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Gareth von Kallenbach (980 KP) rated Irresistible (2020) in Movies
Jun 23, 2020
Jon Stewart has been fairly quiet since his retirement from The Daily Show. In a recent interview with Howard Stern he talked about being content on a farm for rescued animals and enjoying more time with his family. He also sent to that he would be doing projects that interested him. In “Irresistible” Stewart working as both Writer and Director has crafted a funny, informative, and expansive look at the political process.
Steve Carell stars as Gary Zimmer; a senior advisor to the Clinton’s who is still smarting over the recent election particularly his insistence that the “Rust Belt” was firmly in their hands and therefore opted not to devote a significant amount of time campaigning there which in turn was a key reason for their defeat.
An online video from a small farming community in Wisconsin catches Gary’s eye as it shows a former Marine farmer named Jack Hastings (Chris Cooper) challenging the local mayor at a town hall over immigration related issues and other hot topics.
Convinced that he can bring Jack over to the Democratic Party and use him as a starting point to restore the party in Wisconsin; Gary heads to the small town to make his pitch.
He quickly finds himself out of his element as the small-town community with friendly townsfolk to watch out for one another is very different than what he is used to. Gary eventually convinces Jack to run for Mayor and his involvement soon attracts the big money from the opposing side that seem to be rattled by what appears to be an insignificant small-town campaign.
Gary soon realizes that his nemesis Faith (Rose Byrne) who is his opposite for the Republican Party.
Gary and Faith have a clear history with one another and there is clearly plenty of animosity between them as each one is determined to succeed and broke their success in the face of the other.
As the campaign unfolds viewers are given a very direct look at how the political machine works from polling, demographics, special interests, fund raising, campaigning, muckraking, and using the media.
While this is often presented in a humorous way; Stewart uses a lot of simple but direct approaches to the various topics as he did on The Daily Show as a basis for further discussion.
The film takes some unexpected twists as it unfolds and the conclusion helps underscore that all parties involved often have an angle that they’re trying to work. One of the biggest messages that I took from the film was that the amount of money poured into campaigns has become more about one side beating the other rather than addressing the issues and putting the best possible people forward to represent the population.
Stewart handles the very complicated topics of the film through humor but above all used generally likable characters on all sides. Nobody was truly evil and you could clearly see much of their motivations.
The closing credits contains an interview with a political expert who discusses Superpacs and their lack of oversight and how people with ulterior motives can generate large amounts of money by manipulating the system completely within the law.
From a strong cast and entertaining story. Stewart has crafted a very solid and enjoyable film that will make you think.
Steve Carell stars as Gary Zimmer; a senior advisor to the Clinton’s who is still smarting over the recent election particularly his insistence that the “Rust Belt” was firmly in their hands and therefore opted not to devote a significant amount of time campaigning there which in turn was a key reason for their defeat.
An online video from a small farming community in Wisconsin catches Gary’s eye as it shows a former Marine farmer named Jack Hastings (Chris Cooper) challenging the local mayor at a town hall over immigration related issues and other hot topics.
Convinced that he can bring Jack over to the Democratic Party and use him as a starting point to restore the party in Wisconsin; Gary heads to the small town to make his pitch.
He quickly finds himself out of his element as the small-town community with friendly townsfolk to watch out for one another is very different than what he is used to. Gary eventually convinces Jack to run for Mayor and his involvement soon attracts the big money from the opposing side that seem to be rattled by what appears to be an insignificant small-town campaign.
Gary soon realizes that his nemesis Faith (Rose Byrne) who is his opposite for the Republican Party.
Gary and Faith have a clear history with one another and there is clearly plenty of animosity between them as each one is determined to succeed and broke their success in the face of the other.
As the campaign unfolds viewers are given a very direct look at how the political machine works from polling, demographics, special interests, fund raising, campaigning, muckraking, and using the media.
While this is often presented in a humorous way; Stewart uses a lot of simple but direct approaches to the various topics as he did on The Daily Show as a basis for further discussion.
The film takes some unexpected twists as it unfolds and the conclusion helps underscore that all parties involved often have an angle that they’re trying to work. One of the biggest messages that I took from the film was that the amount of money poured into campaigns has become more about one side beating the other rather than addressing the issues and putting the best possible people forward to represent the population.
Stewart handles the very complicated topics of the film through humor but above all used generally likable characters on all sides. Nobody was truly evil and you could clearly see much of their motivations.
