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Phil Leader (619 KP) rated Dead Girl Walking in Books
Nov 12, 2019
It has been a while since the last Jack Parlabane novel, Brookmyre's investigative journalist who has a knack for finding trouble and then effortlessly making it worse. But in this novel he makes a triumphant return - if in somewhat diminished circumstances.
Parlabane has been a victim of the Leveson enquiry into press standard and phone hacking. Hung out to dry as a scapegoat to save the real guilty parties (not that he would be above a little phone hacking but more that he would never get caught doing it) he has fallen out of the bottom of journalism and is seriously considering what else he can do.
Enter Mairi, the sister of a childhood friend who manages a band. The band are very much the 'next big thing' and following a successful European tour are now heading to the United States. The only problem is that their lead singer and songwriter has gone missing. Mairi needs her found and figures Jack's investigative skills are what is needed.
The narrative more-or-less alternates between following Parlabane as he tries to work out where the singer is and the private blog/diary of the band's new violinist, parachuted into the band and feeling very much out of her depth. The Parlabane thread contains its fair share of action and humour in equal measures. The diary entries seem very authentic in their descriptions of the closed and self-regarding world of a rock music tour.
The plot is not complex but compelling as both strands come together at the end. The reveal is hardly devastating or a huge twist but is entirely satsifying and in keeping with the work. As usual with Brookmyre there are inside jokes and nifty throw away band and song references littered throughout. It is also easy to read with short snappy chapters making it hard to put down without wanting to read just another one.
In in all I thought this was a great book from Brookmyre and it was so good to see Parlabane back in action.
Parlabane has been a victim of the Leveson enquiry into press standard and phone hacking. Hung out to dry as a scapegoat to save the real guilty parties (not that he would be above a little phone hacking but more that he would never get caught doing it) he has fallen out of the bottom of journalism and is seriously considering what else he can do.
Enter Mairi, the sister of a childhood friend who manages a band. The band are very much the 'next big thing' and following a successful European tour are now heading to the United States. The only problem is that their lead singer and songwriter has gone missing. Mairi needs her found and figures Jack's investigative skills are what is needed.
The narrative more-or-less alternates between following Parlabane as he tries to work out where the singer is and the private blog/diary of the band's new violinist, parachuted into the band and feeling very much out of her depth. The Parlabane thread contains its fair share of action and humour in equal measures. The diary entries seem very authentic in their descriptions of the closed and self-regarding world of a rock music tour.
The plot is not complex but compelling as both strands come together at the end. The reveal is hardly devastating or a huge twist but is entirely satsifying and in keeping with the work. As usual with Brookmyre there are inside jokes and nifty throw away band and song references littered throughout. It is also easy to read with short snappy chapters making it hard to put down without wanting to read just another one.
In in all I thought this was a great book from Brookmyre and it was so good to see Parlabane back in action.
Sarah (7798 KP) rated The Unexpected Joy of Being Single in Books
Nov 22, 2019
Positive and uplifting
I really wish that I had read this book a lot sooner. I’ve been struggling with being on my own for the past year and its been difficult because everyone else I know is coupled up or married, and being single in your thirties is a pretty daunting experience. Whilst I’ve been feeling a lot better within myself recently, this book is truly a wonderfully uplifting read.
Catherine Gray is a great writer. She really knows how to talk to her audience, and fill her writing with an equal balance of humour and seriousness. She knows what she’s talking about to, and it’s nice to read about someone’s view on this topic without it being preachy or smug. Not once does Gray come across as condescending to her readers. You can tell every word is from her personal experience, and throughout this entire book I could match this to my own personal experiences. It’s a wonderful thing to read a book and feel that the author truly and entirely understands what you’ve been feeling and thinking. The book itself is full of personal stories, anecdotes and also a tonne of meaningful quotes and statistics. And it’s all put forward in such a positive and happy way, yet without really slandering those who are coupled or married. This has really reinforced my current way of thinking and whilst not actually a self help book, this has done wonders to help and make me realise I’m not in the wrong for how I feel and think. This has made me the happiest I’ve felt in a long time. I wish I could give this to my coupled and married friends to them rethink how they treat their single mates, but sadly they’d probably get offended!
