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Merissa (13840 KP) rated Lost Energy (Energy Series #2) in Books
Apr 12, 2023
Book 2 continues where Book 1 stopped - Tarek is still Warden of Arcus and Lena is still on Earth. He can talk to her every night but she can't respond. What a heartbreaking way to start the book!
This book is building up to so much more than 'just' a romance. It is full of action, humour, double-crossing, rivalry and even loss. Lena has grown up a lot since the first book but still has some to do, and Wilma is more than happy to help set her straight. The pace of the book is fast although not frantic. There are events that need to happen, and they do. It is not all sweetness and light though.
I love the characters in these books as they all have depth and their own personalities. Farren's relationship with Lena is simply fantastic and they have the unconditional love and support of each other that nothing can break (I hope!). The emotional range in this book will draw you in before it tears you apart. I don't like talking too much about the story as you have the synopsis for that - but one that that I really need to say is that you NEED to read this series. I was in tears by the end of the book, totally side-swiped by an event that I just never saw coming because I was too wrapped up in the story. What happens after said event is even worse and I really, really need the next book, like now, just to ensure that all will be well.
If you like fantasy then get your grubby mitts on this series because, trust me, it's a brilliant one! HIGHLY RECOMMENDED.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
September 2, 2016
This book is building up to so much more than 'just' a romance. It is full of action, humour, double-crossing, rivalry and even loss. Lena has grown up a lot since the first book but still has some to do, and Wilma is more than happy to help set her straight. The pace of the book is fast although not frantic. There are events that need to happen, and they do. It is not all sweetness and light though.
I love the characters in these books as they all have depth and their own personalities. Farren's relationship with Lena is simply fantastic and they have the unconditional love and support of each other that nothing can break (I hope!). The emotional range in this book will draw you in before it tears you apart. I don't like talking too much about the story as you have the synopsis for that - but one that that I really need to say is that you NEED to read this series. I was in tears by the end of the book, totally side-swiped by an event that I just never saw coming because I was too wrapped up in the story. What happens after said event is even worse and I really, really need the next book, like now, just to ensure that all will be well.
If you like fantasy then get your grubby mitts on this series because, trust me, it's a brilliant one! HIGHLY RECOMMENDED.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
September 2, 2016
ClareR (6106 KP) rated The Saint of Lost Things in Books
Apr 12, 2023
The Saint of Lost Things by Tish Delaney was read wonderfully by Bronagh Waugh on the audiobook. Not just the accent - she gave the characters in the book their personalities, bringing them off the page and into my ears!
This isn’t a happy family by any means. Lindy’s Catholic-when-it-suits-him grandfather makes it clear that he only tolerates her. He punishes her for every minor infraction because she is “the wrong child”. He punishes her because she’s illegitimate and female, and what’s more, her mother is no longer alive to take her share of the punishment. Lindy is, of course, responsible for her fathers existence - he’s a gypsy, a tinker and a whole host of other unpleasant names that I could have done without learning. In fact, Lindy is responsible for a great many things that she doesn’t know about.
The writing makes this abusive family seem almost acceptable, and at the same time, shows it up for the horror show that it is. Bronagh Waugh’s narration adds more of a wry, dark humour to what would be a relentlessly sombre story otherwise.
I felt sorry for Auntie Bell, also held in low esteem by her own father and given no option but to look after her niece. To be fair, she’s not very nice about it, and is all too keen to tell Lindy that she was forced to look after her and in doing so, Lindy ruined her life.
Lindy’s life isn’t much better. She tries to have her own life away in London, but ends up returning to the farm and her awful grandfather.
Her life changes forever when the parish priest comes to her with news she never thought she’d have. This news changes everything. And what an earth shattering piece of news it is!!
I really enjoyed this, even though it wasn’t the happiest of books. I found myself thinking about it, even when I wasn’t listening. These are all fascinating characters and brought to life so well by the narrator.
Recommended.
This isn’t a happy family by any means. Lindy’s Catholic-when-it-suits-him grandfather makes it clear that he only tolerates her. He punishes her for every minor infraction because she is “the wrong child”. He punishes her because she’s illegitimate and female, and what’s more, her mother is no longer alive to take her share of the punishment. Lindy is, of course, responsible for her fathers existence - he’s a gypsy, a tinker and a whole host of other unpleasant names that I could have done without learning. In fact, Lindy is responsible for a great many things that she doesn’t know about.
The writing makes this abusive family seem almost acceptable, and at the same time, shows it up for the horror show that it is. Bronagh Waugh’s narration adds more of a wry, dark humour to what would be a relentlessly sombre story otherwise.
I felt sorry for Auntie Bell, also held in low esteem by her own father and given no option but to look after her niece. To be fair, she’s not very nice about it, and is all too keen to tell Lindy that she was forced to look after her and in doing so, Lindy ruined her life.
Lindy’s life isn’t much better. She tries to have her own life away in London, but ends up returning to the farm and her awful grandfather.
Her life changes forever when the parish priest comes to her with news she never thought she’d have. This news changes everything. And what an earth shattering piece of news it is!!
I really enjoyed this, even though it wasn’t the happiest of books. I found myself thinking about it, even when I wasn’t listening. These are all fascinating characters and brought to life so well by the narrator.
Recommended.
ClareR (6106 KP) rated The Dangerous Kingdom of Love in Books
Feb 21, 2022
After reading this book, I’d just like to say that I think Francis Bacon is perhaps one of my favourite characters ever! He has (I should clarify: in this book) the right mix of intelligence, humour and cunning to survive at the court of James I, and to keep me reading!
