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Hazel (2934 KP) rated Hold Your Tongue in Books
Dec 13, 2019
A creditable debut
This is what I call a slow burner and a very creditable debut from this new British author. It did take me a while to get into it and to get used to the writing style but once I did, I was hooked.
DI Eve Hunter is returning to work under a cloud after being injured in the line of duty which saw her colleague paralysed. She walks into the gruesome murder of a young woman and so begins the hunt for a brutal killer by her and her team and so begins this dark, gruesome and gritty police procedural set in the Scottish city of Aberdeen.
Mainly written from Eve's perspective interspersed with sections from members of her team and those of the killer, this gave insight from all the important characters in this book. The characters are well developed and believable with the relationships between Eve and the wider team excellently portrayed however, and this is my main criticism of this book, it took an awfully long time to get to the bottom of what happened with Eve and her colleague; you get snippets of the story here and there but, for me, this ended up annoying me slightly as I just wanted to know! In my humble opinion, this should have been explained close to the beginning of the book (maybe in a prologue?) so that the actions and reactions of Eve and her fellow officers would have been better understood.
I must applaud the author for keeping the identity of the killer well hidden amongst several red herrings; I changed my mind about who the person was a couple of times and was still caught out when the reveal happened ... excellent twist.
Overall, although I did find the first half of the book a little slow, the second made up for it and I am very much looking forward to what I hope are more outings for DI Hunter and her team.
My thanks go to Random House UK, Transworld Publishers via NetGalley for an advance copy in return for an honest and unbiased review.
DI Eve Hunter is returning to work under a cloud after being injured in the line of duty which saw her colleague paralysed. She walks into the gruesome murder of a young woman and so begins the hunt for a brutal killer by her and her team and so begins this dark, gruesome and gritty police procedural set in the Scottish city of Aberdeen.
Mainly written from Eve's perspective interspersed with sections from members of her team and those of the killer, this gave insight from all the important characters in this book. The characters are well developed and believable with the relationships between Eve and the wider team excellently portrayed however, and this is my main criticism of this book, it took an awfully long time to get to the bottom of what happened with Eve and her colleague; you get snippets of the story here and there but, for me, this ended up annoying me slightly as I just wanted to know! In my humble opinion, this should have been explained close to the beginning of the book (maybe in a prologue?) so that the actions and reactions of Eve and her fellow officers would have been better understood.
I must applaud the author for keeping the identity of the killer well hidden amongst several red herrings; I changed my mind about who the person was a couple of times and was still caught out when the reveal happened ... excellent twist.
Overall, although I did find the first half of the book a little slow, the second made up for it and I am very much looking forward to what I hope are more outings for DI Hunter and her team.
My thanks go to Random House UK, Transworld Publishers via NetGalley for an advance copy in return for an honest and unbiased review.
Sophia (Bookwyrming Thoughts) (530 KP) rated Steelheart in Books
Jan 23, 2020
I didn't really feel like writing a full review for <i>Steelheart</i>, so here's a list for you to take a gander at (and it sums up what I think... mostly).
<h2><strong>Six Things You Should Know About <i>Steelheart</i></strong></h2>
1. In the overall view, this is a revenge book laced with superheroness. Eight-year-old David witnessed his father being killed by an Epic, a human with superpowers. Ten years later, he vows to join the Reckoners, a group of people who hunt and kill Epics for a living and convince them to help him kill Steelheart.
2. From the two superhero books I've read, superheroes have really sad nicknames. Steelheart, Nightwielder, Firefight – it might sound really cool, but... ew. (You'll find a review for that other one sometime in the near future.) O_O
3. Sanderson writes this in a way that I actually liked and I'm not annoyed David is out wanting Steelheart's head on a platter in revenge. Not... really.
4. David is as socially awkward as <a title="The Sorcerer's Apprentice" href="https://bookwyrmingthoughts.com/movie-review-the-sorcerers-apprentice/"; target="_blank" rel="noopener">that one dude who probably has the same name in that one movie</a>. Lucy London still takes the trophy as the <a title="Imperfect Chemistry by Mary Frame" href="https://bookwyrmingthoughts.com/review-imperfect-chemistry-by-mary-frame/"; target="_blank" rel="noopener">best socially awkward character</a> (plus, who can beat her? She's absolutely adorable!).
