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Sophia (Bookwyrming Thoughts) (530 KP) rated Dance in Shadow and Whisper (The Marionettes of Myth, #1) in Books
Jan 23, 2020
Original Review posted on <a title="Dance in Shadow and Whisper by Sarah Godfrey and Victoria deRubeis" href="http://bookwyrming-thoughts.blogspot.com/2013/09/review-dance-in-shadow-and-whisper-by-sarah-godfrey-and-victoria-derubeis.html">Bookwyrming Thoughts</a>
Original Rating: 4.5
Note: Formatting is lost due to copy and paste
<i><b>Disclaimer:</b> The authors provided a free copy of the book in exchange for an honest review. The review is not influenced in any way.</i>
Basically from the first chapter, I was pretty hooked. Actually, I would say the first sentence, but that could have changed from sentence two or even sentence three.
Though if I said I nearly chucked the book across the room after sentence one, I would be telling a white lie.
So I actually did like Dance in Shadow & Whisper. Really liked it. And I pretty much believed I was in for a good read from sentence one. In fact, I would have recommend it to my school book club but due to language, I would probably get whacked in the head. Literally.
Yeah. Not happening. I'm the last fan of migraines and headaches (and bruises). I'm pretty sure the lot of us are as well.
But here are a few reasons why I really liked the book and labeled it potential book club recommendation:
1. I think this tends to be the very obvious in a lot of books I read: the idea. Demons vs. Vampires. Finally vampires have a new group of people they don't really like that aren't called werewolves.
~ ABOUT TIME in my very humble opinion. Not that anyone cares because they're probably too busy screaming Team Jacob! or perhaps Team Teen Wolf! (I probably made the Team Teen Wolf up. It is about werewolves after all.
2. I loved almost all of the characters' personalities, in which most are humorous and witty. But I particularly liked Kali, who is the main character in the book and seems to be a really fun person to be around (pigtails, lol).
3. Even though there are a few different POV changes throughout the book, it's easy to tell who's POV it is when it's not Kali.
4. The ending. Literally. If I say why I like it, I'll spill the milk and I might get haunted in the middle of the night. Because really...
<img src="http://1.bp.blogspot.com/-PewNyeCe7Do/TcGApe1JtjI/AAAAAAAABeU/2mvFe0wDB4s/s1600/cat-cats-kitten-kitty-pic-picture-funny-lolcat-cute-fun-lovely-photo-images-oh-god-why-would-you-do-that.jpg"; />
It was flawless in the transition. That's all I'm going to say about the ending. But now I'm in another waiting room... just keep waiting.
That's all I'm going to say and I refuse to say any more. But for Sarah Godfrey and Victoria DeRubeis's debut novel, Dance in Shadow & Whisper is definitely worth a read.
Original Rating: 4.5
Note: Formatting is lost due to copy and paste
<i><b>Disclaimer:</b> The authors provided a free copy of the book in exchange for an honest review. The review is not influenced in any way.</i>
Basically from the first chapter, I was pretty hooked. Actually, I would say the first sentence, but that could have changed from sentence two or even sentence three.
Though if I said I nearly chucked the book across the room after sentence one, I would be telling a white lie.
So I actually did like Dance in Shadow & Whisper. Really liked it. And I pretty much believed I was in for a good read from sentence one. In fact, I would have recommend it to my school book club but due to language, I would probably get whacked in the head. Literally.
Yeah. Not happening. I'm the last fan of migraines and headaches (and bruises). I'm pretty sure the lot of us are as well.
But here are a few reasons why I really liked the book and labeled it potential book club recommendation:
1. I think this tends to be the very obvious in a lot of books I read: the idea. Demons vs. Vampires. Finally vampires have a new group of people they don't really like that aren't called werewolves.
~ ABOUT TIME in my very humble opinion. Not that anyone cares because they're probably too busy screaming Team Jacob! or perhaps Team Teen Wolf! (I probably made the Team Teen Wolf up. It is about werewolves after all.
2. I loved almost all of the characters' personalities, in which most are humorous and witty. But I particularly liked Kali, who is the main character in the book and seems to be a really fun person to be around (pigtails, lol).
3. Even though there are a few different POV changes throughout the book, it's easy to tell who's POV it is when it's not Kali.
4. The ending. Literally. If I say why I like it, I'll spill the milk and I might get haunted in the middle of the night. Because really...
<img src="http://1.bp.blogspot.com/-PewNyeCe7Do/TcGApe1JtjI/AAAAAAAABeU/2mvFe0wDB4s/s1600/cat-cats-kitten-kitty-pic-picture-funny-lolcat-cute-fun-lovely-photo-images-oh-god-why-would-you-do-that.jpg"; />
It was flawless in the transition. That's all I'm going to say about the ending. But now I'm in another waiting room... just keep waiting.
That's all I'm going to say and I refuse to say any more. But for Sarah Godfrey and Victoria DeRubeis's debut novel, Dance in Shadow & Whisper is definitely worth a read.
