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This book was not for me
I want to say something positive about this book. Okay, it is a quick read, I actually wanted to continue reading it although I am not sure if my reasons for this were because of enjoyment. I chose this book as I am going to be writing a part memoir for my dissertation. I liked the synopsis because I enjoy a bit of humour. In the past I have read (and enjoyed) a book by Mike Gayle called 'Turning Thirty' which I thought, and hoped, this book would have been similar. WRONG!!!!
Edwards basically writes some (I believe) far fetched memoir but mingles it with self help bullshit that has been regurgitated from other peoples ideas. I am confused by the author's objectives. Whilst I appreciate any woman who is a good and opinionated feminist, I feel that Edward's 'Sisterhood' is cringey. The writer comes across as middle class and perhaps would have benefited from excluding her middle class status to seem less arrogant to working class readers.
I learned of a technique for essay writing in college (PEE) Point, Evidence and Evaluation. This is a formula that Edwards uses throughout her book and it makes the flow very artificial instead of conversational.
On the plus side, it was her first novel, and she managed to write it and publish it. It just wasn't for me.
Edwards basically writes some (I believe) far fetched memoir but mingles it with self help bullshit that has been regurgitated from other peoples ideas. I am confused by the author's objectives. Whilst I appreciate any woman who is a good and opinionated feminist, I feel that Edward's 'Sisterhood' is cringey. The writer comes across as middle class and perhaps would have benefited from excluding her middle class status to seem less arrogant to working class readers.
I learned of a technique for essay writing in college (PEE) Point, Evidence and Evaluation. This is a formula that Edwards uses throughout her book and it makes the flow very artificial instead of conversational.
On the plus side, it was her first novel, and she managed to write it and publish it. It just wasn't for me.

Sarah (7800 KP) rated Anna and the Apocalypse (2018) in Movies
Nov 2, 2019
Too many genres!
I’m a massive fan of zombie films, musicals and Christmas films, but I’m really not too sure what to make of them all thrown into one film. I feel like they’ve just picked a handful of popular genres of films that people love and decided to mash them all together. And not very successfully either.
This film isn’t bad. The songs are quite good, they just seem ridiculously out of place in a zombie film and there are some dodgy vocals at times. A Christmas zombie film is a pretty decent idea though, especially as there’s nothing more anti-festive than a load of flesh eating zombies. It has a decent cast, with Mark Benton and Paul Kaye the old hands in a younger cast. However i think Paul Kaye may have taken overacting a little too far in this. He’s beyond fun and hammy and just sheer ridiculous. It’s a shame as he’s a great actor but it feels like he’s hamming it up in a kids pantomime. In fact, a lot of the humour in this seems to be made for kids or very young teenagers. Which is strange seen as it has a 15 rating! I just found it all a little bit juvenile, which is a shame as I had little expectations about this film.
It’s not bad, but it’s not great either. Watchable, and only memorable because of how truly bizarre it is!
This film isn’t bad. The songs are quite good, they just seem ridiculously out of place in a zombie film and there are some dodgy vocals at times. A Christmas zombie film is a pretty decent idea though, especially as there’s nothing more anti-festive than a load of flesh eating zombies. It has a decent cast, with Mark Benton and Paul Kaye the old hands in a younger cast. However i think Paul Kaye may have taken overacting a little too far in this. He’s beyond fun and hammy and just sheer ridiculous. It’s a shame as he’s a great actor but it feels like he’s hamming it up in a kids pantomime. In fact, a lot of the humour in this seems to be made for kids or very young teenagers. Which is strange seen as it has a 15 rating! I just found it all a little bit juvenile, which is a shame as I had little expectations about this film.
It’s not bad, but it’s not great either. Watchable, and only memorable because of how truly bizarre it is!

