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Connor Sheffield (293 KP) rated Clerks (1994) in Movies
Apr 22, 2017
Simple (3 more)
Hilarious
Pop Culture discussions
Jay and Silent Bob
I'm not even suppose to be here today!
Here is a film that could have left Kevin Smith in the Quickstop paying off the money he used to make this film, which he accomplished by maxing out credit cards.
Kevin Smith is an inspiration and this film is the start of it all. Clerks is a very simple film that manages to be entertaining and hilarious. The concept is this; Dante Hicks (Brian O'Halloran) is asked to work on his day off, and ends up spending his day working in his dead end job behind the counter at a convenience store in New Jersey.
I should mention that this film is shot on a Arriflex 16 SR2 which means the film is in black and white.
Working with Dante is his best friend, Randal Graves, who isn't exactly a big help around the store or with personal problems. If anything, he makes matters worse because he almost never takes anything seriously.
The humour in this film is found through discussions of films such as Star Wars, discussions about sex, and about the customers of course. Describing it in text doesn't do it justice so you'll just have to watch it if I have in anyway peaked your interest.
This film was the introduction to what is known as the 'View Askewniverse' which is a series of films by Kevin Smith which are all connected via characters and events. However, the most important introductions from this film are the characters of the now famous duo, Jay and Silent Bob played by Jason Mewes and Kevin Smith. Yes, the same Kevin Smith who wrote and Directed the Movie. These two are the only two characters to appear in every movie in the View Askewniverse and usually help move the film in the right direction.
Overall, Clerks has to be one of my favourite movies of all time and once you watch the Askewniverse, it's easy to understand why, because no only is it smart and hilarious, but you have to appreciate that this started a series of other great indie films that made Kevin Smith the funny man he is today.
Kevin Smith is an inspiration and this film is the start of it all. Clerks is a very simple film that manages to be entertaining and hilarious. The concept is this; Dante Hicks (Brian O'Halloran) is asked to work on his day off, and ends up spending his day working in his dead end job behind the counter at a convenience store in New Jersey.
I should mention that this film is shot on a Arriflex 16 SR2 which means the film is in black and white.
Working with Dante is his best friend, Randal Graves, who isn't exactly a big help around the store or with personal problems. If anything, he makes matters worse because he almost never takes anything seriously.
The humour in this film is found through discussions of films such as Star Wars, discussions about sex, and about the customers of course. Describing it in text doesn't do it justice so you'll just have to watch it if I have in anyway peaked your interest.
This film was the introduction to what is known as the 'View Askewniverse' which is a series of films by Kevin Smith which are all connected via characters and events. However, the most important introductions from this film are the characters of the now famous duo, Jay and Silent Bob played by Jason Mewes and Kevin Smith. Yes, the same Kevin Smith who wrote and Directed the Movie. These two are the only two characters to appear in every movie in the View Askewniverse and usually help move the film in the right direction.
Overall, Clerks has to be one of my favourite movies of all time and once you watch the Askewniverse, it's easy to understand why, because no only is it smart and hilarious, but you have to appreciate that this started a series of other great indie films that made Kevin Smith the funny man he is today.
Merissa (11643 KP) rated Hell & High Water (THIRDS #1) in Books
Jun 27, 2017
Hell & High Water (THIRDS #1) by Charlie Cochet
Hell & High Water is the first book in the THIRDS series by Charlie Cochet. It starts with Dex putting his work partner behind bars for shooting a Therian in the back in cold blood. Of course, this doesn't go down very well with others in the police force so he gets beaten up for his trouble on more than one occasion. He also gets shunted out of his job into a new one with the Therian force, called a promotion to help it go down easier. When he gets there, he realises that his new team is in trouble, and he has some big boots to fill. This is also whilst they have an ongoing investigation, plus the tensions within the team.
This book had me laughing out loud with Dex's comments and snark, whilst in the next breath, my heart was breaking for him/them/her (whichever one of the team that was being spoken about). Although Dex could be called high maintenance, his humour is his shield and he wields it with precision! He has a brain and eyes, and isn't afraid to use them - seeing connections and things that others are trying to hide. There isn't a lot of unnecessary drama with Dex, the drama that is there is usually for a reason. Sloane doesn't want a new partner, but is on his last warning. To his surprise, Dex is accepted by most of the team quicker than he would have thought possible. To his dismay, he finds that he also likes him, although he doesn't want to.