JT (287 KP) rated Argo (2012) in Movies
Mar 10, 2020
Does making a film based on a true story make it any more endearing to the Oscar big wigs? Possibly, but one thing is for sure, Ben Affleck’s third film Argo is an outstanding piece of film making with exceptional attention to detail and sense of realism.
In 1979 Iran was overrun by Iranian revolutionaries, these revolutionaries stormed the American embassy taking several Americans hostage. Six of those managed to escape to the official residence of the Canadian Ambassador where the CIA was eventually ordered to get them out of the country by whatever means necessary.
Led by Tony Mendez (Affleck) a CIA expert in exfiltration he puts together an elaborate plan to go in as a film producer and rescue the six who’ll pose as a film crew on a location hunt for new sci-fi flick, Argo. Even if this was fiction it would be a pretty daring plan in an environment that was so hostile for its time they’re hanging people by cranes in the street, and women carry machine guns!
In order to make the film seem as real as possible Mendez enlists the help of John Chambers (John Goodman) a Hollywood make-up artist whose helped the CIA out before and film producer Lester Siegel (Alan Arkin). Between them they put the film into fake production, concoct false identities for the six and set about taking them out directly though the Iranian airport in a daring escape.
Affleck gets the cinematography spot on, creating a grainy perspective for that era and using some real footage as well. It all helps convey the narrative and plot that this was one of the most dangerous missions of its time and one what would live long in CIA and American history.
Goodman and Arkin add a humorous element to the proceedings “if it’s going to be a fake film I want it to be a fake hit” Lester claims when he’s approached about the project. The other side feels like a 70s version of 24 with the political suits in boardrooms arguing about the best way to execute the plan.
The tension is built slowly with everything climaxing to a pulsating last act which will have your heart pounding and seat gripped. Personally I didn’t endear to any of the six escapees, their stories are not built up enough other than they’re all unsure if they can trust Mendez to get them back on home soil safely.
Argo got the best picture Oscar over a lot of other seemingly worthy nominees, but you couldn’t deny Affleck his moment in the spotlight and cementing him as one of the best actor to director transitions. While the film might not be entirely accurate, Affleck just wants to get to the heart of this espionage thriller and does so while finding a perfect balance between comedy and drama.
In 1979 Iran was overrun by Iranian revolutionaries, these revolutionaries stormed the American embassy taking several Americans hostage. Six of those managed to escape to the official residence of the Canadian Ambassador where the CIA was eventually ordered to get them out of the country by whatever means necessary.
Led by Tony Mendez (Affleck) a CIA expert in exfiltration he puts together an elaborate plan to go in as a film producer and rescue the six who’ll pose as a film crew on a location hunt for new sci-fi flick, Argo. Even if this was fiction it would be a pretty daring plan in an environment that was so hostile for its time they’re hanging people by cranes in the street, and women carry machine guns!
In order to make the film seem as real as possible Mendez enlists the help of John Chambers (John Goodman) a Hollywood make-up artist whose helped the CIA out before and film producer Lester Siegel (Alan Arkin). Between them they put the film into fake production, concoct false identities for the six and set about taking them out directly though the Iranian airport in a daring escape.
Affleck gets the cinematography spot on, creating a grainy perspective for that era and using some real footage as well. It all helps convey the narrative and plot that this was one of the most dangerous missions of its time and one what would live long in CIA and American history.
Goodman and Arkin add a humorous element to the proceedings “if it’s going to be a fake film I want it to be a fake hit” Lester claims when he’s approached about the project. The other side feels like a 70s version of 24 with the political suits in boardrooms arguing about the best way to execute the plan.
The tension is built slowly with everything climaxing to a pulsating last act which will have your heart pounding and seat gripped. Personally I didn’t endear to any of the six escapees, their stories are not built up enough other than they’re all unsure if they can trust Mendez to get them back on home soil safely.
Argo got the best picture Oscar over a lot of other seemingly worthy nominees, but you couldn’t deny Affleck his moment in the spotlight and cementing him as one of the best actor to director transitions. While the film might not be entirely accurate, Affleck just wants to get to the heart of this espionage thriller and does so while finding a perfect balance between comedy and drama.
Kristy H (1252 KP) rated Hang the Moon in Books
May 27, 2021
A hopeful and winning romance
This companion to WRITTEN IN THE STARS focuses on Darcy's brother Brendon, creator of the dating app OTP and a hopeless romantic. Brendon feels stressed out when the latest research numbers show that perhaps not everyone using dating apps believes as deeply in true love as he does. This includes, Annie, Darcy's best friend and Brendon's long ago crush. Annie arrives in Seattle to surprise Darcy, who just happens to be on a little getaway with her girlfriend, Elle. So Brendon steps up, delivering the keys to Darcy's place and... a series of dates designed to show Annie romance still exists. As for Annie, well she doesn't protest too much. After all, despite swearing off love, she discovers that Darcy's brother has grown up into a pretty handsome and funny guy. She's enjoying their time together. But she's only in Seattle for a few weeks, so Brendon has his work cut out for him.