The closing credits contains an interview with a political expert who discusses Superpacs and their lack of oversight and how people with ulterior motives can generate large amounts of money by manipulating the system completely within the law.
From a strong cast and entertaining story. Stewart has crafted a very solid and enjoyable film that will make you think.
Sarah (7799 KP) rated Mean Girls (2004) in Movies
Nov 22, 2020
Entertaining
Film #3 on the 100 Movies Bucket List: Mean Girls
The third film on my 100 Movies Bucket List is Mean Girls, a film I’ve seen but never had any strong emotion for. Mean Girls stars Lindsay Lohan as Cady, who after living and being homeschooled in Africa for most of her life, must now enter the terrifying world of an American high school. Here she meets Janis (Lizzy Caplan) and Damian (Daniel Franzese) who clue her into high school hierarchy, including introducing her to the Plastics: Regina (Rachel McAdams), Karen (Amanda Seyfried) and Gretchen (Lacey Chabert).
Mean Girls is a teenage movie that is unlike many others – instead of being dumb and crude, it’s surprisingly smart and humorous. From the opening scenes, it’s obvious that this is intelligent. It’s full of subtle jokes and remarks and some absolutely superb one liners, and these are all down to Tina Fey who has written an excellent script. And in the process appears to have some of the best lines as teacher Mrs Norbury, but do you blame her? Mean Girls manages to portray the high school hierarchy and social interactions perfectly. Whilst is is obviously catering more to American high schoolers, I doubt there are many that would watch this and not see something that they personally experienced at high school. It’s almost poking fun at the high school experience but in such a smart and enjoyable way. There are moments and lines in this that are almost verging on inappropriate, and likely wouldn’t be acceptable in today’s society, but even though this was made in 2004 I don’t doubt that this impropriety is still reflective of modern day high schools.
The acting on offer here is superb. Lindsay Lohan is entirely believable as Cady and this is hugely important considering the message Mean Girls is portraying. This film is entirely about the realisation that you should be happy about you are, and that putting other people down will never achieve anything. Getting this message across is done very well, in a funny yet almost heartwarming manner although admittedly it is all rather obvious. Although at least this tries to avoid as many teenage film clichés as possible, which makes for a refreshing change.
My problem with Mean Girls is the whole bitchiness of it all that underpins the second act. I know “mean” girls were to be expected, but by the end I found myself getting very irritable with how horrible these girls were and the constant sniping at each other. This may stem from my own sometimes unpleasant experiences at high school, but teenage girls stabbing each other in the backs gets very old very quickly. Fortunately the ending does at least relieve some of the meanness and provide a surprisingly heartwarming and uplifting resolution, but I’m afraid some of the damage remains. And I must admit that seeing a smart girl play dumb and risk failing for a boy really makes my blood boil, and yes I do know it’s only a film.
Overall Mean Girls is a well done teenage film which stands out mostly because of its very smart script. It’s probably one of the best high school based films out there but it isn’t perfect, and I do question as to whether it deserves a spot on the bucket list when there are so many outstanding films that have missed out.
The third film on my 100 Movies Bucket List is Mean Girls, a film I’ve seen but never had any strong emotion for. Mean Girls stars Lindsay Lohan as Cady, who after living and being homeschooled in Africa for most of her life, must now enter the terrifying world of an American high school. Here she meets Janis (Lizzy Caplan) and Damian (Daniel Franzese) who clue her into high school hierarchy, including introducing her to the Plastics: Regina (Rachel McAdams), Karen (Amanda Seyfried) and Gretchen (Lacey Chabert).
Mean Girls is a teenage movie that is unlike many others – instead of being dumb and crude, it’s surprisingly smart and humorous. From the opening scenes, it’s obvious that this is intelligent. It’s full of subtle jokes and remarks and some absolutely superb one liners, and these are all down to Tina Fey who has written an excellent script. And in the process appears to have some of the best lines as teacher Mrs Norbury, but do you blame her? Mean Girls manages to portray the high school hierarchy and social interactions perfectly. Whilst is is obviously catering more to American high schoolers, I doubt there are many that would watch this and not see something that they personally experienced at high school. It’s almost poking fun at the high school experience but in such a smart and enjoyable way. There are moments and lines in this that are almost verging on inappropriate, and likely wouldn’t be acceptable in today’s society, but even though this was made in 2004 I don’t doubt that this impropriety is still reflective of modern day high schools.
