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Lee (2222 KP) rated The House with a Clock in Its Walls (2018) in Movies
Sep 16, 2018
After losing both parents in a car accident, Lewis travels to New Zebedee, Michigan to live with his uncle Jonathan (Jack Black) in his large, creepy house. Jonathan's neighbour, Florence Zimmerman (Cate Blanchett) seems to spend most of her time there too as they are old friends. The house is full of clocks and, as you've probably guessed from the title of the movie, an even more mysterious clock lies hidden somewhere within its walls. Lewis discovers that Johnathan is a warlock, Florence is a good witch and that the house once belonged to a powerful warlock, who intended to use the clock as part of a catastrophic evil plan.
Directed by Eli Roth, the movie oozes style and creepiness. It has scares that will terrify younger children, but entertain the parents and it has a good amount of humour throughout. For me though, it felt like all style and not much substance. Despite being based on the first in a series of 12 books, with this first story being published in 1973, the movie version just feels like an amalgamation of things we've seen many times before in recent years. Harry Potter, Miss Peregrine, even the trailer made me think of the Goosebumps movie.
I'm probably being a little harsh, and the latter third of the movie did turn out to be a lot more enjoyable than the first two. I guess I was just hoping for something a bit more.
Directed by Eli Roth, the movie oozes style and creepiness. It has scares that will terrify younger children, but entertain the parents and it has a good amount of humour throughout. For me though, it felt like all style and not much substance. Despite being based on the first in a series of 12 books, with this first story being published in 1973, the movie version just feels like an amalgamation of things we've seen many times before in recent years. Harry Potter, Miss Peregrine, even the trailer made me think of the Goosebumps movie.
I'm probably being a little harsh, and the latter third of the movie did turn out to be a lot more enjoyable than the first two. I guess I was just hoping for something a bit more.
Sarah (7800 KP) rated Venom (2018) in Movies
Nov 1, 2018
Much better than expected
Considering some of the terrible critics reviews for this I was expecting it to be horrendous, but for the most part it was actually quite enjoyable.
Tom Hardy makes this film. He is fantastic as Eddie Brock and Venom, even if he does go a little ott cringey in parts. He really injects some much needed humour and likeability into this film, without him this really would have been terrible. Some of the CGI is patchy in parts and the final fight scene is overwhelming due to the sheer amount of CGI going on. There's some dodgy editing and an even dodgier script, and the ending feels rather rushed. Riz Ahmed is a great actor but vastly underused, and to echo every other reviews Michelle Williams is absolutely awful. She contributed nothing other than major irritation for the entire film.
I'm not a massive comic person but do recall Venom from comics and some of the earlier Spiderman cartoons, and I'm actually fairly impressed with this origin story and how Venom has been portrayed. Let's face it, they couldn't get much worse than what came out in Spiderman 3. Whilst this film has a lot of faults, it's still very entertaining.
I do wish they'd given this a proper Marvel film though. It already comes across as quite dark, and I think this could've been fantastic had they given it a Deadpool type makeover.
Tom Hardy makes this film. He is fantastic as Eddie Brock and Venom, even if he does go a little ott cringey in parts. He really injects some much needed humour and likeability into this film, without him this really would have been terrible. Some of the CGI is patchy in parts and the final fight scene is overwhelming due to the sheer amount of CGI going on. There's some dodgy editing and an even dodgier script, and the ending feels rather rushed. Riz Ahmed is a great actor but vastly underused, and to echo every other reviews Michelle Williams is absolutely awful. She contributed nothing other than major irritation for the entire film.
I'm not a massive comic person but do recall Venom from comics and some of the earlier Spiderman cartoons, and I'm actually fairly impressed with this origin story and how Venom has been portrayed. Let's face it, they couldn't get much worse than what came out in Spiderman 3. Whilst this film has a lot of faults, it's still very entertaining.
I do wish they'd given this a proper Marvel film though. It already comes across as quite dark, and I think this could've been fantastic had they given it a Deadpool type makeover.