This book is excellently written, and will draw you in as you stay with Dex as he goes through everything. The pace is smooth throughout, building up to the climax that will leave you breathless. Full of emotions, whether they are 'good' or 'bad', as a reader you will experience a whole gamut of them. There were no editing or grammatical errors that disrupted my reading flow. Highly recommended, and I can't wait to continue with this series.
* Verified Purchase ~ April 2017 *
Merissa
Archaeolibrarian - I Dig Good Books!
This book had me laughing out loud with Dex's comments and snark, whilst in the next breath, my heart was breaking for him/them/her (whichever one of the team that was being spoken about). Although Dex could be called high maintenance, his humour is his shield and he wields it with precision! He has a brain and eyes, and isn't afraid to use them - seeing connections and things that others are trying to hide. There isn't a lot of unnecessary drama with Dex, the drama that is there is usually for a reason. Sloane doesn't want a new partner, but is on his last warning. To his surprise, Dex is accepted by most of the team quicker than he would have thought possible. To his dismay, he finds that he also likes him, although he doesn't want to.
This book is excellently written, and will draw you in as you stay with Dex as he goes through everything. The pace is smooth throughout, building up to the climax that will leave you breathless. Full of emotions, whether they are 'good' or 'bad', as a reader you will experience a whole gamut of them. There were no editing or grammatical errors that disrupted my reading flow. Highly recommended, and I can't wait to continue with this series.
* Verified Purchase ~ April 2017 *
Merissa
Archaeolibrarian - I Dig Good Books!
VAG_Abbo (4 KP) rated Transformers: The Last Knight (2017) in Movies
Jul 13, 2017
Great CGI work as always (3 more)
Little bits of Autobot and Cybertronian history sprinkled in
Lots of humour
Anthony Hopkins (watch it and you will understand)
Story was good yet a bit convoluted (2 more)
Lack of Dinobot screen time
Optimus not a big feature in this one
Better than expected
Contains spoilers, click to show
After seeing this film get slated by "professional" reviewers my hopes weren't very high for this instalment of a franchise that I personally enjoy. I was a pleasant surprise by how enjoyable this film was and maybe the number of laughs this film produces helps with that. It's nice to see that this film has visited the history of Cybertron and its race, but at the same time, it isn't over-explaining things and visiting the past too much. Anthony Hopkins has yet again given a great performance in this role and Mark Wahlberg gives a good show as well. For me personally, I think the trailers are a little deceiving as Optimus doesn't feature a great deal in this film. To be honest I think that there isn't enough screen time for any of the transformers as this one seems to be more about the humans, and considering the movie is called Transformers I feel that this is a bit of a letdown. Also, there was no explanation as to how Bumblebee gets his voice back and why it disappears as quick as it shows up. Yes, it's good that Optimus snaps out of the mind control (or is it bad coding in the ECU? LOL) at the sound of his old friend's real voice, but seriously how easy did that happen? If that's all it took then why didn't Bee just talk to him at the start instead of trading blows with each other and risking dying. Yes, maybe it is to get the point across that Bee will do anything for Optimus, but they are in a war they are losing so why let your strongest ally be fighting for the other side for so long? And what about Grimlock and Slag?? Very small bit parts for the Dinobots AND they changed Slags name to Slug!
Lee (2222 KP) rated A Monster Calls (2016) in Movies
Jul 26, 2017
A Monster Calls is based on an idea by writer and activist Siobhan Dowd, who sadly died from cancer in 2007 before she could develop her story to print. Her ideas were developed into a book by Patrick Ness in 2011 and illustrated by Jim Kay where it went on to receive a number of childrens literary awards.
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
Lee (2222 KP) rated Avengers: Infinity War (2018) in Movies
May 1, 2018 (Updated May 1, 2018)
A truly epic culmination of 10 years
10 years and it's all been leading to this. And so much has happened in this last decade too, both in the Marvel universe and outside of it, in every day life. I remember watching the very first Iron Man with my brother-in-law, who sadly passed away just a few years later. I remember watching many other Marvel movies with the biggest Marvel geek of them all, my youngest brother, who also tragically passed away before Age of Ultron was released. On-screen we've been gradually introduced to countless wonderful characters, each one continuing to expand and enrich the cinematic universe, and each movie touching upon the bigger battle yet to come. Infinity War is the culmination of everything. Expectation and excitement were through the roof for me, as they would be for any Marvel fan, but at the same time I was feeling pretty emotional about it all too. Avoiding reviews and spoilers was agonising, and I can't remember ever heading into a movie feeling the way I was when heading into Infinity War.
