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Kevin Phillipson (10072 KP) rated Chucky in TV
Mar 20, 2022
Chucky (2 more)
Brad dourif
Zackary Arthur
When I heard that they were making a Tv show out of the child’s play movies I thought why did we need Chucky on the tv and currently I’m watching the entire series on my sky Q box just started the forth episode and so far it’s rather good Brad dourif is back as the voice of Chucky of course wouldn’t be Chucky the sick sense of humour he has hasn’t changed there are some good death scenes my favourite would be so far death by dishwasher the tv show is way better than the recent reboot staying with this too the end to see how Chucky is beaten
Dean (6927 KP) rated Thor: Love and Thunder (2022) in Movies
Jul 20, 2022
Great SFX (1 more)
Funny in places
No real sense of danger or drama (1 more)
Tries too hard for laughs
Thor The Comedy
Another fun and very lighthearted Thor film. There are some good action scenes and good to see Natalie Portman as Mighty Thor. Christian Bale does well in his role and steals all his scenes. It is funny with the typical humour of Guardians of the Galaxy and the last Thor film.
Unfortunately it just tries to be funny constantly, almost every scene and some of it just becomes a bit silly. Making it more of a comedy than a Superhero film. Still enjoyable but needs a better balance like Ragnarok to hit the mark.
Unfortunately it just tries to be funny constantly, almost every scene and some of it just becomes a bit silly. Making it more of a comedy than a Superhero film. Still enjoyable but needs a better balance like Ragnarok to hit the mark.
LeftSideCut (3776 KP) rated We Summon the Darkness (2019) in Movies
Jul 6, 2022
We Summon the Darkness goes all in with its comedy-horror angle, and manages to fall short in every aspect. There are multiple scenes of extended dialogue that seemingly never end. Not necessarily a problem, but it's dialogue that goes nowhere, is painfully boring, and feels heavily improvised by a group of actors who don't really care. It's mind boggling how much this happens throughout the runtime. When things eventually kick off, it's still boring. When Johnny Knoxville finally turns up, it's boring. When the insufferable characters start to die, it's boring. Its low on scares, set pieces, and humour, making We Summon the Darkness a gigantic (half-arsed) swing and a miss.
Bethr1986 (305 KP) rated Only Ghouls and Horses in Books
Oct 6, 2022
Independent Reviewer for Archaeolibrarian - I Dig Good Books!
This story tells the tale of poor Tom and how has been recruited by Unit 13, the bureau of a paranormal detective agency. He's been happy with his desk job, but when one of his colleagues goes on maternity leave, he's thrown into the field and he doesn't have a lot of experience.
This book was an absolute howl. It's a paranormal book with a lot of humour thrown in. I really enjoyed the take that Dan has taken on it and delivered. The style very much reminded me of Terry Pratchett. I'm looking forward to reading more.
** same worded review will appear elsewhere **
This story tells the tale of poor Tom and how has been recruited by Unit 13, the bureau of a paranormal detective agency. He's been happy with his desk job, but when one of his colleagues goes on maternity leave, he's thrown into the field and he doesn't have a lot of experience.
This book was an absolute howl. It's a paranormal book with a lot of humour thrown in. I really enjoyed the take that Dan has taken on it and delivered. The style very much reminded me of Terry Pratchett. I'm looking forward to reading more.
** same worded review will appear elsewhere **
Merissa (13389 KP) created a post
Oct 16, 2025
David McK (3623 KP) rated Ghost Town (2008) in Movies
Oct 19, 2025
By and large, I'm not that big a fan of Ricky Gervais - that type of humour just doesn't do it for me.
I have to say, though, he is perfectly cast here as an misanthropic Englishman in New York, who finds - after a medical procedure gone wrong - that he can see and communicate with dead people, all of whom have a favour to ask.
In particular, Greg Kinnear's cheating husband who is trying to break up his widow's (Tea Leoni) new romance.
Predictable hi-jinks ensue along a predictable well-worn path, until Gervais' dentist Dr Bertram Pincus learns the error of his ways and how life is meant to be lived.
I have to say, though, he is perfectly cast here as an misanthropic Englishman in New York, who finds - after a medical procedure gone wrong - that he can see and communicate with dead people, all of whom have a favour to ask.
In particular, Greg Kinnear's cheating husband who is trying to break up his widow's (Tea Leoni) new romance.
Predictable hi-jinks ensue along a predictable well-worn path, until Gervais' dentist Dr Bertram Pincus learns the error of his ways and how life is meant to be lived.
Lee (2222 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 26, 2020
Based on the famous and beloved novel by Charles Dickens, Armando Iannucci (Veep, The Thick of It, The Death of Stalin) brings us this fresh new take on David Copperfield. And it’s like no other Dickens adaptation you’ve ever seen before.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
Mayhawke (97 KP) rated The Plank (1967) in Movies
Feb 7, 2018
Genius British Comedy Film-Making
If ever a film deserved the accolade 'classic' this is it. Not in the sense that it is the best of it's genre, but in the sense that it is typical of it. If you needed to to have just one exemplar of British 'silly' humour, this would fit all the requirements. Reminiscent of it's predecessors The Goons, Dad's Army and (early) Carry On, and probably inspirational to followers such as The Goodies and The Comic Strip.Packed with 'faces' that anyone over forty who grew up here will recognise.
Two builders find themselves one floor-board short of a house. So they go to the timber yard to get one.
And that's the story. All of it...except the details. It's the details that make the rest of the film, and make it so damn funny, as the hapless pair unwittingly wreak mayhem and chaos.
It shouldn't need to be said - but I'll say it any way :-) - that there is a level of genius required to make an entire film out of just that. But then it is the work of Eric Sykes (more recently seen in 'Harry P & the Goblet of Fire' and 'The Others', for younger viewers) who has been a mainstay of British humour, both as a writer and performer, for several decades now.
Incindentally if you don't quite 'get' the image of the incompetent British workman portrayed in this film find a copy of Bernard Cribbens' 'Right, Said Fred' and listen to it. Everything will become clear!
Oh, and there's a kitten, too.
Two builders find themselves one floor-board short of a house. So they go to the timber yard to get one.
And that's the story. All of it...except the details. It's the details that make the rest of the film, and make it so damn funny, as the hapless pair unwittingly wreak mayhem and chaos.
It shouldn't need to be said - but I'll say it any way :-) - that there is a level of genius required to make an entire film out of just that. But then it is the work of Eric Sykes (more recently seen in 'Harry P & the Goblet of Fire' and 'The Others', for younger viewers) who has been a mainstay of British humour, both as a writer and performer, for several decades now.
Incindentally if you don't quite 'get' the image of the incompetent British workman portrayed in this film find a copy of Bernard Cribbens' 'Right, Said Fred' and listen to it. Everything will become clear!
Oh, and there's a kitten, too.