Hazel (1853 KP) rated The Case of the Paranoid Panda: An Irwin Lalune Mystery in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
The Case of the Paranoid Panda</i> is a delightful children’s story by Bruce Murphy about a skunk detective who enjoys solving mysteries. Irwin Lalune is a skunk on a mission after he is informed about a panda at the zoo that has been acting strangely. The panda – Ling Ming – has not been eating or sleeping and has become very paranoid; Irwin is determined to find out why.
With the help of Larry the squirrel, Irwin investigates and interviews a variety of animals as he slowly pieces together what it was that scared the panda so much. The more Irwin probes into the case the more dangerous it becomes.
<i>The Case of the Paranoid Panda </i>is an enchanting little story that will amuse both children and adults. It is full of wit and adorable characters that everyone will be able to appreciate. Some of the humour may not be detected by younger readers, therefore readers of ages eight and upwards are the most appropriate target audience for this book.
Christian Paniagua has provided charming illustrations of the characters throughout the book, which will greatly appeal to youngsters. Although this is the only Irwin Lalune mystery so far, there is great potential of developing a series of stories with animal related cases for the skunk to crack.
The Case of the Paranoid Panda</i> is a delightful children’s story by Bruce Murphy about a skunk detective who enjoys solving mysteries. Irwin Lalune is a skunk on a mission after he is informed about a panda at the zoo that has been acting strangely. The panda – Ling Ming – has not been eating or sleeping and has become very paranoid; Irwin is determined to find out why.
With the help of Larry the squirrel, Irwin investigates and interviews a variety of animals as he slowly pieces together what it was that scared the panda so much. The more Irwin probes into the case the more dangerous it becomes.
<i>The Case of the Paranoid Panda </i>is an enchanting little story that will amuse both children and adults. It is full of wit and adorable characters that everyone will be able to appreciate. Some of the humour may not be detected by younger readers, therefore readers of ages eight and upwards are the most appropriate target audience for this book.
Christian Paniagua has provided charming illustrations of the characters throughout the book, which will greatly appeal to youngsters. Although this is the only Irwin Lalune mystery so far, there is great potential of developing a series of stories with animal related cases for the skunk to crack.
Natalia (73 KP) rated Shadow and Bone (The Grisha #1) in Books
Jan 26, 2019
So I've taken the past week to read the whole trilogy, which I now see as a mistake since the books seem to blend together for me now. I can happily say, however, that Leigh Bardugo's writing lives up to the praise people give her - and this series is certainly going to stay with me for a long time, not including when it'll be refreshed as I re-read it.
As cliched as it sounds, I couldn't put the book down, and the moment I finished one I had to move on to the next. Bardugo has a way with her writing that keeps you hooked, and I would be lying if I didn't admit that I had to put the book down on multiple occasions to sit in what I just read. The action is well-written, characters are relatable and engaging, and tension is built well with the occasional piece of humour to lift us from our stump.
I like to keep my reviews spoiler-free, so I'm struggling to find a way to explain how much I appreciate this book and entire trilogy without going in depth on the plot and character development. If you're reading this to see if you want to read the series, I would say you should jump on it. I went in almost entirely blind, simply hearing good things about Bardugo, and it was an amazing experience from start to finish.
As cliched as it sounds, I couldn't put the book down, and the moment I finished one I had to move on to the next. Bardugo has a way with her writing that keeps you hooked, and I would be lying if I didn't admit that I had to put the book down on multiple occasions to sit in what I just read. The action is well-written, characters are relatable and engaging, and tension is built well with the occasional piece of humour to lift us from our stump.
I like to keep my reviews spoiler-free, so I'm struggling to find a way to explain how much I appreciate this book and entire trilogy without going in depth on the plot and character development. If you're reading this to see if you want to read the series, I would say you should jump on it. I went in almost entirely blind, simply hearing good things about Bardugo, and it was an amazing experience from start to finish.
