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Kristy H (1252 KP) rated Paper Ghosts in Books
Jun 4, 2018
Odd, creepy thriller
Carl Feldman was a famous photographer whose photos were well-known and whose books sold around the country. Then, he was tried--and acquitted--for the murder of a young mother. Now he lives in a home for wayward folks and criminals with dementia. Supposedly his mind is going, and there's much he doesn't remember about his past. There are tremors in his arm and gaps in his past. But each week a young woman visits, claiming to be his daughter. Eventually, she shows up to take Carl on a trip. But this isn't a father/daughter bonding ritual. She's convinced Carl knows what happened to her sister, Rachel, who disappeared when she was twelve and Rachel nineteen. She's spent years accumulating clues and evidence that point squarely to Carl's guilt--including his own photographs. How much does Carl really remember about those years? And how much is she at risk driving into Texas with a potential killer?
This was really different and odd book--not necessarily in a bad way, but it takes some getting used to and it's hard to explain, especially without spoiling anything. Our characters are few, with a focus on our female protagonist (who isn't named until the end of the book, so I won't name her here) and Carl. Both come alive through Heaberlin's well-written words, but neither are easy to like at times. Our main character is on a quest--one she's been on from the moment Rachel disappeared: to figure out what happened to her beloved sister. Her drive and desperation seep through the pages, and she's a fascinating and dynamic character, if not always a sympathetic or reliable one.
Yet she's completely lovable next to Carl, a potential serial killer who could be whispering to ghosts or plotting to kill her--it's so hard for us to know. What's so intriguing about this book is the bond to the two form as they drive across Texas, whose landscape becomes almost a third character in the novel. While at times I felt the plot dip and drag a bit, wondering where things were going, other times I was struck by the amazing dynamic Heaberlin created between the two. So much of the book is just Carl and our main character, alone in a vehicle in Texas, and it's very interesting, honestly, how she kept that interesting!
The book is creepy and tense at times, with Carl's behavior coming across as spooky and a layer of distrust covering the whole book. Who can we trust or believe? How much does Carl really remember? What is our main character really trying to achieve with this journey with Carl; is she telling us everything? I was left jumping and mistrustful, always wondering what would happen next.
The mixed media aspect of the book helps too, with not only commentary from our main character, but also excerpts from her childhood journal, pictures of Carl's, and snippets from one of his photography books. As such, things unfold slowly and ominously, overlaying the tense atmosphere of the novel. A lot happens and it can get a little perplexing at times, but it's also intriguing and compelling. A few twists and turns made me go "whoa." There's even a few moments between Carl and his "daughter" that are humorous. By the end, you're a little dazed and worn out, and the ending seems shocking. It definitely wasn't what I was expecting, that's for sure. The whole book felt the way, even though I enjoyed it.
Overall, this is slow-burning thriller that takes some time to warm to, but once you get into the rhythm, is interesting and compelling. The main characters are well-faceted, different, and unreliable. It's a creepy and tense read. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
This was really different and odd book--not necessarily in a bad way, but it takes some getting used to and it's hard to explain, especially without spoiling anything. Our characters are few, with a focus on our female protagonist (who isn't named until the end of the book, so I won't name her here) and Carl. Both come alive through Heaberlin's well-written words, but neither are easy to like at times. Our main character is on a quest--one she's been on from the moment Rachel disappeared: to figure out what happened to her beloved sister. Her drive and desperation seep through the pages, and she's a fascinating and dynamic character, if not always a sympathetic or reliable one.
Yet she's completely lovable next to Carl, a potential serial killer who could be whispering to ghosts or plotting to kill her--it's so hard for us to know. What's so intriguing about this book is the bond to the two form as they drive across Texas, whose landscape becomes almost a third character in the novel. While at times I felt the plot dip and drag a bit, wondering where things were going, other times I was struck by the amazing dynamic Heaberlin created between the two. So much of the book is just Carl and our main character, alone in a vehicle in Texas, and it's very interesting, honestly, how she kept that interesting!
The book is creepy and tense at times, with Carl's behavior coming across as spooky and a layer of distrust covering the whole book. Who can we trust or believe? How much does Carl really remember? What is our main character really trying to achieve with this journey with Carl; is she telling us everything? I was left jumping and mistrustful, always wondering what would happen next.
The mixed media aspect of the book helps too, with not only commentary from our main character, but also excerpts from her childhood journal, pictures of Carl's, and snippets from one of his photography books. As such, things unfold slowly and ominously, overlaying the tense atmosphere of the novel. A lot happens and it can get a little perplexing at times, but it's also intriguing and compelling. A few twists and turns made me go "whoa." There's even a few moments between Carl and his "daughter" that are humorous. By the end, you're a little dazed and worn out, and the ending seems shocking. It definitely wasn't what I was expecting, that's for sure. The whole book felt the way, even though I enjoyed it.
Overall, this is slow-burning thriller that takes some time to warm to, but once you get into the rhythm, is interesting and compelling. The main characters are well-faceted, different, and unreliable. It's a creepy and tense read. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Dianne Robbins (1738 KP) rated Lady Killers: Deadly Women Throughout History in Books
Sep 3, 2018
I received an uncorrected proof of a true-crime book about female serial killers by Tori Telfer called Lady Killers: Deadly Women Throughout History to peruse and review on Goodreads and Amazon. The book won’t released until October 10, 2017, by Harper Perennial, and I am so thrilled to be one of the few who get to read it first.
Some of the murderers/murderesses have been discussed on My Favorite Murder by Georgia and Karen but some are brand new to me.
