisputed champion of animated films.
With the huge success of their films The Incredibles as well as Finding Nemo, Monsters Inc. and the Toy Story films, it would be easy to think that the studio might be at a creative crossroads. When recent news around the industry involved the end of their deal with Disney and subsequent new deal with the company after a period of free agency as well as delays on their new project, some began to wonder what audiences would see if their next outing.
Thankfully Cars continues the amazing run of success for the studio and sets the bar even higher for animated films to follow.
The film follows the exploits of rookie racing car Lightning MC Queen (Owen Wilson), who is the hotshot rookie attempting to be the first rookie in history to win the Piston Cup title.
As Lightening dreams of winning the prize and in doing so, a hefty sponsorship with the big oil company, he decides to ignore the advice of his crew which causes him to end up in a three way tie for the title.
In order to resolve the tie a special race is to be held a week later in California between the three winners. En route, Lightning ignores the advice of his driver Mack (John Ratzenberger), and in a series of mishaps ends up alone in the desolate
town of Radiator Springs. As if this was not enough trouble for Lightning, he is forced by the local judge Doc Hudson (Paul Newman), to perform community service to complete the damage he caused to the road upon his arrival.
Faced with the prospect of losing time needed to get to and prepare for the race, the selfish Lightning does his best to alienate the local townsfolk including the local tow truck Tom Mater (Larry the Cable Guy), who like all the locals do their best to befriend him.
Along the way, Lightning learns the values of friendship, teamwork and community as he attempts to find the true meaning of the term “Winner”.
Graphically the film is amazing as the amount of CGI rendering that went into the film is said to be so extensive, it literally taxed the computers at Pixar to their limits. That is clear as the detail level and complexity of the film is staggering. You fully believe that this world populated entirely by machines exists.
There is a lot of humor in the film as well and more than enough nods that will appeal to older viewers yet may be over the heads of younger viewers.
If I had to find fault in the film, it would be that with a running time of slightly over two hours, it does tend to drag in a few places. My nephew and his friend became restless about 50 minutes into the film which made me think that the running time may be to long for some younger children to sit through and that the film might have been better served by trimming about 30 minutes as there were segments that while visually appealing, did not really need to be there.
That being said, Cars is a true delight and proof that once again, Pixar is the undisputed champion of animated films.
Gareth von Kallenbach (980 KP) rated Shrek the Third (2007) in Movies
Aug 14, 2019
When last we saw the Ogre Shrek, (Mike Meyers), he and his wife Fiona (Cameron Diaz), they were happily celebrating their love and triumph over the dastardly Prince Charmings (Rupert Everett), latest attempt to rule the magical kingdom of Far, Far Away. In the new film Shrek the Third,
Shrek has grown weary of filling in for the ailing King and years to return to his swamp home with Fiona.
When a twist of fate leaves Shrek in line for the throne, he wants no part of it, and seeks to find the next heir, Arthur (Justin
Timberlake), and install him as the next leader of the land. With Donkey (Eddie Murphy), and Puss In Boots (Antonio Banderas), at his side, Shrek sets off to meet Arthur and bring him to his future
kingdom.
Of course things do not go as planned, as upon meeting Arthur, Shrek and his friends are shocked to learn that he is a meek individual who is constantly picked on by his fellow classmates, and is far from King material.
Undaunted, the trio set back home with Arthur and find themselves at odds over Shrek’s claims that Arthur was granted the throne as the last wish of the former monarch. The fact that Shrek was actually the chosen successor is of little concern to Shrek as he is more concerned with returning home and the recent news that he is to become a father.
When fate steps in and strands them during the journey home, Shrek and friends encounter a former
eccentric professor (Eric Idle) of Arthur, who magically whisks the adventurers
back home, but with some unexpected and amusing side effects.
During this time, Prince Charming has mounted an attack on the Kingdom with the aid of several local villains in an attempt to take the crown for himself and rid the world of Shrek. What follows is a Frantic adventure as Shrek and his friends must find a way to save the day and help Arthur find his destiny.
While I was a big fan of the previous two films in the series, this Shrek did not work for me nearly as well as the other two did.
Yes there are some funny moments and I am sure this film will do huge business at the box office, but it is severely lacking.
First and foremost is the humor in the film, which while at times funny, is far to few and far between to make an effective comedy.
The previous films were loaded with laughs and pop culture references which in this one are more subdued and confined. I kept thinking while I watched the film that much of this film could easily have been comprised of outtakes from the previous films as there is precious little new material in the film and many of the jokes just do not seem that inspired.
Another issue with the film is that Murphy and Banderas are far to underused especially since their characters are the most interesting in the film, and they generate the biggest laughs when they are allowed to shine.
The film has a cute quality to it and own its own, it would be a decent family film. However when compared with the previous film in the series, this Shrek is Far, Far and Away the worst of the three.
Shrek has grown weary of filling in for the ailing King and years to return to his swamp home with Fiona.
When a twist of fate leaves Shrek in line for the throne, he wants no part of it, and seeks to find the next heir, Arthur (Justin
Timberlake), and install him as the next leader of the land. With Donkey (Eddie Murphy), and Puss In Boots (Antonio Banderas), at his side, Shrek sets off to meet Arthur and bring him to his future
kingdom.
