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Kristy H (1252 KP) rated Hold Still in Books

Feb 13, 2018  
HS
Hold Still
6
6.0 (1 Ratings)
Book Rating
Maya is an English professor (her specialty is Woolf) dealing with her daughter Ellie's drug addiction and general disinterest with life. The daughter of two college professors, Ellie has never lived up to her familial expectations. Instead, she's drifting, experimenting, and causing her mother great angst. So Maya sends Ellie to Florida, to stay with her friend, Annie and her family: husband Stephen and five-year-old son, Jack. Annie is having her own issues with Jack and looking for some help. But Maya doesn't tell her friend all of Ellie's woes. Then one day, disaster strikes on Ellie's watch, and things will never be the same again. Now, both Ellie and Maya must confront the aftermath of their actions.

This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.

However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.

Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.

I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
  
TT
The Toymaker
6
6.0 (1 Ratings)
Book Rating
As a kid who was into books with a dark, almost gothic feel to them when I picked this up at the age of thirteen I really loved it. What wasn't to like? Very creepy cover, exciting concepts, dark scenes and mortal peril - it had all of those boxes ticked. Yes, I can safely say that teenage me thought this book was excellent. So when I found this book under my bed a few weeks ago, I decided to give the book another read to see if it was as good as I remembered.

Sadly it wasn't. Don't get me wrong, this is still a good book (although three stars it is the higher end) but reading it eight years on there are particular aspects of this book that my adult brain has picked out more than my teen one.

The characters are alright; I suppose, but they are incredibly simplistic with very little character development. Katta (a joint protagonist with Mathias) is the only character who feels like she could be more interesting and have a little more about her than the rest, but I was still very unsure about whether I liked her or not (and the way she speaks really annoyed me). I would also have liked to see some more complex relationships - especially between Koenig and Stefan and Katta and Stefan (whose relationship was a very simplistic 'I hate you because of X' but nothing beyond that so got quite boring after a while). However, this is a kid's/young teen's book and didn't bother me too much when I first read it so I guess I can cut it a little slack.

The atmosphere was the thing that I most remembered this book for (there still being a couple of chapters fixed in my mind for how creepy they were), and I'm glad to say that this really held up. The book is dark most of the way through, and the sections/chapters where de Quidt really sees how dark he can be are the best and most memorable parts of the book. Any chapter with Marguerite is brilliant and I absolutely loved the carnival sections. Any bit where it's just Katta on her own away from the rest of the group is really dark (a little seedy perhaps) and just great. The one thing that is perhaps a little too far for me personally is the very vivid and graphic descriptions of the injuries/wounds (and there are a lot) and how they feel which, for someone like me who is a bit squeamish, can be a bit much. It was really nice that the thing that I most remembered the book for is still as great as when I first read it.

For the most part, the writing style is good. There are, however, occasional moments when the wording/phrasing and punctuation are a bit off or clunky. This makes it quite confusing at times and is a little distracting but I think this might be a translation (maybe) so I'll give it the benefit of the doubt. This is the only thing that I can really remember bugging me when I was thirteen.

The plot is pretty good for what it is (four people solving a mystery about a blank piece of paper while villains follow and try to stop them) but I felt like this was more a sort of vehicle for creating a creepy atmosphere, which is no bad thing really. I have to say that when I found the book after so many years, I honestly couldn't remember the plot and I daresay I'll have forgotten it again in a few months time.

The intrigue with which this book grips the reader is, in no small part, down to the atmosphere that is created. I am someone who gets distracted very quickly, especially when reading, but when I picked this book up, I would find myself not able to put it down unless I was called away from it or found that it was 1 am and I should probably get some sleep. This is an excellent sign in any book but especially one aimed at teenagers.

The logic in 'The Toymaker' is hit and miss at best. The characters are wounded for what seems like forever but they don't really succumb to them apart from getting a little paler and being in pain most of the time. There are also lots of things that are not explained or just flat out make no sense. Yes, there is a bit of magic in the story but there still has to be some kind of logic or explanation for it rather than it being used as a kind of jarring deus ex machina to quickly (and a bit clumsily and lazily) move the story along. I can't really say whether or not this bothered me when I read it eight years ago because it's all tied up with the plot and, like I said earlier, I didn't really remember much of it.