"You couldn't be disappointed when someone stopped caring if you never expected them to in the first place."
I really enjoyed WRITTEN IN THE STARS and Darcy and Elle's story, so I was excited to read the next book in the series. I liked Brendon's tale, but not quite as much as Darcy and Elle's, mostly because I'm from the LGBTQIA community, and it was so refreshing to have a f/f story in Darcy and Elle. Still, Brendon is such a cutie, and his unyielding faith in love is pretty sweet.
Annie is a good addition to the group--she shows up a bit in book one. She is, of course, the complete opposite of Brendon: completely apathetic about love. But when she arrives in Seattle for a two-week vacation, with some life-changing news for Darcy, and her best friend isn't there, she can't help but enjoy her time with Brendon. Brendon resolves to use his favorite romantic films as a blueprint to woo Annie, but it turns into a comedy of errors, with nothing really turning out the way he planned.
"'Let's say that I needed to prove to someone that romance isn't dead.'"
Many of their interactions are humorous and the banter witty and funny, though I felt the "optimist" versus "pessimist," "will she stay or will she go" storyline was rehashed a bit much, as the plot gets hung up and stagnates for a bit until things pick up again. But, Brendon's sweet personality and Annie's willingness to give new things a try carry the book, along with its overall humor. It's nice to get some appearances from Darcy and Elle, though it severely lacks enough Margo (thank goodness she's the focus of book three).
Overall, this is a cute romance featuring winning leads. It's repetitive in places, but also flirty and fun. 3.5 stars, rounded up here.
"You couldn't be disappointed when someone stopped caring if you never expected them to in the first place."
I really enjoyed WRITTEN IN THE STARS and Darcy and Elle's story, so I was excited to read the next book in the series. I liked Brendon's tale, but not quite as much as Darcy and Elle's, mostly because I'm from the LGBTQIA community, and it was so refreshing to have a f/f story in Darcy and Elle. Still, Brendon is such a cutie, and his unyielding faith in love is pretty sweet.
Annie is a good addition to the group--she shows up a bit in book one. She is, of course, the complete opposite of Brendon: completely apathetic about love. But when she arrives in Seattle for a two-week vacation, with some life-changing news for Darcy, and her best friend isn't there, she can't help but enjoy her time with Brendon. Brendon resolves to use his favorite romantic films as a blueprint to woo Annie, but it turns into a comedy of errors, with nothing really turning out the way he planned.
"'Let's say that I needed to prove to someone that romance isn't dead.'"
Many of their interactions are humorous and the banter witty and funny, though I felt the "optimist" versus "pessimist," "will she stay or will she go" storyline was rehashed a bit much, as the plot gets hung up and stagnates for a bit until things pick up again. But, Brendon's sweet personality and Annie's willingness to give new things a try carry the book, along with its overall humor. It's nice to get some appearances from Darcy and Elle, though it severely lacks enough Margo (thank goodness she's the focus of book three).
Overall, this is a cute romance featuring winning leads. It's repetitive in places, but also flirty and fun. 3.5 stars, rounded up here.
Jamie (131 KP) rated Born a Crime: Stories from a South African Childhood in Books
Jul 22, 2017
Noah’s wit and charm (1 more)
Frank discussions of racism, poverty, and family
A stellar memoir
For those that don’t already know who Trevor Noah is, he is a comedian from South Africa that is now the current host of The Daily Show, taking the place of Jon Stewart when he retired. Trevor is an accomplished polyglot, speaking 9 languages fluently and has some fluency in several more. In much of his comedy he talks about his difficulties with racial identity having been born during apartheid to an African mother and a Swiss father. Apartheid was a system of institutionalized segregation in South Africa that lasted from the 1940’s to the 1990’s.
The book is bursting at the seams with humorous anecdotes about growing up as the wild child in his family. Getting in trouble, trying to outrun and outsmart his mom, committing petty crimes with friends, striking out with girls; Trevor’s life was colorful in no small part because of his mother. In interviews Trevor has stated that his memoir became sort of an open love letter to his mother, Patricia Noah–a fiercely independent woman that refused to be held down by her race or gender and sought to show her son the world outside of apartheid South Africa, who tried to save her son from the cruelty of the world.
“The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.”
The last chapters had me sobbing which was something that I hadn’t anticipated. Trevor mentions his step-father in the early chapters in passing, like a dark cloud that hung over his family’s life. I wasn’t prepared for the deeply troubling and heartbreaking portrait of a loving family ripped apart by abuse and the failures of law enforcement to prevent tragedy despite numerous attempts to get help.