Deborah (162 KP) rated Master and God in Books
Dec 21, 2018
Lindsey Davis' latest offering isn't a new Falco, but it isn't all bad news, because I thought it was a really good read! The Master & God of the title is, of course, the emperor Domitian, son of Vespasian and brother of Titus, so readers of the Falco novels will already be in familiar territory.... Domitian isn't the main narrative character in the novel though, so in some ways it's not really 'about' him. The story centres around a soldier and a hairdresser and imperial freedwoman, and it is their story and the story of the times they live through.
The book I read just before this was Kate Quinn's Daughters of Rome, which covers the Year of the Four Emperors, concluding with the accession of Vespasian, so in many ways this linked in nicely from an historical point of view. What I noticed almost straight away though, was how much better Davis' writing is; Rome and the characters really came alive for me in a way they never quite managed in Quinn's work.
Davis' sense of humour is still very much apparent, thought it doesn't come across quite so keenly as in the Falco novels; I think this may be because Falco is in the first person while Master & God is told in the third person, utilising more than one character point of view - including Musca the Fly, that I see several people have commented on!
The book I read just before this was Kate Quinn's Daughters of Rome, which covers the Year of the Four Emperors, concluding with the accession of Vespasian, so in many ways this linked in nicely from an historical point of view. What I noticed almost straight away though, was how much better Davis' writing is; Rome and the characters really came alive for me in a way they never quite managed in Quinn's work.
Davis' sense of humour is still very much apparent, thought it doesn't come across quite so keenly as in the Falco novels; I think this may be because Falco is in the first person while Master & God is told in the third person, utilising more than one character point of view - including Musca the Fly, that I see several people have commented on!
Sarah (7800 KP) rated Bird Box (2018) in Movies
Dec 28, 2018
Good but falls short
I’d heard mixed things about this, and Netflix made films are hit and miss at best, but this is actually quite good.
It’s an intriguing premise and for the most part it’s executed fairly well. I liked that it focused not only on the present but also how the events first came about, telling the story as it unfolded, even if it doesn’t quite get as far as a real explanation. There are some obvious comparisons with this and A Quiet Place, and rightly so as despite focusing on different senses, you can see the similarities. It’s nice to see Sandra Bullock back in a starring role, and I especially loved the scenes with her and John Malkovich, they added a nice bit of humour to an otherwise serious story.
This is quite a slow film, and I feel that it could maybe have been cut a little shorter to give it a faster pace. I disliked the ending completely as it is far too Hollywood and yet still didn’t show us what exactly was going on. And why did Sandra Bullock have a full face of makeup on during the entire 5 year span of the film?! I think that annoyed me most of all.
It’s not a bad film and with a few tweaks it could have been much better. However if I had to choose between this and A Quiet Place, I’m afraid A Quiet Place would win hands down.
It’s an intriguing premise and for the most part it’s executed fairly well. I liked that it focused not only on the present but also how the events first came about, telling the story as it unfolded, even if it doesn’t quite get as far as a real explanation. There are some obvious comparisons with this and A Quiet Place, and rightly so as despite focusing on different senses, you can see the similarities. It’s nice to see Sandra Bullock back in a starring role, and I especially loved the scenes with her and John Malkovich, they added a nice bit of humour to an otherwise serious story.
This is quite a slow film, and I feel that it could maybe have been cut a little shorter to give it a faster pace. I disliked the ending completely as it is far too Hollywood and yet still didn’t show us what exactly was going on. And why did Sandra Bullock have a full face of makeup on during the entire 5 year span of the film?! I think that annoyed me most of all.
It’s not a bad film and with a few tweaks it could have been much better. However if I had to choose between this and A Quiet Place, I’m afraid A Quiet Place would win hands down.
LeftSideCut (3776 KP) rated Deadpool 2 (2018) in Movies
Oct 18, 2019
Deadpool 2 sits firmly and comfortably somewhere between 'good' and 'average'.