Francis realises that his place at court is in danger as long as Robert Carr is James I’s bedfellow (it hasn’t been explicitly told in history that James I was having sex with Carr and other young men, but he certainly liked having the young, attractive boys around). Carr is set to marry Frances Howard, and the Howards hate Bacon. Therefore, Bacon decides to find the King a new young man and oust Carr. This part where Bacon supports the rise of Villiers is, I believe, true, so this adds credence to the story.
It’s a love story for Bacon from here. He’s a reluctant romantic where Villiers is concerned (we’ll gloss over the fact that his wife, Alice Barnham, isn’t even hinted at), and realises too late that he doesn’t want to be without him. However this coincides with Bacon’s dramatic fall from grace (which is true).
I love historical fiction that takes the bones of a story and moulds it into something else VERY MUCH! Francis Bacon and all the other characters in this are fully formed people, given personalities, loves, dreams and quirks that you never see in the history books. Yes, it’s good to know what really happened (if that’s your thing), but this book was fun! Francis has a wicked side to him that I fell for. I had to keep reminding myself that this wasn’t the real Francis Bacon, it was Neil Blackmore’s Francis Bacon.
So yes, read this book. It’s bawdy and explicit in places, but oh my! The feels, people! This ticked all of my historical fiction boxes, and more besides!
Francis realises that his place at court is in danger as long as Robert Carr is James I’s bedfellow (it hasn’t been explicitly told in history that James I was having sex with Carr and other young men, but he certainly liked having the young, attractive boys around). Carr is set to marry Frances Howard, and the Howards hate Bacon. Therefore, Bacon decides to find the King a new young man and oust Carr. This part where Bacon supports the rise of Villiers is, I believe, true, so this adds credence to the story.
It’s a love story for Bacon from here. He’s a reluctant romantic where Villiers is concerned (we’ll gloss over the fact that his wife, Alice Barnham, isn’t even hinted at), and realises too late that he doesn’t want to be without him. However this coincides with Bacon’s dramatic fall from grace (which is true).
I love historical fiction that takes the bones of a story and moulds it into something else VERY MUCH! Francis Bacon and all the other characters in this are fully formed people, given personalities, loves, dreams and quirks that you never see in the history books. Yes, it’s good to know what really happened (if that’s your thing), but this book was fun! Francis has a wicked side to him that I fell for. I had to keep reminding myself that this wasn’t the real Francis Bacon, it was Neil Blackmore’s Francis Bacon.
So yes, read this book. It’s bawdy and explicit in places, but oh my! The feels, people! This ticked all of my historical fiction boxes, and more besides!
Merissa (13840 KP) rated Clusterf*@k (Life Sucks #4) in Books
Aug 12, 2021 (Updated Jul 17, 2023)
CLUSTERF*@K is the fourth book in the Life Sucks series and is another winner from Elise Faber.
Misty is feeling lonesome and, maybe, just a tad jealous at seeing her brother and sister-in-law so happy. Although she has lots to be grateful for, a relationship isn't one of them. So when she reverses into Chance's car and he states his interest in front of everyone, Misty's world is about to turn upside-down.
You know, if you are lucky enough, you will happen along an author that just ticks every box. Elise Faber is one of those for me. I found Ms Faber through her Phoenix series, a superb paranormal romance set, but since then, every book I've read I have thoroughly enjoyed. I don't usually 'do' contemporary romance. MM Contemporary? Yep. Romantic Suspense? Absolutely. But for some reason, 'normal' contemporary romance doesn't seem to work UNLESS I'm reading a Faber book. There is something about her writing style, how the story is character-driven, that draws me in and certainly doesn't leave me wanting.
Misty and Chance have their disagreements, and yes, Chance messed up to begin with, but both of these are straight shooters. They don't play games, they don't act coy. What they want, they let you know about. This made their story worth reading. And not only that, but I now need to know the stories for Raven, Frankie, and Maggie! (Psst, Maggie is the next one!)
Full of humour, steam, family moments, and a warmth that seeped through my Kindle, Clusterf*@k was a fantastic read that I have no hesitation in recommending. Absolutely brilliant.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 12, 2021
Misty is feeling lonesome and, maybe, just a tad jealous at seeing her brother and sister-in-law so happy. Although she has lots to be grateful for, a relationship isn't one of them. So when she reverses into Chance's car and he states his interest in front of everyone, Misty's world is about to turn upside-down.
You know, if you are lucky enough, you will happen along an author that just ticks every box. Elise Faber is one of those for me. I found Ms Faber through her Phoenix series, a superb paranormal romance set, but since then, every book I've read I have thoroughly enjoyed. I don't usually 'do' contemporary romance. MM Contemporary? Yep. Romantic Suspense? Absolutely. But for some reason, 'normal' contemporary romance doesn't seem to work UNLESS I'm reading a Faber book. There is something about her writing style, how the story is character-driven, that draws me in and certainly doesn't leave me wanting.
Misty and Chance have their disagreements, and yes, Chance messed up to begin with, but both of these are straight shooters. They don't play games, they don't act coy. What they want, they let you know about. This made their story worth reading. And not only that, but I now need to know the stories for Raven, Frankie, and Maggie! (Psst, Maggie is the next one!)
Full of humour, steam, family moments, and a warmth that seeped through my Kindle, Clusterf*@k was a fantastic read that I have no hesitation in recommending. Absolutely brilliant.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 12, 2021
Kim Pook (101 KP) rated Fear Street Part Three: 1666 (2021) in Movies
May 31, 2022
We get a recap of what has happened so far, much like in the previous film.
Deena has woken up in 1666,only her name is now Sarah and she is not the only person to be in this century. Every character from the past 2 movies are here too but all with different names, apart from Tommy who is now Thomas. It's all very confusing.
Anyway after a night of passion with the pastors daughter, strange things start to happen such as food going mouldy, a pig eating their young and Sarah's dog throws itself in the well. This leads to Sarah believing this is all her fault, and that she's being punished by the devil for her sins, and after a rather disturbing scene both hannah and Sarah are accused of being witches, and a witch hut begins to rid them from the earth.
