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Midge (525 KP) rated Restaurant Weeks are Murder in Books
Mar 28, 2019
Murder & Mayhem In The Kitchen
“Restaurant Weeks Are Murder” is Libby Klein’s very enjoyable third novel, chock full of madness and mayhem in the ‘Poppy McAllister Mystery’ series. The first book is ‘Class Reunions Are Murder,’ followed by book two which is ‘Midnight Snacks Are Murder.’
I haven’t read these other books in this series yet, however, I don’t think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.
Poppy McAllister is opening a new Bed & Breakfast in Cape May, New Jersey, but working in a professional kitchen has always been her passion. Now she’s realising her dream, at least briefly, as she is teaming up with her former fiancée Tim and his partner, Gigi, during a high-profile Restaurant Week challenge. Poppy’s speciality is pastries and if anyone can make glorious gluten-free goodies, it’s Poppy.
As it might be expected, things start to go badly wrong very quickly, especially when some ingredients get switched and Tim is accused of sabotage. Relatively harmless pranks soon escalate into real hazards, including an exploding deep fat fryer. Then one of the judges dies after taking a bite of Poppy’s limoncello cannoli, making her one of the prime suspects . . .
Forty-odd-year-old, pastry chef, Poppy, the protagonist, lives with her elderly Aunt Ginny and Figaro, her mischievous cat. I found Poppy and many of the other characters very funny and likeable, so much so that I felt as though I would like to spend some time in their company myself! As someone who has read several cozies, Poppy’s Aunt Ginny has become one of my favourite cozy characters. She provided plenty of humour in this book from her choice of outlandish outfits to her zaniness and zest for life. I couldn’t help but adore her and look forward to her mischievous antics.
I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place, there was never a dull moment with such a lot going on. The mystery itself was well thought out with plenty of twists and turns as I puzzled over the clues to discover the perpetrator.
The book had a natural, steady pace, and even though the murder occurred towards the end of the first half of the book I was kept guessing until the surprising reveal. Delightful and entertaining “Restaurant Weeks Are Murder” is a highly recommended, quick, light read for all cozy mystery fans.
{Thank you to #NetGalley and Kensington Books for the free copy of this novel and for giving me the opportunity to provide an honest review.}
I haven’t read these other books in this series yet, however, I don’t think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.
Poppy McAllister is opening a new Bed & Breakfast in Cape May, New Jersey, but working in a professional kitchen has always been her passion. Now she’s realising her dream, at least briefly, as she is teaming up with her former fiancée Tim and his partner, Gigi, during a high-profile Restaurant Week challenge. Poppy’s speciality is pastries and if anyone can make glorious gluten-free goodies, it’s Poppy.
As it might be expected, things start to go badly wrong very quickly, especially when some ingredients get switched and Tim is accused of sabotage. Relatively harmless pranks soon escalate into real hazards, including an exploding deep fat fryer. Then one of the judges dies after taking a bite of Poppy’s limoncello cannoli, making her one of the prime suspects . . .
Forty-odd-year-old, pastry chef, Poppy, the protagonist, lives with her elderly Aunt Ginny and Figaro, her mischievous cat. I found Poppy and many of the other characters very funny and likeable, so much so that I felt as though I would like to spend some time in their company myself! As someone who has read several cozies, Poppy’s Aunt Ginny has become one of my favourite cozy characters. She provided plenty of humour in this book from her choice of outlandish outfits to her zaniness and zest for life. I couldn’t help but adore her and look forward to her mischievous antics.
I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place, there was never a dull moment with such a lot going on. The mystery itself was well thought out with plenty of twists and turns as I puzzled over the clues to discover the perpetrator.
The book had a natural, steady pace, and even though the murder occurred towards the end of the first half of the book I was kept guessing until the surprising reveal. Delightful and entertaining “Restaurant Weeks Are Murder” is a highly recommended, quick, light read for all cozy mystery fans.