The acting on offer here is superb. Lindsay Lohan is entirely believable as Cady and this is hugely important considering the message Mean Girls is portraying. This film is entirely about the realisation that you should be happy about you are, and that putting other people down will never achieve anything. Getting this message across is done very well, in a funny yet almost heartwarming manner although admittedly it is all rather obvious. Although at least this tries to avoid as many teenage film clichés as possible, which makes for a refreshing change.
My problem with Mean Girls is the whole bitchiness of it all that underpins the second act. I know “mean” girls were to be expected, but by the end I found myself getting very irritable with how horrible these girls were and the constant sniping at each other. This may stem from my own sometimes unpleasant experiences at high school, but teenage girls stabbing each other in the backs gets very old very quickly. Fortunately the ending does at least relieve some of the meanness and provide a surprisingly heartwarming and uplifting resolution, but I’m afraid some of the damage remains. And I must admit that seeing a smart girl play dumb and risk failing for a boy really makes my blood boil, and yes I do know it’s only a film.
Overall Mean Girls is a well done teenage film which stands out mostly because of its very smart script. It’s probably one of the best high school based films out there but it isn’t perfect, and I do question as to whether it deserves a spot on the bucket list when there are so many outstanding films that have missed out.
Emma @ The Movies (1786 KP) rated Love and Monsters (2021) in Movies
Apr 25, 2021
This is the nearest I've gotten to having a surprise film without the cinema. Netflix, I applaud you.
The world has been ravaged by a plague of mutated animals and the remaining humans have been in hiding for the last seven years. But Joel's life has changed and now he wants to leave the colony to find the girl he loved when the world changed. The only problem? She's 85 miles away, and he's a little inept.
I really love a good disaster/apocalyptic film, and the "how it happens" portion is usually my favourite part. There's only a small amount of that, and I think they could have gone into that slightly more (because I always love an origin story). What we do get here though leads us in well and gives us a very quick and solid summation of what we need to know.
There's a slight Lost feeling to the whole film, and that's not a bad thing, it gave it a very comfortable vibe. What the story was showing the viewer, and where it leads were wonderfully crafted... and let's move on to the next bit before I start gushing.
Dylan O'Brien plays the lead role of Joel, as well as supplying his voiceover for the film as well, and both bits were just perfect. He's humorous, sweet, courageous and a bit scared from time to time, and you see that evolve throughout the film. There are times where you might want to give him a talking to about how the real world works, but ultimately he is exactly right for this story.
Along his journey, Joel meets Clyde (Michael Rooker) and Minnow (Ariana Greenblatt, who I felt like I knew but couldn't place. If you look her up you'll discover she is Young Gamora). These two are such an entertaining duo. Bonded through crisis, they're taken their own way and when they meet Joel they form a new connection and help him to become the person he needs to be. It was so well thought-out, and honestly, they nailed the casting. I'd happily watch a sequel of those two on their adventures.
Love and Monsters combines the film and the voiceover so well that it gives you a seamless story that isn't filled with forced scenes that are trying to get necessary points across. Every scene added value for me.
Looking at the effects and design you can tell someone had fun creating the creatures and landscape. They're vibrant and inventive, and the fact that they clearly thought through everything from the environments each colony live in, to what the creatures do, is just a delight on screen. I think the crab is by far my favourite example of this.
For a film I loved this much, I'm surprised at how little I've written. Are there things I could nitpick over? Possibly. But while there are things I'd have loved to see in the film, what we were given was exactly what it needed to be. There was a bit of everything and some moments of emotion that I really wasn't expecting. I'm just so glad I saw this film, and I had absolutely no hesitation in the score I gave this film.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/love-and-monsters-movie-review.html
The world has been ravaged by a plague of mutated animals and the remaining humans have been in hiding for the last seven years. But Joel's life has changed and now he wants to leave the colony to find the girl he loved when the world changed. The only problem? She's 85 miles away, and he's a little inept.
I really love a good disaster/apocalyptic film, and the "how it happens" portion is usually my favourite part. There's only a small amount of that, and I think they could have gone into that slightly more (because I always love an origin story). What we do get here though leads us in well and gives us a very quick and solid summation of what we need to know.
There's a slight Lost feeling to the whole film, and that's not a bad thing, it gave it a very comfortable vibe. What the story was showing the viewer, and where it leads were wonderfully crafted... and let's move on to the next bit before I start gushing.
Dylan O'Brien plays the lead role of Joel, as well as supplying his voiceover for the film as well, and both bits were just perfect. He's humorous, sweet, courageous and a bit scared from time to time, and you see that evolve throughout the film. There are times where you might want to give him a talking to about how the real world works, but ultimately he is exactly right for this story.