Of course things do not go as planned, as upon meeting Arthur, Shrek and his friends are shocked to learn that he is a meek individual who is constantly picked on by his fellow classmates, and is far from King material.
Undaunted, the trio set back home with Arthur and find themselves at odds over Shrek’s claims that Arthur was granted the throne as the last wish of the former monarch. The fact that Shrek was actually the chosen successor is of little concern to Shrek as he is more concerned with returning home and the recent news that he is to become a father.
When fate steps in and strands them during the journey home, Shrek and friends encounter a former
eccentric professor (Eric Idle) of Arthur, who magically whisks the adventurers
back home, but with some unexpected and amusing side effects.
During this time, Prince Charming has mounted an attack on the Kingdom with the aid of several local villains in an attempt to take the crown for himself and rid the world of Shrek. What follows is a Frantic adventure as Shrek and his friends must find a way to save the day and help Arthur find his destiny.
While I was a big fan of the previous two films in the series, this Shrek did not work for me nearly as well as the other two did.
Yes there are some funny moments and I am sure this film will do huge business at the box office, but it is severely lacking.
First and foremost is the humor in the film, which while at times funny, is far to few and far between to make an effective comedy.
The previous films were loaded with laughs and pop culture references which in this one are more subdued and confined. I kept thinking while I watched the film that much of this film could easily have been comprised of outtakes from the previous films as there is precious little new material in the film and many of the jokes just do not seem that inspired.
Another issue with the film is that Murphy and Banderas are far to underused especially since their characters are the most interesting in the film, and they generate the biggest laughs when they are allowed to shine.
The film has a cute quality to it and own its own, it would be a decent family film. However when compared with the previous film in the series, this Shrek is Far, Far and Away the worst of the three.
Gareth von Kallenbach (980 KP) rated The 40 Year Old Virgin (2005) in Movies
Aug 14, 2019
Andy Stitzer (Steve Carell) is a guy who has found his place in the world. Andy has a small but comfortable apartment that is stocked with all manner of high tech electronics, as well as an impressive collection of valuable collectables.
Andy has a comfortable if not dynamic job managing inventory for a local electronics store as well as a group of co-workers who include Andy in their conversations.
Andy’s life takes an unexpected turn when it is revealed at an after hours poker game that he has never been with a woman in a physical way, making him a 40 year old virgin.
Shocked and amused, Andy’s co-workers make it their personal quest to get Andy fixed up and on with his life. Andy for the most part is not overly enthused as his past failures in dating and heavy petting have all ended in disaster causing him to forgo pursuing sex.
Andy takes this all in stride even when it results in some hilarious and often painful experiences ranging from chest waxing, to drunken woman intent on making Andy their pleasure toy. As the experiences go from one bizarre encounter after another, Andy becomes even more confused, especially when his co-workers continue to offer advice that seems less than practical.
During this time, Andy meets Trish (Catherine Keener), who works at a business across from the shop. Andy is unsure how to handle her openness but when persuaded, he realizes that she may indeed like him, and now it is time to put what he has been told into effect.
Playing it cool, Andy does not call right away, but after even more outrageous situations arise, Andy eventually calls Trish and they go out. Things go very well, that is until Andy is faced with situations he has never encountered and all of his life experiences have prepared him for what is to come next.
Directed by Judd Apatow, The 40 Year Old Virgin, is a comic triumph that is consistently funny throughout. Carell is fantastic as he shows that he is a true comic talent that has arrived after his scene stealing performances in “Bruce Almighty”, and “Anchorman”.
The film is very crude and raunchy, but unlike the recent Deuce Bigalow film, there is a sincerity and charm about the films that puts the debauchery in context. This is not a film that throws gross situations at you for shock value, they are included as a natural part of the story and as part of the characters lives.
While some may balk at this, it is important to remember that in a film that deals with single men and sex, in many ways this film could actually be seen as restrained in how the characters discuss and deal with the topics and situations.
That being said, the film is a true work of genius and should launch Carell as the next great comic actor. His ability to blend physical and subtle comedy is amazing as his ability to portray Andy as a sympathetic and understandable character is truly amazing. Talent such as his only comes along once in a great while and thankfully the 42 year old Carell is finally getting a chance to shine. If you love to laugh and do not mind crude humor, do not miss this film.
Andy has a comfortable if not dynamic job managing inventory for a local electronics store as well as a group of co-workers who include Andy in their conversations.
Andy’s life takes an unexpected turn when it is revealed at an after hours poker game that he has never been with a woman in a physical way, making him a 40 year old virgin.
Shocked and amused, Andy’s co-workers make it their personal quest to get Andy fixed up and on with his life. Andy for the most part is not overly enthused as his past failures in dating and heavy petting have all ended in disaster causing him to forgo pursuing sex.
Andy takes this all in stride even when it results in some hilarious and often painful experiences ranging from chest waxing, to drunken woman intent on making Andy their pleasure toy. As the experiences go from one bizarre encounter after another, Andy becomes even more confused, especially when his co-workers continue to offer advice that seems less than practical.
During this time, Andy meets Trish (Catherine Keener), who works at a business across from the shop. Andy is unsure how to handle her openness but when persuaded, he realizes that she may indeed like him, and now it is time to put what he has been told into effect.
Playing it cool, Andy does not call right away, but after even more outrageous situations arise, Andy eventually calls Trish and they go out. Things go very well, that is until Andy is faced with situations he has never encountered and all of his life experiences have prepared him for what is to come next.