JT (287 KP) rated Toy Story 4 (2019) in Movies
Mar 10, 2020
It’s been nearly 25-years since the original Toy Story graced our screens and back then the animation was ahead of its time. Fast forward to 2019 and the fourth film in a near perfect franchise might seem a risky move by Pixar, particularly when things ended so neatly with a tear in the eye after Toy Story 3.
But the gang is back together and while some of the characters don’t get the screen time they deserve, having to make way for a new breed of toys, it still holds its charm. The Woody and Buzz relationship which formed the backbone of the previous three films is left as a mere afterthought, paving the way for a Woody-Bo Peep connection and love interest.
This doesn’t detract from an endearing story line that sees the group try and save a homemade toy called Forky, made by Andy’s little sister Bonnie as a way to cope with starting kindergarten.
There are some likeable new characters including Duke Kaboom (voiced by Keanu Reeves), Ducky and Bunny who each bring their own injection of humour to the proceedings. The younger generation will love being introduced to the likes of Woody and Buzz, while fans of the original will be able to reconnect with a franchise that captured hearts almost three decades ago.
Whatever Pixar touches inevitably turns to gold and here they have hit another one out of the park.
But the gang is back together and while some of the characters don’t get the screen time they deserve, having to make way for a new breed of toys, it still holds its charm. The Woody and Buzz relationship which formed the backbone of the previous three films is left as a mere afterthought, paving the way for a Woody-Bo Peep connection and love interest.
This doesn’t detract from an endearing story line that sees the group try and save a homemade toy called Forky, made by Andy’s little sister Bonnie as a way to cope with starting kindergarten.
There are some likeable new characters including Duke Kaboom (voiced by Keanu Reeves), Ducky and Bunny who each bring their own injection of humour to the proceedings. The younger generation will love being introduced to the likes of Woody and Buzz, while fans of the original will be able to reconnect with a franchise that captured hearts almost three decades ago.
Whatever Pixar touches inevitably turns to gold and here they have hit another one out of the park.

JT (287 KP) rated Good Boys (2019) in Movies
Mar 10, 2020
Kids, they say the funniest things – or in the case of Good Boys, some of the dirtiest and rudest you’ll hear leave a tweens mouth. Baby faced Jacob Tremblay plays Max, a young boy approaching the outer reaches of puberty. His childhood friends Lucas (Keith L. Williams) and Thor (Brady Noon) equally have problems of their own. One is losing his parents to divorce and the other is fighting a tough exterior to pursue an ambition to sing.
In a basic plot, the trio, who call themselves the ‘beanbag boys’, need to replace Max’s Dad’s drone after using it to do some aerial reconnaissance. The boys are desperate to learn the right way to kiss a girl after being invited to a party by the cool kids at school.
The group find themselves in all sorts of trouble on a four mile adventure to the mall, from infiltrating a drug deal in a frat house to the sale of a sex doll – not to mention the most effective way to put back a dislocated shoulder.
Good Boys is littered with harmless gags but the script does feel a little bland and awkward at times. Its foul-mouthed humour can become stale and it’s by no means on the same level as Superbad or even American Pie for that matter.
What you do get is a film with the occasional laugh and the odd heartwarming moment. A solid cameo by Stephen Merchant is one of the few highlights.
In a basic plot, the trio, who call themselves the ‘beanbag boys’, need to replace Max’s Dad’s drone after using it to do some aerial reconnaissance. The boys are desperate to learn the right way to kiss a girl after being invited to a party by the cool kids at school.
The group find themselves in all sorts of trouble on a four mile adventure to the mall, from infiltrating a drug deal in a frat house to the sale of a sex doll – not to mention the most effective way to put back a dislocated shoulder.
Good Boys is littered with harmless gags but the script does feel a little bland and awkward at times. Its foul-mouthed humour can become stale and it’s by no means on the same level as Superbad or even American Pie for that matter.
What you do get is a film with the occasional laugh and the odd heartwarming moment. A solid cameo by Stephen Merchant is one of the few highlights.

