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Emma @ The Movies (1786 KP) rated Mortal Engines (2018) in Movies
Sep 25, 2019
I refrained from doing my review until I'd seen both of the preview screenings on at Cineworld. I had some serious issues with the visuals, and it turns out I wasn't the only one.
I want to talk about the positives first because there really are a lot of things to appreciate. The fact that they've linked the action so directly to the comic book format is wonderful. Having both the storyboard transitions, the lettering and the actual comic books involved brought everything together. Even the "little" things like Spidey-sense and the dot work overlay.
All of that took a back seat to the bizarre background elements at times. In the 2D showing in particular it looked like they were showing a 3D version of the film. The most distracting moments contained areas blurring into double vision, when it wasn't the blurring it just looked like some of it was unfinished.
Spider-Verse had some very good promos in the run up to the film. You see some amazing bits during all of that but luckily they held plenty back for the rest of it. We've already seen the "I love you dad" scene in the trailer, but the extended version is so much better.
Miles' story makes for a great centre piece. Every step of him trying to learn about his new found abilities is done in a humorous and well thought out way and give him a great opportunity to mingle with his spider-friends.
... And those spider-friends... you can't help but love them just a little bit. Noir is probably my favourite, he's taken a leaf out of Pocahontas' book in Ralph Breaks The Internet and has his own personal wind machine, and a confusing relationship with colours that make him a perfectly eccentric character.
Aunt May kicks ass. I can't deny that I'm loving this incarnation of her just a little bit. She definitely could have saved a few Spidey movies for me.
I actually can't believe that Spider-Ham has been in the Marvel Universe since 1983. He featured in a One Shot Marvel Tails originally that featured other Marvel hero parodies including Captain AmeriCat, Hulk-Bunny and Goose Rider. The series definitely requires some further investigation... particularly Ant-Ant, Croctor Strange and Nick Furry: Agent Of S.H.E.E.P.. Honestly there's no end to punny names. Sadly, this amusing back story doesn't save Spider-Ham for me, apart from the issue I had with the graphics he's my low point. He really is just too hammy for the storyline.
What you should do
You should definitely watch this one, there's enough amusement and action for everyone. For the older nerds, wait until the end of the credits for a scene that most of the kids won't understand but you'll appreciate.
Movie thing you wish you could take home
Having the ability to stick my hands to things wouldn't be bad. Climbing walls would be good, I'd never need a ladder to paint those hard to reach spots in the house... and I'd never drop my phone. Lots of possibilities there.
I want to talk about the positives first because there really are a lot of things to appreciate. The fact that they've linked the action so directly to the comic book format is wonderful. Having both the storyboard transitions, the lettering and the actual comic books involved brought everything together. Even the "little" things like Spidey-sense and the dot work overlay.
All of that took a back seat to the bizarre background elements at times. In the 2D showing in particular it looked like they were showing a 3D version of the film. The most distracting moments contained areas blurring into double vision, when it wasn't the blurring it just looked like some of it was unfinished.
Spider-Verse had some very good promos in the run up to the film. You see some amazing bits during all of that but luckily they held plenty back for the rest of it. We've already seen the "I love you dad" scene in the trailer, but the extended version is so much better.
Miles' story makes for a great centre piece. Every step of him trying to learn about his new found abilities is done in a humorous and well thought out way and give him a great opportunity to mingle with his spider-friends.
... And those spider-friends... you can't help but love them just a little bit. Noir is probably my favourite, he's taken a leaf out of Pocahontas' book in Ralph Breaks The Internet and has his own personal wind machine, and a confusing relationship with colours that make him a perfectly eccentric character.
Aunt May kicks ass. I can't deny that I'm loving this incarnation of her just a little bit. She definitely could have saved a few Spidey movies for me.
I actually can't believe that Spider-Ham has been in the Marvel Universe since 1983. He featured in a One Shot Marvel Tails originally that featured other Marvel hero parodies including Captain AmeriCat, Hulk-Bunny and Goose Rider. The series definitely requires some further investigation... particularly Ant-Ant, Croctor Strange and Nick Furry: Agent Of S.H.E.E.P.. Honestly there's no end to punny names. Sadly, this amusing back story doesn't save Spider-Ham for me, apart from the issue I had with the graphics he's my low point. He really is just too hammy for the storyline.
What you should do
You should definitely watch this one, there's enough amusement and action for everyone. For the older nerds, wait until the end of the credits for a scene that most of the kids won't understand but you'll appreciate.
Movie thing you wish you could take home
Having the ability to stick my hands to things wouldn't be bad. Climbing walls would be good, I'd never need a ladder to paint those hard to reach spots in the house... and I'd never drop my phone. Lots of possibilities there.
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Fun, easy-to-read memoir
Anna Faris' memoir is based mainly on the premise of her podcast, also entitled Unqualified, in which she doles out advice to strangers whom she calls on her show. The idea is that Anna is, in fact, "unqualified" to give advice, but she'll do so anyway based on her life experiences. If you actually listen to her podcast, though, you quickly learn that she's pretty good at giving advice, and that she's also a funny and enjoyable person. The book expands on this, allowing Anna to answer some of the questions posed on her podcast (e.g., Dealbreakers), talk about her childhood and experience breaking in acting, and, yes, of course, her various relationships.