Meanwhile, Sarah plans to save them both by making a deal with the devil revealing the truth about Sarah Friers curse.
I was surprised to find that only the first half of the movie was in 1666, as we are thrown back to 1994 as Deena comes out of her vision and realises what needs to be done to save shady side.
As I'm not really a fan of old time movies, I went into this expecting to hate it, but I actually ended up liking it. I liked that every moment throughout the series is answered and nothing is left hanging in the air. I thought the accents in 1666 were strange though, I couldn't tell what the accent was meant to be, Irish maybe!?!
I did enjoy the second half of the movie more than the first, it has a few light hearted funny moments which wasn't present in 1666, did they not have a sense of humour back then??
I liked that at the end of the movie it made way for another possible movie which would be interesting to see.
Deena has woken up in 1666,only her name is now Sarah and she is not the only person to be in this century. Every character from the past 2 movies are here too but all with different names, apart from Tommy who is now Thomas. It's all very confusing.
Anyway after a night of passion with the pastors daughter, strange things start to happen such as food going mouldy, a pig eating their young and Sarah's dog throws itself in the well. This leads to Sarah believing this is all her fault, and that she's being punished by the devil for her sins, and after a rather disturbing scene both hannah and Sarah are accused of being witches, and a witch hut begins to rid them from the earth.
Meanwhile, Sarah plans to save them both by making a deal with the devil revealing the truth about Sarah Friers curse.
I was surprised to find that only the first half of the movie was in 1666, as we are thrown back to 1994 as Deena comes out of her vision and realises what needs to be done to save shady side.
As I'm not really a fan of old time movies, I went into this expecting to hate it, but I actually ended up liking it. I liked that every moment throughout the series is answered and nothing is left hanging in the air. I thought the accents in 1666 were strange though, I couldn't tell what the accent was meant to be, Irish maybe!?!
I did enjoy the second half of the movie more than the first, it has a few light hearted funny moments which wasn't present in 1666, did they not have a sense of humour back then??
I liked that at the end of the movie it made way for another possible movie which would be interesting to see.
Merissa (13840 KP) rated Crazy Little Thing Cold Love (Destination Daddies Season Two) in Books
Jun 29, 2022 (Updated Jun 30, 2023)
CRAZY LITTLE THING COLD LOVE is part of the Destination Daddies, Season Two series and I'm so happy Jude has got his HEA! We first met him in A Boy to Cherish (Ben and Jayden) where he came across as quite a loudmouth and brash. In his story, we find out more about him, and Kasper, of course.
Although not physically injured like Ben, Jude has PTSD with severe flashbacks and nightmares. This hasn't made his love life very successful and he falls back on his cloak to hide behind, that brash personality I mentioned. Ben isn't fooled though and convinces Jude to book a Cuffd holiday. He ends up in Austria, where Kasper is, and... Let The Sparks Begin!
These two! Honestly, that's all I have to say. I didn't think anyone could be Troy and Apollo. Then came Ben and Jayden and knocked that idea out of the water. And now I have Jude and Kasper. Oh, I want to squidge them all so hard!!! The part I loved most of all is how, near the end, you find out just how Kasper and Jude are making their relationship work within the constraints of Jude's PTSD. There is no magic fix where it suddenly doesn't matter. Instead, it is realistic and wonderful, and a perfect fit for these guys.
I adore the love stories that Ms Davison writes. They are hot, full of wit and humour, as well as having enough love and romance to balance out the steam.
Another brilliant addition to this series. A 5-star read I devoured in one sitting. Loved every moment, and highly recommend it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 17, 2022
Although not physically injured like Ben, Jude has PTSD with severe flashbacks and nightmares. This hasn't made his love life very successful and he falls back on his cloak to hide behind, that brash personality I mentioned. Ben isn't fooled though and convinces Jude to book a Cuffd holiday. He ends up in Austria, where Kasper is, and... Let The Sparks Begin!
These two! Honestly, that's all I have to say. I didn't think anyone could be Troy and Apollo. Then came Ben and Jayden and knocked that idea out of the water. And now I have Jude and Kasper. Oh, I want to squidge them all so hard!!! The part I loved most of all is how, near the end, you find out just how Kasper and Jude are making their relationship work within the constraints of Jude's PTSD. There is no magic fix where it suddenly doesn't matter. Instead, it is realistic and wonderful, and a perfect fit for these guys.
I adore the love stories that Ms Davison writes. They are hot, full of wit and humour, as well as having enough love and romance to balance out the steam.
Another brilliant addition to this series. A 5-star read I devoured in one sitting. Loved every moment, and highly recommend it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 17, 2022
Sheridan (209 KP) rated Love, Death & Robots in TV
Apr 20, 2019
CGI is amazing (1 more)
The Perfect Mix of Morbid Humour and Gore
A Masterpiece of the Weird and Fantastical
This is going to be a long one, I'm going to review each episode as they aren't linked or related in any way, but just know, they are all gorgeous works of art and you should totally go watch the whole thing ?.
Beyond the Aquila Rift - CGI was beautiful from the moment it started, I was like 'shiiiit this series is going to be everything I love'. This one is about a crew making a delivery in space, however nothing quite goes to plan. For me, it had a very 'Mass Effect' feel with the FTL travel. I was not expecting a full out sex scene in the first 6 minutes but then again the episodes are on average only 16 minutes long. It was rauncy yet somehow, still quite tasteful, but as with most animated stuff there was an excessive amount of topless boob shots. I won't spoil it, but it ended up as a horrific mind fuck that left a shiver down my spine ?.