Directed by Judd Apatow, The 40 Year Old Virgin, is a comic triumph that is consistently funny throughout. Carell is fantastic as he shows that he is a true comic talent that has arrived after his scene stealing performances in “Bruce Almighty”, and “Anchorman”.
The film is very crude and raunchy, but unlike the recent Deuce Bigalow film, there is a sincerity and charm about the films that puts the debauchery in context. This is not a film that throws gross situations at you for shock value, they are included as a natural part of the story and as part of the characters lives.
While some may balk at this, it is important to remember that in a film that deals with single men and sex, in many ways this film could actually be seen as restrained in how the characters discuss and deal with the topics and situations.
That being said, the film is a true work of genius and should launch Carell as the next great comic actor. His ability to blend physical and subtle comedy is amazing as his ability to portray Andy as a sympathetic and understandable character is truly amazing. Talent such as his only comes along once in a great while and thankfully the 42 year old Carell is finally getting a chance to shine. If you love to laugh and do not mind crude humor, do not miss this film.
Gareth von Kallenbach (980 KP) rated Deuce Bigalow: European Gigolo (2005) in Movies
Aug 14, 2019
Europe. The very name brings up images of rich traditions, centuries-old stunning architecture, fine cuisine, historic artwork, and of course culture and sophistication. Europe has endured wars, plagues, and hordes of unruly soccer fans and has remained intact. Perhaps its greatest challenge is about to arrive in the form of Deuce Bigalow, pool cleaner, fish lover, and male Gigolo.
Rob Schneider returns as Deuce, who has given up his man-whoring ways and married the girl of his dreams. As the film opens, we learn that Deuce was widowed on his honeymoon and has carried a torch for his departed wife for years. The fact that the torch in question is actually her artificial limb is a creepy sentiment that further isolates Deuce from those around him.
After a day at the beach goes horribly wrong, Deuce happily accepts an invitation from his friend T.J. (Eddie Griffin), and travels to Amsterdam for some time away. With the artificial limb in tow, Deuce arrives and learns that a mysterious killer has been dispatching Europe’s top gigolos and before you can say “space cake” T.J. is implicated in the murders and on the run, forcing Deuce to go back to his man-whoring in an effort to learn who is behind the killings.
Since Deuce witnessed the aftermath of a recent killing, he is convinced that the killer is a woman and that only by dating those clients of the recently departed can he find the proof needed to free T.J.
Of course Deuce doesn’t get the cream of society. His clients are a mixed bag that makes his Janes from the first film seem normal. There is the lady with the gaping hole in her throat, a lady whose ears put Dumbo’s to shame, a giant with an infant fetish, and a woman with a male sex organ for a nose.
It is against this backdrop that Deuce meets Eva (Hanna Verboom), an artist with Obsessive Compulsive Disorder and the daughter of the police inspector
investigating the case. Deuce is taken with the charming Eva which leads to even more conflict for the widowed Deuce.
As if his life could not get any worse, Deuce is at odds with the European Society of Man Pimps who constantly go out of their way to taunt Deuce and his inclusion in their profession.
Over the next 90 minutes a constant barrage of crude jokes ensues ranging from the gross to the juvenile. Yet despite the ongoing crude and sophomoric humor, I found myself laughing as did the majority of the audience at my screening.
While I can see how many critics will not like this film due to a very basic story, thin characters and crudeness, the film works very well as a mindless comedy.
The characters are not expanded from their roles in the original and do not need to be. We know that Deuce is an easy going loser with a heart of gold and that is all we need to know.
Schneider and Griffin work well with one another and the constant euphemisms such as Mangina, He-Hoe and Hegina flow often only to be followed by new and even more creative phrases.
If you are a fan of the original and do not get offended easily than this is going to be your film. It isn’t trying to break new ground, it is trying to make you laugh, and for this critic, despite the films flaws, I laughed constantly throughout, and in many cases harder than I have at any film in recent years.
Rob Schneider returns as Deuce, who has given up his man-whoring ways and married the girl of his dreams. As the film opens, we learn that Deuce was widowed on his honeymoon and has carried a torch for his departed wife for years. The fact that the torch in question is actually her artificial limb is a creepy sentiment that further isolates Deuce from those around him.
After a day at the beach goes horribly wrong, Deuce happily accepts an invitation from his friend T.J. (Eddie Griffin), and travels to Amsterdam for some time away. With the artificial limb in tow, Deuce arrives and learns that a mysterious killer has been dispatching Europe’s top gigolos and before you can say “space cake” T.J. is implicated in the murders and on the run, forcing Deuce to go back to his man-whoring in an effort to learn who is behind the killings.
Since Deuce witnessed the aftermath of a recent killing, he is convinced that the killer is a woman and that only by dating those clients of the recently departed can he find the proof needed to free T.J.
Of course Deuce doesn’t get the cream of society. His clients are a mixed bag that makes his Janes from the first film seem normal. There is the lady with the gaping hole in her throat, a lady whose ears put Dumbo’s to shame, a giant with an infant fetish, and a woman with a male sex organ for a nose.
It is against this backdrop that Deuce meets Eva (Hanna Verboom), an artist with Obsessive Compulsive Disorder and the daughter of the police inspector
investigating the case. Deuce is taken with the charming Eva which leads to even more conflict for the widowed Deuce.