I was already a fan of Trevor Noah, having watched some of his stand-up comedy and was overjoyed when he took over The Daily Show. From this memoir I have a newfound respect for Trevor not only for the horrendous abuse and racism he has endured, but how he allowed these things to shape who he is. He approaches issues of race, identity, poverty, and abuse with honesty and was able to articulate his feelings on topics that I have been struggling with for years. This memoir was surprisingly cathartic to me as someone that has struggled both with a mixed racial background and as a survivor of domestic abuse.
This was a wonderful memoir that really showcased that even in the darkest of places one can still find hope and strength in love. It was both insightful and laugh out loud funny, even if some of the humor could be viewed as highly offensive. I really enjoyed this memoir and am happy that I read it, it’s definitely going down on my shelf as a favorite.
The book is bursting at the seams with humorous anecdotes about growing up as the wild child in his family. Getting in trouble, trying to outrun and outsmart his mom, committing petty crimes with friends, striking out with girls; Trevor’s life was colorful in no small part because of his mother. In interviews Trevor has stated that his memoir became sort of an open love letter to his mother, Patricia Noah–a fiercely independent woman that refused to be held down by her race or gender and sought to show her son the world outside of apartheid South Africa, who tried to save her son from the cruelty of the world.
“The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.”
The last chapters had me sobbing which was something that I hadn’t anticipated. Trevor mentions his step-father in the early chapters in passing, like a dark cloud that hung over his family’s life. I wasn’t prepared for the deeply troubling and heartbreaking portrait of a loving family ripped apart by abuse and the failures of law enforcement to prevent tragedy despite numerous attempts to get help.
I was already a fan of Trevor Noah, having watched some of his stand-up comedy and was overjoyed when he took over The Daily Show. From this memoir I have a newfound respect for Trevor not only for the horrendous abuse and racism he has endured, but how he allowed these things to shape who he is. He approaches issues of race, identity, poverty, and abuse with honesty and was able to articulate his feelings on topics that I have been struggling with for years. This memoir was surprisingly cathartic to me as someone that has struggled both with a mixed racial background and as a survivor of domestic abuse.
This was a wonderful memoir that really showcased that even in the darkest of places one can still find hope and strength in love. It was both insightful and laugh out loud funny, even if some of the humor could be viewed as highly offensive. I really enjoyed this memoir and am happy that I read it, it’s definitely going down on my shelf as a favorite.
Saffy Alexandra (89 KP) rated The Hobbit: An Unexpected Journey (2012) in Movies
Jun 15, 2019
A feel good film
I would like to first off state that I adore this film as a book, so straight off the bat I was a little worried on what would be happening with these films and how they would differ from the novel.
After watching it, I don’t know what I was so worried about especially when Peter Jackson is the one directing the films (when he did such a fantastic job at Lord of the Rings).
I think the casting for all the characters was spot on, and keeping characters that we were introduced to in Lord of the Rings the same was a fantastic (and so glad that those actors agreed to do these films). Martin Freeman as Bilbo Baggin’s is/was an excellent choice that I really couldn’t see any other actor managing to incorporate Bilbo’s sassiness – because let’s face it, that Hobbit knew how to out wit someone and sass when there was need – to his vulnerability and fear of going out into the unknown. I felt he held the role with dignity and grace and made the humorous scenes even better but when he is needed for the more emotional scenes, Freeman is still fantastic at portraying all those reactions clear as day on his face pulling at your heart strings and showing you what a brilliant range he has as an actor!
Another actor I feel that needs credit is Richard Armitage as Thorin Oakenshield. Having never really seen him in any films before then I was sceptical. I really shouldn’t have been. His portrayal as the scowling and grumpy Dwarf Prince/King is next to amazing! He managed to make you fall in love with the cantankerous Dwarf, which is a feat in all of itself, by the end. This man’s range as an actor is also very good and his ability to show you what Thorin is feeling just by his eye’s is an ability that not many actors have.
Now I was unsure when we were told that this book was being made into three films, and I still feel that the films were possibly stretched out more than they should have by us being presented with characters who were not even in the books. But, I enjoyed it more than I thought I would.
To be fully truthful, knowing that this would be the end of the Middle Earth saga that Peter Jackson was doing, I was not quite ready to say goodbye to the stories that we all grew up with. So I may be biased in saying that I enjoyed having the extra screen time to devour.
The Hobbit Trilogy might not be as fantastic as Lord of the Rings, but it is a trilogy that I would happily watch over and over again. The humour, the wit, and the general good-feeling of these films is something that just makes you feel like you are coming home again after a long trip. One feel good trilogy that I’d happily recommend to anyone.
After watching it, I don’t know what I was so worried about especially when Peter Jackson is the one directing the films (when he did such a fantastic job at Lord of the Rings).