Secret War - Again, CGI was epic and the story was the perfect mix of unsettling, gory, and tragic. It follows a platoon of Red Army soldiers who are hunting down mysterious 'monsters'. There's blood, there's guts, a guy has an arm off at one point - what more could you ask for?
Sonnie's Edge - Immediately feels hellishly grunge and rave. I absolutely adored the blacklight effects and a strong female styling, the fight is gorgeous, the monsters have almost a Kaju feel which really made me happy as I love Pacific Rim. Of course this epicness is immediately ruined by a sloppy scene (I won't spoil it) which cemented the fact in my mind this was written by a man (I checked later and found I was correct), it does save itself with a fantastic twist at the end though so it was still an amazing short.
Sucker of Souls - This had a great grungy cartooning that felt half Kill Bill, half 2003 TMNT. It ended up being a real bad day for an archaeological expedition. Gore injected with humour is always a favourite of mine and this ticked all those boxes, including a wisecracking explosives expert (looking at you Gary!) If we've learnt anything from Indiana Jones and Rick O'Connell it's, don't fuck with tombs. This time was no different.
Three Robots - There's something just so fucking fantastic about robots going on holiday and speculating about 'human' stuff. It's just the perfect injection of morbid humour and I love it. The twist at the end had me laughing harder than I had any right to ?.
Ice Age - I haven't seen Topher Grace since That 70's Show so I was like 'heeeey cool'. This was the first one that wasn't soley animation so that was really cool. They find a civilization in their freezer - yes, you read that right, their freezer - and the story is awesome ?. It's a neat reflection on humans and our place in the world.
The Witness - Set in a brightly coloured city the animation here feels very Borderlands-y, which is super cool because I fricking love that game ?. There's murder, full frontal nudity, erotic dancing, and an ending that will tear your head right off. Pretty neat all in all.
Suits - Great Googamooga, this is my absolutely favourite so far, a perfectly normal looking farm, complete with adorable hick accents, discovers a breach in their fence. This isn't just any breach, this is an alien style swarm complete with Mech Warrior suits and a woman named Mel, who I'm convinced is Tank Girl as an old lady. 17 minutes of utter badassery you do not want to miss. Utterly LOVED it, and would 10/10 watch this as its own series.
When the Yogurt Took Over - Ok so the name - I was like 'should I take this seriously? Oooor' ?. Weirdly serious - yet hysterical. A five minute journey into what happened when Yogurt became sentient. You will not be disaappointed ?.
Good Hunting - With animation that reminds me of The Last Airbender, it's a story of magic, friendship, and the industrial age. A beautiful and tragic story, with horrific overtones of what greed and 'progress' can do.
The Dump - The animation this reminds me of would be sorta like, if the people at Pixar got high with Tim Burton. There was one random thing - I found Pearly's dick swing in the wind much funnier than any sane person probably would ?. A great story about man's best friend and let me tell ya, everyone needs an Otto ❤.
Shape-Shifter - There's something so deeply interesting about putting the supernatural into regular life. Two men, who are not human, in the US marines. Insanely intense story for under 15 minutes. Gorgeous CGI work too.
Helping Hand - This had a great "Gravity" feel to it, when everything goes wrong you just keep going, give a little and then a little more and you achieve the impossible. Breathtaking space visuals is just an added bonus ?.
Fish Night - Telltale style animation, depicts a story of a father and son on the road. The car breaks down and something both magical and tragic happens. The ending left me reeling ?.
Lucky 13 - The CGI in this one was so good it took me half the time to figure out that it wasn't real. Lucky 13 was to Cutter like the Normandy was to Joker. Just - the best goddamn ship ❤.
Zima Blues - Animated in a style similiar to Archer, this was an interesting piece about art and how it effects us, we search for meaning through it sometimes it's about appreciating the little things ❤.
Blindspot - 90's animation and a rad story about robots. This is my second favourite after Suits, would 10/10 watch as its own movie ?.
Alternate Histories - Did not stop laughing the entire time. Utter gold. I will recommend one thing - pause it at the blue screen bit, you won't be disappointed ?.
The only thing I'm sad about is there wasn't more of this to watch, it was incredible ?.
Beyond the Aquila Rift - CGI was beautiful from the moment it started, I was like 'shiiiit this series is going to be everything I love'. This one is about a crew making a delivery in space, however nothing quite goes to plan. For me, it had a very 'Mass Effect' feel with the FTL travel. I was not expecting a full out sex scene in the first 6 minutes but then again the episodes are on average only 16 minutes long. It was rauncy yet somehow, still quite tasteful, but as with most animated stuff there was an excessive amount of topless boob shots. I won't spoil it, but it ended up as a horrific mind fuck that left a shiver down my spine ?.
Secret War - Again, CGI was epic and the story was the perfect mix of unsettling, gory, and tragic. It follows a platoon of Red Army soldiers who are hunting down mysterious 'monsters'. There's blood, there's guts, a guy has an arm off at one point - what more could you ask for?
Sonnie's Edge - Immediately feels hellishly grunge and rave. I absolutely adored the blacklight effects and a strong female styling, the fight is gorgeous, the monsters have almost a Kaju feel which really made me happy as I love Pacific Rim. Of course this epicness is immediately ruined by a sloppy scene (I won't spoil it) which cemented the fact in my mind this was written by a man (I checked later and found I was correct), it does save itself with a fantastic twist at the end though so it was still an amazing short.
Sucker of Souls - This had a great grungy cartooning that felt half Kill Bill, half 2003 TMNT. It ended up being a real bad day for an archaeological expedition. Gore injected with humour is always a favourite of mine and this ticked all those boxes, including a wisecracking explosives expert (looking at you Gary!) If we've learnt anything from Indiana Jones and Rick O'Connell it's, don't fuck with tombs. This time was no different.