As if his life could not get any worse, Deuce is at odds with the European Society of Man Pimps who constantly go out of their way to taunt Deuce and his inclusion in their profession.
Over the next 90 minutes a constant barrage of crude jokes ensues ranging from the gross to the juvenile. Yet despite the ongoing crude and sophomoric humor, I found myself laughing as did the majority of the audience at my screening.
While I can see how many critics will not like this film due to a very basic story, thin characters and crudeness, the film works very well as a mindless comedy.
The characters are not expanded from their roles in the original and do not need to be. We know that Deuce is an easy going loser with a heart of gold and that is all we need to know.
Schneider and Griffin work well with one another and the constant euphemisms such as Mangina, He-Hoe and Hegina flow often only to be followed by new and even more creative phrases.
If you are a fan of the original and do not get offended easily than this is going to be your film. It isn’t trying to break new ground, it is trying to make you laugh, and for this critic, despite the films flaws, I laughed constantly throughout, and in many cases harder than I have at any film in recent years.
Gareth von Kallenbach (980 KP) rated Mr. & Mrs. Smith (2005) in Movies
Aug 14, 2019
Not since the film The War of the Roses has the silver screen portrayed marital discord in such as humorous and violent fashion as it does in Mr. and Mrs. Smith.
The film stars Brad Pitt and Angelina Jolie as the title characters who are approaching their sixth year of marriage, though Mr. Smith seems to be convinced it has only been five.
Tedium has set into their suburban lives, and the couple has entered counseling in an effort to help their lack of communication. The story of how they met and various aspects of their lives with one another paints the picture of how much the flame has dulled after such an explosive start for the couple.
As routine has their home lives have become, one thing that has not changed is their work. Unknown to each other, the Smiths are actually assassins for competing firms. Both Smiths are convinced that their spouse works in other fields and manage to complete most of their missions during the day or night under the guise of work for the cover careers.
Things change when both agents are assigned by their firms to a mission where they end up encountering each other from a distance. Unsure of whom the person they spotted is, they are ordered to eliminate the person in order to protect their cover.
This begins a rapid series of events that, as anyone who has seen the trailer will realize, the Smiths will figure out that the person they have been seeking is their very own spouse. While this destination is inevitable to the plot is not a surprise, the trip leading up to it, and the whirlwind of events that follows this discovery, is what really makes this film such an enjoyable ride.
Naturally when the two uncover their spouse’s true identity, the instincts of their professions as well as their pent up frustrations come out in an orgy of passion and violence that leaves a trail of devastation. The various encounters between the Smiths not only escalate on the violence scale, but due to issue such as pride, reputations, and betrayal, the objectivity and impersonal nature of their work are abandoned.
I think Shakespeare put it best when he said that “Hell hath no fury like a woman scorned”, as the scenes of Jane Smith unloading her pent up fury are almost as hysterical as the segments where John Smith takes his turn at the plate.
A prime example of the films ability to mix action and comedy to perfection is the classic dance scene where the two attempt to disarm one another in an effort to get the upper hand. Pitt and Jolie dance and exchanges barbs, as they keep the beat and discard the weapons they find, as they plot to gain the upper hand.
The film did lose a bit of its amazing momentum about a third of the way in, before regrouping and bringing the film to an action packed and very satisfying conclusion. The supporting work of Vince Vaughn is very funny, but sadly his presence is limited. The films works very well because the chemistry between the two leads is very strong, as are the action and humor sequences. Without a doubt one of the best movies of the summer and one not to be missed
The film stars Brad Pitt and Angelina Jolie as the title characters who are approaching their sixth year of marriage, though Mr. Smith seems to be convinced it has only been five.
Tedium has set into their suburban lives, and the couple has entered counseling in an effort to help their lack of communication. The story of how they met and various aspects of their lives with one another paints the picture of how much the flame has dulled after such an explosive start for the couple.
As routine has their home lives have become, one thing that has not changed is their work. Unknown to each other, the Smiths are actually assassins for competing firms. Both Smiths are convinced that their spouse works in other fields and manage to complete most of their missions during the day or night under the guise of work for the cover careers.
Things change when both agents are assigned by their firms to a mission where they end up encountering each other from a distance. Unsure of whom the person they spotted is, they are ordered to eliminate the person in order to protect their cover.
This begins a rapid series of events that, as anyone who has seen the trailer will realize, the Smiths will figure out that the person they have been seeking is their very own spouse. While this destination is inevitable to the plot is not a surprise, the trip leading up to it, and the whirlwind of events that follows this discovery, is what really makes this film such an enjoyable ride.
Naturally when the two uncover their spouse’s true identity, the instincts of their professions as well as their pent up frustrations come out in an orgy of passion and violence that leaves a trail of devastation. The various encounters between the Smiths not only escalate on the violence scale, but due to issue such as pride, reputations, and betrayal, the objectivity and impersonal nature of their work are abandoned.
I think Shakespeare put it best when he said that “Hell hath no fury like a woman scorned”, as the scenes of Jane Smith unloading her pent up fury are almost as hysterical as the segments where John Smith takes his turn at the plate.