The main problem is that it's not as funny as it thinks it is. The first 30 minutes or so just seem like a constant barrage of recycled jokes from the superior first film, and a lot of the jokes don't land that well.
That being said, there are some genuinely laugh out loud moments when the film eventually finds it feet, but it does feel like the writers just threw everything toward the audience to see what would stick.
Humour is only one element of Deadpool though.
The action exceeds the first film in every way, and the movie really shines in this aspect when Cable is introduced. Josh Brolins portrayal of the badass mutant from the future is pretty engaging. His serious nature gels fantastically with Ryan Reynolds quippy Deadpool.
It's nice to see Domino turn up for the ride as well. Everyone else is (quite literally) pretty disposable, but the inclusion of X-Force gives us a fantastic blink-and-you'll-miss-it cameo.
The narrative leans towards a message of accepting people for who they are, which is a nice spin in a superhero blockbuster, and of course keeps the R rating good and present with some stupidly violent moments.
Overall, Deadpool 2 is a perfect example of more not always meaning better, but is still an enjoyable ride.
The main problem is that it's not as funny as it thinks it is. The first 30 minutes or so just seem like a constant barrage of recycled jokes from the superior first film, and a lot of the jokes don't land that well.
That being said, there are some genuinely laugh out loud moments when the film eventually finds it feet, but it does feel like the writers just threw everything toward the audience to see what would stick.
Humour is only one element of Deadpool though.
The action exceeds the first film in every way, and the movie really shines in this aspect when Cable is introduced. Josh Brolins portrayal of the badass mutant from the future is pretty engaging. His serious nature gels fantastically with Ryan Reynolds quippy Deadpool.
It's nice to see Domino turn up for the ride as well. Everyone else is (quite literally) pretty disposable, but the inclusion of X-Force gives us a fantastic blink-and-you'll-miss-it cameo.
The narrative leans towards a message of accepting people for who they are, which is a nice spin in a superhero blockbuster, and of course keeps the R rating good and present with some stupidly violent moments.
Overall, Deadpool 2 is a perfect example of more not always meaning better, but is still an enjoyable ride.
This book was not for me
I want to say something positive about this book. Okay, it is a quick read, I actually wanted to continue reading it although I am not sure if my reasons for this were because of enjoyment. I chose this book as I am going to be writing a part memoir for my dissertation. I liked the synopsis because I enjoy a bit of humour. In the past I have read (and enjoyed) a book by Mike Gayle called 'Turning Thirty' which I thought, and hoped, this book would have been similar. WRONG!!!!
Edwards basically writes some (I believe) far fetched memoir but mingles it with self help bullshit that has been regurgitated from other peoples ideas. I am confused by the author's objectives. Whilst I appreciate any woman who is a good and opinionated feminist, I feel that Edward's 'Sisterhood' is cringey. The writer comes across as middle class and perhaps would have benefited from excluding her middle class status to seem less arrogant to working class readers.
I learned of a technique for essay writing in college (PEE) Point, Evidence and Evaluation. This is a formula that Edwards uses throughout her book and it makes the flow very artificial instead of conversational.
On the plus side, it was her first novel, and she managed to write it and publish it. It just wasn't for me.
Edwards basically writes some (I believe) far fetched memoir but mingles it with self help bullshit that has been regurgitated from other peoples ideas. I am confused by the author's objectives. Whilst I appreciate any woman who is a good and opinionated feminist, I feel that Edward's 'Sisterhood' is cringey. The writer comes across as middle class and perhaps would have benefited from excluding her middle class status to seem less arrogant to working class readers.
I learned of a technique for essay writing in college (PEE) Point, Evidence and Evaluation. This is a formula that Edwards uses throughout her book and it makes the flow very artificial instead of conversational.
On the plus side, it was her first novel, and she managed to write it and publish it. It just wasn't for me.
Sarah (7800 KP) rated Anna and the Apocalypse (2018) in Movies
Nov 2, 2019
Too many genres!