Overall, the book feels pretty real and authentic. You quickly get an idea of the kind of person Anna seems to be--kind, funny, talented, and perhaps a little insecure. I'll admit that since I started listening to Anna's podcast, I've felt a kinship to her, and my review is obviously influenced by that. She's so down-to-earth and really damn funny on her podcast. I also love the idea that she lived in her head for much of her childhood, making up stories (it sounds a little familiar, you see). If you like Anna's podcast, it will be hard not to enjoy her book, although some of the chapters and stories will sound a bit familiar if you're a faithful listener.
My love of Anna was only deepened by reading her book, which is quite readable and broken into simple, short chapters. We get glimpses into Anna's childhood, her first big relationship, a little insight into her big break with "Scary Movie," and more. I relate to her on so many levels. We're both fascinated by other people's lives; never had a big group of female friends; have no patience for small talk; are not wedding people; possess an emotional defense built up from our parents; and enjoy calling the numbers on vehicles to report about truck drivers' good driving. She just happens to be a lovely, famous, wealthy actress, and I'm um, well, yes. Otherwise, we're the same, right? ;)
Of course, the elephant in this review is Anna's recent split from her husband, Chris Pratt, who wrote the foreword to the book, which was apparently revised somewhat for publication. It's hard not to psychoanalyze Anna in light of her recent marriage breakup. You read about her self-admitted inability to admit failure and her tendency to jump from one relationship straight to the next. So much of the book is about Chris and their relationship, and it's a shame that it's a distraction from an enjoyable memoir about a really smart and talented woman, who should stand on her own merit, apart from her (soon-to-be-ex) husband. It's also heartbreaking to read these chapters where it sounds like they truly love each other--and where they got through the premature birth of their son together--and know they are no longer married.
Overall, this is a fun, easy-to-read memoir. If you like Anna, her films, or her podcast, you'll probably enjoy this one. It's a quick read, full of lists, humorous moments, and short chapters, although there are definitely serious pieces, too. It really only made me like her more. 3.5+ stars.
Overall, the book feels pretty real and authentic. You quickly get an idea of the kind of person Anna seems to be--kind, funny, talented, and perhaps a little insecure. I'll admit that since I started listening to Anna's podcast, I've felt a kinship to her, and my review is obviously influenced by that. She's so down-to-earth and really damn funny on her podcast. I also love the idea that she lived in her head for much of her childhood, making up stories (it sounds a little familiar, you see). If you like Anna's podcast, it will be hard not to enjoy her book, although some of the chapters and stories will sound a bit familiar if you're a faithful listener.
My love of Anna was only deepened by reading her book, which is quite readable and broken into simple, short chapters. We get glimpses into Anna's childhood, her first big relationship, a little insight into her big break with "Scary Movie," and more. I relate to her on so many levels. We're both fascinated by other people's lives; never had a big group of female friends; have no patience for small talk; are not wedding people; possess an emotional defense built up from our parents; and enjoy calling the numbers on vehicles to report about truck drivers' good driving. She just happens to be a lovely, famous, wealthy actress, and I'm um, well, yes. Otherwise, we're the same, right? ;)
Of course, the elephant in this review is Anna's recent split from her husband, Chris Pratt, who wrote the foreword to the book, which was apparently revised somewhat for publication. It's hard not to psychoanalyze Anna in light of her recent marriage breakup. You read about her self-admitted inability to admit failure and her tendency to jump from one relationship straight to the next. So much of the book is about Chris and their relationship, and it's a shame that it's a distraction from an enjoyable memoir about a really smart and talented woman, who should stand on her own merit, apart from her (soon-to-be-ex) husband. It's also heartbreaking to read these chapters where it sounds like they truly love each other--and where they got through the premature birth of their son together--and know they are no longer married.
Overall, this is a fun, easy-to-read memoir. If you like Anna, her films, or her podcast, you'll probably enjoy this one. It's a quick read, full of lists, humorous moments, and short chapters, although there are definitely serious pieces, too. It really only made me like her more. 3.5+ stars.
Eilidh G Clark (177 KP) rated Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma in Books
May 14, 2017
This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
‘Graffiti and scorch marks, echoes of small fires, decorated doorsteps. Golden Special Brew cans and crushed vodka bottles, bright as diamonds, collected in gutters. Front gardens were filled with mouldy paddling pools and, occasionally, a rust burnished shell of a car. I had never seen anything so beautiful, so many colours, before in grey Aberdeen.’