I think the casting for all the characters was spot on, and keeping characters that we were introduced to in Lord of the Rings the same was a fantastic (and so glad that those actors agreed to do these films). Martin Freeman as Bilbo Baggin’s is/was an excellent choice that I really couldn’t see any other actor managing to incorporate Bilbo’s sassiness – because let’s face it, that Hobbit knew how to out wit someone and sass when there was need – to his vulnerability and fear of going out into the unknown. I felt he held the role with dignity and grace and made the humorous scenes even better but when he is needed for the more emotional scenes, Freeman is still fantastic at portraying all those reactions clear as day on his face pulling at your heart strings and showing you what a brilliant range he has as an actor!
Another actor I feel that needs credit is Richard Armitage as Thorin Oakenshield. Having never really seen him in any films before then I was sceptical. I really shouldn’t have been. His portrayal as the scowling and grumpy Dwarf Prince/King is next to amazing! He managed to make you fall in love with the cantankerous Dwarf, which is a feat in all of itself, by the end. This man’s range as an actor is also very good and his ability to show you what Thorin is feeling just by his eye’s is an ability that not many actors have.
Now I was unsure when we were told that this book was being made into three films, and I still feel that the films were possibly stretched out more than they should have by us being presented with characters who were not even in the books. But, I enjoyed it more than I thought I would.
To be fully truthful, knowing that this would be the end of the Middle Earth saga that Peter Jackson was doing, I was not quite ready to say goodbye to the stories that we all grew up with. So I may be biased in saying that I enjoyed having the extra screen time to devour.
The Hobbit Trilogy might not be as fantastic as Lord of the Rings, but it is a trilogy that I would happily watch over and over again. The humour, the wit, and the general good-feeling of these films is something that just makes you feel like you are coming home again after a long trip. One feel good trilogy that I’d happily recommend to anyone.
Kyera (8 KP) rated Gentleman's Guide To Vice And Virtue in Books
Jan 31, 2018
The Gentleman's Guide to Vice and Virtue is a hilarious romp through the 1700's. Monty is a well-off, yet rakish gentleman who is sent off of a Grand Tour of Europe with his best friend, Percy and his sister, Felicity. Three the manage to, of course, get into trouble and a wonderfully fun journey for the reader ensues. This light, humorous, historical fiction read is a must - even if you don't think you're normally a historical fiction person.
Monty is quite enamored with himself and unconcerned about the responsibility that his title infers that he should possess. He doesn't think through his actions and gets in more trouble than the pretty face of his would lead you to believe. Despite that, and despite his absolute ineptitude, you can't help but love him as a character. His shenanigans and lack of forethought throw the trio into a situation that they might not make it out of unscathed.
Percy, his best friend, is much more responsible and adds a perspective to the history that we might not think of otherwise. Although his father is a titled man, he fathered Percy with a woman of colour which gives readers the perspective of a man of mixed-race rather than the white-privilege that we see from Monty. Felicity is well-educated because she is stubborn and refuses to bow to the whims of society. She wants to study medicine, so she finds any book she can on the subject and devours it. Felicity's character also allows readers to see the position of a woman in those times, to realize how far we have come in the treatment of woman, or just anyone who is not a Caucasian male, their equality, and how far we still have to go on all accounts.
I have noticed that some people find the story to be slow, which is not quite how I would describe it. The first few chapters might be tough to get into as it is not immediately the energy of a swashbuckling pirate adventure or high stakes battle in space, but it does find its stride. The journey the reader is taken on is highly enjoyable and certainly worth the slower early build up. Plus the flirting is precious and I want to believe that it is a historically accurate portrayal of a person from that time period.
Mackenzie Lee does a wonderful job of taking us on a Grand Tour of Europe, despite the fact that most of us probably are not familiar with the continent in the 1700's. She adds authentic little items into the story like cities, events or jobs that make the story feel real. It is clear that she did a lot of research and it makes her book shine.
I highly recommend this to young adult/teen readers even if they don't feel that they are historical fiction readers. This story is fun and will give you all of the feels, although you may want to hit Monty upside the head a few times. This cute story will leave you wanting more of the trio and wondering if you are a historical fiction fan after all.
Monty is quite enamored with himself and unconcerned about the responsibility that his title infers that he should possess. He doesn't think through his actions and gets in more trouble than the pretty face of his would lead you to believe. Despite that, and despite his absolute ineptitude, you can't help but love him as a character. His shenanigans and lack of forethought throw the trio into a situation that they might not make it out of unscathed.
Percy, his best friend, is much more responsible and adds a perspective to the history that we might not think of otherwise. Although his father is a titled man, he fathered Percy with a woman of colour which gives readers the perspective of a man of mixed-race rather than the white-privilege that we see from Monty. Felicity is well-educated because she is stubborn and refuses to bow to the whims of society. She wants to study medicine, so she finds any book she can on the subject and devours it. Felicity's character also allows readers to see the position of a woman in those times, to realize how far we have come in the treatment of woman, or just anyone who is not a Caucasian male, their equality, and how far we still have to go on all accounts.