Three Robots - There's something just so fucking fantastic about robots going on holiday and speculating about 'human' stuff. It's just the perfect injection of morbid humour and I love it. The twist at the end had me laughing harder than I had any right to ?.
Ice Age - I haven't seen Topher Grace since That 70's Show so I was like 'heeeey cool'. This was the first one that wasn't soley animation so that was really cool. They find a civilization in their freezer - yes, you read that right, their freezer - and the story is awesome ?. It's a neat reflection on humans and our place in the world.
The Witness - Set in a brightly coloured city the animation here feels very Borderlands-y, which is super cool because I fricking love that game ?. There's murder, full frontal nudity, erotic dancing, and an ending that will tear your head right off. Pretty neat all in all.
Suits - Great Googamooga, this is my absolutely favourite so far, a perfectly normal looking farm, complete with adorable hick accents, discovers a breach in their fence. This isn't just any breach, this is an alien style swarm complete with Mech Warrior suits and a woman named Mel, who I'm convinced is Tank Girl as an old lady. 17 minutes of utter badassery you do not want to miss. Utterly LOVED it, and would 10/10 watch this as its own series.
When the Yogurt Took Over - Ok so the name - I was like 'should I take this seriously? Oooor' ?. Weirdly serious - yet hysterical. A five minute journey into what happened when Yogurt became sentient. You will not be disaappointed ?.
Good Hunting - With animation that reminds me of The Last Airbender, it's a story of magic, friendship, and the industrial age. A beautiful and tragic story, with horrific overtones of what greed and 'progress' can do.
The Dump - The animation this reminds me of would be sorta like, if the people at Pixar got high with Tim Burton. There was one random thing - I found Pearly's dick swing in the wind much funnier than any sane person probably would ?. A great story about man's best friend and let me tell ya, everyone needs an Otto ❤.
Shape-Shifter - There's something so deeply interesting about putting the supernatural into regular life. Two men, who are not human, in the US marines. Insanely intense story for under 15 minutes. Gorgeous CGI work too.
Helping Hand - This had a great "Gravity" feel to it, when everything goes wrong you just keep going, give a little and then a little more and you achieve the impossible. Breathtaking space visuals is just an added bonus ?.
Fish Night - Telltale style animation, depicts a story of a father and son on the road. The car breaks down and something both magical and tragic happens. The ending left me reeling ?.
Lucky 13 - The CGI in this one was so good it took me half the time to figure out that it wasn't real. Lucky 13 was to Cutter like the Normandy was to Joker. Just - the best goddamn ship ❤.
Zima Blues - Animated in a style similiar to Archer, this was an interesting piece about art and how it effects us, we search for meaning through it sometimes it's about appreciating the little things ❤.
Blindspot - 90's animation and a rad story about robots. This is my second favourite after Suits, would 10/10 watch as its own movie ?.
Alternate Histories - Did not stop laughing the entire time. Utter gold. I will recommend one thing - pause it at the blue screen bit, you won't be disappointed ?.
The only thing I'm sad about is there wasn't more of this to watch, it was incredible ?.
Movie Metropolis (309 KP) rated Tomb Raider (2018) in Movies
Jun 10, 2019
Contains little tomb raiding
Academy Award-winner Alicia Vikander is probably not the first choice for many to portray legendary video game character, Lara Croft. Perhaps Jennifer Lawrence, Natalie Portman or even Keira Knightley would have been above Vikander to be in with a shot of bagging the role?
That’s all conjecture anyway as Vikander is the leading lady we have ended up with, for better or for worse. But is this Tomb Raider reboot the film to end that dreaded video game to movie curse and can Vikander take on the role that Angelina Jolie made so famous back in the early 00s? Read on to find out.
Lara Croft (Vikander) is the fiercely independent daughter of an eccentric adventurer (Dominic West) who vanished years earlier. Hoping to solve the mystery of her father’s disappearance, Croft embarks on a perilous journey to his last-known destination – a fabled tomb on a mythical island that might be somewhere off the coast of Japan. The stakes couldn’t be higher as Lara must rely on her sharp mind, blind faith and stubborn spirit to venture into the unknown.
Director Roar Uthaug, who only has a few Swedish movies to his name, directs a decent, if not outstanding adaptation of the famous character’s origins story that features some nifty action set-pieces intertwined with a hectic and often nausea-inducing filming style. It doesn’t break the video game to movie curse, but it’s a good shot.
Unfortunately, the cast is one of the film’s weakest points. Vikander is a whiny, self-absorbed brat for the majority of the runtime, only letting this insipid persona go in the latter half of the movie. This is through no fault of her own as her performance is as solid as we’ve come to expect from the actress, but the script really lets her down. The film starts off poorly with a messily edited boxing match giving way to a rather implausible bike chase that ends with Vikander face planting the bonnet of a police car. Thankfully, this is as bad as it gets.
From then on, the audience is treated to a selection of thrilling set-pieces, populated by some very good CGI indeed. It’s just unfortunate the characters lack any sort of presence whatsoever. Outside of Vikander’s insipid Lara, the rest of the cast are merely there to offer expositional dialogue. Dominic West in particular, who plays Lara’s father, spouts nothing but exposition, even narrating certain parts of the movie.
Apart from a couple of scenes involving Nick Frost as a greedy pawnbroker, Tomb Raider is devoid of any sense of fun whatsoever
Elsewhere, for a film called Tomb Raider, there’s very little tomb raiding to be had. In fact, it feels like a hybrid of Kong: Skull Island,The Mummy, Indiana Jones and The Hunger Games and for this reason it lacks a sense of identity and any originality whatsoever.
Cinematography wise, Tomb Raider is competent but not exceptional. The shot choices are limited and the action is sometimes messily edited to the point where it’s difficult to tell exactly what it is that’s going on. It avoids unnecessary shaky cam, which is a miracle in itself but it’s not the best the genre has to offer.
