"I love Scarface. First of all, it’s operatic and it’s funny, to me — Scarface is hilarious. It’s got amazing humor in it. I don’t know if everybody really got the humor when it first came out. It’s about the American Dream. I love the fact that it’s like, if they’re not gonna give it to you, you gotta take it. I’ve grown up watching all the gangster movies and that’s really the essence of all of them: if somebody’s not gonna give it to you, you’ve gotta kick the door down. That’s what that movie is really all about. Both of them [De Palma’s and Howard Hawks’ 1932 original] — both of them were about that. So that’s my love for Scarface; that’s the short answer."

"And Ninotchka. You know Ninotchka? I recommend it. It’s kind of a mess, too. It was before, you know, we got slick editing tools, so it kind of chops along. You can tell that they shot one thing one day, and then when her hair was a little longer, they shot it again. [laughs] It’s Ernst Lubitsch, wonderful director, not too many comedies, and I think that’s kind of the reason for the not-so-fluid flow of this film. But it’s Greta Garbo being funny – I’m a huge Greta Garbo fan – and it shows she has a sense of humor about herself, behind all that Swedish draw; she had a great sense of humor about herself. And I just love Melvyn Douglas; he’s wonderful in it."