I have noticed that some people find the story to be slow, which is not quite how I would describe it. The first few chapters might be tough to get into as it is not immediately the energy of a swashbuckling pirate adventure or high stakes battle in space, but it does find its stride. The journey the reader is taken on is highly enjoyable and certainly worth the slower early build up. Plus the flirting is precious and I want to believe that it is a historically accurate portrayal of a person from that time period.
Mackenzie Lee does a wonderful job of taking us on a Grand Tour of Europe, despite the fact that most of us probably are not familiar with the continent in the 1700's. She adds authentic little items into the story like cities, events or jobs that make the story feel real. It is clear that she did a lot of research and it makes her book shine.
I highly recommend this to young adult/teen readers even if they don't feel that they are historical fiction readers. This story is fun and will give you all of the feels, although you may want to hit Monty upside the head a few times. This cute story will leave you wanting more of the trio and wondering if you are a historical fiction fan after all.
ArecRain (8 KP) rated Night's Rose (Night's Rose #1) in Books
Jan 18, 2018
This book was both refreshing and drab at the same time. I have not read many romance novels that included orcs, trolls, and Dark Fey. It seems that some angry paranormal romance god out there only wants us to read about vampires, werewolves, and crazy chicks specializing in working with the deceased.
Again, another novel easily recognized as a early work of the author. While the plot was fairly simple to understand, it was far more than I hoped for when I picked up this novel. I had grown so used to other paranormal romances and their stale plots that this particular novel did not seem any different. And in a way, it was not. Again, we are presented with another novel about someone trying to take over the world in some way or another. It was how this devious little rebel Fey went about it. I mean, how many people think of manipulating orcs into casting a summoning spell that will bring about a beast so gargantuan that the earth itself was the only prison that could hold it?
The ending was massively confusing, however. One minute we have a battle and this giant trying to break free, and the next page is the epilogue talking about the aftermath. I honestly felt like I was left hanging. But that was not what killed it for me. After the main character, Rose, so adamantly professes her deep love for her husband, Garreth, and her undying need to prove her loyalty and said love for him, in the last pages, she is ponders on whether or not her husband would be okay with having a menage with her and her husband's half brother, Ambrose. It was such a wrench in the plot that I was taken by surprise. I knew that the Rose had feelings for her husband's half-brother before she married, yet, at the same time, I felt that Evans pretty much killed those feelings when she married Rose and Garreth. When, all of sudden, Rose is wanting to have sex with Ambrose, I wanted to reach through the pages and smacked that fool across the face. What was this crazy b**** thinking?!?
Oh, not to mention the scene halfway through the novel when Rose begs Garreth to have sex with her in not so subtle, or ladylike, words. I actually laughed when reading it. I guess that the scene just seems so out of place that it was humorous.
Other than the few out place scenes, I really enjoyed this novel. About three fourths way through, the building of the plot finally climaxed, fizzling out as it does so, but, by that point, Evans has revealed all of her twist in the plot and the only thing left to do is gracefully end the novel. Once all the juicy little secrets have been laid on the table, the novel becomes slow and difficult to finish, but is a worthwhile novel from a budding author. I could have done without the Sleeping Beauty theme though. I love fairy tales interpreted for adults, but I felt this novel would have been even better without it.
Again, another novel easily recognized as a early work of the author. While the plot was fairly simple to understand, it was far more than I hoped for when I picked up this novel. I had grown so used to other paranormal romances and their stale plots that this particular novel did not seem any different. And in a way, it was not. Again, we are presented with another novel about someone trying to take over the world in some way or another. It was how this devious little rebel Fey went about it. I mean, how many people think of manipulating orcs into casting a summoning spell that will bring about a beast so gargantuan that the earth itself was the only prison that could hold it?
The ending was massively confusing, however. One minute we have a battle and this giant trying to break free, and the next page is the epilogue talking about the aftermath. I honestly felt like I was left hanging. But that was not what killed it for me. After the main character, Rose, so adamantly professes her deep love for her husband, Garreth, and her undying need to prove her loyalty and said love for him, in the last pages, she is ponders on whether or not her husband would be okay with having a menage with her and her husband's half brother, Ambrose. It was such a wrench in the plot that I was taken by surprise. I knew that the Rose had feelings for her husband's half-brother before she married, yet, at the same time, I felt that Evans pretty much killed those feelings when she married Rose and Garreth. When, all of sudden, Rose is wanting to have sex with Ambrose, I wanted to reach through the pages and smacked that fool across the face. What was this crazy b**** thinking?!?
Oh, not to mention the scene halfway through the novel when Rose begs Garreth to have sex with her in not so subtle, or ladylike, words. I actually laughed when reading it. I guess that the scene just seems so out of place that it was humorous.
Other than the few out place scenes, I really enjoyed this novel. About three fourths way through, the building of the plot finally climaxed, fizzling out as it does so, but, by that point, Evans has revealed all of her twist in the plot and the only thing left to do is gracefully end the novel. Once all the juicy little secrets have been laid on the table, the novel becomes slow and difficult to finish, but is a worthwhile novel from a budding author. I could have done without the Sleeping Beauty theme though. I love fairy tales interpreted for adults, but I felt this novel would have been even better without it.