Unfortunately, director Roar Uthaug’s idea to go the complete opposite of many blockbusters nowadays results in a film that really doesn’t have a sense of humour. Apart from a couple of scenes involving Nick Frost as a greedy pawnbroker, Tomb Raider is devoid of any sense of fun whatsoever. It seems the scriptwriters missed the memo about the premise being absolutely ridiculous – a dose of humour would have done this tale a world of good.
Overall, Tomb Raider is a decent stab at resurrecting a character that Angelina Jolie performed so well over the course of her two films in the early 00s. Alicia Vikander plays a very different Lara Croft to Jolie and whilst she may need a couple more films for us to get acquainted with her, she’s off to a reasonable if unoriginal start. Whether or not she gets the chance to tomb raid again remains to be seen, it all depends on those box-office numbers.
https://moviemetropolis.net/2018/03/16/tomb-raider-review-contains-little-tomb-raiding/
That’s all conjecture anyway as Vikander is the leading lady we have ended up with, for better or for worse. But is this Tomb Raider reboot the film to end that dreaded video game to movie curse and can Vikander take on the role that Angelina Jolie made so famous back in the early 00s? Read on to find out.
Lara Croft (Vikander) is the fiercely independent daughter of an eccentric adventurer (Dominic West) who vanished years earlier. Hoping to solve the mystery of her father’s disappearance, Croft embarks on a perilous journey to his last-known destination – a fabled tomb on a mythical island that might be somewhere off the coast of Japan. The stakes couldn’t be higher as Lara must rely on her sharp mind, blind faith and stubborn spirit to venture into the unknown.
Director Roar Uthaug, who only has a few Swedish movies to his name, directs a decent, if not outstanding adaptation of the famous character’s origins story that features some nifty action set-pieces intertwined with a hectic and often nausea-inducing filming style. It doesn’t break the video game to movie curse, but it’s a good shot.
Unfortunately, the cast is one of the film’s weakest points. Vikander is a whiny, self-absorbed brat for the majority of the runtime, only letting this insipid persona go in the latter half of the movie. This is through no fault of her own as her performance is as solid as we’ve come to expect from the actress, but the script really lets her down. The film starts off poorly with a messily edited boxing match giving way to a rather implausible bike chase that ends with Vikander face planting the bonnet of a police car. Thankfully, this is as bad as it gets.
From then on, the audience is treated to a selection of thrilling set-pieces, populated by some very good CGI indeed. It’s just unfortunate the characters lack any sort of presence whatsoever. Outside of Vikander’s insipid Lara, the rest of the cast are merely there to offer expositional dialogue. Dominic West in particular, who plays Lara’s father, spouts nothing but exposition, even narrating certain parts of the movie.
Apart from a couple of scenes involving Nick Frost as a greedy pawnbroker, Tomb Raider is devoid of any sense of fun whatsoever
Elsewhere, for a film called Tomb Raider, there’s very little tomb raiding to be had. In fact, it feels like a hybrid of Kong: Skull Island,The Mummy, Indiana Jones and The Hunger Games and for this reason it lacks a sense of identity and any originality whatsoever.
Cinematography wise, Tomb Raider is competent but not exceptional. The shot choices are limited and the action is sometimes messily edited to the point where it’s difficult to tell exactly what it is that’s going on. It avoids unnecessary shaky cam, which is a miracle in itself but it’s not the best the genre has to offer.
Unfortunately, director Roar Uthaug’s idea to go the complete opposite of many blockbusters nowadays results in a film that really doesn’t have a sense of humour. Apart from a couple of scenes involving Nick Frost as a greedy pawnbroker, Tomb Raider is devoid of any sense of fun whatsoever. It seems the scriptwriters missed the memo about the premise being absolutely ridiculous – a dose of humour would have done this tale a world of good.
Overall, Tomb Raider is a decent stab at resurrecting a character that Angelina Jolie performed so well over the course of her two films in the early 00s. Alicia Vikander plays a very different Lara Croft to Jolie and whilst she may need a couple more films for us to get acquainted with her, she’s off to a reasonable if unoriginal start. Whether or not she gets the chance to tomb raid again remains to be seen, it all depends on those box-office numbers.
https://moviemetropolis.net/2018/03/16/tomb-raider-review-contains-little-tomb-raiding/
Lucy Buglass (45 KP) rated Fighting with My Family (2019) in Movies
Jun 20, 2019
A biopic that’s not just for wrestling fans
Let me make something clear before I dive into my review: I don’t like wrestling. Actually, I hate wrestling. I could barely name another wrestler aside from The Rock and John Cena, so at a glance this film really isn’t marketed towards me. But when we go a little deeper, it becomes clear that this is an incredibly accessible film with a powerful message.
Fighting With My Family tells the story of Norwich-born Saraya “Paige” Bevis. Brought up in a family of wrestlers, Bevis spent her life wrestling alongside her parents, brother and the local community, drawing in small crowds on a regular basis. The family has dreams of making WWE and becoming professional wrestlers, even going as far as sending audition tapes to the company. When Saraya and her brother Zak “Zodiac” are called for an official audition, the family’s lives change for better and for worse.
With an all-star cast including The Rock (obviously), Vince Vaughn, Nick Frost, Lena Headey and Florence Pugh, it’s an incredibly appealing film. Everyone involved takes to their roles effortlessly, bringing all the charm and quirks of the characters to life. It’s so easy to like the Knight family, as they come across as a strange yet passionate family who’d do everything in their power to support the community around them. It’s refreshing to see a depiction of working-class life that doesn’t make the audience sneer or judge. I found myself rooting for the Knights all the way, and wishing them all the best. Pugh embodies Paige so well, to the point where it was easy to believe you were watching the woman herself. She’s so awkward, British and hugely likeable throughout.