5. David sucks at metaphors. I don't know if that's just Sanderson or the character, but David just tries <i>too hard</i> with the metaphors. Have I mentioned it makes him seem socially awkward?
6. Have I mentioned those metaphors are so bad, it's bleeping hilarious? The explanations David comes up with makes it even worse, thus more hilarious.
I really think I'm only interested in the second book because I want to see what David and the Reckoners are going to be up to.
<a href="https://bookwyrmingthoughts.com/review-steelheart-by-brandon-sanderson/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><strong>Six Things You Should Know About <i>Steelheart</i></strong></h2>
1. In the overall view, this is a revenge book laced with superheroness. Eight-year-old David witnessed his father being killed by an Epic, a human with superpowers. Ten years later, he vows to join the Reckoners, a group of people who hunt and kill Epics for a living and convince them to help him kill Steelheart.
2. From the two superhero books I've read, superheroes have really sad nicknames. Steelheart, Nightwielder, Firefight – it might sound really cool, but... ew. (You'll find a review for that other one sometime in the near future.) O_O
3. Sanderson writes this in a way that I actually liked and I'm not annoyed David is out wanting Steelheart's head on a platter in revenge. Not... really.
4. David is as socially awkward as <a title="The Sorcerer's Apprentice" href="https://bookwyrmingthoughts.com/movie-review-the-sorcerers-apprentice/"; target="_blank" rel="noopener">that one dude who probably has the same name in that one movie</a>. Lucy London still takes the trophy as the <a title="Imperfect Chemistry by Mary Frame" href="https://bookwyrmingthoughts.com/review-imperfect-chemistry-by-mary-frame/"; target="_blank" rel="noopener">best socially awkward character</a> (plus, who can beat her? She's absolutely adorable!).
5. David sucks at metaphors. I don't know if that's just Sanderson or the character, but David just tries <i>too hard</i> with the metaphors. Have I mentioned it makes him seem socially awkward?
6. Have I mentioned those metaphors are so bad, it's bleeping hilarious? The explanations David comes up with makes it even worse, thus more hilarious.
I really think I'm only interested in the second book because I want to see what David and the Reckoners are going to be up to.
<a href="https://bookwyrmingthoughts.com/review-steelheart-by-brandon-sanderson/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Dragon Marked (Supernatural Prison, #1) in Books
Jan 23, 2020
<a href="http://www.inwonderlandbookblog.com/2016/04/dragon-marked-review.html"; target="_blank">This review was originally posted on In Wonderland</a><p style="text-align: left;"><span style="line-height: 1.5;">Coolest book about supernaturals ever?</span>
Erm… it could go both ways.
What I Liked:
~ Jessa has spunk and no filter. She has no problems giving people her two cents.
Dragon shifters are awesome, hands down.
~ The concept – a supernatural community just to guard a prison for supernatural criminals? Oh, and those prisons are being broken into and no one knows <em>how</em>? Plus, the main character is dragon marked (prophesized to raise some sort of dragon king of a thousand years ago) and the Quads (aka four brothers who turn heads everywhere they turn) are <em>supposed</em> to hunt and kill her? Grabby hands ensues. <del>Because I just adore potential best friends turned murderer type of stories.</del>
~ Possessiveness: I normally really hate possessiveness, but Jaymin Eve doesn’t <em>overplay</em> it. Possessiveness is a part of the culture for the supernaturals, but Jessa isn’t sheltered.
What I Didn’t Like:
~ Does anyone have a problem with an entire family ruling most of the American Supernatural council? I mean, there’s a scuffle or two that carries as the main plot of the first book, but for the most part, almost everyone is completely okay with the Quads taking over 4/5 of the council.
~ Every page or two (maybe a little more), there’s a bomb of information about the supernaturals. Some are repetitive with the usual tropes, but I <em>might</em> be okay with that. Just a little.
~ Eve has humor throughout the book, but um… too much information sometimes. It doesn’t clash too well with Jessa’s personality. No filter humor? Little kid guilty of peeking at the wrong time.
All in all,<em> Dragon Marked</em> does have potential. But while there might be one plot in just one book, the overall arc of the story is primarily set up with lots of information.
And tootles to everyone who handles a no filter main character with the occasional weird humor better than me.