I highly recommend that anyone single read this, especially if you’re approaching or over 30 and in need of a positive outlook - you can’t get a better one than this.
Catherine Gray is a great writer. She really knows how to talk to her audience, and fill her writing with an equal balance of humour and seriousness. She knows what she’s talking about to, and it’s nice to read about someone’s view on this topic without it being preachy or smug. Not once does Gray come across as condescending to her readers. You can tell every word is from her personal experience, and throughout this entire book I could match this to my own personal experiences. It’s a wonderful thing to read a book and feel that the author truly and entirely understands what you’ve been feeling and thinking. The book itself is full of personal stories, anecdotes and also a tonne of meaningful quotes and statistics. And it’s all put forward in such a positive and happy way, yet without really slandering those who are coupled or married. This has really reinforced my current way of thinking and whilst not actually a self help book, this has done wonders to help and make me realise I’m not in the wrong for how I feel and think. This has made me the happiest I’ve felt in a long time. I wish I could give this to my coupled and married friends to them rethink how they treat their single mates, but sadly they’d probably get offended!
I highly recommend that anyone single read this, especially if you’re approaching or over 30 and in need of a positive outlook - you can’t get a better one than this.
Amazing
This show has really opened my eyes on the struggles Autism can cause in every day life. It not only follows Sam and his journey to find love, and then his life changing as he moves on to University, but it also follows a small story line around his parents and his younger sister has her own, fairly prominent story line.
Sam has Autism and doesn't always understand things well. The show really brings into life a few of the problems he may face, and how he deals with them.
Its mostly light-hearted and has a few comical characters, while still being serious at times and helping people understand what is going on.
Casey, Sams sister, understands his autism but always treats Sam as if he doesn't, in a good way. She still treats him with love and affection, but also annoys him and gets on his nerves, just as any sister would do.
The show also follows her story line, of starting in a new school and her track running. The show has some awesome characters, who show full understanding and love and care for Sam. One of the best being Sam's best friend,Zahid. Zahid is a funny and relatable, for the most part, character. He brings humour to the show in new ways, while always looking out for Sam. In ways, he shows Sam how to be 'Normal' though he's rather weird himself.
Zahid is not only Sam's best friend, but also the person he looks up to the most. The two characters have some very moving moments in the show. The show also combats toxic masculinity, with male characters seen crying, expressing feelings and hugging each other and expressing love for each other.
Overall, it is a brilliant show, that is enlightening and full of brilliant characters from all walks of life. It shows some real life problems and how a family deals with them, while taking care of each other. I would tell anyone to watch this and I imagine it would be enjoyed by all.
Sam has Autism and doesn't always understand things well. The show really brings into life a few of the problems he may face, and how he deals with them.
Its mostly light-hearted and has a few comical characters, while still being serious at times and helping people understand what is going on.
Casey, Sams sister, understands his autism but always treats Sam as if he doesn't, in a good way. She still treats him with love and affection, but also annoys him and gets on his nerves, just as any sister would do.
The show also follows her story line, of starting in a new school and her track running. The show has some awesome characters, who show full understanding and love and care for Sam. One of the best being Sam's best friend,Zahid. Zahid is a funny and relatable, for the most part, character. He brings humour to the show in new ways, while always looking out for Sam. In ways, he shows Sam how to be 'Normal' though he's rather weird himself.
Zahid is not only Sam's best friend, but also the person he looks up to the most. The two characters have some very moving moments in the show. The show also combats toxic masculinity, with male characters seen crying, expressing feelings and hugging each other and expressing love for each other.
Overall, it is a brilliant show, that is enlightening and full of brilliant characters from all walks of life. It shows some real life problems and how a family deals with them, while taking care of each other. I would tell anyone to watch this and I imagine it would be enjoyed by all.
Sarah (7798 KP) rated Frozen II (2019) in Movies
Dec 11, 2019
An entertaining sequel
When we got to the cinema last night, my friend and I realised that neither of us had seen a trailer for this film. Weird considering how big a film it is, but I've been left wondering if this has had an impact on our overall enjoyment of the film.