I was also surprised to learn that Stephen Merchant (yes, that Stephen Merchant) was at the helm of this film. I adored his direction style and hilarious cameo, making this an unlikely project that worked like a charm. Based off the documentary of the same name, Merchant brings his own unique vision to the project, with the legendary Dwayne Johnson helping out as an an executive producer. It feels like an unlikely duo, but it seriously works.
Fighting With My Family has classic British humour and a familiar grittiness to it, reminding me why I adore British cinema so much. There are clear tonal shifts between the UK and US, emphasising the cultural differences and how out of her depth Bevis felt at first. This is where a lot of the humour comes into play too, as a pale, pierced Norwich girl sticks out like a sore thumb amongst blonde, bronzed models. As Saraya steps into the world of WWE with the ring name “Paige”, she has to face numerous obstacles that are both mentally and physically challenging. As it happens, her identity is one of them, and she soon becomes an outcast.
Yes, this film is about one girl’s rise to the top of the WWE ranks, but it’s also so much more than that. It’s about family, class divide, jealousy, among others. I particularly enjoyed the dynamic between Saraya and Zak, as there’s a clear case of sibling rivalry here. Whilst Saraya succeeds, Zak is dealing with a whole host of personal issues whilst wallowing in his own sadness. This is jealousy on a massive scale, causing a rift between the siblings, and in turn, the rest of the family.
I loved the overall message that the film delivers: that it’s important to always be true to yourself, and do what makes you great. Whether that’s big or small, you can make an impact. This is something that Zak eventually learns whilst he’s feeling jealous of his sister’s success. The familial bond is so strong in this film, and it’s a truly beautiful thing to witness. They might be slightly bonkers, dysfunctional and off the wall, but they’d do anything to support each other. Isn’t that wonderful?
https://lucygoestohollywood.com/2019/03/21/a-biopic-thats-not-just-for-wrestling-fans-my-thoughts-on-fighting-with-my-family/
Fighting With My Family tells the story of Norwich-born Saraya “Paige” Bevis. Brought up in a family of wrestlers, Bevis spent her life wrestling alongside her parents, brother and the local community, drawing in small crowds on a regular basis. The family has dreams of making WWE and becoming professional wrestlers, even going as far as sending audition tapes to the company. When Saraya and her brother Zak “Zodiac” are called for an official audition, the family’s lives change for better and for worse.
With an all-star cast including The Rock (obviously), Vince Vaughn, Nick Frost, Lena Headey and Florence Pugh, it’s an incredibly appealing film. Everyone involved takes to their roles effortlessly, bringing all the charm and quirks of the characters to life. It’s so easy to like the Knight family, as they come across as a strange yet passionate family who’d do everything in their power to support the community around them. It’s refreshing to see a depiction of working-class life that doesn’t make the audience sneer or judge. I found myself rooting for the Knights all the way, and wishing them all the best. Pugh embodies Paige so well, to the point where it was easy to believe you were watching the woman herself. She’s so awkward, British and hugely likeable throughout.
I was also surprised to learn that Stephen Merchant (yes, that Stephen Merchant) was at the helm of this film. I adored his direction style and hilarious cameo, making this an unlikely project that worked like a charm. Based off the documentary of the same name, Merchant brings his own unique vision to the project, with the legendary Dwayne Johnson helping out as an an executive producer. It feels like an unlikely duo, but it seriously works.
Fighting With My Family has classic British humour and a familiar grittiness to it, reminding me why I adore British cinema so much. There are clear tonal shifts between the UK and US, emphasising the cultural differences and how out of her depth Bevis felt at first. This is where a lot of the humour comes into play too, as a pale, pierced Norwich girl sticks out like a sore thumb amongst blonde, bronzed models. As Saraya steps into the world of WWE with the ring name “Paige”, she has to face numerous obstacles that are both mentally and physically challenging. As it happens, her identity is one of them, and she soon becomes an outcast.
Yes, this film is about one girl’s rise to the top of the WWE ranks, but it’s also so much more than that. It’s about family, class divide, jealousy, among others. I particularly enjoyed the dynamic between Saraya and Zak, as there’s a clear case of sibling rivalry here. Whilst Saraya succeeds, Zak is dealing with a whole host of personal issues whilst wallowing in his own sadness. This is jealousy on a massive scale, causing a rift between the siblings, and in turn, the rest of the family.
I loved the overall message that the film delivers: that it’s important to always be true to yourself, and do what makes you great. Whether that’s big or small, you can make an impact. This is something that Zak eventually learns whilst he’s feeling jealous of his sister’s success. The familial bond is so strong in this film, and it’s a truly beautiful thing to witness. They might be slightly bonkers, dysfunctional and off the wall, but they’d do anything to support each other. Isn’t that wonderful?
https://lucygoestohollywood.com/2019/03/21/a-biopic-thats-not-just-for-wrestling-fans-my-thoughts-on-fighting-with-my-family/
Movie Metropolis (309 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 24, 2019
Ten years is a long time in Hollywood. Ten years ago, to this day Avatar was yet to be released to the unsuspecting masses, with Titanic still reigning supreme over the global box-office and debutant director Ruben Fleischer surprised the cinema-going public with Zombieland.
Made on a tiny budget of just over $20million, it went on to gross over $100million globally and received unanimous praise. A sequel was widely expected in the years that followed but never materialised. That’s probably down to a few things; one being Emma Stone’s meteoric rise to fame, Jesse Eisenberg starring in some of the biggest and most celebrated films of the decade that followed and Woody Harrelson, well, being Woody Harrelson (that’s not a dig, we love you Woody).