From the back cover:
When you think of serial killers throughout history the names that come to mind are ones like Jack the Ripper, John Wayne Gacy and Ted Bundy but what about Tilly Klimek, Moulay Hassen and Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators, in fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference that, “There are no female serial killers.”
Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers 14 gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts and cunning, cruelty, and appetite for destruction.
Each chapter explores the crimes and history of a different subject and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clichés that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone lady killers dismisses explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch) delving into the complex reality of a female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a blood curdling, insightful, and irresistible journey into the heart of darkness.
Tori Telfer is a full-time freelance writer whose work has appeared in Salon, Vice, Jezebel, The Hairpin, Good Magazine, Bustle, barnesandnoble.com, Chicago Magazine, and elsewhere. She is a Pushcart nominee and the recipient of the Edwin L. Shuman Fiction Award. She has written, directed, and produced independent plays on both Chicago and Los Angeles.
The author’s official website is http://www.toridotgov.com.
The illustrator’s website is http://www.damedarcy.com
Table of Contents
The Blood Countess: Erzsebet Bathory
The Giggling Grandma: Nannie Doss
The Worst Woman on Earth: Lizzie Halliday
Devil in the Shape of a Saint: Elizabeth Ridgeway
Vipers: Raya and Sakina
The Wretched Woman: Mary Ann Cotton
The Tormentor: Darya Nikolayevna Saltykova
Iceberg Anna: Anna Marie Hahn
The Nightingale: Oum-El-Hassen
High Priestess of the Bluebeard Clique: Tillie Klimek
Sorceress of Kilkenny: Alice Kyteler
Beautiful Throat Cutter: Kate Bender
The Angel Makers of Nagyrev
Queen of Poisoners: Marie-Madeleine, the Marquis de Brinvilliers
It looked as if The Angel Makers of Nagyrev wasn’t included in the texts, though it is listed in the contents and notes. However, they are on the pages following the chapter and heading Beautiful Throat Cutter. I had mistakenly thought it wasn't included before. Hopefully, that oversight and will be corrected in the final copy. There were a few punctuation errors in the book and I had intended to leave them in the copy above but allowed Grammarly to correct them without thinking. But that's why they pay the editors the big bucks.
Needless to say, I can’t wait to delve deep in this book and read my little Murderino heart out. I am nearly through the book and will update with a review once I have completed it.
#SSDGM
#Stay Sexy Don't Get Murdered
#myfavoritemurder #murderino #toritelfer #harperperennial #harpercollins #damedarcy
#books #bookstagram #mfmpodcast #georgiahardstark #karenkilgariff #serialkiller #truecrime #murder #killers #ladykiller #ladykillers #serialkillers
Some of the murderers/murderesses have been discussed on My Favorite Murder by Georgia and Karen but some are brand new to me.
From the back cover:
When you think of serial killers throughout history the names that come to mind are ones like Jack the Ripper, John Wayne Gacy and Ted Bundy but what about Tilly Klimek, Moulay Hassen and Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators, in fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference that, “There are no female serial killers.”
Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers 14 gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts and cunning, cruelty, and appetite for destruction.
Each chapter explores the crimes and history of a different subject and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clichés that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone lady killers dismisses explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch) delving into the complex reality of a female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a blood curdling, insightful, and irresistible journey into the heart of darkness.
Tori Telfer is a full-time freelance writer whose work has appeared in Salon, Vice, Jezebel, The Hairpin, Good Magazine, Bustle, barnesandnoble.com, Chicago Magazine, and elsewhere. She is a Pushcart nominee and the recipient of the Edwin L. Shuman Fiction Award. She has written, directed, and produced independent plays on both Chicago and Los Angeles.
The author’s official website is http://www.toridotgov.com.
The illustrator’s website is http://www.damedarcy.com
Table of Contents
The Blood Countess: Erzsebet Bathory
The Giggling Grandma: Nannie Doss
The Worst Woman on Earth: Lizzie Halliday
Devil in the Shape of a Saint: Elizabeth Ridgeway
Vipers: Raya and Sakina
The Wretched Woman: Mary Ann Cotton
The Tormentor: Darya Nikolayevna Saltykova
Iceberg Anna: Anna Marie Hahn
The Nightingale: Oum-El-Hassen
High Priestess of the Bluebeard Clique: Tillie Klimek
Sorceress of Kilkenny: Alice Kyteler
Beautiful Throat Cutter: Kate Bender
The Angel Makers of Nagyrev
Queen of Poisoners: Marie-Madeleine, the Marquis de Brinvilliers
It looked as if The Angel Makers of Nagyrev wasn’t included in the texts, though it is listed in the contents and notes. However, they are on the pages following the chapter and heading Beautiful Throat Cutter. I had mistakenly thought it wasn't included before. Hopefully, that oversight and will be corrected in the final copy. There were a few punctuation errors in the book and I had intended to leave them in the copy above but allowed Grammarly to correct them without thinking. But that's why they pay the editors the big bucks.
Needless to say, I can’t wait to delve deep in this book and read my little Murderino heart out. I am nearly through the book and will update with a review once I have completed it.
#SSDGM
#Stay Sexy Don't Get Murdered
#myfavoritemurder #murderino #toritelfer #harperperennial #harpercollins #damedarcy
#books #bookstagram #mfmpodcast #georgiahardstark #karenkilgariff #serialkiller #truecrime #murder #killers #ladykiller #ladykillers #serialkillers
Hazel (1853 KP) rated A Robot in the Garden in Books
Dec 14, 2018
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
What would you do if you found a robot in your garden? That is exactly what, as the title suggests, 34-year-old Ben has to answer on making this discovery early one September morning. Set in the near future where many people have androids in their houses to do the chores they do not wish to do, finding a robot is not a completely unsettling event. What is unusual, however, is that this particular robot is the opposite of the modern, shiny models: he appears to be a mishmash of Japanese fine art and something you would find on a scrap heap.