Either way, Frozen II is an impressive sequel in that it's actually very good. The animation is superb as you'd expect from Disney and there's a lot of heart and humour in this. There are 2 notably stand out brilliant moments in this film: the first is Olaf's retelling of the events of the first film (I nearly wet myself laughing at this point) and Kristoff's power ballad - not only is it a great song but hilarious too - I won't spoil it for anyone but Sven and the reindeer, genius. The songs themselves are good and there are some stand out tunes amongst them all, but I did feel like they didn't quite match up to those from the original. I've actually come out of the film with Let It Go stuck in my head rather than any other the newer tracks.
The plot in this film is good, it's your typical Disney fare with some fun and adorable characters thrown in. My biggest problem with this though is the overall cheesy lovey dovey over affectionate-ness of it all. Yes I know that's not unusual for a Disney film, but this felt like way too much even for Disney. I was ready to reach for the sick bag by the time it finished. It's a shame really as I think if they had eased up on the over the top sisterly love, I would've rated this a little higher as I really enjoyed everything else. Or maybe I just hated this aspect because I'm a stone cold heartless Brit...
Overall a very good impressive sequel, that almost comes close to matching up to the original.
Either way, Frozen II is an impressive sequel in that it's actually very good. The animation is superb as you'd expect from Disney and there's a lot of heart and humour in this. There are 2 notably stand out brilliant moments in this film: the first is Olaf's retelling of the events of the first film (I nearly wet myself laughing at this point) and Kristoff's power ballad - not only is it a great song but hilarious too - I won't spoil it for anyone but Sven and the reindeer, genius. The songs themselves are good and there are some stand out tunes amongst them all, but I did feel like they didn't quite match up to those from the original. I've actually come out of the film with Let It Go stuck in my head rather than any other the newer tracks.
The plot in this film is good, it's your typical Disney fare with some fun and adorable characters thrown in. My biggest problem with this though is the overall cheesy lovey dovey over affectionate-ness of it all. Yes I know that's not unusual for a Disney film, but this felt like way too much even for Disney. I was ready to reach for the sick bag by the time it finished. It's a shame really as I think if they had eased up on the over the top sisterly love, I would've rated this a little higher as I really enjoyed everything else. Or maybe I just hated this aspect because I'm a stone cold heartless Brit...
Overall a very good impressive sequel, that almost comes close to matching up to the original.
LeftSideCut (3778 KP) rated The Dead Don't Die (2019) in Movies
Jan 7, 2020 (Updated Jan 29, 2020)
Several Wild Animals
The Dead Don't Die is truly a bizarre experience.
Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.
A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.
The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.
The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.
I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.
A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.
The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.
The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.
I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
JT (287 KP) rated The Gentlemen (2020) in Movies
Mar 3, 2020
Guy Richie back to doing what he does best (1 more)
Excellent cast
Twists, turns and carnage
Since Snatch Guy Richie hasn’t covered himself in glory with some of his recent films. The likes of Swept Away, Revolver and King Arthur: Legend of the Sword did little to enhance his street cred.
While Sherlock Holmes and The Man From U.N.C.L.E were certainly enjoyable romps they didn’t have the cutting edge to what Richie does best, the gangster flick. Thankfully The Gentlemen provides everything you could want from that genre and Richie is back on familiar ground.
Mickey Pearson (Matthew McConaughey) is looking to retire from his current criminal life and plans to sell off his highly profitable marijuana empire in London. However, when rival gangs get wind of his plans there is blackmail, bribery and double-crossing aplenty.
One of the stars of the film is Hugh Grant, who for once is not playing a bumbling English gentry. Instead, he plays a slimy cockney called Fletcher with inside knowledge of what Mickey’s plans are and attempts to use them for his own financial gain.
Grant adds a subtle level of humour to the proceedings and spends most of the time in dialogue with Ray (Charlie Hunnam) Mickey’s right-hand man, who actually delivers a half-decent performance.
