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Andy K (10823 KP) rated The Man Who Killed Hitler and Then the Bigfoot (2018) in Movies
Jul 16, 2019
The best Nazi/Bigfoot movie you'll see this year!
I was intrigued when I first read about this film. Not since "Saving Private Ryan" has a movie's plot been so well conveyed in its title alone.
I never thought I would be watching a story about love and regret based on the film's premise and first act. The movie is all over the place at times and doesn't really know what type of film it wants to be, but if you just accept the unusual premise the film works as entertainment alone.
The old man regrets some of the choices he has made in his life, but also stands by them at the same time.
The movie is told both present day 1987 and in flashback during World War II. The premise being the man who killed the head of the Nazi party who spread disease throughout the world is again called upon to eliminate another menace threatening global safety.
I could see how some could totally hate the idea and execution of this, but I found it different and delightful.
I never thought I would be watching a story about love and regret based on the film's premise and first act. The movie is all over the place at times and doesn't really know what type of film it wants to be, but if you just accept the unusual premise the film works as entertainment alone.
The old man regrets some of the choices he has made in his life, but also stands by them at the same time.
The movie is told both present day 1987 and in flashback during World War II. The premise being the man who killed the head of the Nazi party who spread disease throughout the world is again called upon to eliminate another menace threatening global safety.
I could see how some could totally hate the idea and execution of this, but I found it different and delightful.
David McK (3600 KP) rated The Dark Tower (2017) in Movies
Jul 7, 2019
Well, that was nothing at all like I expected.
I've read the first book in Stephen King's Dark Tower series, and (honestly) hadn't really thought it was all that great or understood what all the fuss was about - for my money, David Gemmell did a far better job in his Jon Shannow trilogy of novels.
Having said that, I recognise that Gemmell's name may not have quite the same resonance, the same 'pull' as Stephen King.
I wanted to see this when it came in the cinema, and now haven't watched it on Netflix, honestly? I'm glad I didn't waste my money.
Having only read the first book in Stephen King's series, I can't say how true (or otherwese) this is to the novel(s), but I've always thought the best book and movie adaptations compliment each other: watching (or reading) one, say, would make you want to hunt out the other. This was far from the ideal: only an hour and a half long, but felling MUCH longer, I found this to be slow, plodding, and lacking any real originality or flair or excitement.
One to avoid!
I've read the first book in Stephen King's Dark Tower series, and (honestly) hadn't really thought it was all that great or understood what all the fuss was about - for my money, David Gemmell did a far better job in his Jon Shannow trilogy of novels.
Having said that, I recognise that Gemmell's name may not have quite the same resonance, the same 'pull' as Stephen King.
I wanted to see this when it came in the cinema, and now haven't watched it on Netflix, honestly? I'm glad I didn't waste my money.
Having only read the first book in Stephen King's series, I can't say how true (or otherwese) this is to the novel(s), but I've always thought the best book and movie adaptations compliment each other: watching (or reading) one, say, would make you want to hunt out the other. This was far from the ideal: only an hour and a half long, but felling MUCH longer, I found this to be slow, plodding, and lacking any real originality or flair or excitement.
One to avoid!
Mark @ Carstairs Considers (2400 KP) rated It Takes Two to Mango in Books
Feb 15, 2023 (Updated Feb 15, 2023)
Plum’s Reset Gets Off to a Rocky Start
Plum Lockhart has lost her job at a travel magazine, so she reluctantly takes a job arranging vacation rentals at a resort in the Caribbean. However, her new co-worker is a jerk, and she struggls to get her first booking. When she does, tragedy strikes when one of the guests is found dead by the pool. Did Plum make the right decision by moving?
When this book begins, Plum is extremely unlikable, so much so that I almost put the book down about 30 pages in. Even when she arrives on the island, she doesn’t give up her ego and entitled attitude. The other characters we meet started pulling me in, both the ones I liked and the ones I didn’t. When the murder kicks in, I really got into the story, which had some good twists. I loved the resort setting. The expected character growth was good as well. I’m actually surprised based on my initial reaction, but I am planning to continue the series. If the setting appeals to you, consider starting this series. Just be prepared for how obnoxious Plum is at the beginning.