A prime example of the films ability to mix action and comedy to perfection is the classic dance scene where the two attempt to disarm one another in an effort to get the upper hand. Pitt and Jolie dance and exchanges barbs, as they keep the beat and discard the weapons they find, as they plot to gain the upper hand.
The film did lose a bit of its amazing momentum about a third of the way in, before regrouping and bringing the film to an action packed and very satisfying conclusion. The supporting work of Vince Vaughn is very funny, but sadly his presence is limited. The films works very well because the chemistry between the two leads is very strong, as are the action and humor sequences. Without a doubt one of the best movies of the summer and one not to be missed
Gareth von Kallenbach (980 KP) rated Harold & Kumar Escape from Guantanamo Bay (2008) in Movies
Aug 14, 2019
It has been four years since Harold and Kumar embarked on their munchies induced quest for White Castle hamburgers. The resulting chaos and mayhem that resulted led to solid box office and DVD sales and spawned the sequel “Harold and Kumar Escape from Guantanamo Bay”.
The film picks up at the conclusion of the last film and finds Harold (John Cho), planning a trip to Amsterdam with his friend Kumar (Kal Penn), in order to surprise his new girlfriend Maria (Paula Garces). Kumar is thrilled at the idea of the trip fueled in large part due to Amsterdam’s very tolerant attitude towards drugs.
As they prepare to board their plane, the duo meet Kumar’s old girlfriend Vanessa (Danneel Harris), who is about to marry a powerful and conservative Texan named Colton (Eric Winter), who has designs on being the President someday.
Unwilling to let on that he still holds a torch for Vanessa, Kumar attempts to get high during the flight and ends up getting himself and Harold mistaken for terrorists. Before the duo know what has hit them they have run afoul of Homeland Security agent Ron Fox (Rob Corddry), and are sharing a cell in Guantanamo Bay.
Desperate to escape their plight, the duo soon find themselves on the lam with Fox and the nations law enforcement officials in hot pursuit.
Harold and Kumar hope to make it to Texas in order to seek help from Colton as Harold thinks that due to their friendship and his connections he can get the duo out of their predicament. Kumar is all for this as not only is it the best way to get out of their situation but he secretly thinks he can get Vanessa to come back to him before it is too late.
Along the way the duo look to find help from their bizarre friends, and run into all manner of obstacles ranging from the Klan, Rednecks, and Neil Patrick Harris in a very funny cameo, and countless other bizarre people and situations.
The film is crude but if you were a fan of the last film, you will likely find this film very funny. The chemistry between Cho and Penn is good and it is fun to see the misadventures of the two best friends and hear them argue amongst themselves over their plight. Harold being the more level headed of the two is furious over the irresponsible Kumar and how he got them into this situation, but he is willing to stand by his friend to a point, which results in one of the fun moments in the film when the duo end up in a brothel in Texas.
Penn and Cho also seem to be having a good time playing the characters and despite the abundance of crude and drug related humor, there are some genuinely funny moments in the film and it is better than the first film in the series.
Those expecting a deep plot and characters will be disappointed, but if you came into this film looking for those elements, then you must have gotten into Kumar’s stash. That being said, take the film for what it is, and enjoyable if light piece of comedy, and you are likely to be glad that you are along for the ride.
The film picks up at the conclusion of the last film and finds Harold (John Cho), planning a trip to Amsterdam with his friend Kumar (Kal Penn), in order to surprise his new girlfriend Maria (Paula Garces). Kumar is thrilled at the idea of the trip fueled in large part due to Amsterdam’s very tolerant attitude towards drugs.
As they prepare to board their plane, the duo meet Kumar’s old girlfriend Vanessa (Danneel Harris), who is about to marry a powerful and conservative Texan named Colton (Eric Winter), who has designs on being the President someday.
Unwilling to let on that he still holds a torch for Vanessa, Kumar attempts to get high during the flight and ends up getting himself and Harold mistaken for terrorists. Before the duo know what has hit them they have run afoul of Homeland Security agent Ron Fox (Rob Corddry), and are sharing a cell in Guantanamo Bay.
Desperate to escape their plight, the duo soon find themselves on the lam with Fox and the nations law enforcement officials in hot pursuit.
Harold and Kumar hope to make it to Texas in order to seek help from Colton as Harold thinks that due to their friendship and his connections he can get the duo out of their predicament. Kumar is all for this as not only is it the best way to get out of their situation but he secretly thinks he can get Vanessa to come back to him before it is too late.
Along the way the duo look to find help from their bizarre friends, and run into all manner of obstacles ranging from the Klan, Rednecks, and Neil Patrick Harris in a very funny cameo, and countless other bizarre people and situations.
The film is crude but if you were a fan of the last film, you will likely find this film very funny. The chemistry between Cho and Penn is good and it is fun to see the misadventures of the two best friends and hear them argue amongst themselves over their plight. Harold being the more level headed of the two is furious over the irresponsible Kumar and how he got them into this situation, but he is willing to stand by his friend to a point, which results in one of the fun moments in the film when the duo end up in a brothel in Texas.
Penn and Cho also seem to be having a good time playing the characters and despite the abundance of crude and drug related humor, there are some genuinely funny moments in the film and it is better than the first film in the series.
Those expecting a deep plot and characters will be disappointed, but if you came into this film looking for those elements, then you must have gotten into Kumar’s stash. That being said, take the film for what it is, and enjoyable if light piece of comedy, and you are likely to be glad that you are along for the ride.