Kristy H (1252 KP) rated Under Rose-Tainted Skies in Books
Feb 13, 2018
Norah is a mentally ill teen struggling with agoraphobia and OCD. She lives with her mom and hasn't attended school in over four years -- in fact, she really hasn't had what society would deem a "normal" outing in that time. Her interactions are with her mom, her therapist, and the online world: watching her former friends live their lives via social media. When a new boy moves in next door, Norah doesn't expect much to change. But when Luke catches Norah trying to fish in groceries left outside on her porch, he helps her. The two slowly begin to interact, and a friendship blossoms. Still, despite the movie "dates" they have at Norah's house and their many chats, Norah is trapped in her own insecurities and fears: Luke deserves a "normal" girl, who can go outside to parties, and who isn't too scared of germs to kiss. What does the future hold in store for Norah and Luke?
This was a lyrical novel offering a rather unflinching portrait of mental illness. (I must point out up front that there's a self-harm/cutting trigger.) The writing is beautiful, almost falling over the line of too flowery at times. Norah is an engaging heroine: a real person living her life with mental illness. The novel truly tries to portray her OCD and agoraphobia in a real (yet humorous at times - it's not just as if you're reading a medical manual) manner. There are some incredibly important passages in this book about how, while Norah may not look sick or mentally ill, she is. I enjoyed her character immensely.
Unfortunately, some of my love of Norah was diminished by slightly unrealistic and odd plotlines. Maybe it's just me, but I was immensely bothered by little things - Luke's dad getting a job at the TSA for 8 weeks (unless that was a long time ago, basically impossible in the security clearance era). In turn, Norah's mom undergoes a hospital stay that seems oddly inserted; further, if the family has money, why is poor, scared Norah forced to stay alone for huge chunks of time without any assistance or company? Luke also comes across as too good to be true sometimes, making me question his character, even when I wanted to buy into the love story. Finally, the ending hinges on a weird twist and seemed to tie things up a little too easily for how strongly the book was presenting Norah's illness throughout.
The angsty teen love genre is certainly in full swing lately and adding in mental illness is popular as well (I think [b:Everything, Everything|18692431|Everything, Everything|Nicola Yoon|https://images.gr-assets.com/books/1450515891s/18692431.jpg|26540216] is my favorite, where it worked so beautifully). Still, I certainly wouldn't not recommend this novel. It's well-written, portrays its mental illnesses very well, and the character of Norah is worth the read alone. There are some flaws, yes, but I did enjoy the book overall. 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available as of 01/03/2017.
This was a lyrical novel offering a rather unflinching portrait of mental illness. (I must point out up front that there's a self-harm/cutting trigger.) The writing is beautiful, almost falling over the line of too flowery at times. Norah is an engaging heroine: a real person living her life with mental illness. The novel truly tries to portray her OCD and agoraphobia in a real (yet humorous at times - it's not just as if you're reading a medical manual) manner. There are some incredibly important passages in this book about how, while Norah may not look sick or mentally ill, she is. I enjoyed her character immensely.
Unfortunately, some of my love of Norah was diminished by slightly unrealistic and odd plotlines. Maybe it's just me, but I was immensely bothered by little things - Luke's dad getting a job at the TSA for 8 weeks (unless that was a long time ago, basically impossible in the security clearance era). In turn, Norah's mom undergoes a hospital stay that seems oddly inserted; further, if the family has money, why is poor, scared Norah forced to stay alone for huge chunks of time without any assistance or company? Luke also comes across as too good to be true sometimes, making me question his character, even when I wanted to buy into the love story. Finally, the ending hinges on a weird twist and seemed to tie things up a little too easily for how strongly the book was presenting Norah's illness throughout.
The angsty teen love genre is certainly in full swing lately and adding in mental illness is popular as well (I think [b:Everything, Everything|18692431|Everything, Everything|Nicola Yoon|https://images.gr-assets.com/books/1450515891s/18692431.jpg|26540216] is my favorite, where it worked so beautifully). Still, I certainly wouldn't not recommend this novel. It's well-written, portrays its mental illnesses very well, and the character of Norah is worth the read alone. There are some flaws, yes, but I did enjoy the book overall. 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available as of 01/03/2017.
Hazel (1853 KP) rated The Joyce Girl in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Winner of the Impress Prize for New Writers 2015, Annabel Abbs creates a fantastic work of historical fiction based upon the life of Lucia Joyce. Although the titular character may be unheard of within the general public, her father will be known amongst the majority of readers. James Joyce, the eccentric author of<i> Ulysses</i> and <i>Finnegan’s Wake</i>, travelled around Europe with his family until settling in Avant-garde Paris, 1928. His daughter, Lucia, an ambitious, talented dancer describes the unconventional life as a child of Mr. Joyce, its ups and downs, and inevitable ruinous breakdown.