Along his journey, Joel meets Clyde (Michael Rooker) and Minnow (Ariana Greenblatt, who I felt like I knew but couldn't place. If you look her up you'll discover she is Young Gamora). These two are such an entertaining duo. Bonded through crisis, they're taken their own way and when they meet Joel they form a new connection and help him to become the person he needs to be. It was so well thought-out, and honestly, they nailed the casting. I'd happily watch a sequel of those two on their adventures.
Love and Monsters combines the film and the voiceover so well that it gives you a seamless story that isn't filled with forced scenes that are trying to get necessary points across. Every scene added value for me.
Looking at the effects and design you can tell someone had fun creating the creatures and landscape. They're vibrant and inventive, and the fact that they clearly thought through everything from the environments each colony live in, to what the creatures do, is just a delight on screen. I think the crab is by far my favourite example of this.
For a film I loved this much, I'm surprised at how little I've written. Are there things I could nitpick over? Possibly. But while there are things I'd have loved to see in the film, what we were given was exactly what it needed to be. There was a bit of everything and some moments of emotion that I really wasn't expecting. I'm just so glad I saw this film, and I had absolutely no hesitation in the score I gave this film.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/love-and-monsters-movie-review.html
Kristy H (1252 KP) rated Plain Bad Heroines in Books
Dec 17, 2020
Plain Bad Heroines was one of my most anticipated reads of the year. I am a sucker for a lesbian tale. Add in a Gothic New England boarding school for girls? Sold.
The story centers around two time periods. The first, 1902, at the Brookhants School for Girls, run by Libbie Brookhants. A book by a young writer, Mary MacLane has come out--one that's incredibly scandalous for the times. Two Brookhants girls, Flo and Clara, are obsessed with it and establish The Plain Bad Heroine Society. The two are in love, meeting in secret--until they are attacked by yellow jackets at their hiding spot, a copy of the book found with them. A few years later the school closes, but not until after more scandal and death. Now, our second period, over a hundred years later, where Merritt Emmons, a young writer, publishes a book about Flo and Clara's story. It inspires a horror film starring Harper Harper, a famous lesbian actress. Harper will be playing Flo and B-list actress Audrey Wells, Clara. Filming on-site at the abandoned Brookhants site, the three women converge. But soon, weird things start happening, and the curse of Brookhants seems back to haunt the set--and our three modern-day heroines.
This book is absolutely enthralling at times. I flew through these 619 pages, that's for sure. My notes state "very lesbian," which is, of course, a major plus for me. Believe me, we don't get a lot of books starring ourselves. And you know, where we are killed off by swarms of yellow jackets. I honestly found both storylines compelling. It's hard not to fall a bit in love with Harper Harper, the charismatic celebrity (out!) lesbian. And 1902 isn't just about Clara and Flo, but Libbie Brookhants and her life trying to run a cursed school in the early 1900s. Honestly, the pages really flew by most of the time. Though, there are certainly moments where I felt some of the story could have been cut.
And yes, the narrative style is different, though it really adds to the uniqueness of the book. It's basically told by an omnipresent narrator, talking directly to the reader. There are footnotes, often humorous ones, and the end result is something you don't often find. For the most part, I felt like Danforth pulled it off, too. I do think Libbie was a little more fully developed than Merritt, Harper, and Audrey, but that also may have been because that trio could come across as a bit spoiled at times.
Probably my two biggest issues with this book (regretfully): for a Gothic horror novel, it's not really that scary. There are a few creepy and eerie moments, especially in the beginning, but it never really builds up to that terrifying moment that you're expecting. And, somewhat related, the ending. We read and stick with our various tales for the entire time and then... poof! Everything just fizzles out. I was so bummed. The ending was such a disappointment after all I'd read and kept this from being a full-fledged 4 or 4.5-star read. I couldn't believe it after what we'd been through. It was like even the author was tired.
So, overall, this is an original and fascinating read. I'm certainly still advising you to read it (especially if you're queer or enjoy reading queer fiction). Just be prepared that the ending may not have that big scary moment you're expecting. 3.5 stars.