This is a novel with nothing held back. While the title is light hearted and the cover art bright and cheerful, both are deceiving. The cover shows a silhouette of a young girl holding a giant red balloon against the backdrop of a Scottish suburban town. It is important to address the significance of this image. Readers may recall a similar painting by Banksy, named Girl With Balloon which was originally painted on a wall in London. Beside the painting was engraved “There Is Always Hope”. While Banksy’s painting shows the girl releasing the balloon, possibly representing lost hope or lost innocence, Hudson’s cover shows the girl being lifted by the balloon. Considering this when addressing the text, it is clear that Hudson wished to demonstrate that one can only hold on to hope by not letting go. Critics have described this book as containing bittersweet humour and Hudson cleverly intrudes in the second chapter by saying that this is in fact a ‘humorous cautionary tale’. As soon as you begin reading, expect to get dirt under your nails. The author launches right into the location of the novel using regional Scottish dialect and local Aberdonian vernacular. The story begins with the birth of out protagonist, Janie Ryan. Born to Iris (formally Irene), a single, homeless mother who comes from a line of women described as ‘fishwives to the marrow’, Iris has recently returned from London after trying to change her destiny (not wanting to become her mother). After falling pregnant to a rich and married American man, the relationship breaks down. Iris is forced to return to poverty in the back streets of Aberdeen but is keen to ensure that things have changed,’ I didnae go all the way to fuckin’ London to come back an’ be the same old Irene!’ Unfortunately, Iris falls back into her old ways and for Janie; this has a direct effect on her life. The reader follows the protagonist from her first home to temporary care and then to a string of homes over the UK in some of its poorest areas. Janie watches, as her mother gets involved in some abusive relationships, including one with alcohol, and watches helplessly as her mother loses hope. Towards the latter end of the novel, it is clear that Janie is falling into the same habits as her mother, however, a string of unfortunate event forces her to reassess her life. The end of the novel, like the cover art, is left to the reader’s interpretation. Can Janie break the cycle and make changes to her life, or is she destined to become her mother? This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
Kerry Hudson, Tony Hogan Bought me an Ice Cream Float Before He Stole My Ma, 2012 published by Vintage Books
This is a novel with nothing held back. While the title is light hearted and the cover art bright and cheerful, both are deceiving. The cover shows a silhouette of a young girl holding a giant red balloon against the backdrop of a Scottish suburban town. It is important to address the significance of this image. Readers may recall a similar painting by Banksy, named Girl With Balloon which was originally painted on a wall in London. Beside the painting was engraved “There Is Always Hope”. While Banksy’s painting shows the girl releasing the balloon, possibly representing lost hope or lost innocence, Hudson’s cover shows the girl being lifted by the balloon. Considering this when addressing the text, it is clear that Hudson wished to demonstrate that one can only hold on to hope by not letting go. Critics have described this book as containing bittersweet humour and Hudson cleverly intrudes in the second chapter by saying that this is in fact a ‘humorous cautionary tale’. As soon as you begin reading, expect to get dirt under your nails. The author launches right into the location of the novel using regional Scottish dialect and local Aberdonian vernacular. The story begins with the birth of out protagonist, Janie Ryan. Born to Iris (formally Irene), a single, homeless mother who comes from a line of women described as ‘fishwives to the marrow’, Iris has recently returned from London after trying to change her destiny (not wanting to become her mother). After falling pregnant to a rich and married American man, the relationship breaks down. Iris is forced to return to poverty in the back streets of Aberdeen but is keen to ensure that things have changed,’ I didnae go all the way to fuckin’ London to come back an’ be the same old Irene!’ Unfortunately, Iris falls back into her old ways and for Janie; this has a direct effect on her life. The reader follows the protagonist from her first home to temporary care and then to a string of homes over the UK in some of its poorest areas. Janie watches, as her mother gets involved in some abusive relationships, including one with alcohol, and watches helplessly as her mother loses hope. Towards the latter end of the novel, it is clear that Janie is falling into the same habits as her mother, however, a string of unfortunate event forces her to reassess her life. The end of the novel, like the cover art, is left to the reader’s interpretation. Can Janie break the cycle and make changes to her life, or is she destined to become her mother? This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
Kerry Hudson, Tony Hogan Bought me an Ice Cream Float Before He Stole My Ma, 2012 published by Vintage Books
Hazel (1853 KP) rated Jane Steele in Books
May 24, 2017
Classic Retelling
This eBook was provided by the author in exchange for an honest review
“Reader, I murdered him.” Jane Steele is a gothic retelling of the renowned Jane Eyre written by the celebrated Charlotte Bronte. Crime writer, Lyndsay Faye, creates an entirely new story, whilst appropriating the skeletal structure of the original classic. However, Jane Steele is nothing like the Miss Eyre everyone is familiar with. She is far more headstrong and independent, and also a murderer.
Before readers are discouraged to hear that their beloved Jane is portrayed as a criminal, the murders that occur are more of a homicidal or self-defense nature, as opposed to premeditated serial killing. In fact the first death, occurring when she is a nine year old orphan, is not her fault at all, however it prompts Jane’s wealthy aunt to pack her off to boarding school, and thus the similarities with Jane Eyre commence.
Written in an autobiographical manner, Jane describes her years at the virulent school, where she and the other girls experience abuse at the hands of the ignoble schoolmaster. As readers will recall, Eyre’s life improves in her later school years, however Jane Steele’s education comes to a premature end, resulting in her fending for herself in 19th century London.
As the blurb indicates, Jane returns to the house she grew up in after the death of her aunt, affecting to be a governess for the current owner’s ward. Mr. Charles Thornfield, a bachelor, is Jane Steele’s version of Rochester, minus the wife in the attic. The contents of the cellar, on the other hand, are a different matter…
From a romantic point of view, all happens in a similar manner to Jane Eyre, however this is where the comparisons end. With concealed crimes and secrets, as well as an unsolved murder, the story becomes the thriller it initially proposed to be. The incisive Jane Steele takes matters into her own hands – figuratively and literally – as she determines to resolve the unanswered questions.
Although not written with the intent to be comical, the stark contrasts between original and retelling create humorous scenarios. The nature of the main character in comparison with the time frame, a period where women had very little rights, makes the narrative far more exciting and amusing than the earlier novel – although not necessarily better.
Lyndsay Faye maintains the atmosphere of the 1800s with her affinity for eloquent turns of phrase and choice of words. She is a prolific author full of wonderful ideas; her ability to create a new story out of a well-known classic is a formidable skill. What is admirable is they way in which Faye has made Jane Steele a novel in its own right, and not merely a rip-off of Bronte’s work.