Gareth von Kallenbach (980 KP) rated Transformers Revenge of the Fallen (2009) in Movies
Aug 9, 2019
Following up the success of “Transformers” was not easy task, and thankfully Director Michael Bay and the amazing wizards at Industrial Light and Magic are up to the challenge as “Transformers: Revenge of the Fallen” is the rare sequel that outdoes the original in almost every way.
The film once again stars Shia LaBeouf as Sam Witwicky who is still dating the lovely Mikaela (Megan Fox), as he prepares to head east for college.
Mikaela is unable to head east with Sam as she must stay behind to help her recently paroled father. Sam and his parents head off to his college campus and leave his transforming Camero Bumblebee at home.
At the same time, Optimus Prime (Peter Cullen), and the rest of the heroic Autobots have joined forces with the government in an effort to locate and remove any remaining Decepticon threat. The special unit has worked well for two years as they have not only managed to contain the threat, but have kept their existence on Earth a secret until a mission in Shanghai escalates and has giant robots racing through the streets creating a path of destruction.
The aftermath of the mission causes some in authority to question the need for the Autobots and despite concerns that a major offensive is in the planning, the movements of the team are curtailed.
Sam and Mikaela are soon reunited when a shard from the All Spark is stolen. Sam also starts to have visions of mysterious alien symbols making him the prime target of the recently resurrected Megatron (Hugo Weaving), and his minions.
It is learned that the life essences of the Autobots and Decepticons may have a supply located on Earth and that Megatron will stop at nothing to locate it even if it means destroying the sun and all life on earth in the process.
What follows is a spectacular and extended series of battles which range from the city, to the countryside and deserts and pyramids of Egypt.
The new film has a surprisingly good amount of humor in it, which is needed as the film has a run time of over 2.5 hours and does take its time getting started in the first 40 minutes.
While the plot may be fairly basic and a bit convoluted, the real stars of the film are the action sequences, and Michael Bay ups the ante on explosions, destruction, and robot mayhem. It is clear that a lot of money was spent on the film and it is all up there on the screen. Lavish battles between the robotic forces and the military unfold often and the finale is an extended battle sequences that is amongst the most ambitious and lavish in action film history.
LaBeouf and Fox do the best with their parts even though they are not given much to do except run, jump, and look attractive when they are not interacting with their CGI Co stars.
That being said, the film knows what its audience is as does not try to reinvent what worked so well in the previous film. Instead its focus is on giving you more of what the audience loved and in that we get much more of the robots in combat and more of Megan Fox is skimpy tops and shorts.
The lavish and amazing visuals and action carry the film and establish Transformers as a heavyweight franchise for summers to come.
The film once again stars Shia LaBeouf as Sam Witwicky who is still dating the lovely Mikaela (Megan Fox), as he prepares to head east for college.
Mikaela is unable to head east with Sam as she must stay behind to help her recently paroled father. Sam and his parents head off to his college campus and leave his transforming Camero Bumblebee at home.
At the same time, Optimus Prime (Peter Cullen), and the rest of the heroic Autobots have joined forces with the government in an effort to locate and remove any remaining Decepticon threat. The special unit has worked well for two years as they have not only managed to contain the threat, but have kept their existence on Earth a secret until a mission in Shanghai escalates and has giant robots racing through the streets creating a path of destruction.
The aftermath of the mission causes some in authority to question the need for the Autobots and despite concerns that a major offensive is in the planning, the movements of the team are curtailed.
Sam and Mikaela are soon reunited when a shard from the All Spark is stolen. Sam also starts to have visions of mysterious alien symbols making him the prime target of the recently resurrected Megatron (Hugo Weaving), and his minions.
It is learned that the life essences of the Autobots and Decepticons may have a supply located on Earth and that Megatron will stop at nothing to locate it even if it means destroying the sun and all life on earth in the process.
What follows is a spectacular and extended series of battles which range from the city, to the countryside and deserts and pyramids of Egypt.
The new film has a surprisingly good amount of humor in it, which is needed as the film has a run time of over 2.5 hours and does take its time getting started in the first 40 minutes.
While the plot may be fairly basic and a bit convoluted, the real stars of the film are the action sequences, and Michael Bay ups the ante on explosions, destruction, and robot mayhem. It is clear that a lot of money was spent on the film and it is all up there on the screen. Lavish battles between the robotic forces and the military unfold often and the finale is an extended battle sequences that is amongst the most ambitious and lavish in action film history.
LaBeouf and Fox do the best with their parts even though they are not given much to do except run, jump, and look attractive when they are not interacting with their CGI Co stars.
That being said, the film knows what its audience is as does not try to reinvent what worked so well in the previous film. Instead its focus is on giving you more of what the audience loved and in that we get much more of the robots in combat and more of Megan Fox is skimpy tops and shorts.
The lavish and amazing visuals and action carry the film and establish Transformers as a heavyweight franchise for summers to come.
MaryAnn (14 KP) rated A Very Austen Valentine in Books
Nov 4, 2019
ix beloved authors deliver romantic Valentine novellas set in Jane Austens Regency world. Robin Helm, Laura Hile, Wendi Sotis, and Barbara Cornthwaite, together with Susan Kaye and Mandy Cook, share variations of Pride and Prejudice, Persuasion, and Sense and Sensibility, featuring your favorite characters in sequels, adaptations, and spinoffs of Austens adored novels. Experience uplifting romance, laugh-out-loud humor, and poignant regret as these authors deftly tug on your heartstrings this Valentines Day.