When this book begins, Plum is extremely unlikable, so much so that I almost put the book down about 30 pages in. Even when she arrives on the island, she doesn’t give up her ego and entitled attitude. The other characters we meet started pulling me in, both the ones I liked and the ones I didn’t. When the murder kicks in, I really got into the story, which had some good twists. I loved the resort setting. The expected character growth was good as well. I’m actually surprised based on my initial reaction, but I am planning to continue the series. If the setting appeals to you, consider starting this series. Just be prepared for how obnoxious Plum is at the beginning.
Mark @ Carstairs Considers (2400 KP) rated Once Upon a Wardrobe in Books
Nov 13, 2024 (Updated Nov 13, 2024)
Mixed Journey of Self-Discovery
Megs’s younger brother George has a heart defect that keeps him in bed reading. It’s 1950, and he’s just discovered The Lion, the Witch, and the Wardrobe, and he wants to know where Narnia came from. Since Megs is at Oxford, she goes to ask the author himself. But will C.S. Lewis’s answer help Megs and George?
I’ve been a Narnia fan since I first read the books in 3rd grade, so the premise of this book intrigued. However, it didn’t work for me. It felt too scattered, with too many storylines. It’s part biography of C.S. Lewis with vignettes about his life. It’s part coming of age story for Megs. I see where the author was trying to combine them thematically, but it didn’t quite work for me. I needed a bit more focus on something. Plus, some events in the story really strained what I could believe. But I did enjoy the characters, and I found myself tearing up a time or two. If the premise really intrigues you, check it out. Otherwise, give this one a pass.
I’ve been a Narnia fan since I first read the books in 3rd grade, so the premise of this book intrigued. However, it didn’t work for me. It felt too scattered, with too many storylines. It’s part biography of C.S. Lewis with vignettes about his life. It’s part coming of age story for Megs. I see where the author was trying to combine them thematically, but it didn’t quite work for me. I needed a bit more focus on something. Plus, some events in the story really strained what I could believe. But I did enjoy the characters, and I found myself tearing up a time or two. If the premise really intrigues you, check it out. Otherwise, give this one a pass.
Midge (525 KP) rated The First Time I Died in Books
Feb 4, 2019
Captivating An Engaging
I was completely (and unexpectedly) bowled over by this book! Why you might ask? It leapt out at me to be read as it is a thriller which is one of my favourite genres. My enjoyment was unexpected as I am usually wary of anything to do with the paranormal, but not on this occasion. It is not a crime novel where the reader is buried under loads of supernatural information. The thriller and mystery parts are well interwoven along with the paranormal aspects and as a result, I was hooked from the very beginning!
Garnet McGee returns to her home-town in Pitchford, Vermont, at the suggestion of her college professor, who thinks she needs some time away from her studies so that she can re-evaluate what she wants to do with her life. Whilst there, she vows to solve the mystery of a murder which shattered her life ten years ago. But after dying in an accident and being brought back to life, she starts hearing voices, seeing visions and experiencing strange sensations. Are these merely symptoms of post-traumatic stress disorder and an over-active imagination, or is she getting messages from a paranormal presence?
This is the first of Jo Macgregor’s novels I have read and as always when reading a mystery, I started guessing who the main suspect was. Well, I was wrong because it was someone else…
THE FIRST TIME I DIED is unusual in that I had imagined that it would be about Garnet's death, but it was, in fact mostly about someone else’s. I found that this gave the novel an edge that was both engaging and enjoyable. I found it easy to empathise with Garnet and I wanted her to succeed in what she was looking to achieve.
I loved Jo Macgregor’s writing style and some of her descriptions in the novel were so atmospheric, especially those about Plover Pond. The first half of the novel is written in alternating chapters of time, giving the reader clarity, which really worked for me. "Then" referred to a time period of ten years ago, when Garnet was a seventeen-year-old schoolgirl.
Jo Macgregor brought everything together for a fabulous conclusion even though I never did manage to accurately guess who was behind the murder. I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. THE FIRST TIME I DIED is an exciting and action-packed crime/thriller that I highly recommend.