The skillful composition and wording will likely be loved by all, its only downfall being the reaction of hardcore Jane Eyre fans. Those who wish for the classics to be left alone and not pulled apart by contemporary authors or film directors may adopt a negative attitude towards to publication of Jane Steele. On the other hand, many will absolutely love this gothic retelling, appreciate the similarities and enjoy the new twist to the storyline. Personally, I am with the latter group.
“Reader, I murdered him.” Jane Steele is a gothic retelling of the renowned Jane Eyre written by the celebrated Charlotte Bronte. Crime writer, Lyndsay Faye, creates an entirely new story, whilst appropriating the skeletal structure of the original classic. However, Jane Steele is nothing like the Miss Eyre everyone is familiar with. She is far more headstrong and independent, and also a murderer.
Before readers are discouraged to hear that their beloved Jane is portrayed as a criminal, the murders that occur are more of a homicidal or self-defense nature, as opposed to premeditated serial killing. In fact the first death, occurring when she is a nine year old orphan, is not her fault at all, however it prompts Jane’s wealthy aunt to pack her off to boarding school, and thus the similarities with Jane Eyre commence.
Written in an autobiographical manner, Jane describes her years at the virulent school, where she and the other girls experience abuse at the hands of the ignoble schoolmaster. As readers will recall, Eyre’s life improves in her later school years, however Jane Steele’s education comes to a premature end, resulting in her fending for herself in 19th century London.
As the blurb indicates, Jane returns to the house she grew up in after the death of her aunt, affecting to be a governess for the current owner’s ward. Mr. Charles Thornfield, a bachelor, is Jane Steele’s version of Rochester, minus the wife in the attic. The contents of the cellar, on the other hand, are a different matter…
From a romantic point of view, all happens in a similar manner to Jane Eyre, however this is where the comparisons end. With concealed crimes and secrets, as well as an unsolved murder, the story becomes the thriller it initially proposed to be. The incisive Jane Steele takes matters into her own hands – figuratively and literally – as she determines to resolve the unanswered questions.
Although not written with the intent to be comical, the stark contrasts between original and retelling create humorous scenarios. The nature of the main character in comparison with the time frame, a period where women had very little rights, makes the narrative far more exciting and amusing than the earlier novel – although not necessarily better.
Lyndsay Faye maintains the atmosphere of the 1800s with her affinity for eloquent turns of phrase and choice of words. She is a prolific author full of wonderful ideas; her ability to create a new story out of a well-known classic is a formidable skill. What is admirable is they way in which Faye has made Jane Steele a novel in its own right, and not merely a rip-off of Bronte’s work.
The skillful composition and wording will likely be loved by all, its only downfall being the reaction of hardcore Jane Eyre fans. Those who wish for the classics to be left alone and not pulled apart by contemporary authors or film directors may adopt a negative attitude towards to publication of Jane Steele. On the other hand, many will absolutely love this gothic retelling, appreciate the similarities and enjoy the new twist to the storyline. Personally, I am with the latter group.
Hazel (1853 KP) rated Sidney Chambers and the Shadow of Death in Books
Jul 27, 2017
A unique series of crime
I received this book for free through Goodreads First Reads
In 2014, ITV broadcasted the first episode of Grantchester, a drama series based on books by British novelist, James Runcie. Although written during the twenty-first century, the story is set in the 1950s in a village on the outskirts of Cambridge. Sidney Chambers, a young Canon in charge of the Church of St Andrew and Mary, is a polite and friendly character who, despite his reluctance, ends up acting as a detective in a variety of crimes.
Sidney Chambers and the Shadow of Death is the first book of six in The Grantchester Mysteries. Split into six individual baffling cases, the background story of Sidney’s private life continues to develop throughout. Each crime is committed and swiftly solved by the Canon and his friend, Inspector Geordie Keating, although it is Sidney who ultimately resolves the case.
Murder, jewellery theft and art forgery and just some of the felonies Sidney grudgingly gets involved with. In fact, unresolved crimes tend to land in his lap rather than offering his assistance willingly. Up at dawn to work on sermons before rushing off to capture criminals, Sidney is never off duty.
A vicar may seem like an unlikely candidate for a detective, however, people tend to open up to him and unintentionally reveal delitescent information. Listening to suspects and witnesses without pre-judgement allows Sidney to think things through carefully rather than jumping to conclusions. From the moment the crime is committed right up until the story’s denouement, Sidney passionately does everything he can to make sure the correct culprit is discovered.
What makes this series different from other crime novels is the focus on Sidney Chambers’ own life. James Runcie emphasises the loneliness of a bachelor living in a vicarage with only a curate and crotchety housekeeper for company. Readers are drawn into Sidney’s stories and hold onto the hope that his dalliances with the beautiful Amanda turn out to be something more concrete.
Those who have watched the ITV series will be familiar with the stories in this book because the producer has stuck to the exact storyline, not missing a single thing out or adding anything extra. The fact that there were only two years between publishing and screen production goes to show how well written and thought out these stories are. Unlike famous detective novels such as Sherlock Holmes or those by Agatha Christie, The Grantchester Mysteries are not set at the time of writing, so, although they are historically accurate, the prose is suitable for present day readers.
Each story is quick to read and is easy going, making it a relaxing and enjoyable book. It is not a thriller or horror, although some of the crimes are quite terrible. Instead, it is entertaining and often humorous. It is suitable for crime fiction fans as well as those new to the genre.