{Thank you to #NetGalley and Kensington Books for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Ryan Hill (152 KP) rated Ant-Man and the Wasp (2018) in Movies
May 11, 2019
'Hold on, you gave her wings?!'
A much welcome breather after the heavyweight that was Avengers: Infinity War, the 20th instalment in the Marvel Cinematic Universe is another lighthearted ride unfolding on the same minuscule scale as Ant-Man, and though not as impressive as Marvel's best works, it still delivers a fine dose of fun, amusing & action-packed entertainment.
Set in the aftermath of Captain America: Civil War, the story of Ant-Man and the Wasp finds Scott Lang under house arrest and Dr. Hank Pym & Hope van Dyne in hiding until an urgent mission brings them together once again as the trio attempt to unlock the secrets of quantum realm before it's too late, while being pursued by both cops & new enemies.
Directed by Peyton Reed, the sequel offers him more freedom & bigger canvas to showcase his vision & creativity yet he fails to makes the most of the opportunity and delivers a story that's pretty much on same level as its predecessor. Its action scenes do get an upgrade but the plot is quite simple and is missing the character complexity that drives most sequels.
On the plus side, the film retains the humour of the original while the continuous banter & brisk pacing make sure that its 118 mins runtime never becomes a chore. The swift, kinetic operation of camera infuses an energy to its moments of action on both macro & micro levels while the bright colour tones add a rich texture that makes the images pop out. And Christophe Beck's splendid score adds energy of its own into the mix.
Coming to the performances, Ant-Man and the Wasp benefits from Paul Rudd's natural charisma but it's Evangeline Lilly who steals the show this time in the role of Hope/Wasp. The chemistry between the two still carries a spark but purely on individual inputs, Lilly outshines Rudd by a significant margin. Both Michael Peña & Michael Douglas are more fun in their respective roles this time around but the new characters are no good.
On an overall scale, Ant-Man and the Wasp makes for a sufficiently entertaining action-adventure and is at its best when it isn't trying too hard. A standalone entry for the most part that eventually connects with the heavy conclusion of Infinity War in a shocking mid-credits sequence, Ant-Man and the Wasp does enough to allow the viewers to settle down before things got hot & heavy once again in Avengers Endgame
Set in the aftermath of Captain America: Civil War, the story of Ant-Man and the Wasp finds Scott Lang under house arrest and Dr. Hank Pym & Hope van Dyne in hiding until an urgent mission brings them together once again as the trio attempt to unlock the secrets of quantum realm before it's too late, while being pursued by both cops & new enemies.
Directed by Peyton Reed, the sequel offers him more freedom & bigger canvas to showcase his vision & creativity yet he fails to makes the most of the opportunity and delivers a story that's pretty much on same level as its predecessor. Its action scenes do get an upgrade but the plot is quite simple and is missing the character complexity that drives most sequels.
On the plus side, the film retains the humour of the original while the continuous banter & brisk pacing make sure that its 118 mins runtime never becomes a chore. The swift, kinetic operation of camera infuses an energy to its moments of action on both macro & micro levels while the bright colour tones add a rich texture that makes the images pop out. And Christophe Beck's splendid score adds energy of its own into the mix.
Coming to the performances, Ant-Man and the Wasp benefits from Paul Rudd's natural charisma but it's Evangeline Lilly who steals the show this time in the role of Hope/Wasp. The chemistry between the two still carries a spark but purely on individual inputs, Lilly outshines Rudd by a significant margin. Both Michael Peña & Michael Douglas are more fun in their respective roles this time around but the new characters are no good.