Thank you to Hidden Gems and the author for a free ARC of this book in exchange for a voluntary, honest review.
Garnet McGee returns to her home-town in Pitchford, Vermont, at the suggestion of her college professor, who thinks she needs some time away from her studies so that she can re-evaluate what she wants to do with her life. Whilst there, she vows to solve the mystery of a murder which shattered her life ten years ago. But after dying in an accident and being brought back to life, she starts hearing voices, seeing visions and experiencing strange sensations. Are these merely symptoms of post-traumatic stress disorder and an over-active imagination, or is she getting messages from a paranormal presence?
This is the first of Jo Macgregor’s novels I have read and as always when reading a mystery, I started guessing who the main suspect was. Well, I was wrong because it was someone else…
THE FIRST TIME I DIED is unusual in that I had imagined that it would be about Garnet's death, but it was, in fact mostly about someone else’s. I found that this gave the novel an edge that was both engaging and enjoyable. I found it easy to empathise with Garnet and I wanted her to succeed in what she was looking to achieve.
I loved Jo Macgregor’s writing style and some of her descriptions in the novel were so atmospheric, especially those about Plover Pond. The first half of the novel is written in alternating chapters of time, giving the reader clarity, which really worked for me. "Then" referred to a time period of ten years ago, when Garnet was a seventeen-year-old schoolgirl.
Jo Macgregor brought everything together for a fabulous conclusion even though I never did manage to accurately guess who was behind the murder. I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. THE FIRST TIME I DIED is an exciting and action-packed crime/thriller that I highly recommend.
Thank you to Hidden Gems and the author for a free ARC of this book in exchange for a voluntary, honest review.
Kristy H (1252 KP) rated Secrets of Southern Girls in Books
Feb 13, 2018
Ten years ago, Julie Portland accidentally killed her best friend, Reba. Even worse, no one else knows. Consumed by guilt, Julie has long left her small Mississippi hometown behind, but she can't escape the memories. They have already ruined her marriage, and they threaten to take over her life. So when Reba's long-ago high school boyfriend shows up, claiming Reba left behind a diary, Julie reluctantly returns home with him to help search. Once there, however, she's caught up in a swirl of memories and secrets.
Oh, <i>I have mixed feelings about this one. </i>The novel switches POV and time periods in an effort to set up suspense. Our main character is Julie, but we hear from others as well, and the author includes snippets from Reba's diary. Bits and pieces of the story unfold slowly, with portions coming from the past and then others as the characters think back and remember. For the most part, this does work; you become almost frustrated, waiting and wondering what on earth happened back then. Reba's diary entries don't always seem to be in the voice of a seventeen-year-old teen, though, and some of the plot (both current and past) just seems odd. Plus, we also get bits and pieces of more recent parts of Julie's life and those really just distract from the real story.
I think the hardest thing for me was that while I really didn't have a major problem with the novel, I just wasn't incredibly connected to it, either. I liked Julie well enough, but I wasn't really invested in her, or really, Reba's story. I was curious about what happened to her, but I didn't particularly care, and there's a big difference there. In the end, I felt like there was a build up for... not much. I found the story intriguing and suspenseful, but somewhat disappointing. I kept waiting for some big shocker, or reveal, but it never happened. The ending felt a little cliche, and I was just sort of frustrated by the end.
So, overall, this isn't a bad book. In fact, it's often quite intriguing and can be a real page-turner at times. Unfortunately, I was bogged down by its uninteresting characters and a plot that I found to be a bit of a letdown. I'd go with 2.5 - 3 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 06/06/2017.
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Oh, <i>I have mixed feelings about this one. </i>The novel switches POV and time periods in an effort to set up suspense. Our main character is Julie, but we hear from others as well, and the author includes snippets from Reba's diary. Bits and pieces of the story unfold slowly, with portions coming from the past and then others as the characters think back and remember. For the most part, this does work; you become almost frustrated, waiting and wondering what on earth happened back then. Reba's diary entries don't always seem to be in the voice of a seventeen-year-old teen, though, and some of the plot (both current and past) just seems odd. Plus, we also get bits and pieces of more recent parts of Julie's life and those really just distract from the real story.