Regardless of whether you have watched the television series or not, Sidney Chambers and the Shadow of Death is a delight to read. Of course, ITV has given away all the endings, but it is a different experience to read it in print rather than seeing it acted out on screen. Featuring the face of James Norton on the cover so as to work as a TV tie-in, the series will be easy to spot in prime position on bookshelves both in shops and personal collections.
In 2014, ITV broadcasted the first episode of Grantchester, a drama series based on books by British novelist, James Runcie. Although written during the twenty-first century, the story is set in the 1950s in a village on the outskirts of Cambridge. Sidney Chambers, a young Canon in charge of the Church of St Andrew and Mary, is a polite and friendly character who, despite his reluctance, ends up acting as a detective in a variety of crimes.
Sidney Chambers and the Shadow of Death is the first book of six in The Grantchester Mysteries. Split into six individual baffling cases, the background story of Sidney’s private life continues to develop throughout. Each crime is committed and swiftly solved by the Canon and his friend, Inspector Geordie Keating, although it is Sidney who ultimately resolves the case.
Murder, jewellery theft and art forgery and just some of the felonies Sidney grudgingly gets involved with. In fact, unresolved crimes tend to land in his lap rather than offering his assistance willingly. Up at dawn to work on sermons before rushing off to capture criminals, Sidney is never off duty.
A vicar may seem like an unlikely candidate for a detective, however, people tend to open up to him and unintentionally reveal delitescent information. Listening to suspects and witnesses without pre-judgement allows Sidney to think things through carefully rather than jumping to conclusions. From the moment the crime is committed right up until the story’s denouement, Sidney passionately does everything he can to make sure the correct culprit is discovered.
What makes this series different from other crime novels is the focus on Sidney Chambers’ own life. James Runcie emphasises the loneliness of a bachelor living in a vicarage with only a curate and crotchety housekeeper for company. Readers are drawn into Sidney’s stories and hold onto the hope that his dalliances with the beautiful Amanda turn out to be something more concrete.
Those who have watched the ITV series will be familiar with the stories in this book because the producer has stuck to the exact storyline, not missing a single thing out or adding anything extra. The fact that there were only two years between publishing and screen production goes to show how well written and thought out these stories are. Unlike famous detective novels such as Sherlock Holmes or those by Agatha Christie, The Grantchester Mysteries are not set at the time of writing, so, although they are historically accurate, the prose is suitable for present day readers.
Each story is quick to read and is easy going, making it a relaxing and enjoyable book. It is not a thriller or horror, although some of the crimes are quite terrible. Instead, it is entertaining and often humorous. It is suitable for crime fiction fans as well as those new to the genre.
Regardless of whether you have watched the television series or not, Sidney Chambers and the Shadow of Death is a delight to read. Of course, ITV has given away all the endings, but it is a different experience to read it in print rather than seeing it acted out on screen. Featuring the face of James Norton on the cover so as to work as a TV tie-in, the series will be easy to spot in prime position on bookshelves both in shops and personal collections.
Kristy H (1252 KP) rated You Think It, I'll Say It in Books
Apr 19, 2018
Great, satisfying set of stories
This short story collection features ten short stories from author Sittenfeld, featuring a cast of diverse, real characters. Told from a variety of point of views--a bored housewife, a wealthy bachelor, a new mom, and more--they offer pointed and humorous insight into current society.
I typically am not a huge fan of short stories because they don't give me enough information about the characters, and I'm a very character-driven person. But when I saw that Curtis Sittenfeld had a short story collection coming out, I knew I wouldn't be able to resist. She gets a lot of press for Prep, but I feel like American Wife and Eligible are both still so fully ingrained in my brain. I loved them both so much, and they are go-to recommendations when I get the standard, "oh you like to read, what should I read?" question.
But, I digress. Sittenfeld. Short stories. I shouldn't have been surprised, honestly, that her collection would be above the typical fare. I probably enjoyed this set of short stories more than any other I've read in ages. It's so well-written and engaging. As with Sittenfeld's other work, the stories are so wonderfully descriptive, so you can immediately picture the characters and their situations. I felt like I was quickly transported to the setting of each story as soon as it began.
The stories are similar but not repetitive, which was also refreshing, and seem to be real, instead of striving to reach some sort of literary bar that makes them tedious and therefore unreadable. They are about real, relatable characters struggling with misinformed impressions, lingering resentments, and different types of relationships. But - oh hooray - even better, the majority of the stories didn't leave me with that unfinished feeling. They are honestly fascinating, and I enjoyed how they all start (I enjoyed them all the way through too, of course, but it seemed like each had a bit of a common thread in its beginning). I could have read more about each story's characters, sure, but I didn't feel frustrated when they ended, which was so amazing and different for me.
I really liked each and every story. For instance, there's "Vox Clamantis in Deserto" which begins with a woman (girl?) who idolizes a fellow college student from afar in line at the post office. Two of the stories, "Plausible Deniability" and "The Prairie Wife," had actual twists and surprises, which was so much fun. And some of the longing that came across in these characters was very touching and heartfelt. I have a soft spot for slightly nerdy high school/college kids, even once they're all grown up, and for slightly fatigued moms, so these stories were my cup of tea.
Overall, this was a great set of short stories. They are filled with real people set in complicated yet enjoyable and interesting situations. They are easy-to-read and don't leave you wanting for more--except maybe more stories. This only cements my feeling that I'll continue to read (and adore) anything Ms. Sittenfeld writes.
I received a copy of this story collection from the publisher and Netgalley in return for an unbiased review.