On an overall scale, Ant-Man and the Wasp makes for a sufficiently entertaining action-adventure and is at its best when it isn't trying too hard. A standalone entry for the most part that eventually connects with the heavy conclusion of Infinity War in a shocking mid-credits sequence, Ant-Man and the Wasp does enough to allow the viewers to settle down before things got hot & heavy once again in Avengers Endgame
Kyera (8 KP) rated Clockwork Princess (The Infernal Devices, #3) in Books
Jan 31, 2018
Clockwork Princess is the stunning conclusion to Cassandra Clare’s the Infernal Devices trilogy. The pacing of the third book is much brisker than its predecessor and immediately drags you into the plot. There are also significantly more scenes with action in them, which help to break up the scenes that steadily move the story along. As with the previous books, the story is very character-driven and continues to bring further depth to each character’s personality.
Will continues to be my favourite focus of any scene with his witty comments and sense of humour. It was nice to see him play off his sister at times, because normally only Tessa can manage Will. Although they have been apart for many years they still have a wonderfully authentic relationship, like how easily she is able to get under his skin. Will and Jem’s parabatai relationship, as it was in the previous books, is so real that you can easily imagine the love they have for one another, the pain each feels when the other is hurt, and how they would do anything for each other.
It was nice to see the continued development of characters that we’ve grown to love, as well as the new faces that have joined the familiar at the Institute. The number of important characters does not ever feel overwhelming or confusing, as each has been given the time to become established and grow in the world that Cassandra Clare has created. I love each and every one of the characters because they are not only true but integral to the story as a whole.
Despite having read this entire series before and knowing what will happen – it is still so brilliantly written that it elicits myriad emotions throughout. Each character feels real and their lives affect your own. A tear slips down my face as one character experiences unbearable pain, while another comes at the thought of losing a character I’ve grown to love so much. A grin overtakes my face in light of the overwhelmingly happy news. The books that I have grown to love are the ones that speak to you, change you, and will forever stay with you.
Clockwork Princess is quite possibly the best series finale that I have read and certainly the best final book in a trilogy. Despite the book causing me to cry, multiple times, I never felt dissatisfied with the conclusion. The story comes to a climactic end, then Cassandra Clare takes the final chapter to pull everything together and the prologue to make me cry again. I loved re-reading this series so much and hope that you are inspired to read it as well.
Will continues to be my favourite focus of any scene with his witty comments and sense of humour. It was nice to see him play off his sister at times, because normally only Tessa can manage Will. Although they have been apart for many years they still have a wonderfully authentic relationship, like how easily she is able to get under his skin. Will and Jem’s parabatai relationship, as it was in the previous books, is so real that you can easily imagine the love they have for one another, the pain each feels when the other is hurt, and how they would do anything for each other.
It was nice to see the continued development of characters that we’ve grown to love, as well as the new faces that have joined the familiar at the Institute. The number of important characters does not ever feel overwhelming or confusing, as each has been given the time to become established and grow in the world that Cassandra Clare has created. I love each and every one of the characters because they are not only true but integral to the story as a whole.
Despite having read this entire series before and knowing what will happen – it is still so brilliantly written that it elicits myriad emotions throughout. Each character feels real and their lives affect your own. A tear slips down my face as one character experiences unbearable pain, while another comes at the thought of losing a character I’ve grown to love so much. A grin overtakes my face in light of the overwhelmingly happy news. The books that I have grown to love are the ones that speak to you, change you, and will forever stay with you.
Clockwork Princess is quite possibly the best series finale that I have read and certainly the best final book in a trilogy. Despite the book causing me to cry, multiple times, I never felt dissatisfied with the conclusion. The story comes to a climactic end, then Cassandra Clare takes the final chapter to pull everything together and the prologue to make me cry again. I loved re-reading this series so much and hope that you are inspired to read it as well.
Hazel (1853 KP) rated Mirror, Shoulder, Signal in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Shortlisted for The Man Booker International Prize 2017, <i>Mirror, Shoulder, Signal</i> is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
<i>Mirror, Shoulder, Signal</i> is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, <i>Mirror, Shoulder, Signal</i> is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
Shortlisted for The Man Booker International Prize 2017, <i>Mirror, Shoulder, Signal</i> is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
<i>Mirror, Shoulder, Signal</i> is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, <i>Mirror, Shoulder, Signal</i> is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
Ivana A. | Diary of Difference (1171 KP) rated Quarry's Climax (Quarry #14) in Books
Aug 21, 2018
My full review can be found on this link as well: https://www.diaryofdifference.com/2018/05/15/quarrys-climax-max-allan-collins-book-review/
Quarry’s Climax is the 14th book of the Quarry series, and even though I only had the chance to read this one, the rest of the books are certainly something that I have put on my TBR list!