I think the hardest thing for me was that while I really didn't have a major problem with the novel, I just wasn't incredibly connected to it, either. I liked Julie well enough, but I wasn't really invested in her, or really, Reba's story. I was curious about what happened to her, but I didn't particularly care, and there's a big difference there. In the end, I felt like there was a build up for... not much. I found the story intriguing and suspenseful, but somewhat disappointing. I kept waiting for some big shocker, or reveal, but it never happened. The ending felt a little cliche, and I was just sort of frustrated by the end.
So, overall, this isn't a bad book. In fact, it's often quite intriguing and can be a real page-turner at times. Unfortunately, I was bogged down by its uninteresting characters and a plot that I found to be a bit of a letdown. I'd go with 2.5 - 3 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 06/06/2017.
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Kirk Bage (1775 KP) rated Call Me by Your Name (2017) in Movies
Mar 3, 2020
There are a swathe of European film-makers like Luca Guadagnino and Paolo Sorrentino that have the skill to make every image they print to film look like a work of art, giving you the feeling you are on the most idyllic holiday you ever had. Watching a largely silent image of a beautiful lake or a tree in the breeze, or an al fresco dinner where family and friends talk freely whilst the wine and olive oil flow is a treat I am not immune to.
Continuing to catch up on Oscar nominated films of recent years I have missed, I went on holiday in 1982 Italy for 2 hours last night. There was culture, architecture, piano music, food, nature, and a big peachy dollop of sensuality – thinly veiled as dramatic cinema. It washed over me like a daydream! And if I say nothing really happens, I wouldn’t necessarily call it a criticism. It ambles along at such a languid pace at times, with such little conflict or incident, but to call it insignificant would be a disservice to the power of love at its palpable heart.
Essentially, it is a right of passage movie, that defies gloriously every hollywood habit of over egging the souffle. For minutes on end we watch Elio, the formidable natural talent of Timothée Chalamet, read a book, go for a swim, ride a bike, play the piano, or fuck some fruit, as he gradually descends into obsession, and ultimately love, for the older Armie Hammer as the aloof and seemingly worldly Oliver, his father’s research assistant for the Summer.
It feels for a long, long time like you might not care, such a tale of rich privilege as it is; but, by the final moments you do realise you have been drawn into the depth of feeling that is often hidden in plain sight, and that you may after all relate to the heartbreak contained in loving an idea of love and passion that is never attainable in reality. The self discovery of a passion within you as a life force is a melancholy reward in and of itself.
I know already that I must return to this film from time to time in a variety of moods, because it has a depth of subtlety that may catch me differently every time; and that is its main power. The key to which is Chalamet. His eyes and body language are so filled with hidden wonders that his words don’t always convey, that his work seems more like a strange dance than your average screen performance, that often simply takes the script and merely reads it aloud.
The remarkable career of Michael Stuhlbarg, as Elio’s father, is also noteworthy here. Take a look at how many great films he has now been a part of and gasp to think, oh wow, that is the same guy! His paternal speech to Elio at the end of this film was a highlight for me. Such gorgeous writing, that combines character with wisdom and weakness in a tapestry of care and regret. Just wonderful.
You know, I came into writing this review feeling that I had found the experience quite disposable and slight. That clearly isn’t the case. This is obviously a film you must watch again, meeting it where it wants to meet you. Not to mention I have always been a Sufjan Stevens fan, and found his contribution to the musical landscape near perfect. In conclusion, there is a banquet here masquerading as a taste of something sweet brushing the lips. I will be back for a second bite in time.
Continuing to catch up on Oscar nominated films of recent years I have missed, I went on holiday in 1982 Italy for 2 hours last night. There was culture, architecture, piano music, food, nature, and a big peachy dollop of sensuality – thinly veiled as dramatic cinema. It washed over me like a daydream! And if I say nothing really happens, I wouldn’t necessarily call it a criticism. It ambles along at such a languid pace at times, with such little conflict or incident, but to call it insignificant would be a disservice to the power of love at its palpable heart.