I typically am not a huge fan of short stories because they don't give me enough information about the characters, and I'm a very character-driven person. But when I saw that Curtis Sittenfeld had a short story collection coming out, I knew I wouldn't be able to resist. She gets a lot of press for Prep, but I feel like American Wife and Eligible are both still so fully ingrained in my brain. I loved them both so much, and they are go-to recommendations when I get the standard, "oh you like to read, what should I read?" question.
But, I digress. Sittenfeld. Short stories. I shouldn't have been surprised, honestly, that her collection would be above the typical fare. I probably enjoyed this set of short stories more than any other I've read in ages. It's so well-written and engaging. As with Sittenfeld's other work, the stories are so wonderfully descriptive, so you can immediately picture the characters and their situations. I felt like I was quickly transported to the setting of each story as soon as it began.
The stories are similar but not repetitive, which was also refreshing, and seem to be real, instead of striving to reach some sort of literary bar that makes them tedious and therefore unreadable. They are about real, relatable characters struggling with misinformed impressions, lingering resentments, and different types of relationships. But - oh hooray - even better, the majority of the stories didn't leave me with that unfinished feeling. They are honestly fascinating, and I enjoyed how they all start (I enjoyed them all the way through too, of course, but it seemed like each had a bit of a common thread in its beginning). I could have read more about each story's characters, sure, but I didn't feel frustrated when they ended, which was so amazing and different for me.
I really liked each and every story. For instance, there's "Vox Clamantis in Deserto" which begins with a woman (girl?) who idolizes a fellow college student from afar in line at the post office. Two of the stories, "Plausible Deniability" and "The Prairie Wife," had actual twists and surprises, which was so much fun. And some of the longing that came across in these characters was very touching and heartfelt. I have a soft spot for slightly nerdy high school/college kids, even once they're all grown up, and for slightly fatigued moms, so these stories were my cup of tea.
Overall, this was a great set of short stories. They are filled with real people set in complicated yet enjoyable and interesting situations. They are easy-to-read and don't leave you wanting for more--except maybe more stories. This only cements my feeling that I'll continue to read (and adore) anything Ms. Sittenfeld writes.
I received a copy of this story collection from the publisher and Netgalley in return for an unbiased review.
graveyardgremlin (7194 KP) rated Hex Marks the Spot (A Bewitching Mystery, #3) in Books
Feb 15, 2019
Here we are into the third entry into the Bewitching Mystery series. So what's Maggie into this time? The murder of an Amish ladies' man, one who's married and has young kids, at that. She also has struggles with her love life and is overcoming her fear of the "unknown" and becoming more adept at using her gift.
<u><b>May contain minor spoilers of previous books.</b></u>
A few times throughout this short book (246 pages), I felt like throwing in the towel. After reading the first book, I really felt this was a series for me. One that I connected with and would be able to read book after book. Sadly it has not panned out this way. Mostly because of the main character, Maggie O'Neill, who I really liked in the first book. While there's nothing inherently wrong with her, I cannot relate to her and I don't like her too much either. She's rather a dull fish. Also, some of her thoughts feel forced, especially the "humorous" kind, which might be a big part of why I'm not liking her anymore. Well, whatever it is exactly, she's just not quite working for me. Though now that she's using her gift more, this may liven her up in the future, I don't know. The other thing is her presumptions, or rather the one presumption about the "relationship" between Marcus and Liss she's had since the first book. Where she ever got that idea in her head, I haven't a clue, but at least it was resolved by the end of this book. On the up side, she wasn't as dumb as in the previous book, [b:A Charmed Death|512386|A Charmed Death (A Bewitching Mystery, #2)|Madelyn Alt|http://photo.goodreads.com/books/1175403627s/512386.jpg|1182867]. All the other characters in the series I like and feel really add to the series, with maybe the exception of Tom, who is very closed-minded and basically just irritates me as a modern woman. I suppose a character who is that way is needed, and he is making some strides in opening his mind to new and frightening (to him) things, but I don't get Maggie's attraction to him; it just has not come across in the three books I've read. As for Maggie's other love interest, Marcus, while he's definitely way (way, way, way, way, <u>way</u>) more interesting than Tom, and I'm going to flip this, but I totally don't understand Marcus's interest in Maggie. I cannot think of anything that would intrigue him about her. I honestly can't, other than she's nice. A nice, boring, girl-next-door-type. Well, I guess that's something. So, the mystery.... Surprisingly, it seemed very minimal in this installment and the baddie very easy to figure out since there wasn't many, or any, other suspects. Still, it was tied up pretty neatly and made some sort of sense.
At the beginning of every book there is enough of a recap of characters and what's been going on so each book in the series can easily be read by itself, and not necessarily in order. While that is nice for a new reader or one who has gone a long time inbetween books, it makes for a repetitive nature if read too closely together, so I think it'll be a while before I pick up the next entry.