I Dream of You by Robin Helm
Newly-married Elizabeth Darcy has a plan: to charm her too-busy husband into desiring her company as much as he did when he was courting her. A series of romantic dreams gives her just the push she needs to put that plan into action.
Sir Walter Takes a Wife by Laura Hile
Faced with a lonely future and finding himself strapped for cash, Persuasions Sir Walter Elliot manfully decides to marry again. But his careful plans go sadly awry! A lighthearted Valentine mash-up featuring two of Jane Austens worst snobs.
My Forever Valentine by Wendi Sotis
Jane and Charles Bingley have married, even though Miss Elizabeth Bennet remains certain Mr. Fitzwilliam Darcy gave his best effort to keep them apart. After Mr. Darcy refused to stand up with Bingley and did not attend the wedding, she despises the gentleman more than ever and finds his company intolerable. How will she endure her visit to Kent if Mr. Darcy turns up everywhere she goes?
Pretence and Prejudice by Barbara Cornthwaite
A chance encounter with a handsome stranger forces Elizabeth to resort to subterfuge in order to discover his true intentions.
My Valentine by Mandy H. Cook Mandy H. Cook
Little Charlotte was always determined and independent, traits which served her well as she battled a serious childhood illness and later as she took on Polite Society. Will those traits now deprive her of true love? Or would her lifelong Valentine win her heart?
The Lovers Ruse by Susan Kaye
In this Persuasion alteration, Anne is so altered by Wentworths love in the summer of 1806, she refuses to give him up when both her godmother and father try to persuade her. The Lovers Rusefollows Frederick and Anne through their whirlwind courtship and their secret engagement. When Wentworth returns for his Annie girl, the cat comes out of the bag.
My Thoughts: These six charming novellas centered around Valentines will entice all those who adore Jane Austen's writings. Based on characters from Jane Austen's novels; I enjoyed reading into the lives of the Darcy's; I was impressed that the writers Robin Helm, Wendi Sotis and Mandy H. Cook are all centered their novellas around the same family. Each storytelling its own unique view of their lives.
Each story is fun to read, and takes the reader back to a simpler time, of love, romance, and proper etiquette. Each story has it's own charm and brings the reader closer to the characters.
My favorites have to be the novellas containing the characters Elizabeth and Fitzwilliam Darcy, my absolute favorite being "I Dream of You". In this novella we learn how to give rather than to receive and the joys we can draw from each act of kindness.
If you love historical fiction, and Jane Austen novels, then this is certainly a book for you.
I Dream of You by Robin Helm
Newly-married Elizabeth Darcy has a plan: to charm her too-busy husband into desiring her company as much as he did when he was courting her. A series of romantic dreams gives her just the push she needs to put that plan into action.
Sir Walter Takes a Wife by Laura Hile
Faced with a lonely future and finding himself strapped for cash, Persuasions Sir Walter Elliot manfully decides to marry again. But his careful plans go sadly awry! A lighthearted Valentine mash-up featuring two of Jane Austens worst snobs.
My Forever Valentine by Wendi Sotis
Jane and Charles Bingley have married, even though Miss Elizabeth Bennet remains certain Mr. Fitzwilliam Darcy gave his best effort to keep them apart. After Mr. Darcy refused to stand up with Bingley and did not attend the wedding, she despises the gentleman more than ever and finds his company intolerable. How will she endure her visit to Kent if Mr. Darcy turns up everywhere she goes?
Pretence and Prejudice by Barbara Cornthwaite
A chance encounter with a handsome stranger forces Elizabeth to resort to subterfuge in order to discover his true intentions.
My Valentine by Mandy H. Cook Mandy H. Cook
Little Charlotte was always determined and independent, traits which served her well as she battled a serious childhood illness and later as she took on Polite Society. Will those traits now deprive her of true love? Or would her lifelong Valentine win her heart?
The Lovers Ruse by Susan Kaye
In this Persuasion alteration, Anne is so altered by Wentworths love in the summer of 1806, she refuses to give him up when both her godmother and father try to persuade her. The Lovers Rusefollows Frederick and Anne through their whirlwind courtship and their secret engagement. When Wentworth returns for his Annie girl, the cat comes out of the bag.
My Thoughts: These six charming novellas centered around Valentines will entice all those who adore Jane Austen's writings. Based on characters from Jane Austen's novels; I enjoyed reading into the lives of the Darcy's; I was impressed that the writers Robin Helm, Wendi Sotis and Mandy H. Cook are all centered their novellas around the same family. Each storytelling its own unique view of their lives.
Each story is fun to read, and takes the reader back to a simpler time, of love, romance, and proper etiquette. Each story has it's own charm and brings the reader closer to the characters.
My favorites have to be the novellas containing the characters Elizabeth and Fitzwilliam Darcy, my absolute favorite being "I Dream of You". In this novella we learn how to give rather than to receive and the joys we can draw from each act of kindness.
If you love historical fiction, and Jane Austen novels, then this is certainly a book for you.