I'm not sure what to say, other than it doesn't disappoint. And if you've followed the Marvel movies and enjoy them in any way at all, you won't be disappointed either. Every character gets their moment to shine. Every scene draws you in, thrills you to the point where you just don't want it to stop, then cuts to another scene where that feeling kicks off again - yet another epic moment of threat, action and joy. Characters are spread so far around the universe that many don't even cross paths, yet they all share one common goal. It never gets boring, the lengthy run time flies by, and it all just works.
In Thanos we finally have a worthy villain. A villain with a purpose you can believe in, a villain that brings credible threat to the universe, and even humour at times. A villain you can even empathise with.
And Marvel also have the balls to pull off the most intense, dramatic, gut wrenchingly final act. One that leaves you traumatised yet wanting more. A truly epic achievement.
I'm not sure what to say, other than it doesn't disappoint. And if you've followed the Marvel movies and enjoy them in any way at all, you won't be disappointed either. Every character gets their moment to shine. Every scene draws you in, thrills you to the point where you just don't want it to stop, then cuts to another scene where that feeling kicks off again - yet another epic moment of threat, action and joy. Characters are spread so far around the universe that many don't even cross paths, yet they all share one common goal. It never gets boring, the lengthy run time flies by, and it all just works.
In Thanos we finally have a worthy villain. A villain with a purpose you can believe in, a villain that brings credible threat to the universe, and even humour at times. A villain you can even empathise with.
And Marvel also have the balls to pull off the most intense, dramatic, gut wrenchingly final act. One that leaves you traumatised yet wanting more. A truly epic achievement.
RəX Regent (349 KP) rated Meet the Parents (2000) in Movies
Mar 7, 2019
Lies do not pay...
Contains spoilers, click to show
This awkward comedy of errors has gone on to spawn a whole franchise, with the latest installment, "Meet The Parents: Little Fockers" just wrapping up its run in theatres as I write. Ben Stiller is Gaylord (Greg) Focker, who is trying to impress his prospective father in law, Robert De Niro on top form, as he plans to propose to his daughter.
The couple 'meet the parents' as they stay the weekend for his future sister in law's wedding and things obviously go down hill from there, with the inevitable comic effect. He meets the rest of her family and several friends, all of whom seem not to care a jot that Stiller's Focker is given little consideration.
On top of all this, De Niro's father character is an Ex-CIA agent, which further compounds the problems, but when all is said and done, I find it hard to completely sympathise with Stiller's protagonist, as whilst some of the problems and situations are beyond his control, many of them are caused by his constant lying.
The film seems to be a little confused as whether it supports Stiller as he lies his way through the film, to everyone, including his hosts, or De Niro who correctly points out towards the film's conclusion that things might have gone better if he had only told the truth.
I personally agree with De Niro. The hero of this film is a liar and he pays for those lies, but that is turn makes it difficult for me to sympathise or empathise too much with him. Having said that, this is well-played cringe-worthy comedy, and it does a great job of conveying that sense and drawing us into the discomfort of the characters. Owen Wilson's lengthy cameo as the perfect, divine ex-fiancé was pitched perfectly, truly capturing the ideas that we have over matching up to the past, though over-played, on a metaphorical level, it was brilliant.
Overall, it made me laugh throughout, but I wouldn't say that it was hysterical, though it was entertaining, moderately thoughtful but promotes a brand of humour that isn't what I would consider to be number one for me.
The couple 'meet the parents' as they stay the weekend for his future sister in law's wedding and things obviously go down hill from there, with the inevitable comic effect. He meets the rest of her family and several friends, all of whom seem not to care a jot that Stiller's Focker is given little consideration.
On top of all this, De Niro's father character is an Ex-CIA agent, which further compounds the problems, but when all is said and done, I find it hard to completely sympathise with Stiller's protagonist, as whilst some of the problems and situations are beyond his control, many of them are caused by his constant lying.