<u><b>May contain minor spoilers of previous books.</b></u>
A few times throughout this short book (246 pages), I felt like throwing in the towel. After reading the first book, I really felt this was a series for me. One that I connected with and would be able to read book after book. Sadly it has not panned out this way. Mostly because of the main character, Maggie O'Neill, who I really liked in the first book. While there's nothing inherently wrong with her, I cannot relate to her and I don't like her too much either. She's rather a dull fish. Also, some of her thoughts feel forced, especially the "humorous" kind, which might be a big part of why I'm not liking her anymore. Well, whatever it is exactly, she's just not quite working for me. Though now that she's using her gift more, this may liven her up in the future, I don't know. The other thing is her presumptions, or rather the one presumption about the "relationship" between Marcus and Liss she's had since the first book. Where she ever got that idea in her head, I haven't a clue, but at least it was resolved by the end of this book. On the up side, she wasn't as dumb as in the previous book, [b:A Charmed Death|512386|A Charmed Death (A Bewitching Mystery, #2)|Madelyn Alt|http://photo.goodreads.com/books/1175403627s/512386.jpg|1182867]. All the other characters in the series I like and feel really add to the series, with maybe the exception of Tom, who is very closed-minded and basically just irritates me as a modern woman. I suppose a character who is that way is needed, and he is making some strides in opening his mind to new and frightening (to him) things, but I don't get Maggie's attraction to him; it just has not come across in the three books I've read. As for Maggie's other love interest, Marcus, while he's definitely way (way, way, way, way, <u>way</u>) more interesting than Tom, and I'm going to flip this, but I totally don't understand Marcus's interest in Maggie. I cannot think of anything that would intrigue him about her. I honestly can't, other than she's nice. A nice, boring, girl-next-door-type. Well, I guess that's something. So, the mystery.... Surprisingly, it seemed very minimal in this installment and the baddie very easy to figure out since there wasn't many, or any, other suspects. Still, it was tied up pretty neatly and made some sort of sense.
At the beginning of every book there is enough of a recap of characters and what's been going on so each book in the series can easily be read by itself, and not necessarily in order. While that is nice for a new reader or one who has gone a long time inbetween books, it makes for a repetitive nature if read too closely together, so I think it'll be a while before I pick up the next entry.
Kristy H (1252 KP) rated Good Luck with That in Books
Mar 11, 2019
Powerful, emotional read, but completely worth it
Emerson, Georgia, and Marley have been best friends since they were teens. They met at Camp Copperbrook, a weight-loss camp. They've stayed close ever since, so when Emerson passes away, Georgia and Marley are distraught. Emerson asks her friends to complete a list they made at camp, forcing both Georgia and Marley to confront some long-held fears. Marley still feels guilty since her twin sister, Frankie, died when they were four. And Georgia, has been scarred by the exacting conditions--especially about weight--passed on by her mother and brother. And she's hurt after the ending of her marriage. But Georgia and Marley are determined to complete the items on the list, for Emerson, even if it means getting past their comfort zone and learning to love themselves just as they are.
I'll be honest. I wasn't sure I'd like this one in the beginning. The tell-it-like-it-is weight talk is jarring at first, so are Marley's many, many references to her dead twin. I was confused about who was talking, eventually having to make myself a little cheat sheet to keep Georgia and Marley and their various family members/histories straight. But, pretty quickly, this book grew on me, and became a very powerful, very heartbreaking, very realistic, and very lovely read.
This isn't an easy-to-read book. It's starkly realistic and tells it like it is. Weight, life, reality, friendship, parenting, and more. It's tough to read and touches on the insecurities we all have deep inside ourselves, plus how cruel the world can be to those it deems "different." It made me very sad at times.
Luckily, the novel is also infused with Higgins' trademark humor. The woman can write a darn funny scene and even with the serious topics she covers here, there are plenty of funny times and warmth throughout this novel. She can make piggyback rides humorous. And running! Marley and Georgia become real people throughout the course of this novel, and so much of their friendship is witty and hilarious. I really grew to love them.
The book is also powerful in so many ways. Yes, it can be powerfully sad and heartbreaking at times, but it's also just powerfully well-done. I really think this is a book everyone should read, especially parents or anyone who spends time around teens. Georgia's teenage nephew, Mason, quickly became one of my favorite characters. His storyline has nothing to do with weight, but everything to do with self-acceptance, and I totally adored him.
There's so much going on in this book. The power of friendship. Struggling with weight and loving yourself. And the idea of, What happens when we get everything we want and we still aren't happy? So much resonated with me. The book will make you laugh. It will make you cry. Parts of it are predictable, but in the total Higgins fashion of exactly the way you want them to be.
Overall, this book was nothing like what I expected, but that's totally OK. It's really a powerful, tough, emotional read, but completely worth it. By the end, I was completely immersed in the characters' lives and the story. I found it to be heartbreaking and beautiful, and I certainly recommend it.
I'll be honest. I wasn't sure I'd like this one in the beginning. The tell-it-like-it-is weight talk is jarring at first, so are Marley's many, many references to her dead twin. I was confused about who was talking, eventually having to make myself a little cheat sheet to keep Georgia and Marley and their various family members/histories straight. But, pretty quickly, this book grew on me, and became a very powerful, very heartbreaking, very realistic, and very lovely read.
This isn't an easy-to-read book. It's starkly realistic and tells it like it is. Weight, life, reality, friendship, parenting, and more. It's tough to read and touches on the insecurities we all have deep inside ourselves, plus how cruel the world can be to those it deems "different." It made me very sad at times.
Luckily, the novel is also infused with Higgins' trademark humor. The woman can write a darn funny scene and even with the serious topics she covers here, there are plenty of funny times and warmth throughout this novel. She can make piggyback rides humorous. And running! Marley and Georgia become real people throughout the course of this novel, and so much of their friendship is witty and hilarious. I really grew to love them.