Sophia (Bookwyrming Thoughts) (530 KP) rated Spellhacker in Books
Jan 23, 2020
Review going live on the blog at midnight EST because UBB doesn't want to get along with block editor.
<b><i>The author/publisher provided a free copy of the book for review purposes - thank you! Receiving a review copy does not guarantee a positive review and therefore do not affect the opinion or content of the review.</i></b>
I love heists in books. We've got a group of people (each who are talented AF), something goes wrong (oop--) and then they're scrambling to fix things. Sometimes there's a character or two (or more) pining for another character and we just want to smush/protect them.
And it's definitely the case with <em>Spellhacker</em> by M.K. England, which follows Diz and her friends (Ania, Jaesin and Remi) as they take on one last job that ends up backfiring horribly in their faces. It's never happened in the two years they've been running their side business. There's magic (known as maz) and seriously cool technology involved, and that's usually a good recipe for me to enjoy the book. <s>Provided that something explodes, of course, but don't tell anyone.</s>
Which I did... for the most part. <em>Spellhacker</em> is a bit difficult for me to rate since a couple of issues throughout ruined some of my enjoyment.
<h2><strong>Two Things in <em>Spellhacker</em> I have issues with:</strong></h2>
(There were more, but they're minor.)
<h3><strong>The magic system</strong></h3>
I probably wouldn't have noticed it if Kal from Reader Voracious never mentioned it, but the moment she asked, I kept noticing... and not just the name. I keep thinking formaz is pronounced like "form ass." (Maybe that's just my sense of humor trying to get through the parts of the book I struggled with.)
But what I got really confused about were the differences between techwitch and spellweaver (kind of got an idea, still confused) and just how it worked... which I kept thinking of <a href="https://rwby.fandom.com/wiki/Dust">how dust works in RWBY</a>. It's most likely a very inaccurate depiction, though.
<h3><strong>The miscommunication</strong></h3>
I noticed this faintly at the beginning few chapters and didn't let it bother me <em>too</em> much. In fact, it pretty much slipped my mind until Kal brought it up. At times, it did get pretty damn irritating and I just wanted to shove Diz in front of a certain character like the many chances she had throughout the book. <em>And there are a lot of chances</em>.
<h2>Two <strong>Things I definitely didn't have an issue in <em>Spellhacker</em>:</strong></h2>
Or maybe just minor issues and they turned out to be good things in the end (after I thought about it).
<h3><strong>Diz's narration</strong></h3>
Diz is one of those characters I found absolutely annoying at first but slowly grew on me over the book. She's bitter and salty and full of sass; she's pretty much 95% angst teenager who wants things to go her way. She also sucks at communication big time; every time she <em>wants</em> to say something, she chooses not to. Even if she's called out by her friends, it takes a while before she actually comes out with it.
I hardcore relate.
<b><i>The author/publisher provided a free copy of the book for review purposes - thank you! Receiving a review copy does not guarantee a positive review and therefore do not affect the opinion or content of the review.</i></b>
I love heists in books. We've got a group of people (each who are talented AF), something goes wrong (oop--) and then they're scrambling to fix things. Sometimes there's a character or two (or more) pining for another character and we just want to smush/protect them.
And it's definitely the case with <em>Spellhacker</em> by M.K. England, which follows Diz and her friends (Ania, Jaesin and Remi) as they take on one last job that ends up backfiring horribly in their faces. It's never happened in the two years they've been running their side business. There's magic (known as maz) and seriously cool technology involved, and that's usually a good recipe for me to enjoy the book. <s>Provided that something explodes, of course, but don't tell anyone.</s>
Which I did... for the most part. <em>Spellhacker</em> is a bit difficult for me to rate since a couple of issues throughout ruined some of my enjoyment.
<h2><strong>Two Things in <em>Spellhacker</em> I have issues with:</strong></h2>
(There were more, but they're minor.)
<h3><strong>The magic system</strong></h3>
I probably wouldn't have noticed it if Kal from Reader Voracious never mentioned it, but the moment she asked, I kept noticing... and not just the name. I keep thinking formaz is pronounced like "form ass." (Maybe that's just my sense of humor trying to get through the parts of the book I struggled with.)
But what I got really confused about were the differences between techwitch and spellweaver (kind of got an idea, still confused) and just how it worked... which I kept thinking of <a href="https://rwby.fandom.com/wiki/Dust">how dust works in RWBY</a>. It's most likely a very inaccurate depiction, though.
<h3><strong>The miscommunication</strong></h3>
I noticed this faintly at the beginning few chapters and didn't let it bother me <em>too</em> much. In fact, it pretty much slipped my mind until Kal brought it up. At times, it did get pretty damn irritating and I just wanted to shove Diz in front of a certain character like the many chances she had throughout the book. <em>And there are a lot of chances</em>.
<h2>Two <strong>Things I definitely didn't have an issue in <em>Spellhacker</em>:</strong></h2>
Or maybe just minor issues and they turned out to be good things in the end (after I thought about it).
<h3><strong>Diz's narration</strong></h3>
Diz is one of those characters I found absolutely annoying at first but slowly grew on me over the book. She's bitter and salty and full of sass; she's pretty much 95% angst teenager who wants things to go her way. She also sucks at communication big time; every time she <em>wants</em> to say something, she chooses not to. Even if she's called out by her friends, it takes a while before she actually comes out with it.
I hardcore relate.