<i>The Joyce Girl</i> begins in Küsnacht, Zurich where Lucia is receiving treatment from Dr. Carl Jung – another well-known name; this novel is full of them. Struggling to come to terms with her current mental ill health and supposed repressed memories, Jung encourages Lucia to write her memoirs in order to learn of the events that led to this current predicament. Starting from 1928, aged 21, Lucia describes her life to Jung and the reader in brutally honest detail.
The unusual Irish family went through various successes and traumas in the intervening years, creating a humorous and emotional story. Lucia’s brother, Giorgio, caused the family enough problems without adding in the devastating heartache Lucia suffers from men who do not reciprocate her love. One of these lovers is the famous Samuel Beckett (<i>Waiting for Godot</i>, 1952), the first man Lucia falls for. It is fascinating to learn of the multiple connections these notable names had with each other. Although in retrospect it makes sense that the literary and artistic crowds would stick together.
From Lucia’s memoirs Jung formulates that the Joyce parents were extremely controlling, not giving Lucia the opportunity to live her own life – particularly within her dancing career. However, Jung still maintains that Lucia experienced emotional trauma and is insistent on retrieving those memories. What he eventually discovers will shock and possibly sicken the reader.
Through enormous amount of research, Annabel Abbs has put together a likely account of the Joyce family, particularly Lucia’s life. Using existing biographies, original letters and professional opinion, Abbs devises a logical narrative for the unfortunate dancer. Drawing upon knowledge of other literary greats and artists of the era, <i>The Joyce Girl</i> can be easily believed to be a true account, although doubtlessly some scenes must be based upon imagination.
<i>The Joyce Girl</i> will attract historical and romantic novel enthusiasts, providing an enjoyable, thought capturing story, as well as an opportunity to learn. Whether you are aware of James Joyce’s works, or even Lucia herself, <i>The Joyce Girl</i> is bound to capture your attention and draw your mind into the European life during the early 1930s. Although only her debut novel, Annabel Abbs comes highly recommended and it will be interesting to see what direction she has decided to take in her shortly expected second novel.
Winner of the Impress Prize for New Writers 2015, Annabel Abbs creates a fantastic work of historical fiction based upon the life of Lucia Joyce. Although the titular character may be unheard of within the general public, her father will be known amongst the majority of readers. James Joyce, the eccentric author of<i> Ulysses</i> and <i>Finnegan’s Wake</i>, travelled around Europe with his family until settling in Avant-garde Paris, 1928. His daughter, Lucia, an ambitious, talented dancer describes the unconventional life as a child of Mr. Joyce, its ups and downs, and inevitable ruinous breakdown.
<i>The Joyce Girl</i> begins in Küsnacht, Zurich where Lucia is receiving treatment from Dr. Carl Jung – another well-known name; this novel is full of them. Struggling to come to terms with her current mental ill health and supposed repressed memories, Jung encourages Lucia to write her memoirs in order to learn of the events that led to this current predicament. Starting from 1928, aged 21, Lucia describes her life to Jung and the reader in brutally honest detail.
The unusual Irish family went through various successes and traumas in the intervening years, creating a humorous and emotional story. Lucia’s brother, Giorgio, caused the family enough problems without adding in the devastating heartache Lucia suffers from men who do not reciprocate her love. One of these lovers is the famous Samuel Beckett (<i>Waiting for Godot</i>, 1952), the first man Lucia falls for. It is fascinating to learn of the multiple connections these notable names had with each other. Although in retrospect it makes sense that the literary and artistic crowds would stick together.
From Lucia’s memoirs Jung formulates that the Joyce parents were extremely controlling, not giving Lucia the opportunity to live her own life – particularly within her dancing career. However, Jung still maintains that Lucia experienced emotional trauma and is insistent on retrieving those memories. What he eventually discovers will shock and possibly sicken the reader.
Through enormous amount of research, Annabel Abbs has put together a likely account of the Joyce family, particularly Lucia’s life. Using existing biographies, original letters and professional opinion, Abbs devises a logical narrative for the unfortunate dancer. Drawing upon knowledge of other literary greats and artists of the era, <i>The Joyce Girl</i> can be easily believed to be a true account, although doubtlessly some scenes must be based upon imagination.
<i>The Joyce Girl</i> will attract historical and romantic novel enthusiasts, providing an enjoyable, thought capturing story, as well as an opportunity to learn. Whether you are aware of James Joyce’s works, or even Lucia herself, <i>The Joyce Girl</i> is bound to capture your attention and draw your mind into the European life during the early 1930s. Although only her debut novel, Annabel Abbs comes highly recommended and it will be interesting to see what direction she has decided to take in her shortly expected second novel.
Hazel (1853 KP) rated Alice Takes Back Wonderland in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!