The story centers around two time periods. The first, 1902, at the Brookhants School for Girls, run by Libbie Brookhants. A book by a young writer, Mary MacLane has come out--one that's incredibly scandalous for the times. Two Brookhants girls, Flo and Clara, are obsessed with it and establish The Plain Bad Heroine Society. The two are in love, meeting in secret--until they are attacked by yellow jackets at their hiding spot, a copy of the book found with them. A few years later the school closes, but not until after more scandal and death. Now, our second period, over a hundred years later, where Merritt Emmons, a young writer, publishes a book about Flo and Clara's story. It inspires a horror film starring Harper Harper, a famous lesbian actress. Harper will be playing Flo and B-list actress Audrey Wells, Clara. Filming on-site at the abandoned Brookhants site, the three women converge. But soon, weird things start happening, and the curse of Brookhants seems back to haunt the set--and our three modern-day heroines.
This book is absolutely enthralling at times. I flew through these 619 pages, that's for sure. My notes state "very lesbian," which is, of course, a major plus for me. Believe me, we don't get a lot of books starring ourselves. And you know, where we are killed off by swarms of yellow jackets. I honestly found both storylines compelling. It's hard not to fall a bit in love with Harper Harper, the charismatic celebrity (out!) lesbian. And 1902 isn't just about Clara and Flo, but Libbie Brookhants and her life trying to run a cursed school in the early 1900s. Honestly, the pages really flew by most of the time. Though, there are certainly moments where I felt some of the story could have been cut.
And yes, the narrative style is different, though it really adds to the uniqueness of the book. It's basically told by an omnipresent narrator, talking directly to the reader. There are footnotes, often humorous ones, and the end result is something you don't often find. For the most part, I felt like Danforth pulled it off, too. I do think Libbie was a little more fully developed than Merritt, Harper, and Audrey, but that also may have been because that trio could come across as a bit spoiled at times.
Probably my two biggest issues with this book (regretfully): for a Gothic horror novel, it's not really that scary. There are a few creepy and eerie moments, especially in the beginning, but it never really builds up to that terrifying moment that you're expecting. And, somewhat related, the ending. We read and stick with our various tales for the entire time and then... poof! Everything just fizzles out. I was so bummed. The ending was such a disappointment after all I'd read and kept this from being a full-fledged 4 or 4.5-star read. I couldn't believe it after what we'd been through. It was like even the author was tired.
So, overall, this is an original and fascinating read. I'm certainly still advising you to read it (especially if you're queer or enjoy reading queer fiction). Just be prepared that the ending may not have that big scary moment you're expecting. 3.5 stars.
Gareth von Kallenbach (980 KP) rated Why Him? (2016) in Movies
Jul 12, 2019
When an “out of touch” Midwesterner owner of a paper factory (Bryan Cranston) decides to take his family to California to spend Christmas with his college student daughter (Zoey Deutch) and meet her new tech-millionaire, but socially inept boyfriend (James Franco), a typical father vs boyfriend faceoff ensues. For many, Why Him? will be enough to satisfy the comedy itch. Those expecting to find the next gut busting comedy will be disappointed, while those thinking it will be a dull comedy will be pleasantly surprised. This film is somewhere in the middle. A constant stream of chuckles with a few bigger laughs here or there. But ultimately forgettable at the lack of main characters to root for.
The highlights of this film include Cranston who reminds us that he has comedic timing from his years in Malcom in the Middle. His chemistry and timing is played well across Megan Mullally who perfectly delivers a few genuine laughs as a Midwestern suburban wife trying to maintain the niceties. Their son (Griffin Gluck) also adds to the humorous family affair as a teenage brother trying to be taken seriously as an adult but still being treated as a child. Lastly, the always funny Keegan-Michael Key hilariously plays Gustav, the “estate manager” to the tech-millionaire boyfriend and spices up the film every time he seems to appear.
James Franco on the other hand quickly wears out is welcome as the socially inept tech-millionaire boyfriend. At times he is funny, however after the dropping the “f-bomb” so many times you begin to sees him as a basic, depthless “caricature” only going for the low hanging fruit of crude jokes. Still, his crude, repeated, jokes are no longer funny after the first few times we see them. The film tries to give Franco some “mysterious depth” through an eluded troubled childhood and his genuine honesty. Only the film never gives you any payoff, as Franco’s character never actually evolves past his caricature shortcomings. It is a shame, because we actually like the girlfriend character (Zoey Deutch) and want to understand what she sees in Franco’s character, however since he never really evolves, there really is no reason to like or root for them to be together.