Essentially, it is a right of passage movie, that defies gloriously every hollywood habit of over egging the souffle. For minutes on end we watch Elio, the formidable natural talent of Timothée Chalamet, read a book, go for a swim, ride a bike, play the piano, or fuck some fruit, as he gradually descends into obsession, and ultimately love, for the older Armie Hammer as the aloof and seemingly worldly Oliver, his father’s research assistant for the Summer.
It feels for a long, long time like you might not care, such a tale of rich privilege as it is; but, by the final moments you do realise you have been drawn into the depth of feeling that is often hidden in plain sight, and that you may after all relate to the heartbreak contained in loving an idea of love and passion that is never attainable in reality. The self discovery of a passion within you as a life force is a melancholy reward in and of itself.
I know already that I must return to this film from time to time in a variety of moods, because it has a depth of subtlety that may catch me differently every time; and that is its main power. The key to which is Chalamet. His eyes and body language are so filled with hidden wonders that his words don’t always convey, that his work seems more like a strange dance than your average screen performance, that often simply takes the script and merely reads it aloud.
The remarkable career of Michael Stuhlbarg, as Elio’s father, is also noteworthy here. Take a look at how many great films he has now been a part of and gasp to think, oh wow, that is the same guy! His paternal speech to Elio at the end of this film was a highlight for me. Such gorgeous writing, that combines character with wisdom and weakness in a tapestry of care and regret. Just wonderful.
You know, I came into writing this review feeling that I had found the experience quite disposable and slight. That clearly isn’t the case. This is obviously a film you must watch again, meeting it where it wants to meet you. Not to mention I have always been a Sufjan Stevens fan, and found his contribution to the musical landscape near perfect. In conclusion, there is a banquet here masquerading as a taste of something sweet brushing the lips. I will be back for a second bite in time.
Sam (74 KP) rated Furiously Happy in Books
Mar 27, 2019
I love reading books on mental health, with some of my favourites being Matt Haig’s Reasons To Stay Alive and Notes on a Nervous Planet, however Matt Haig’s stance is very serious. This is the complete opposite to that – it takes mental illness and turns it into something laughable and relatable.
And the relatableness was the reason that I enjoyed this so much. Lawson makes references to A Series of Unfortunate Events which everyone knows is one of my absolute favourite series of books. She also loves cats, which is the way to my heart.
Just before reading this, I had read Art Matters by Neil Gaiman, which is a collection of a few of his essays illustrated by Chris Riddell. Neil Gaiman talks about how he helped an author believe they could narrate their own audiobook by telling them to tell their self that they are a professional audio book narrator.
Seems unrelated? Well the weird thing is, in Furiously Happy, Lawson talks about when Neil Gaiman gave her some advice for narrating her own audiobook. This freaked me out a bit, especially since I had just picked up Furiously Happy on a whim.
Think of it as you like, but for me that was meant to be. It was proof that I was meant to find this book in a little charity shop.
Overall, I found the book to be a good giggle and I read it within a day. It’s definitely worth checking out if you are a fan of Matt Haig or if you just need a pick-me-up.
And the relatableness was the reason that I enjoyed this so much. Lawson makes references to A Series of Unfortunate Events which everyone knows is one of my absolute favourite series of books. She also loves cats, which is the way to my heart.
Just before reading this, I had read Art Matters by Neil Gaiman, which is a collection of a few of his essays illustrated by Chris Riddell. Neil Gaiman talks about how he helped an author believe they could narrate their own audiobook by telling them to tell their self that they are a professional audio book narrator.
Seems unrelated? Well the weird thing is, in Furiously Happy, Lawson talks about when Neil Gaiman gave her some advice for narrating her own audiobook. This freaked me out a bit, especially since I had just picked up Furiously Happy on a whim.
Think of it as you like, but for me that was meant to be. It was proof that I was meant to find this book in a little charity shop.
Overall, I found the book to be a good giggle and I read it within a day. It’s definitely worth checking out if you are a fan of Matt Haig or if you just need a pick-me-up.
Elli H Burton (1288 KP) rated Miss Purdys Class in Books
Jun 16, 2019 (Updated Jun 16, 2019)
Political themes meh.