I’m a massive fan of zombie films, musicals and Christmas films, but I’m really not too sure what to make of them all thrown into one film. I feel like they’ve just picked a handful of popular genres of films that people love and decided to mash them all together. And not very successfully either.
This film isn’t bad. The songs are quite good, they just seem ridiculously out of place in a zombie film and there are some dodgy vocals at times. A Christmas zombie film is a pretty decent idea though, especially as there’s nothing more anti-festive than a load of flesh eating zombies. It has a decent cast, with Mark Benton and Paul Kaye the old hands in a younger cast. However i think Paul Kaye may have taken overacting a little too far in this. He’s beyond fun and hammy and just sheer ridiculous. It’s a shame as he’s a great actor but it feels like he’s hamming it up in a kids pantomime. In fact, a lot of the humour in this seems to be made for kids or very young teenagers. Which is strange seen as it has a 15 rating! I just found it all a little bit juvenile, which is a shame as I had little expectations about this film.
It’s not bad, but it’s not great either. Watchable, and only memorable because of how truly bizarre it is!
This film isn’t bad. The songs are quite good, they just seem ridiculously out of place in a zombie film and there are some dodgy vocals at times. A Christmas zombie film is a pretty decent idea though, especially as there’s nothing more anti-festive than a load of flesh eating zombies. It has a decent cast, with Mark Benton and Paul Kaye the old hands in a younger cast. However i think Paul Kaye may have taken overacting a little too far in this. He’s beyond fun and hammy and just sheer ridiculous. It’s a shame as he’s a great actor but it feels like he’s hamming it up in a kids pantomime. In fact, a lot of the humour in this seems to be made for kids or very young teenagers. Which is strange seen as it has a 15 rating! I just found it all a little bit juvenile, which is a shame as I had little expectations about this film.
It’s not bad, but it’s not great either. Watchable, and only memorable because of how truly bizarre it is!
JT (287 KP) rated Toy Story 4 (2019) in Movies
Mar 10, 2020
It’s been nearly 25-years since the original Toy Story graced our screens and back then the animation was ahead of its time. Fast forward to 2019 and the fourth film in a near perfect franchise might seem a risky move by Pixar, particularly when things ended so neatly with a tear in the eye after Toy Story 3.
But the gang is back together and while some of the characters don’t get the screen time they deserve, having to make way for a new breed of toys, it still holds its charm. The Woody and Buzz relationship which formed the backbone of the previous three films is left as a mere afterthought, paving the way for a Woody-Bo Peep connection and love interest.
This doesn’t detract from an endearing story line that sees the group try and save a homemade toy called Forky, made by Andy’s little sister Bonnie as a way to cope with starting kindergarten.
There are some likeable new characters including Duke Kaboom (voiced by Keanu Reeves), Ducky and Bunny who each bring their own injection of humour to the proceedings. The younger generation will love being introduced to the likes of Woody and Buzz, while fans of the original will be able to reconnect with a franchise that captured hearts almost three decades ago.
Whatever Pixar touches inevitably turns to gold and here they have hit another one out of the park.
But the gang is back together and while some of the characters don’t get the screen time they deserve, having to make way for a new breed of toys, it still holds its charm. The Woody and Buzz relationship which formed the backbone of the previous three films is left as a mere afterthought, paving the way for a Woody-Bo Peep connection and love interest.
This doesn’t detract from an endearing story line that sees the group try and save a homemade toy called Forky, made by Andy’s little sister Bonnie as a way to cope with starting kindergarten.
There are some likeable new characters including Duke Kaboom (voiced by Keanu Reeves), Ducky and Bunny who each bring their own injection of humour to the proceedings. The younger generation will love being introduced to the likes of Woody and Buzz, while fans of the original will be able to reconnect with a franchise that captured hearts almost three decades ago.
Whatever Pixar touches inevitably turns to gold and here they have hit another one out of the park.