I also want to point out that this film acknowledges its biggest flaw. At one point in the film a character points out that there is a war going on between father and boyfriend, only the boyfriend isn’t actually fighting. That’s true, and thus there is no real conflict and no real reason to root for any of the characters. Franco’s boyfriend character never evolves past his caricature. While Cranston’s father character only evolves because the movie devolves into “paint by numbers” territory in the last 10 minutes. Since there is no one to root, we do not really care the outcome as we got our chuckles throughout the film but will forget about it shortly after walking out the theater.
Why Him? Has a solid cast, a few unexpected cameos and delivers constant chuckles throughout, however without giving us a likeable boyfriend or any characters to root for, the lack of memorable gut busting laughs has this film as nothing more than a typical forgettable comedy.
The highlights of this film include Cranston who reminds us that he has comedic timing from his years in Malcom in the Middle. His chemistry and timing is played well across Megan Mullally who perfectly delivers a few genuine laughs as a Midwestern suburban wife trying to maintain the niceties. Their son (Griffin Gluck) also adds to the humorous family affair as a teenage brother trying to be taken seriously as an adult but still being treated as a child. Lastly, the always funny Keegan-Michael Key hilariously plays Gustav, the “estate manager” to the tech-millionaire boyfriend and spices up the film every time he seems to appear.
James Franco on the other hand quickly wears out is welcome as the socially inept tech-millionaire boyfriend. At times he is funny, however after the dropping the “f-bomb” so many times you begin to sees him as a basic, depthless “caricature” only going for the low hanging fruit of crude jokes. Still, his crude, repeated, jokes are no longer funny after the first few times we see them. The film tries to give Franco some “mysterious depth” through an eluded troubled childhood and his genuine honesty. Only the film never gives you any payoff, as Franco’s character never actually evolves past his caricature shortcomings. It is a shame, because we actually like the girlfriend character (Zoey Deutch) and want to understand what she sees in Franco’s character, however since he never really evolves, there really is no reason to like or root for them to be together.
I also want to point out that this film acknowledges its biggest flaw. At one point in the film a character points out that there is a war going on between father and boyfriend, only the boyfriend isn’t actually fighting. That’s true, and thus there is no real conflict and no real reason to root for any of the characters. Franco’s boyfriend character never evolves past his caricature. While Cranston’s father character only evolves because the movie devolves into “paint by numbers” territory in the last 10 minutes. Since there is no one to root, we do not really care the outcome as we got our chuckles throughout the film but will forget about it shortly after walking out the theater.
Why Him? Has a solid cast, a few unexpected cameos and delivers constant chuckles throughout, however without giving us a likeable boyfriend or any characters to root for, the lack of memorable gut busting laughs has this film as nothing more than a typical forgettable comedy.
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Hazel (1853 KP) rated A Robot in the Garden in Books
May 25, 2017
So Sweet
This ebook was provided by the publisher via NetGalley in exchange for an honest review
What would you do if you found a robot in your garden? That is exactly what, as the title suggests, 34-year-old Ben has to answer on making this discovery early one September morning. Set in the near future where many people have androids in their houses to do the chores they do not wish to do, finding a robot is not a completely unsettling event. What is unusual, however, is that this particular robot is the opposite of the modern, shiny models: he appears to be a mishmash of Japanese fine art and something you would find on a scrap heap.
As Ben discovers, the robot, named Tang is broken and is in need of urgent care and repair. Ben becomes obsessed with trying to pry information out of the robot as to where he came from and to whom he belongs to. Bringing Tang into the house is the last straw for his wife, Amy, who after letting him know all his faults – unemployment, never achieved anything – walks out on him. Now alone, with no one else to worry about, Ben is determined to locate Tang’s creator and save the robot’s life.
What continues is a wild goose chase across America and over to Asia as the strange pairing – human and robot – follows hints and clues that could help them reach their destination. Along the way Ben gets to know Tang and learns to love him in the same way a father loves a child. No matter what mischief Tang gets himself into, Ben is always there to fix the situation. The only thing he cannot fix is Tang’s internal parts, and time is running out.
Initially the story was about a man who wanted to prove he could achieve something to show his sister and his, now, ex-wife that they were wrong about him. However later on in the novel Ben realizes he is changing for himself, not for anyone else, and the person – or robot – that has helped him to achieve this is Tang. On the other hand it is also a humorous tale that explores a character that is unable to connect to the world around him. Tang is like a human toddler who needs constant care and attention, and is fascinated by everything around him. With Ben’s love and attention he proves to the world that he is much more than a rusty metal box.