The book is also powerful in so many ways. Yes, it can be powerfully sad and heartbreaking at times, but it's also just powerfully well-done. I really think this is a book everyone should read, especially parents or anyone who spends time around teens. Georgia's teenage nephew, Mason, quickly became one of my favorite characters. His storyline has nothing to do with weight, but everything to do with self-acceptance, and I totally adored him.
There's so much going on in this book. The power of friendship. Struggling with weight and loving yourself. And the idea of, What happens when we get everything we want and we still aren't happy? So much resonated with me. The book will make you laugh. It will make you cry. Parts of it are predictable, but in the total Higgins fashion of exactly the way you want them to be.
Overall, this book was nothing like what I expected, but that's totally OK. It's really a powerful, tough, emotional read, but completely worth it. By the end, I was completely immersed in the characters' lives and the story. I found it to be heartbreaking and beautiful, and I certainly recommend it.
Kristy H (1252 KP) rated Nine Perfect Strangers in Books
Mar 18, 2019
Funny & heart-wrenching, but marred by an unbelievable plot!
Nine disparate strangers are gathering at Tranquillum House, a gated health resort. Each is seeking a form of peace and change: through meditation, losing weight, counseling, and more. For Frances Welty, a famous romance novelist, she needs a way to start over. Her back is in intense pain, and she's hurting from both a romantic misstep and a harsh review of her work. But once at Tranquillum House, Frances isn't exactly sure what to think. The owner, Masha, is both dynamic and odd. What exactly does she have in store for Frances and her fellow resort-goers?
Well, this was an interesting one, to say the least, and not really what I was expecting! So, at first, it drew me in immediately, with a quick introduction to Masha and her associate Yao, in the past, and then fast forwarding to Tranquillum House. You then meet all the various "strangers" at the resort. It's a pretty easy read; each character has their own unique voice, though it did take me some time to sort them all out and keep track of some of them.
However, once they are at the House, things sort of slow down (which you'll find especially ironic, as the book is filled with little insider jokes about books and writing, including a particularly apropos mention of pace from Frances). Everyone is there, they have to take a vow of silence (umm, ok?), they can't read (what?! I'd be out of there!), and you're wondering what on earth is happening as your characters just sort of sit around and ponder to themselves. Oh, but don't worry, dear Reader, it's going to get much weirder.
Because the thing with this book is that so many of the characters are great--I really liked Frances, for instance, and Zoe, and Tony, and well--a lot of them--but the plot they are dropped into becomes almost too preposterous. It felt as if Moriarty was trying to see how crazy she was allowed to go, but no one was brave enough to stop her, so she just kept going. It was odd, and hard to believe, and I just couldn't rationalize that everything that went on would really occur, could really occur, etc.
And, as I said, it's a shame, because so much of the book is funny, with these great characters, and some of it is gut-wrenching, and so well-done. There's a family whose son has committed suicide, and oh my goodness; their passages are just devastating. It's been nearly 15 years since I lost my loved one to suicide, and yet these parts of the story were so real and so well-done, they were almost too hard to read: they hit me right in the gut.
Also, as mentioned, Moriarty fits in a lot of fun little asides about reading and writing books--some about romances, due to Frances' occupation, but some just writing in general, and it's very meta and very cool. Big portions of the book are really humorous, real, and fun. So it's sad that I wasn't really sure of the overall point of the book and its insane plot.
The end of the book picks up too, which complicates my rating even more. Let's recap, shall we: oft funny and heart-wrenching story with realistic characters marred by an unbelievable plot that carries over for most of the book. What to do, what to do? It's quite a book, that's for sure!
Well, this was an interesting one, to say the least, and not really what I was expecting! So, at first, it drew me in immediately, with a quick introduction to Masha and her associate Yao, in the past, and then fast forwarding to Tranquillum House. You then meet all the various "strangers" at the resort. It's a pretty easy read; each character has their own unique voice, though it did take me some time to sort them all out and keep track of some of them.
However, once they are at the House, things sort of slow down (which you'll find especially ironic, as the book is filled with little insider jokes about books and writing, including a particularly apropos mention of pace from Frances). Everyone is there, they have to take a vow of silence (umm, ok?), they can't read (what?! I'd be out of there!), and you're wondering what on earth is happening as your characters just sort of sit around and ponder to themselves. Oh, but don't worry, dear Reader, it's going to get much weirder.
Because the thing with this book is that so many of the characters are great--I really liked Frances, for instance, and Zoe, and Tony, and well--a lot of them--but the plot they are dropped into becomes almost too preposterous. It felt as if Moriarty was trying to see how crazy she was allowed to go, but no one was brave enough to stop her, so she just kept going. It was odd, and hard to believe, and I just couldn't rationalize that everything that went on would really occur, could really occur, etc.
And, as I said, it's a shame, because so much of the book is funny, with these great characters, and some of it is gut-wrenching, and so well-done. There's a family whose son has committed suicide, and oh my goodness; their passages are just devastating. It's been nearly 15 years since I lost my loved one to suicide, and yet these parts of the story were so real and so well-done, they were almost too hard to read: they hit me right in the gut.
Also, as mentioned, Moriarty fits in a lot of fun little asides about reading and writing books--some about romances, due to Frances' occupation, but some just writing in general, and it's very meta and very cool. Big portions of the book are really humorous, real, and fun. So it's sad that I wasn't really sure of the overall point of the book and its insane plot.
The end of the book picks up too, which complicates my rating even more. Let's recap, shall we: oft funny and heart-wrenching story with realistic characters marred by an unbelievable plot that carries over for most of the book. What to do, what to do? It's quite a book, that's for sure!