Fleischer meanwhile went on to direct 30 Minutes or Less, Gangster Squad and Venom among a couple of other projects. The time for a Zombieland sequel came and went with the film’s core fanbase hoping that one day they’d get what they desired.
That day is now here with the release of Zombieland: Double Tap. With a cast of returning characters and the original director at the helm, things certainly look promising from a technical point of view, but has the ship sailed on getting this franchise off the ground?
Zombie slayers Tallahassee (Harrelson), Columbus (Eisenberg), Wichita (Stone), and Little Rock (Abigail Breslin) square off against a newly evolved strain of the undead as well as combatting their own personal demons in an effort to survive the ongoing zombie apocalypse.
Despite the popularity of the film’s actors since its predecessor, it’s nice to see all of the lead cast slot back into their roles seamlessly. Granted they’re a little older than we last remember them, and a little wiser too, but these characters still retain the charm and humour that made the last movie such a success.
Harrelson remains the standout and that’s mainly down to a nicely written script, penned by Rhett Reese, Paul Wernick and Dave Callaham. Between them they’ve worked on films like Gareth Edwards’ Godzilla, Ant-Man, Deadpool and its sequel and Life. That’s a pretty impressive roster of films it has to be said.
Eisenberg and Stone are also nicely written with a good character arc that means we get to see opposing sides to their roles. Unfortunately, Breslin is underused throughout, reduced to a part that feels much more like a support role. Of the new characters introduced, Rosario Dawson and Zoey Deutch are thinly written but reasonably entertaining.
The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them
Thankfully, the script remains a real highlight over the brisk 99-minute run-time with some genuine hilarity. The screenplay’s attempts at emotion work reasonably well but fall flat on a couple of occasions – the basis of the previous film was its humour and no surprises, this is where the sequel excels.
It’s a nice film to look at too. While some of the landscapes look a little too artificial, the sweeping shots of desolate buildings and roads add a sense of scale that was sometimes lacking last time around. The opening sequence inside the White House is great to watch and sets up the rest of the film well.
Zombieland: Double Tap works best when our band of characters is bouncing off each other and it’s a good job as the zombie action is fleeting. Some action pieces are well choregraphed but for a film about the world being overrun by the undead, there’s a distinct lack of them. The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them until the final act and that’s a bit of a shame.
Nevertheless, Zombieland: Double Tap remains easy-to-watch and likeable throughout with a cracking cast of characters. Unfortunately, the world has moved on from 2009 and zombie films, TV shows and books are ten-a-penny nowadays (something nicely referenced at the beginning of the film) and while Zombieland 2 does an awful lot right, in the end it’s a decent sequel to a great film, and nothing more than that.
Stick around for a post-credits sequence that follows on from the predecessors “greatest cameo ever”.
Made on a tiny budget of just over $20million, it went on to gross over $100million globally and received unanimous praise. A sequel was widely expected in the years that followed but never materialised. That’s probably down to a few things; one being Emma Stone’s meteoric rise to fame, Jesse Eisenberg starring in some of the biggest and most celebrated films of the decade that followed and Woody Harrelson, well, being Woody Harrelson (that’s not a dig, we love you Woody).
Fleischer meanwhile went on to direct 30 Minutes or Less, Gangster Squad and Venom among a couple of other projects. The time for a Zombieland sequel came and went with the film’s core fanbase hoping that one day they’d get what they desired.
That day is now here with the release of Zombieland: Double Tap. With a cast of returning characters and the original director at the helm, things certainly look promising from a technical point of view, but has the ship sailed on getting this franchise off the ground?
Zombie slayers Tallahassee (Harrelson), Columbus (Eisenberg), Wichita (Stone), and Little Rock (Abigail Breslin) square off against a newly evolved strain of the undead as well as combatting their own personal demons in an effort to survive the ongoing zombie apocalypse.
Despite the popularity of the film’s actors since its predecessor, it’s nice to see all of the lead cast slot back into their roles seamlessly. Granted they’re a little older than we last remember them, and a little wiser too, but these characters still retain the charm and humour that made the last movie such a success.
Harrelson remains the standout and that’s mainly down to a nicely written script, penned by Rhett Reese, Paul Wernick and Dave Callaham. Between them they’ve worked on films like Gareth Edwards’ Godzilla, Ant-Man, Deadpool and its sequel and Life. That’s a pretty impressive roster of films it has to be said.
Eisenberg and Stone are also nicely written with a good character arc that means we get to see opposing sides to their roles. Unfortunately, Breslin is underused throughout, reduced to a part that feels much more like a support role. Of the new characters introduced, Rosario Dawson and Zoey Deutch are thinly written but reasonably entertaining.
The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them
Thankfully, the script remains a real highlight over the brisk 99-minute run-time with some genuine hilarity. The screenplay’s attempts at emotion work reasonably well but fall flat on a couple of occasions – the basis of the previous film was its humour and no surprises, this is where the sequel excels.
It’s a nice film to look at too. While some of the landscapes look a little too artificial, the sweeping shots of desolate buildings and roads add a sense of scale that was sometimes lacking last time around. The opening sequence inside the White House is great to watch and sets up the rest of the film well.
Zombieland: Double Tap works best when our band of characters is bouncing off each other and it’s a good job as the zombie action is fleeting. Some action pieces are well choregraphed but for a film about the world being overrun by the undead, there’s a distinct lack of them. The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them until the final act and that’s a bit of a shame.
Nevertheless, Zombieland: Double Tap remains easy-to-watch and likeable throughout with a cracking cast of characters. Unfortunately, the world has moved on from 2009 and zombie films, TV shows and books are ten-a-penny nowadays (something nicely referenced at the beginning of the film) and while Zombieland 2 does an awful lot right, in the end it’s a decent sequel to a great film, and nothing more than that.
Stick around for a post-credits sequence that follows on from the predecessors “greatest cameo ever”.