A Robot in the Garden is a gem of a novel that is guaranteed to make the reader laugh. It is also touching and emotionally engaging, with both heartwarming and heart wrenching moments. Deborah Install has created an accurate representation of a character that has no understanding of the happenings in the world around it, basing many hilarious instances on those of her young son.
Whilst reading this book I could not help but compare it to the film Short Circuit (1986) in which a robot is electrocuted and gains human intelligence. I kept picturing the storyline of A Robot in the Garden in my head and thinking up ways it could be portrayed on screen. Whether there are plans to make it into a film I have no idea, but I am sure it would make prize-winning picture.
Do not be put off by its science fiction classification; A Robot in the Garden is no War of the Worlds or Doctor Who type of story. Instead it is a brilliant piece if fiction suitable for all adults. Those with children will laugh at the similarities between Tang and their offspring, whereas those without will sympathise with Ben’s struggles to keep the robot under control. All in all a great novel.
What would you do if you found a robot in your garden? That is exactly what, as the title suggests, 34-year-old Ben has to answer on making this discovery early one September morning. Set in the near future where many people have androids in their houses to do the chores they do not wish to do, finding a robot is not a completely unsettling event. What is unusual, however, is that this particular robot is the opposite of the modern, shiny models: he appears to be a mishmash of Japanese fine art and something you would find on a scrap heap.
As Ben discovers, the robot, named Tang is broken and is in need of urgent care and repair. Ben becomes obsessed with trying to pry information out of the robot as to where he came from and to whom he belongs to. Bringing Tang into the house is the last straw for his wife, Amy, who after letting him know all his faults – unemployment, never achieved anything – walks out on him. Now alone, with no one else to worry about, Ben is determined to locate Tang’s creator and save the robot’s life.
What continues is a wild goose chase across America and over to Asia as the strange pairing – human and robot – follows hints and clues that could help them reach their destination. Along the way Ben gets to know Tang and learns to love him in the same way a father loves a child. No matter what mischief Tang gets himself into, Ben is always there to fix the situation. The only thing he cannot fix is Tang’s internal parts, and time is running out.
Initially the story was about a man who wanted to prove he could achieve something to show his sister and his, now, ex-wife that they were wrong about him. However later on in the novel Ben realizes he is changing for himself, not for anyone else, and the person – or robot – that has helped him to achieve this is Tang. On the other hand it is also a humorous tale that explores a character that is unable to connect to the world around him. Tang is like a human toddler who needs constant care and attention, and is fascinated by everything around him. With Ben’s love and attention he proves to the world that he is much more than a rusty metal box.
A Robot in the Garden is a gem of a novel that is guaranteed to make the reader laugh. It is also touching and emotionally engaging, with both heartwarming and heart wrenching moments. Deborah Install has created an accurate representation of a character that has no understanding of the happenings in the world around it, basing many hilarious instances on those of her young son.
Whilst reading this book I could not help but compare it to the film Short Circuit (1986) in which a robot is electrocuted and gains human intelligence. I kept picturing the storyline of A Robot in the Garden in my head and thinking up ways it could be portrayed on screen. Whether there are plans to make it into a film I have no idea, but I am sure it would make prize-winning picture.
Do not be put off by its science fiction classification; A Robot in the Garden is no War of the Worlds or Doctor Who type of story. Instead it is a brilliant piece if fiction suitable for all adults. Those with children will laugh at the similarities between Tang and their offspring, whereas those without will sympathise with Ben’s struggles to keep the robot under control. All in all a great novel.
Hazel (1853 KP) rated In a Land of Paper Gods in Books
May 25, 2017
Better than expected
I received this book for free through Goodreads First Reads.
“My name is Henrietta S. Robertson. That’s my English name… My Chinese name is Ming-Mei.”
As the child of members of the Interior Alliance Mission, Henrietta has grown up between two cultures: English and Chinese. From the age of six she was sent to boarding school on a mountain in the Jiangxi Province, where four years later she remains as a small, pale, lonely girl.
For a girl as young as ten, Etta has a big imagination. She decides that God has called her to be a prophetess, and encourages the other girls in Dormitory A to join her in a Prophetess Club. This results is Etta getting into all sorts of trouble as she naively goes about inventing prophecies; all the while the Second Sino-Japanese War gets closer and closer to their mountain sanctuary.
Told mostly from Etta’s point of view, In a Land of Paper Gods is a hilarious historical novel about a young girl’s innocence. A large part of the story is about the missionary school rather than the ongoing war, therefore the focus is on Etta’s interpretation of the bible and her understanding of the differences between Western Christian and Chinese culture. However, once America joins the war effort, it is shockingly quick how the tale can go from humorous to heartbreaking.