Chloe (778 KP) rated The Dream Defenders in Books
Apr 14, 2020
Imaginative (3 more)
Clever
Interesting
Good concept
Further development (1 more)
Lacking characters
The title "Dream Defenders" explains the content of the book. Basically the Dream Institute works to protect dreamers through powers they have learned/been taught. Dreamers are recruited when they show a particular acumen for managing their dreams.
The concept is very clever because it is something that could happen in real life, that we are not aware of. It's a very imaginative story with some quite funny bits in places. Love the Sandman name, very clever little note.
The characters and bad guys are well thought out but could have further development e.g. Marshall seems to only like books and that's all I can really say about him. Aeryn is supposedly trained in dream weaving but shows very limited skill. The story felt rushed and I definitely think the concept could do with some embellishment.
I'm not sure whether this is young adult, I felt like it was for children perhaps a similar age to goosebumps. Ocassionally the humour felt forced and in the wrong place. There often seemed to be unnecessary words for example, one sentence states "Nolan's stomach twisted, this time not from the Wispe travel". The events of the previous sentence clearly states what caused the stomach twisting.
Just a note, I think on Page 254 the word dream stream is used when it should be death stream.
I obtained a free copy from Voracious Readers Only!
The concept is very clever because it is something that could happen in real life, that we are not aware of. It's a very imaginative story with some quite funny bits in places. Love the Sandman name, very clever little note.
The characters and bad guys are well thought out but could have further development e.g. Marshall seems to only like books and that's all I can really say about him. Aeryn is supposedly trained in dream weaving but shows very limited skill. The story felt rushed and I definitely think the concept could do with some embellishment.
I'm not sure whether this is young adult, I felt like it was for children perhaps a similar age to goosebumps. Ocassionally the humour felt forced and in the wrong place. There often seemed to be unnecessary words for example, one sentence states "Nolan's stomach twisted, this time not from the Wispe travel". The events of the previous sentence clearly states what caused the stomach twisting.
Just a note, I think on Page 254 the word dream stream is used when it should be death stream.
I obtained a free copy from Voracious Readers Only!

Sarah (7800 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Aug 4, 2019
Forgettable
The problem with Ralph Breaks the Internet is that it suffers from a big case of the ‘unnecessary sequels’. Which isn’t a surprise seen as the majority of sequels are the same, but I’ve come to expect more from Disney.
Visually it looks stunning and the voice cast are as good as they were the first time, and it’s wonderful to see Alan Tudyk back again as the best new character KnowsMore. The Disney princesses are by far the best thing about this film, and apart from them the only scenes I really enjoyed and found funny were the 2 credits scenes (one of which had been in the trailer). It’s a little sad that you have to sit through a full 2 hour film before finding something truly enjoyable. Don’t get me wrong, this isn’t a bad film. It’s Disney after all. It’s just that the plot seems a little lacklustre and really quite forgettable. It seems to be missing the magic and the humour from the original, and comes across as very bland and uninteresting. Whilst the internet idea isn’t a bad one and there are some good quirky parts, I don’t feel like it was as well executed as it could’ve been.
The original is a film I adore that never gets old, but sadly this sequel is all too forgettable and not one I’d be interested in watching again.
Visually it looks stunning and the voice cast are as good as they were the first time, and it’s wonderful to see Alan Tudyk back again as the best new character KnowsMore. The Disney princesses are by far the best thing about this film, and apart from them the only scenes I really enjoyed and found funny were the 2 credits scenes (one of which had been in the trailer). It’s a little sad that you have to sit through a full 2 hour film before finding something truly enjoyable. Don’t get me wrong, this isn’t a bad film. It’s Disney after all. It’s just that the plot seems a little lacklustre and really quite forgettable. It seems to be missing the magic and the humour from the original, and comes across as very bland and uninteresting. Whilst the internet idea isn’t a bad one and there are some good quirky parts, I don’t feel like it was as well executed as it could’ve been.
The original is a film I adore that never gets old, but sadly this sequel is all too forgettable and not one I’d be interested in watching again.
TM
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