As Ben discovers, the robot, named Tang is broken and is in need of urgent care and repair. Ben becomes obsessed with trying to pry information out of the robot as to where he came from and to whom he belongs to. Bringing Tang into the house is the last straw for his wife, Amy, who after letting him know all his faults – unemployment, never achieved anything – walks out on him. Now alone, with no one else to worry about, Ben is determined to locate Tang’s creator and save the robot’s life.
What continues is a wild goose chase across America and over to Asia as the strange pairing – human and robot – follows hints and clues that could help them reach their destination. Along the way Ben gets to know Tang and learns to love him in the same way a father loves a child. No matter what mischief Tang gets himself into, Ben is always there to fix the situation. The only thing he cannot fix is Tang’s internal parts, and time is running out.
Initially the story was about a man who wanted to prove he could achieve something to show his sister and his, now, ex-wife that they were wrong about him. However later on in the novel Ben realizes he is changing for himself, not for anyone else, and the person – or robot – that has helped him to achieve this is Tang. On the other hand it is also a humorous tale that explores a character that is unable to connect to the world around him. Tang is like a human toddler who needs constant care and attention, and is fascinated by everything around him. With Ben’s love and attention he proves to the world that he is much more than a rusty metal box.
<i>A Robot in the Garden</i> is a gem of a novel that is guaranteed to make the reader laugh. It is also touching and emotionally engaging, with both heartwarming and heart wrenching moments. Deborah Install has created an accurate representation of a character that has no understanding of the happenings in the world around it, basing many hilarious instances on those of her young son.
Whilst reading this book I could not help but compare it to the film <i>Short Circuit</i> (1986) in which a robot is electrocuted and gains human intelligence. I kept picturing the storyline of <i>A Robot in the Garden</i> in my head and thinking up ways it could be portrayed on screen. Whether there are plans to make it into a film I have no idea, but I am sure it would make prize-winning picture.
Do not be put off by its science fiction classification; <i>A Robot in the Garden</i> is no <i>War of the Worlds</i> or <i>Doctor Who</i> type of story. Instead it is a brilliant piece if fiction suitable for all adults. Those with children will laugh at the similarities between Tang and their offspring, whereas those without will sympathise with Ben’s struggles to keep the robot under control. All in all a great novel.
What would you do if you found a robot in your garden? That is exactly what, as the title suggests, 34-year-old Ben has to answer on making this discovery early one September morning. Set in the near future where many people have androids in their houses to do the chores they do not wish to do, finding a robot is not a completely unsettling event. What is unusual, however, is that this particular robot is the opposite of the modern, shiny models: he appears to be a mishmash of Japanese fine art and something you would find on a scrap heap.
As Ben discovers, the robot, named Tang is broken and is in need of urgent care and repair. Ben becomes obsessed with trying to pry information out of the robot as to where he came from and to whom he belongs to. Bringing Tang into the house is the last straw for his wife, Amy, who after letting him know all his faults – unemployment, never achieved anything – walks out on him. Now alone, with no one else to worry about, Ben is determined to locate Tang’s creator and save the robot’s life.
What continues is a wild goose chase across America and over to Asia as the strange pairing – human and robot – follows hints and clues that could help them reach their destination. Along the way Ben gets to know Tang and learns to love him in the same way a father loves a child. No matter what mischief Tang gets himself into, Ben is always there to fix the situation. The only thing he cannot fix is Tang’s internal parts, and time is running out.
Initially the story was about a man who wanted to prove he could achieve something to show his sister and his, now, ex-wife that they were wrong about him. However later on in the novel Ben realizes he is changing for himself, not for anyone else, and the person – or robot – that has helped him to achieve this is Tang. On the other hand it is also a humorous tale that explores a character that is unable to connect to the world around him. Tang is like a human toddler who needs constant care and attention, and is fascinated by everything around him. With Ben’s love and attention he proves to the world that he is much more than a rusty metal box.
<i>A Robot in the Garden</i> is a gem of a novel that is guaranteed to make the reader laugh. It is also touching and emotionally engaging, with both heartwarming and heart wrenching moments. Deborah Install has created an accurate representation of a character that has no understanding of the happenings in the world around it, basing many hilarious instances on those of her young son.
Whilst reading this book I could not help but compare it to the film <i>Short Circuit</i> (1986) in which a robot is electrocuted and gains human intelligence. I kept picturing the storyline of <i>A Robot in the Garden</i> in my head and thinking up ways it could be portrayed on screen. Whether there are plans to make it into a film I have no idea, but I am sure it would make prize-winning picture.
Do not be put off by its science fiction classification; <i>A Robot in the Garden</i> is no <i>War of the Worlds</i> or <i>Doctor Who</i> type of story. Instead it is a brilliant piece if fiction suitable for all adults. Those with children will laugh at the similarities between Tang and their offspring, whereas those without will sympathise with Ben’s struggles to keep the robot under control. All in all a great novel.
Hazel (1853 KP) rated Teagan of Tomorrow (Legend of Rhyme, #3) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
They may have defeated the evil sorcerer, but the twins have found themselves in even more trouble. <i>Teagan of Tomorrow</i> is the third book in Jaime Lee Mann’s<i> Legend of Rhyme</i> fantasy series for children. Previously Asher and Ariana have helped to banish a powerful, wicked man, however in the process have been transported to the year 2015 – more than a couple of centuries into the future. Back in Coraira the rulers and fairies are desperate to locate the twins, but before they get a chance a curse befalls them, putting them into a deep sleep and removing all magic from the realm.