<img src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1498930963i/34014841._UY630_SR1200,630_.jpg"/>;
The plot is simple – until, of course, it gets complicated:
Quarry is a Hitman – he kills people for pleasure, I mean, money! He works for this guy ‘’the Broker’’ and his new mission is to protect a chairman of an underrated Porn magazine and strip club – The Climax. When this task might seem easy, suddenly everyone hides something and everyone has secrets. And then our man Quarry – who usually goes on the spot and just kills whoever he needs to, now has to play the role of a detective, find out what the hell is going on in this rat hole, and eliminate any danger.
Now - first things first - I am not usually a person that reads these types of books - Pulp fiction, hardboiled fiction, entangled harsh noir stories, but this book pleasantly surprised me with its light reading experience and admirable description of the characters.
Quarry – now that’s one interesting character! Quarry is what happens when you mix a Cowboy personality, with a bit of witty humour, no respect for ladies and egotistical appearance. I happened to actually kind of like this guy!
Though the part I didn’t like it how he treats women and talks about them as they are a piece of meat with no brain whatsoever. I am not a feminist, but I mean – you couldn’t have tried harder, I guess. He would just go to a scene, let us know how irrelevant and thick this lady is, he would sleep with her, never call her again, and then continue with his life as nothing happened. Wonderful, isn’t it?
This is one of a kind book for me, and even though I wouldn’t put it on my favourites pile, it has a special place in my heart. I greatly enjoyed it, and it made me smirk at times. I will definitely explore this genre in the future, and I am sure that Quarry’s Climax was a great beginning for me on that.
I received this book by winning a Goodreads Giveaway from Max Allan Collins and Hard Case Crime.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
Quarry’s Climax is the 14th book of the Quarry series, and even though I only had the chance to read this one, the rest of the books are certainly something that I have put on my TBR list!
<img src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1498930963i/34014841._UY630_SR1200,630_.jpg"/>;
The plot is simple – until, of course, it gets complicated:
Quarry is a Hitman – he kills people for pleasure, I mean, money! He works for this guy ‘’the Broker’’ and his new mission is to protect a chairman of an underrated Porn magazine and strip club – The Climax. When this task might seem easy, suddenly everyone hides something and everyone has secrets. And then our man Quarry – who usually goes on the spot and just kills whoever he needs to, now has to play the role of a detective, find out what the hell is going on in this rat hole, and eliminate any danger.
Now - first things first - I am not usually a person that reads these types of books - Pulp fiction, hardboiled fiction, entangled harsh noir stories, but this book pleasantly surprised me with its light reading experience and admirable description of the characters.
Quarry – now that’s one interesting character! Quarry is what happens when you mix a Cowboy personality, with a bit of witty humour, no respect for ladies and egotistical appearance. I happened to actually kind of like this guy!
Though the part I didn’t like it how he treats women and talks about them as they are a piece of meat with no brain whatsoever. I am not a feminist, but I mean – you couldn’t have tried harder, I guess. He would just go to a scene, let us know how irrelevant and thick this lady is, he would sleep with her, never call her again, and then continue with his life as nothing happened. Wonderful, isn’t it?
This is one of a kind book for me, and even though I wouldn’t put it on my favourites pile, it has a special place in my heart. I greatly enjoyed it, and it made me smirk at times. I will definitely explore this genre in the future, and I am sure that Quarry’s Climax was a great beginning for me on that.
I received this book by winning a Goodreads Giveaway from Max Allan Collins and Hard Case Crime.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
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