The film seems to be a little confused as whether it supports Stiller as he lies his way through the film, to everyone, including his hosts, or De Niro who correctly points out towards the film's conclusion that things might have gone better if he had only told the truth.
I personally agree with De Niro. The hero of this film is a liar and he pays for those lies, but that is turn makes it difficult for me to sympathise or empathise too much with him. Having said that, this is well-played cringe-worthy comedy, and it does a great job of conveying that sense and drawing us into the discomfort of the characters. Owen Wilson's lengthy cameo as the perfect, divine ex-fiancé was pitched perfectly, truly capturing the ideas that we have over matching up to the past, though over-played, on a metaphorical level, it was brilliant.
Overall, it made me laugh throughout, but I wouldn't say that it was hysterical, though it was entertaining, moderately thoughtful but promotes a brand of humour that isn't what I would consider to be number one for me.
Neon's Nerd Nexus (360 KP) rated Hellboy (2019) in Movies
May 13, 2019
More like Hellno
#hellboy is an #abomination, a brain dead overlong shit show of bad decisions & sheer laziness. I can honestly say i was so pumped for this film but it was such a monstrosoty that i considered walking out after just 30mins. Lets kick this off so i can at least pretend i havent wasted my night with this dross. To sum the film up its a cross between #eastenders & #kingsman (no not the good kingsman either that dire sequel #kingsmanthegoldencircle) & as you can imagine it doesnt work at all. Its not gritty, its not #funny, its not #stylish & its not well made, in fact its also not even half as good as it seems to think it is either coming across so #happy & smug with itself its practically flipping you the middle finger the entire run time. Tacky is a great word i would use to describe this movie, tacky & childish with #humour that wouldn't go a miss in a kids tv program (eg burp jokes, dribble jokes & #jokes about kissing old ladies). Acting is poor everyone just looks & talks half arsed like they can't be bothered, delivering emotionless lines without conviction making dialog a bland back & forth chore. I hope you like bickering too because theres a #hell of alot of pointless bickering scenes that just feel unnecessary. Not one character is developed or likeable not even hellboy himself with the #villain #millajovovich feeling like a bad guy in a stage play just minus the hissing. Cgi is so woefully bad is downright embarrassing sticking out like a saw thumb ruining the forgettable action scenes. Camera work is choppy & the film is badly edited with disorienting quick cuts. Sets & #creatures are bland/unimaginative & prosthetics feel cheaply made (even hellboys face feels off round the eyes). Plot was so paint by numbers i lost interest midway & put my head in my hands when the terrible climax hit (Talk about build up with no pay off). Hellboy ultimatly prooves filling a film with #violence, swearing, popular #music & #popculture references doesnt make your film cool if everything else around it lacks. Lazy forgettable boring poorly made shite. Avoid. #odeon #odeonlimitless #superhero #ronperlman #strangerthings #dc #guillermodeltoro #demons #horror #gore #comic
Neon's Nerd Nexus (360 KP) rated Glass (2019) in Movies
May 13, 2019
See the cracks
#glass may open like its #unbreakable but soon after starts to #split at the seems becoming a #disappointing & unnecessary conclusion to a trilogy we didnt really need. I confess I didnt really care that much for Split but as with Glass i found the most impressive aspect of both of these films is simply watching #jamesmacavoy put in some seriously impressive character work & ultimatly carry both films alone. His ability to flip seamlessly between these inner characters is not only impressive stuff to watch but adds great tension & unpredictability to what is other wise a very dull movie. At first i was slightly #impressed with Glass (as it seem as if #mnightshyamalan had progressed as a film maker & not only learnt from his mistakes but also adapted completely new styles of film making too) but as the film played out i realised what he has actually done is instead stolen ideas from much better films (ie #getout) then re used them again here. Dont get me wrong at times Glass is filmed great, the score is good & there are some well done #tense moments but theses are more often on not ruined by Shyamalans dorky & damn right #silly sense of #humour, bad writing & forced exposition heavy visual cues & dialog. Its so patronising & predictable at times its almost like hes not only taking the piss out of the #superhero genre but us the viewer too. For a #film thats been so heavily promoted & built up now for such a long time i feel weve all been eagerly anticipating its release to see this big conclusion & i can tell you now its so not been worth the wait. Not only is the final act so #boring & increadibly anticlimactic the end its self feels flat, tact on & empty like M Night just straight up ran out of ideas. This film series started out so #fresh & interesting but Glass takes a strange turn to the generic & mundane side of the superhero genre that most #Marvel films these days have managed to grow out of by now. This is one #trilogy that should of stayed Unbreakable. Very disappointing. #odeonlimitless #odeon #saturday #weekendvibes #filmcritic #comicbook #hero #filmbuff #samuelljackson #brucewillis #comic #villain #sundayfunday