This third installment introduces a new character that is key to the plot. Teagan is a twelve-year-old girl living in a foster family in 2015. Readers learn that her parents died when she was young, however it is not revealed how or whether this is relevant to future books in the series. Although she never meets them, after Asher and Ariana find themselves nearby, Teagan starts experiencing odd things that could only be explained as magic… if magic existed.
The story is quite amusing to begin with as Asher and Ariana not only find themselves in a world they no longer understand, they have crashed straight into a reenactment of their own lives. Since magic ceased to exist, Coraira and the twins have become a legend that most people regard as a children’s fairytale, which they like to act out as a way of attracting tourists. The way the twins react to their surroundings produces a humorous comparison between the past and the twenty-first century.
As the story progresses it becomes clear that Teagan is a descendant of the twin’s family, and is their key to returning home. If only it could be as easy as it sounds. Before Asher and Ariana get to meet their youngest family member, Teagan accidently gets herself transported into Coraira.
Being only one hundred pages, <i>Teagan of Tomorrow</i> does not have room to resolve this disastrous situation. Readers will have to wait for the next book to be published to find out if the twins ever make it back home, and discover what happens to Teagan.
As with the previous two books, <i>Teagan of Tomorrow</i> is written in a language suitable for older children to understand. The author has kept the story short and to the point, making it easy to follow. The downside to this is it lacks description with dozens of pages containing only dialogue. This makes it harder to appreciate the setting and unique magical concept that Mann has invented.
The risk with a series of books is in going too far with the storyline. Sometimes there is a point when the story should end, yet the author perseveres on. I worried that this would be the case with this series. Except for the twins going missing, things could easily have finished at the end of the second book. The introduction of Teagan in<i> Teagan of Tomorrow</i> however gives a whole new concept to the original fantasy narrative. Instead of the same characters using the same magic, to defeat the same types of evil, surrounded by the same types of mythical creatures, Teagan provides a contemporary observation on the already familiar setting. The way the author leaves events at the end of the book will make the reader yearn for the next story, thus making it a success.
They may have defeated the evil sorcerer, but the twins have found themselves in even more trouble. <i>Teagan of Tomorrow</i> is the third book in Jaime Lee Mann’s<i> Legend of Rhyme</i> fantasy series for children. Previously Asher and Ariana have helped to banish a powerful, wicked man, however in the process have been transported to the year 2015 – more than a couple of centuries into the future. Back in Coraira the rulers and fairies are desperate to locate the twins, but before they get a chance a curse befalls them, putting them into a deep sleep and removing all magic from the realm.
This third installment introduces a new character that is key to the plot. Teagan is a twelve-year-old girl living in a foster family in 2015. Readers learn that her parents died when she was young, however it is not revealed how or whether this is relevant to future books in the series. Although she never meets them, after Asher and Ariana find themselves nearby, Teagan starts experiencing odd things that could only be explained as magic… if magic existed.
The story is quite amusing to begin with as Asher and Ariana not only find themselves in a world they no longer understand, they have crashed straight into a reenactment of their own lives. Since magic ceased to exist, Coraira and the twins have become a legend that most people regard as a children’s fairytale, which they like to act out as a way of attracting tourists. The way the twins react to their surroundings produces a humorous comparison between the past and the twenty-first century.
As the story progresses it becomes clear that Teagan is a descendant of the twin’s family, and is their key to returning home. If only it could be as easy as it sounds. Before Asher and Ariana get to meet their youngest family member, Teagan accidently gets herself transported into Coraira.
Being only one hundred pages, <i>Teagan of Tomorrow</i> does not have room to resolve this disastrous situation. Readers will have to wait for the next book to be published to find out if the twins ever make it back home, and discover what happens to Teagan.
As with the previous two books, <i>Teagan of Tomorrow</i> is written in a language suitable for older children to understand. The author has kept the story short and to the point, making it easy to follow. The downside to this is it lacks description with dozens of pages containing only dialogue. This makes it harder to appreciate the setting and unique magical concept that Mann has invented.
The risk with a series of books is in going too far with the storyline. Sometimes there is a point when the story should end, yet the author perseveres on. I worried that this would be the case with this series. Except for the twins going missing, things could easily have finished at the end of the second book. The introduction of Teagan in<i> Teagan of Tomorrow</i> however gives a whole new concept to the original fantasy narrative. Instead of the same characters using the same magic, to defeat the same types of evil, surrounded by the same types of mythical creatures, Teagan provides a contemporary observation on the already familiar setting. The way the author leaves events at the end of the book will make the reader yearn for the next story, thus making it a success.
Hazel (1853 KP) rated In a Land of Paper Gods in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.
“My name is Henrietta S. Robertson. That’s my English name… My Chinese name is Ming-Mei.”</i>
As the child of members of the Interior Alliance Mission, Henrietta has grown up between two cultures: English and Chinese. From the age of six she was sent to boarding school on a mountain in the Jiangxi Province, where four years later she remains as a small, pale, lonely girl.
For a girl as young as ten, Etta has a big imagination. She decides that God has called her to be a prophetess, and encourages the other girls in Dormitory A to join her in a Prophetess Club. This results is Etta getting into all sorts of trouble as she naively goes about inventing prophecies; all the while the Second Sino-Japanese War gets closer and closer to their mountain sanctuary.