The Gentlemen has Richie’s aggressive dialogue which is bathed in neat action set pieces. It’s foul-mouthed and the characters all have their own unique and very distinct personalities. From Colin Farrell’s Coach to Henry Golding’s psychotic Dry Eye they can stand happily alongside some of the greats from Lock, Stock and Two Smoking Barrels and Snatch.
The film has a cool swagger about it where everything clicks nicely. There are a few twists and turns along the way which is expected from the British director and it is filled with his trademarks that hit the right notes at the right time. For me, this is by far and away his best film for quite some time.
While Sherlock Holmes and The Man From U.N.C.L.E were certainly enjoyable romps they didn’t have the cutting edge to what Richie does best, the gangster flick. Thankfully The Gentlemen provides everything you could want from that genre and Richie is back on familiar ground.
Mickey Pearson (Matthew McConaughey) is looking to retire from his current criminal life and plans to sell off his highly profitable marijuana empire in London. However, when rival gangs get wind of his plans there is blackmail, bribery and double-crossing aplenty.
One of the stars of the film is Hugh Grant, who for once is not playing a bumbling English gentry. Instead, he plays a slimy cockney called Fletcher with inside knowledge of what Mickey’s plans are and attempts to use them for his own financial gain.
Grant adds a subtle level of humour to the proceedings and spends most of the time in dialogue with Ray (Charlie Hunnam) Mickey’s right-hand man, who actually delivers a half-decent performance.
The Gentlemen has Richie’s aggressive dialogue which is bathed in neat action set pieces. It’s foul-mouthed and the characters all have their own unique and very distinct personalities. From Colin Farrell’s Coach to Henry Golding’s psychotic Dry Eye they can stand happily alongside some of the greats from Lock, Stock and Two Smoking Barrels and Snatch.
The film has a cool swagger about it where everything clicks nicely. There are a few twists and turns along the way which is expected from the British director and it is filled with his trademarks that hit the right notes at the right time. For me, this is by far and away his best film for quite some time.
JT (287 KP) rated Fright Night (2011) in Movies
Mar 10, 2020
Colin Farrell as a vampire? He would hardly be my choice as the leading man in this one, yet beneath it all you get the impression that he loved every minute.
As Jerry, the new neighbour who has moved into a quiet suburb deep in the Las Vegas desert, he has all the charm and likeability of any new dweller. That is until his true identity and ambitions are revealed.
Opposite Farrell is Charley (Yelchin), a nerd who has suddenly burst out of his shell and blended in with the upper echelons of high school society. Enough that he has bagged Imogen Poots as his girlfriend.
It’s very much a no brainer when it comes to the plot, but Yelchin does enough in the early parts to keep you hooked in. Battling with his former best friend played by Christopher Mintz-Plasse, who yet again does the role so well, he suddenly realises that there is more truth to the rumour that Jerry is devouring the locals.
The humour keeps the film ticking along and the introduction of David Tennant as Peter Vincent, a Vegas showman who as luck would have it, has the largest amount of vampire collectables going.
The special effects and gore elements are exciting, but its hardly frightening anyone to the core, which is a shame. If you’re going to do a remake then make sure its executed as well as it can be.
For me though the film is about Farrell, contented with playing the nice guy for the most part of his career its great to see him opening up to a new role. Even his Horrible Bosses turn showed that he had the potential for a badass, and long may it continue.
It’s not a patch on the original, and let’s be fair not a lot of remakes ever are, but its a credible effort from Gillespie. Farrell here sticks two fingers up to Twilight, and I bloody loved that!
As Jerry, the new neighbour who has moved into a quiet suburb deep in the Las Vegas desert, he has all the charm and likeability of any new dweller. That is until his true identity and ambitions are revealed.
Opposite Farrell is Charley (Yelchin), a nerd who has suddenly burst out of his shell and blended in with the upper echelons of high school society. Enough that he has bagged Imogen Poots as his girlfriend.
It’s very much a no brainer when it comes to the plot, but Yelchin does enough in the early parts to keep you hooked in. Battling with his former best friend played by Christopher Mintz-Plasse, who yet again does the role so well, he suddenly realises that there is more truth to the rumour that Jerry is devouring the locals.