Erm… it could go both ways.
What I Liked:
~ Jessa has spunk and no filter. She has no problems giving people her two cents.
Dragon shifters are awesome, hands down.
~ The concept – a supernatural community just to guard a prison for supernatural criminals? Oh, and those prisons are being broken into and no one knows <em>how</em>? Plus, the main character is dragon marked (prophesized to raise some sort of dragon king of a thousand years ago) and the Quads (aka four brothers who turn heads everywhere they turn) are <em>supposed</em> to hunt and kill her? Grabby hands ensues. <del>Because I just adore potential best friends turned murderer type of stories.</del>
~ Possessiveness: I normally really hate possessiveness, but Jaymin Eve doesn’t <em>overplay</em> it. Possessiveness is a part of the culture for the supernaturals, but Jessa isn’t sheltered.
What I Didn’t Like:
~ Does anyone have a problem with an entire family ruling most of the American Supernatural council? I mean, there’s a scuffle or two that carries as the main plot of the first book, but for the most part, almost everyone is completely okay with the Quads taking over 4/5 of the council.
~ Every page or two (maybe a little more), there’s a bomb of information about the supernaturals. Some are repetitive with the usual tropes, but I <em>might</em> be okay with that. Just a little.
~ Eve has humor throughout the book, but um… too much information sometimes. It doesn’t clash too well with Jessa’s personality. No filter humor? Little kid guilty of peeking at the wrong time.
All in all,<em> Dragon Marked</em> does have potential. But while there might be one plot in just one book, the overall arc of the story is primarily set up with lots of information.
And tootles to everyone who handles a no filter main character with the occasional weird humor better than me.
Gareth von Kallenbach (980 KP) rated Paper Towns (2015) in Movies
Aug 6, 2019
As a teenager, you are always trying to discover who you truly are. You are constantly surrounded by images of what you are supposed to be and the cliques that define who you are and who you are not. What is normal? What is real? What is it about this time of our lives that makes us so susceptible to the pressures of adolescence and the need to stand out while also being accepted for who we are? In Paper Towns, Quinten (Nat Wolff), a very shy and quiet teenage boy is enthralled with his mysterious neighbor Margot (Cara Delavigne), whom he had become estranged with over the years.
He has his future laid out before him Graduation is on the horizon. He is headed to Duke University in the Fall where he will be a premed student before settling down and creating a family of his own. His plans are disrupted when Margot comes back into his life one night seeking his help to enact revenge on her friends. However, after this night of hijinks, she has gone missing which throws Quinten’s life into flux.
He skips school and begins an obscure scavenger hunt in order to locate Margot. He becomes obsessed with finding her and in the process discovers more about himself than he had ever planned. The film breaks from many of the tropes that we are accustomed to with teen films. This is by far, much more mature storytelling, offering even the ancillary characters some depth and a sense that they too have an identity.
The film, although is about Quinten and his seemingly love for Margot is much more than that. It is about the sense of reality that we have constructed. It forces us to question what is real and what is imagined. Who are we at the core? What matters to us when we are the only ones who are allowed to judge the circumstances and our actions? This is by far more than just a “Boy meets girl” tale. This is a film that makes its characters reflect on who they are and who we want to be seen and will leave audiences doing the same.
He has his future laid out before him Graduation is on the horizon. He is headed to Duke University in the Fall where he will be a premed student before settling down and creating a family of his own. His plans are disrupted when Margot comes back into his life one night seeking his help to enact revenge on her friends. However, after this night of hijinks, she has gone missing which throws Quinten’s life into flux.
He skips school and begins an obscure scavenger hunt in order to locate Margot. He becomes obsessed with finding her and in the process discovers more about himself than he had ever planned. The film breaks from many of the tropes that we are accustomed to with teen films. This is by far, much more mature storytelling, offering even the ancillary characters some depth and a sense that they too have an identity.
The film, although is about Quinten and his seemingly love for Margot is much more than that. It is about the sense of reality that we have constructed. It forces us to question what is real and what is imagined. Who are we at the core? What matters to us when we are the only ones who are allowed to judge the circumstances and our actions? This is by far more than just a “Boy meets girl” tale. This is a film that makes its characters reflect on who they are and who we want to be seen and will leave audiences doing the same.
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