Told mostly from Etta’s point of view, <i>In a Land of Paper Gods</i> is a hilarious historical novel about a young girl’s innocence. A large part of the story is about the missionary school rather than the ongoing war, therefore the focus is on Etta’s interpretation of the bible and her understanding of the differences between Western Christian and Chinese culture. However, once America joins the war effort, it is shockingly quick how the tale can go from humorous to heartbreaking.
The other character who plays a large part in this novel is Muriel, a dorm aunty, whom Etta regards highly. Muriel wanted to be a missionary but instead has found herself working at the Lushan school, keeping an eye on the ten and eleven year old girls. Although most of the book is written in Etta’s first person narrative, Rebecca Mackenzie has also included the occasional diary entry from Aunty Muriel. Since these are so few, it is not clear what their purpose is, as the story could easily continue without them.
Despite being an historical novel, <i>In a Land of Paper Gods </i>focuses less on fact and more on the impact the times had on a young girl. It is interesting to see the character development of Etta as she goes from a naughty, attention-seeking schoolgirl, to a young woman who must fend for herself. All the while she has her belief in God to resort to for explanations about the world she is living in. The reader also witnesses the growth of a relationship between Aunty Muriel and Etta. To begin with it is that of an adult and child, however it ends with them being equals in their suffering.
<i>In a Land of Paper Gods</i> is a pleasure to read. It is comically entertaining to begin with as the reader grows to love the characters, particularly mischievous Etta. It is hard to put the book down due to pure delight of the storyline, yet when the story turns darker it is just as difficult to put down, as we want to find out if the characters are going to be okay.
For some people, the Christian content will not mean anything, however it is possible to enjoy the novel without a religious background. For those, like myself, who do have a Christian upbringing, this aspect makes the story even better. Readers may recognize themselves or of their childhood in Etta, particularly her understanding of the bible.
Overall I loved this book. I was not sure what to expect, and have often found historical novels set in China to be rather dull. Therefore I was pleasantly surprised to discover how good this book was. I encourage others to read <i>In a Land of Paper Gods</i>, and I look forward to reading what Mackenzie writes next.
“My name is Henrietta S. Robertson. That’s my English name… My Chinese name is Ming-Mei.”</i>
As the child of members of the Interior Alliance Mission, Henrietta has grown up between two cultures: English and Chinese. From the age of six she was sent to boarding school on a mountain in the Jiangxi Province, where four years later she remains as a small, pale, lonely girl.
For a girl as young as ten, Etta has a big imagination. She decides that God has called her to be a prophetess, and encourages the other girls in Dormitory A to join her in a Prophetess Club. This results is Etta getting into all sorts of trouble as she naively goes about inventing prophecies; all the while the Second Sino-Japanese War gets closer and closer to their mountain sanctuary.
Told mostly from Etta’s point of view, <i>In a Land of Paper Gods</i> is a hilarious historical novel about a young girl’s innocence. A large part of the story is about the missionary school rather than the ongoing war, therefore the focus is on Etta’s interpretation of the bible and her understanding of the differences between Western Christian and Chinese culture. However, once America joins the war effort, it is shockingly quick how the tale can go from humorous to heartbreaking.
The other character who plays a large part in this novel is Muriel, a dorm aunty, whom Etta regards highly. Muriel wanted to be a missionary but instead has found herself working at the Lushan school, keeping an eye on the ten and eleven year old girls. Although most of the book is written in Etta’s first person narrative, Rebecca Mackenzie has also included the occasional diary entry from Aunty Muriel. Since these are so few, it is not clear what their purpose is, as the story could easily continue without them.
Despite being an historical novel, <i>In a Land of Paper Gods </i>focuses less on fact and more on the impact the times had on a young girl. It is interesting to see the character development of Etta as she goes from a naughty, attention-seeking schoolgirl, to a young woman who must fend for herself. All the while she has her belief in God to resort to for explanations about the world she is living in. The reader also witnesses the growth of a relationship between Aunty Muriel and Etta. To begin with it is that of an adult and child, however it ends with them being equals in their suffering.
<i>In a Land of Paper Gods</i> is a pleasure to read. It is comically entertaining to begin with as the reader grows to love the characters, particularly mischievous Etta. It is hard to put the book down due to pure delight of the storyline, yet when the story turns darker it is just as difficult to put down, as we want to find out if the characters are going to be okay.
For some people, the Christian content will not mean anything, however it is possible to enjoy the novel without a religious background. For those, like myself, who do have a Christian upbringing, this aspect makes the story even better. Readers may recognize themselves or of their childhood in Etta, particularly her understanding of the bible.
Overall I loved this book. I was not sure what to expect, and have often found historical novels set in China to be rather dull. Therefore I was pleasantly surprised to discover how good this book was. I encourage others to read <i>In a Land of Paper Gods</i>, and I look forward to reading what Mackenzie writes next.
Chris Sawin (602 KP) rated World's Greatest Dad (2009) in Movies
Jun 22, 2019
Lance Clayton is a pretty well-established writer, in a sense. He's written several novels and children's books. The problem is none of his work has ever been published. Every submission to publishers has been denied. So Lance tells himself that if his next novel is rejected, he'll give up writing. Lance is also a high school poetry teacher that's on the verge of losing his course due to not having enough student interest. During all of this, Lance has his hands full with his son Kyle. Kyle doesn't seem too interested in much of anything other than the most disturbing type of pornographic videos while continually acting out at school and is on the verge of being transferred to a school for students with special needs. Then, as if that wasn't enough, Lance is seeing the art teacher, Claire, who wants to keep their relationship a secret while not getting too serious. So, it's safe to say that Lance has his hands full. On top of it all though, he's afraid of dying alone. Lance winds up getting everything he's ever wanted after a certain situation presents itself, but soon realizes having all of that doesn't automatically make you happy.