The humour keeps the film ticking along and the introduction of David Tennant as Peter Vincent, a Vegas showman who as luck would have it, has the largest amount of vampire collectables going.
The special effects and gore elements are exciting, but its hardly frightening anyone to the core, which is a shame. If you’re going to do a remake then make sure its executed as well as it can be.
For me though the film is about Farrell, contented with playing the nice guy for the most part of his career its great to see him opening up to a new role. Even his Horrible Bosses turn showed that he had the potential for a badass, and long may it continue.
It’s not a patch on the original, and let’s be fair not a lot of remakes ever are, but its a credible effort from Gillespie. Farrell here sticks two fingers up to Twilight, and I bloody loved that!
JT (287 KP) rated Dallas Buyers Club (2013) in Movies
Mar 10, 2020
All the hype surrounding Dallas Buyers Club has been focused on the individual performances of it’s leading cast, but director Jean-Marc Vallée deserves considerable recognition for so skillfully crafting this tale of exceptional warmth, humour and eternal hope.
Ron Woodroof is a hustling, homophobic, bull-riding, womanising, sometimes-electrician, whose life revolves around excess drugs, alcohol and female copulation. But after a freak accident leads to doctors discovering he’s HIV positive, Ron is forced to re-examine his priorities.
With his hillbilly friends shunning him and the back-alley supply of the drug that could prolong his life cut off, Woodroof heads across the border to Mexico in search of alternative treatments. When he realises that the medication he’s given isn’t available in the US, he seizes the opportunity to make a quick buck.
Along the way he encounters fellow AIDS sufferer and cross-dresser Rayon (Leto) with whom he strikes an unlikely partnership in forming the Dallas Buyers Club, as well as Dr. Eve Saks (Garner) who becomes increasingly sympathetic to his plight.
McConaughey’s extreme physical transformation for the lead role is in itself worthy of great praise and his Oscar-winning turn is one of outstanding range and capability, portraying all the raw emotions Woodroof is forced to conflict as the character himself is changed irrevocably throughout the film’s two hour duration.
The scenes shared by Rayon – another remarkable performance from Leto – and Woodruff are triumphant and their relationship continually brings light relief to a backdrop of struggle as The Dallas Buyers Club fights what always seems like a losing battle with the FDA.
Much like Philadelphia, this film highlights the many struggles and injustices faced by early AIDS sufferers, not just in getting the medication they needed to survive, but also the prejudices they were forced to endure. It’s an exceptional piece of cinema that everyone should take the time to see.
Ron Woodroof is a hustling, homophobic, bull-riding, womanising, sometimes-electrician, whose life revolves around excess drugs, alcohol and female copulation. But after a freak accident leads to doctors discovering he’s HIV positive, Ron is forced to re-examine his priorities.
With his hillbilly friends shunning him and the back-alley supply of the drug that could prolong his life cut off, Woodroof heads across the border to Mexico in search of alternative treatments. When he realises that the medication he’s given isn’t available in the US, he seizes the opportunity to make a quick buck.
Along the way he encounters fellow AIDS sufferer and cross-dresser Rayon (Leto) with whom he strikes an unlikely partnership in forming the Dallas Buyers Club, as well as Dr. Eve Saks (Garner) who becomes increasingly sympathetic to his plight.
McConaughey’s extreme physical transformation for the lead role is in itself worthy of great praise and his Oscar-winning turn is one of outstanding range and capability, portraying all the raw emotions Woodroof is forced to conflict as the character himself is changed irrevocably throughout the film’s two hour duration.
The scenes shared by Rayon – another remarkable performance from Leto – and Woodruff are triumphant and their relationship continually brings light relief to a backdrop of struggle as The Dallas Buyers Club fights what always seems like a losing battle with the FDA.
Much like Philadelphia, this film highlights the many struggles and injustices faced by early AIDS sufferers, not just in getting the medication they needed to survive, but also the prejudices they were forced to endure. It’s an exceptional piece of cinema that everyone should take the time to see.
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