Another Historical Romance which is my all time favourite thing to read. This is no exception and it ticks every box. A lovely read, gripping story and great writing.
A few downsides is that there is a relationship between Miss. Purdy and a student that seems to be more seasoned that explained in the book. This may be due to the fact that not until much later does the writing become Students point of view and therefore you don't actually know what is felt by them as the story progresses in the beginning. If and when you read it - i hope you see what I mean.
The love story isn't your typical one which is refreshing, I do always love a bit of change and this one is definitely one, it's absolutely heartbreaking though which in a critic point of view, is very well written and a good plotline.
The story has some real life issues from around that time included which was very political. As I am not politically inclined and I do most of my reading before bed, it was rather hard to keep interested when the characters went on page long rants about it. (Perhaps trying to read those parts during the day will help my poor mind keep up!!) The politics slowly takes over, but is quite essential to the story though unfortunately again for me, i found it hard to keep up.
All in all I'd say it is worth a read, although not my favourite Annie Murray book but I did thoroughly enjoy it.
A few downsides is that there is a relationship between Miss. Purdy and a student that seems to be more seasoned that explained in the book. This may be due to the fact that not until much later does the writing become Students point of view and therefore you don't actually know what is felt by them as the story progresses in the beginning. If and when you read it - i hope you see what I mean.
The love story isn't your typical one which is refreshing, I do always love a bit of change and this one is definitely one, it's absolutely heartbreaking though which in a critic point of view, is very well written and a good plotline.
The story has some real life issues from around that time included which was very political. As I am not politically inclined and I do most of my reading before bed, it was rather hard to keep interested when the characters went on page long rants about it. (Perhaps trying to read those parts during the day will help my poor mind keep up!!) The politics slowly takes over, but is quite essential to the story though unfortunately again for me, i found it hard to keep up.
All in all I'd say it is worth a read, although not my favourite Annie Murray book but I did thoroughly enjoy it.
Bookapotamus (289 KP) rated The House Swap in Books
May 29, 2018
Wow, did this book have me on the edge of my seat the ENTIRE TIME. So much tension in this book - a marriage in shambles, addictions of the physical and mental kind, suspicious neighbors, and a house full of devastating clues of an affair that had deadly consequences ... I found myself flipping pages at a rapid speed, watching these clues and secrets unfold.
Caroline and Francis swap houses in what seems to be an innocent week away to try to rekindle a very strained marriage. The narrative flips back from Caroline's past and future, with a bit of Francis injected thoughout, as well as this mysterious person they've swapped houses with. Things. Get. Weird. I felt myself having some heart palpitations at different points of the story and jumping at noises in my house as I was reading alone at night! What an awesome movie this would make.
Somehow this house is connected to her, and little snippets of a past life keep peeking through and they totally freak Caroline out and totally freaked me out as well! I cannot imagine going though such paranoia, but I also can't help but thinking Caroline made her bed, and now she has to lie in it. It's always safe to assume that when you hold on to such horrible secrets, eventually, no matter how hard you try to forget them, they'll be revealed when you least expect it - and in the most freakingly intense ways! And that just makes this book all the better.
Edge of my seat might be an understatement - I was totally entranced by this book and I enjoyed the suspense very much.
Caroline and Francis swap houses in what seems to be an innocent week away to try to rekindle a very strained marriage. The narrative flips back from Caroline's past and future, with a bit of Francis injected thoughout, as well as this mysterious person they've swapped houses with. Things. Get. Weird. I felt myself having some heart palpitations at different points of the story and jumping at noises in my house as I was reading alone at night! What an awesome movie this would make.
Somehow this house is connected to her, and little snippets of a past life keep peeking through and they totally freak Caroline out and totally freaked me out as well! I cannot imagine going though such paranoia, but I also can't help but thinking Caroline made her bed, and now she has to lie in it. It's always safe to assume that when you hold on to such horrible secrets, eventually, no matter how hard you try to forget them, they'll be revealed when you least expect it - and in the most freakingly intense ways! And that just makes this book all the better.
Edge of my seat might be an understatement - I was totally entranced by this book and I enjoyed the suspense very much.