World's Greatest Dad hooked me the first time I read about it debuting at Sundance. I heard, "dark comedy," and, "Robin Williams," and was instantly interested. Then the trailer and plot summary really reeled me in. The result is a film that not only surpassed expectations, but also went in an unexpected direction. When a film is described as a dark comedy, it has usually still stuck to specific guidelines. Maybe it still followed a similar formula to what other comedies did before it. These other films that are labeled as dark comedies don't really break any new ground. World's Greatest Dad goes beyond that. It breaks any ground rules that were laid before it and doesn't follow any sort of formula. When they say, "dark," they aren't kidding. The subject content is pretty disturbing yet is somehow still humorous.
Robin Williams plays the role of a dad who's trying to do his best with the obstacles life has thrown at him incredibly well. With everything that's going on in his life, even in the moments of the film where he doesn't speak, it looks like he's constantly thinking about something. Always dwelling on what's going on around him with the people who are close to him in his life and trying to decide how he's going to handle this situation he's gotten himself into. While his role does show a bit of his comedic side, Robin Williams proves he can handle serious roles rather well with this performance.
While I obviously can't say much about what direction the film goes in without completely spoiling the film, I will say that the trailer does a good job of not giving any of that away. Once the film makes that turn though, it really follows through with it and doesn't let up. One of the best parts of the experience of watching this film for the first time is seeing how far the concept of the film is going to go. As Lance buries himself in this, people begin to say the actions that were taken changed their life for the better. If you told a lie that did that to not just one person, but practically an entire high school...how would you tell them the truth?
World's Greatest Dad is not going to be for everyone. Some people will love it and others will just downright hate it. The film isn't just dark, it's DARK. That and it's a very different kind of comedy with an unexpected turn of events. Most of the humor is very dry, so if that's not your thing then I wouldn't recommend it. For me personally though, it's one of the most interesting films I've seen in quite some time.
World's Greatest Dad hooked me the first time I read about it debuting at Sundance. I heard, "dark comedy," and, "Robin Williams," and was instantly interested. Then the trailer and plot summary really reeled me in. The result is a film that not only surpassed expectations, but also went in an unexpected direction. When a film is described as a dark comedy, it has usually still stuck to specific guidelines. Maybe it still followed a similar formula to what other comedies did before it. These other films that are labeled as dark comedies don't really break any new ground. World's Greatest Dad goes beyond that. It breaks any ground rules that were laid before it and doesn't follow any sort of formula. When they say, "dark," they aren't kidding. The subject content is pretty disturbing yet is somehow still humorous.
Robin Williams plays the role of a dad who's trying to do his best with the obstacles life has thrown at him incredibly well. With everything that's going on in his life, even in the moments of the film where he doesn't speak, it looks like he's constantly thinking about something. Always dwelling on what's going on around him with the people who are close to him in his life and trying to decide how he's going to handle this situation he's gotten himself into. While his role does show a bit of his comedic side, Robin Williams proves he can handle serious roles rather well with this performance.
While I obviously can't say much about what direction the film goes in without completely spoiling the film, I will say that the trailer does a good job of not giving any of that away. Once the film makes that turn though, it really follows through with it and doesn't let up. One of the best parts of the experience of watching this film for the first time is seeing how far the concept of the film is going to go. As Lance buries himself in this, people begin to say the actions that were taken changed their life for the better. If you told a lie that did that to not just one person, but practically an entire high school...how would you tell them the truth?
World's Greatest Dad is not going to be for everyone. Some people will love it and others will just downright hate it. The film isn't just dark, it's DARK. That and it's a very different kind of comedy with an unexpected turn of events. Most of the humor is very dry, so if that's not your thing then I wouldn't recommend it. For me personally though, it's one of the most interesting films I've seen in quite some time.
LeftSideCut (3778 KP) rated Watchmen - Season 1 in TV
Dec 26, 2019 (Updated Dec 27, 2019)
Pretty much perfect
Watchmen, in my opinion, is one of the best, if not the best graphic novels ever released. It's neon lit alternate reality setting and it's collection of jaded, flawed, and sometimes toxic characters were a far cry from usual comic book territory.
I was absolutely buzzing when I heard that HBO were going to be airing a series based on the property. A series would have more room to breathe and for exploration than the movie (that I still like, for the record). When it became apparent that it would be set some time after the comic, I was honestly a bit miffed. I was looking forward to seeing Rorschach and Co on the small screen...
But it turns out, I had no reason to be worried. Watchmen is outstanding through and through.
Plot wise, it's set in present day, and maintains the events of the comic in the 1980s. The world we're presented with is a world still feeling the effects from the mass killing via giant squid monster from the comic. A world where the police cover their faces to protect their identities. A world where racism is still rife and peddled by a white supremacist group calling themselves The Seventh Cavalry, a group that happen to wear Rorschach masks.
It's set mainly in Tulsa, Oklahoma, and it's distance from the neon New York setting of the comic gives it a more realistic feeling.
Angela Abar, aka Sister Night (Regina King), is heading the investigation into the Cavalry, and when things start to spiral out of control, the FBI send Laurie Blake (Jean Smart) - the retired Silk Spectre - to Tulsa to take over proceedings and figure out what's really happening behind the scenes.
To discuss the plot anymore than this would be spoiling it, but rest assured, after a fairly slow burning start, Watchmen quickly hits an ascending slope of quality that doesn't waver, and when concrete connections to the comic come out to play, the show hits some extremely lofty heights.
The cast are all brilliant. Regina King takes centre stage, and she manages to be badass, relatable, and sympathetic. Her relationship with her husband Cal (Yahya Abdul-Mateen II) is one of the best character elements throughout.