Neon's Nerd Nexus (360 KP) rated Widows (2018) in Movies
May 13, 2019
Perfection
#widows is this years biggest surprise. Just like a punch to the gut its full of #pain, suffering an overload of #emotion & shock. My goodness what an exceptional & #stunning piece of work this is. As soon as the film opened is was hanging off my seat, with an opening which not only sets the stage for what's to come but showcases just how talented #stevemcqueen is as a director. This calm before the storm style of directing works so well that it constantly lulls you into a false sense of security (by using #beautiful/unique camera work, a powerful score, subbtle #humour, interesting characters & deep character connections) to pull you in which are then followed instantly by incredibly tense action or scenes of #brutal #violence or shocking emotional breakdowns which hit you hard like a slap across the face. Long but never once #boring this is such a heavy, bleak & #depressing film not only about grief, loss, #broken trust & #survival but also about #racism, corruption, power abuse & the using of money & #religion as a control tool. I dont want to spoil to much because its best to go in blind here to feel the full impact of the #film & its twists. #Widowsmovie is so powerful & full of so much depth I felt like id been hit by a train walking out. Everything flows together so perfectly here from its pacing to its plot & its cinematography right down to its sound & set design. Theres also stellar acting all across the board here & i mean seriously impressive preformances by a good chunk of the cast which makes sure each & every characters pain, grief & struggle through #life is felt deeply, making it at times increadibly #heartbreaking & tuff to watch. This film overall was such an engaging/draining & absorbing thrill ride full of intelligent & current themes that I cant wait to see it again & delve deeper into its layers. Absolutely mind blowing & one of the most tense & well constructed #heist films ive seen in a long long time. #odeon #odeonlimitless #filmbuff #filmcritic #thursdaythoughts #violadavis #collinfarrell #liamnesson #danielkaluuya #love
Neon's Nerd Nexus (360 KP) rated Halloween (2018) in Movies
May 13, 2019
I got chills
#halloween? while at times extremely #silly is a very enjoyable & fitting tribute to the #johncarpenter original. I must confess I hadn't seen the #original Halloween until a few weeks ago (its 4k release) & found it to be incredibly tense, dripping in dread, unnerving & extremely #creepy with an awesome soundtrack. #Halloween2018 manages to lovingly recreate everything people love about the first one but doesn't manage to do it quite as well. While I did enjoy this film a heck of a lot it does have a lot of problems - first of all the first half fails to create a chilling atmosphere & any tension for that matter, there's just far to many silly jokes/bad humour & the pacing is far to fast with scenes rushing by quicker than a #michaelbay movie. This leaves no time for dread, tension or the #chills the creepy lingering shots the first film brought us & I really hoped it would slow down at some point & thankfully it does. Approaching the second half things take a real turn & the movie really starts to have #fun feeling less like a tv movie & more like a #horror film, there are some great stationary camera shots, cool cinematography moments, great imagery, messy deaths & some really suspenseful stalking scenes with genuinely scary reveals/brutal attacks. Soundtrack wise it also switches it up a bit while still feeling #nostalgic too & there's an amazing garden scene where it really heightens the fear & dread. Themes of #depression & how it can make us feel cast out/alone & how our mental burdens can be passed down & effect our our children are handled well while metaphors for fighting our demons together as a family also feel refreshing & current. Overall its opening 10 minutes are brilliant then the film makes some really bad choices but recovers itself well enough to make it a film that's so worth seeing at the cinema. A big #nostalgia trip done right & with all its flaws looking at the film now as a whole I think it works well & is a great #love letter to #80s #slasher films & to #terminator2 haha. #odeon #odeonlimitless #jamieleecurtis #michaelmyers #killer #gore #horror #scary #retro #fridayfeeling #filmbuff #filmcritic #mask #frightnight