The other character who plays a large part in this novel is Muriel, a dorm aunty, whom Etta regards highly. Muriel wanted to be a missionary but instead has found herself working at the Lushan school, keeping an eye on the ten and eleven year old girls. Although most of the book is written in Etta’s first person narrative, Rebecca Mackenzie has also included the occasional diary entry from Aunty Muriel. Since these are so few, it is not clear what their purpose is, as the story could easily continue without them.
Despite being an historical novel, In a Land of Paper Gods focuses less on fact and more on the impact the times had on a young girl. It is interesting to see the character development of Etta as she goes from a naughty, attention-seeking schoolgirl, to a young woman who must fend for herself. All the while she has her belief in God to resort to for explanations about the world she is living in. The reader also witnesses the growth of a relationship between Aunty Muriel and Etta. To begin with it is that of an adult and child, however it ends with them being equals in their suffering.
In a Land of Paper Gods is a pleasure to read. It is comically entertaining to begin with as the reader grows to love the characters, particularly mischievous Etta. It is hard to put the book down due to pure delight of the storyline, yet when the story turns darker it is just as difficult to put down, as we want to find out if the characters are going to be okay.
For some people, the Christian content will not mean anything, however it is possible to enjoy the novel without a religious background. For those, like myself, who do have a Christian upbringing, this aspect makes the story even better. Readers may recognize themselves or of their childhood in Etta, particularly her understanding of the bible.
Overall I loved this book. I was not sure what to expect, and have often found historical novels set in China to be rather dull. Therefore I was pleasantly surprised to discover how good this book was. I encourage others to read In a Land of Paper Gods, and I look forward to reading what Mackenzie writes next.
“My name is Henrietta S. Robertson. That’s my English name… My Chinese name is Ming-Mei.”
As the child of members of the Interior Alliance Mission, Henrietta has grown up between two cultures: English and Chinese. From the age of six she was sent to boarding school on a mountain in the Jiangxi Province, where four years later she remains as a small, pale, lonely girl.
For a girl as young as ten, Etta has a big imagination. She decides that God has called her to be a prophetess, and encourages the other girls in Dormitory A to join her in a Prophetess Club. This results is Etta getting into all sorts of trouble as she naively goes about inventing prophecies; all the while the Second Sino-Japanese War gets closer and closer to their mountain sanctuary.
Told mostly from Etta’s point of view, In a Land of Paper Gods is a hilarious historical novel about a young girl’s innocence. A large part of the story is about the missionary school rather than the ongoing war, therefore the focus is on Etta’s interpretation of the bible and her understanding of the differences between Western Christian and Chinese culture. However, once America joins the war effort, it is shockingly quick how the tale can go from humorous to heartbreaking.
The other character who plays a large part in this novel is Muriel, a dorm aunty, whom Etta regards highly. Muriel wanted to be a missionary but instead has found herself working at the Lushan school, keeping an eye on the ten and eleven year old girls. Although most of the book is written in Etta’s first person narrative, Rebecca Mackenzie has also included the occasional diary entry from Aunty Muriel. Since these are so few, it is not clear what their purpose is, as the story could easily continue without them.
Despite being an historical novel, In a Land of Paper Gods focuses less on fact and more on the impact the times had on a young girl. It is interesting to see the character development of Etta as she goes from a naughty, attention-seeking schoolgirl, to a young woman who must fend for herself. All the while she has her belief in God to resort to for explanations about the world she is living in. The reader also witnesses the growth of a relationship between Aunty Muriel and Etta. To begin with it is that of an adult and child, however it ends with them being equals in their suffering.
In a Land of Paper Gods is a pleasure to read. It is comically entertaining to begin with as the reader grows to love the characters, particularly mischievous Etta. It is hard to put the book down due to pure delight of the storyline, yet when the story turns darker it is just as difficult to put down, as we want to find out if the characters are going to be okay.
For some people, the Christian content will not mean anything, however it is possible to enjoy the novel without a religious background. For those, like myself, who do have a Christian upbringing, this aspect makes the story even better. Readers may recognize themselves or of their childhood in Etta, particularly her understanding of the bible.
Overall I loved this book. I was not sure what to expect, and have often found historical novels set in China to be rather dull. Therefore I was pleasantly surprised to discover how good this book was. I encourage others to read In a Land of Paper Gods, and I look forward to reading what Mackenzie writes next.