Characters that could be described more as 'side characters' played by the likes of Tim Blake Nelson, Louis Gossett Jr, James Woke, and Hong Chau (just to name a few), all end up with surprisingly strong development.
As for the characters from the original comic, we have the aforementioned Laurie Blake played by Jean Smart, and Adrian Veidt aka Ozymandius played by Jeremy Irons.
Jeremy Irons is a undoubtable highlight of the whole series. His portrayal of an older Veidt is pretty spot on, and his plot line is equal parts bizarre and humorous.
As seen from the trailers, Dr. Manhattan has a part to play here as well, but again, no spoilers here. Just have a look for yourself. It's great.
As the narrative jumps around and steams ahead, Watchmen still manages to touch on important subjects, such as war, family, and especially that of race and racism. There are some powerful moments littered throughout, and some genuinely emotional scenes that had me tearing up at times.
The direction and dialogue are brilliant, and the use of digital effects are mostly subtle and look great. The whole season is filled to the brim with amazing shots.
The music score is great as well, especially the original stuff, penned by Trent Reznor and Atticus Ross. Reznor's distinctive industrial sound suits the series down to the ground.
I absolutely loved Watchmen from start to finish. It's shows consistent willingness to do something new and it's a hugely ambitious project that's pulled off so damn well. I really hope that a second season comes about, but if it doesn't, then I'm suitably satisfied by what we've already been given. Just fantastic.
I was absolutely buzzing when I heard that HBO were going to be airing a series based on the property. A series would have more room to breathe and for exploration than the movie (that I still like, for the record). When it became apparent that it would be set some time after the comic, I was honestly a bit miffed. I was looking forward to seeing Rorschach and Co on the small screen...
But it turns out, I had no reason to be worried. Watchmen is outstanding through and through.
Plot wise, it's set in present day, and maintains the events of the comic in the 1980s. The world we're presented with is a world still feeling the effects from the mass killing via giant squid monster from the comic. A world where the police cover their faces to protect their identities. A world where racism is still rife and peddled by a white supremacist group calling themselves The Seventh Cavalry, a group that happen to wear Rorschach masks.
It's set mainly in Tulsa, Oklahoma, and it's distance from the neon New York setting of the comic gives it a more realistic feeling.
Angela Abar, aka Sister Night (Regina King), is heading the investigation into the Cavalry, and when things start to spiral out of control, the FBI send Laurie Blake (Jean Smart) - the retired Silk Spectre - to Tulsa to take over proceedings and figure out what's really happening behind the scenes.
To discuss the plot anymore than this would be spoiling it, but rest assured, after a fairly slow burning start, Watchmen quickly hits an ascending slope of quality that doesn't waver, and when concrete connections to the comic come out to play, the show hits some extremely lofty heights.
The cast are all brilliant. Regina King takes centre stage, and she manages to be badass, relatable, and sympathetic. Her relationship with her husband Cal (Yahya Abdul-Mateen II) is one of the best character elements throughout.
Characters that could be described more as 'side characters' played by the likes of Tim Blake Nelson, Louis Gossett Jr, James Woke, and Hong Chau (just to name a few), all end up with surprisingly strong development.
As for the characters from the original comic, we have the aforementioned Laurie Blake played by Jean Smart, and Adrian Veidt aka Ozymandius played by Jeremy Irons.
Jeremy Irons is a undoubtable highlight of the whole series. His portrayal of an older Veidt is pretty spot on, and his plot line is equal parts bizarre and humorous.
As seen from the trailers, Dr. Manhattan has a part to play here as well, but again, no spoilers here. Just have a look for yourself. It's great.
As the narrative jumps around and steams ahead, Watchmen still manages to touch on important subjects, such as war, family, and especially that of race and racism. There are some powerful moments littered throughout, and some genuinely emotional scenes that had me tearing up at times.
The direction and dialogue are brilliant, and the use of digital effects are mostly subtle and look great. The whole season is filled to the brim with amazing shots.
The music score is great as well, especially the original stuff, penned by Trent Reznor and Atticus Ross. Reznor's distinctive industrial sound suits the series down to the ground.
I absolutely loved Watchmen from start to finish. It's shows consistent willingness to do something new and it's a hugely ambitious project that's pulled off so damn well. I really hope that a second season comes about, but if it doesn't, then I'm suitably satisfied by what we've already been given. Just fantastic.
Phoenix Wright: Ace Attorney - Spirit of Justice
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Hello Next! Forget your ex.
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Just broke up? Haven’t seen your ex for a while but your heart is still broken with no one there...
Bob Mann (459 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Sep 29, 2021
Groot Expectations.
James Gunn is back writing and directing the sequel to his surprise 2014 summer hit. And it might be a fresh mix tape slammed into the Walkman, but it’s much of the same again. Not that that’s necessarily a bad thing.
In terms of the story, it’s almost a remake of the worst Star Trek film ever made! However, this time its all done for ‘laffs’ and so works much, much better. We join Quill (Chris Pratt, “Jurassic World“), Gamora (Zoe Saldana, “Star Trek Beyond“), Drax (Dave Bautista, “Spectre“) and Rocket (the voice of Bradley Cooper) ‘ever ready’ (LOL) to save the priceless Anulax batteries of their current employees, the Sovereigns, from the ravages of some multi-dimensional being. ‘Helping’ them is Baby Groot, a twig off the old branch from the first film, again voiced (in what must be the easiest money in Hollywood) by Vin Diesel (“Fast and Furious 8“).
