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Nevermoor: The Trials of Morrigan Crow

Jessica Townsend

8.0 (1 Ratings) Rate It

Book

Enter the Wundrous world of Morrigan Crow and Nevermoor - the most fantastical children's release of...

Elephants and Kings: An Environmental History

Thomas R. Trautmann

(0 Ratings) Rate It

Book

Because of their enormous size, elephants have long been irresistible for kings as symbols of their...

Lenard (726 KP) rated Dora and the Lost City of Gold (2019) in Movies

Sep 2, 2019 (Updated Sep 2, 2019)

Eugenio Derbez (0 more)

Backpack, backpack, backpack, backpack

In the era of reboots, legacyquels, and reimaginings, films require a balance between innovation and "the original" product. Dora and the Lost City of Gold is such an undertaking as a adaptation of a popular children's show. The filmmakers had an objective to make a feature film while not alienating fans of the original Dora the Explorer. I believe that the team (who also worked on the previous two Muppets movies) did a good job. They found ways to have Dora speak to the audience (like on her show), have Backpack and Map speak, introduce Spanish words and phrases (the point of the show), and Boots and Swiper ("Swiper, no swiping.") were integral characters, all of which would have detracted from the film if done improperly. At the same time, the writers and director had to have a story that would sustain a 90-minute movie and leave little left to, pardon the pun, explore. The search for a lost city of gold and a race between archaelogists and treasure hunters satisfied that objective, a little Young Indiana Jones adventure mixed with National Treasure. The biggest liability in the whole film was Eugenio Derbez and his slapstick comedic style never fit the tone of the film. Luckily, Michael Pena can debilitate him with a styling monologue. Now that Dora has ended her adventure in the jungle, she can study the harshest environment known to man: high school in an anthropological dissertation.