The Sovereign’s High Priestess (Elizabeth Debicki, “The Man From U.N.C.L.E.“) provides payment to Gamora in the form of her chained-up evil sister Nebula (a deliciously sulky Karen Gillen, “Dr Who”, “Oculus”) but is then less than impressed when the mercenary Rocket pockets a knapsack full of the batteries. So starts a chase across the galaxy leading Quill to meet Ego (Kurt Russell, “The Hateful 8“) on the planet Ego (LOL) at the very base of his family tree.
The great thing about these films is that they don’t even TRY to be realistic. Characters get towed behind crashing spaceships and – literally- dragged through a wood backwards; others fall hundreds of feet to certain death… no, sorry, a “superhero landing”; and planets and characters are painted with a garishness never ever to be found in nature. You’ll even believe Kurt Russell is 18 again – oh that these effects were available on the NHS!
But the other saving grace for this film is the soundtrack, put together by Tyler Bates as an ode to the 80’s, with wonderful tracks by ELO, Fleetwood Mac, Cat Stevens and a host of others. The film matches the music with the action superbly.
I won’t bother commenting on the acting… who cares with this sort of film! But everyone seems to have fun with Michael Rooker (“Cliffhanger”) being particularly good in reprising his role of Yondu. There are also a wealth of memorable cameos, some of them being laugh out loud moments. While some of the pop culture references might go over a younger audience’s heads, there are still enough great one-liners and comic moments to provide general appeal. Bad guys silhouetted against the moon, ET style, was particularly memorable.
One criticism I would have though is that it’s just too darn long for an “action comedy”. The original film just about scraped into my good books by coming in under the two hour curfew. The sequel however adds another 15 minutes, which should have found its way either onto the cutting room floor or onto the “Blu Ray collector’s edition”. In particular, the final never-ending showdown of CGI manicness went on too long for my liking.
Looking back at the original 2014 review, I gave it a rather stingy FFF rating, which in retrospect I think was a bit mean given its novelty. This time the novelty has worn off, but if anything this is an even more enjoyable romp that the first outing.
James Gunn be warned though: I am unlikely to be so generous with “Guardians of the Galaxy Vol 3” (as threatened) which in my view might be a trip too far for this franchise. My advice would be to take a leaf out of Peter Kay’s “Car Share” book and quit while you’re ahead.
By the way, for those who are interested, the film had a reported budget of $200 million (an impressive “BvS quotient” of 80%!) and the end titles have four “monkeys“, with a humorous reprise of Stan Lee’s astronaut.
In terms of the story, it’s almost a remake of the worst Star Trek film ever made! However, this time its all done for ‘laffs’ and so works much, much better. We join Quill (Chris Pratt, “Jurassic World“), Gamora (Zoe Saldana, “Star Trek Beyond“), Drax (Dave Bautista, “Spectre“) and Rocket (the voice of Bradley Cooper) ‘ever ready’ (LOL) to save the priceless Anulax batteries of their current employees, the Sovereigns, from the ravages of some multi-dimensional being. ‘Helping’ them is Baby Groot, a twig off the old branch from the first film, again voiced (in what must be the easiest money in Hollywood) by Vin Diesel (“Fast and Furious 8“).
The Sovereign’s High Priestess (Elizabeth Debicki, “The Man From U.N.C.L.E.“) provides payment to Gamora in the form of her chained-up evil sister Nebula (a deliciously sulky Karen Gillen, “Dr Who”, “Oculus”) but is then less than impressed when the mercenary Rocket pockets a knapsack full of the batteries. So starts a chase across the galaxy leading Quill to meet Ego (Kurt Russell, “The Hateful 8“) on the planet Ego (LOL) at the very base of his family tree.
The great thing about these films is that they don’t even TRY to be realistic. Characters get towed behind crashing spaceships and – literally- dragged through a wood backwards; others fall hundreds of feet to certain death… no, sorry, a “superhero landing”; and planets and characters are painted with a garishness never ever to be found in nature. You’ll even believe Kurt Russell is 18 again – oh that these effects were available on the NHS!
But the other saving grace for this film is the soundtrack, put together by Tyler Bates as an ode to the 80’s, with wonderful tracks by ELO, Fleetwood Mac, Cat Stevens and a host of others. The film matches the music with the action superbly.
I won’t bother commenting on the acting… who cares with this sort of film! But everyone seems to have fun with Michael Rooker (“Cliffhanger”) being particularly good in reprising his role of Yondu. There are also a wealth of memorable cameos, some of them being laugh out loud moments. While some of the pop culture references might go over a younger audience’s heads, there are still enough great one-liners and comic moments to provide general appeal. Bad guys silhouetted against the moon, ET style, was particularly memorable.
One criticism I would have though is that it’s just too darn long for an “action comedy”. The original film just about scraped into my good books by coming in under the two hour curfew. The sequel however adds another 15 minutes, which should have found its way either onto the cutting room floor or onto the “Blu Ray collector’s edition”. In particular, the final never-ending showdown of CGI manicness went on too long for my liking.
Looking back at the original 2014 review, I gave it a rather stingy FFF rating, which in retrospect I think was a bit mean given its novelty. This time the novelty has worn off, but if anything this is an even more enjoyable romp that the first outing.
James Gunn be warned though: I am unlikely to be so generous with “Guardians of the Galaxy Vol 3” (as threatened) which in my view might be a trip too far for this franchise. My advice would be to take a leaf out of Peter Kay’s “Car Share” book and quit while you’re ahead.
By the way, for those who are interested, the film had a reported budget of $200 million (an impressive “BvS quotient” of 80%!) and the end titles have four “monkeys“, with a humorous reprise of Stan Lee’s astronaut.