Overall, I did enjoy this book. I enjoyed delving back into Jeremy de Quidt's dark and creepy world and it was great revisiting, what I call, a nostalgia read but I think that now it is time to give my copy to a charity shop so another younger teenager can find and enjoy it while it's space on my bookshelf can be given to a book that I will enjoy as an adult.


Characters: 5.5/10
Atmosphere: 9/10
Writing Style: 7/10
Plot: 6/10
Intrigue: 8/10
Logic: 4.5/10
Enjoyment: 7/10
  
If I Can’t Have You
If I Can’t Have You
Charlotte Levin | 2020 | Contemporary, Fiction & Poetry, Mystery, Romance, Thriller
9
9.0 (2 Ratings)
Book Rating
If I Can’t Have You is a story about obsession. It’s funny, serious, disturbing and at times, outrageous. Constance could be a character that would be easy to dislike, but I liked her vulnerability. She is a sad character who has had a troubled upbringing. When she believes that she has found the love of her life, and is then almost immediately let down by the frankly despicable Dr. Samuel Stevens, I felt so sorry for her. And continued to feel for her as he repeatedly uses her. He clearly neither knows or cares about Constance’s depth of feeling for him. She seems desperate as she lets him use her, and even more so as she looks for affection with her housemate, Dale. He certainly seems to have the potential to be a male version of Constance, and it’s clear that she actually feels revulsion with regards to him. But at the same time, she doesn’t want to be on her own.

I think the character of Edward, an elderly man who lives over the road from Samuel, is in part the father figure that she needs and never had. He needs her too. I think things could have been far worse for Constance if she hadn’t have had Edward to consider. Edward is the device that shows Constance is a caring person underneath the obsession. She makes time in her day to care for and visit him. Like the other two men, he is a broken soul - but his obsessive behaviour doesn’t translate in to being careless with people. Instead he is a hoarder of strange knick-knacks. Edward adds an element of humour as well - his relationship with Constance is lovely.

I found it hard NOT to put myself in Constance’s shoes. After all, isn’t that what we as readers do with the characters we read about? How easy would i be to slip from loneliness in to obsession? I hope I never find out, but it’s so well portrayed in this book. This is a supremely uncomfortable book in parts - Constance is used and abused, and she in turn can have some pretty unpleasant thoughts. But perhaps that’s because she doesn’t have someone to really confide in?

I can’t actually believe that this is a debut, and I will definitely be looking out for whatever comes next from Charlotte Levin.

Many thanks to The Pigeonhole for serialising this and to Charlotte for joining in with the chat in the margins!
  
ST
Servant: The Kindred (Servant, #3)
4
4.0 (1 Ratings)
Book Rating
I almost feel bad having this series as my first review since I have absolutely nothing good to say about this book, or the series for that matter. Every element of this book was just terrible, from the language to the plot development, or lack thereof.
By the time I came to the final novel in the Servant trilogy, I quite literally had to force myself to read every page. Unlike the first two, where I became hooked on a goal that Gabrielle Cody was trying to reach, this book just grossed me out, bored me, and irritated me when I wasn’t bored. After the first chapter, I lost any hope that this novel was an improvement on the first two.
The foul language was so excessive that I noticed myself just passing over it like you would the word “the” or “and”. The fact that Gaby couldn’t form a sentence without saying the f-word seemed a bit juvenile to me. Foster’s attempt to make Gaby seem uneducated is contradicted when she randomly uses words like cathartic. It was out of her character.
The characters were more frustrating in this novel than in the previous ones. Gaby and Luther’s arguing left me so annoyed that, at times, I just skipped over it. I could not understand why Luther was so obsessed with her since any normal person probably would just ignored her from the get go. However, I felt that Gaby’s character had become more realistic in her feelings and thoughts. I actually liked that Gaby was so jealous of Ann, Luther’s partner who is perfect in every way. I also liked the relationship she forms with Bliss, a ex-prostitute that Gaby saved from the streets, and the two orphans that Gaby takes under her wing.
The biggest problem I have with this series is the pedestal that Foster place Gaby upon. Foster makes her protagonist so strong and unbeatable that, more than once, I thought that the author was trying to make Gaby a god on earth. Gaby only obtains one injury through the entire novel, a bullet wound that is used to further the plot. Without the bullet wound, Gaby would have never gone to get a tattoo. Nobody can touch Gaby, something I found not only a nuascance but unlikely.
The final noteworthy thing about this book, is that we discover Gaby ancestry. I felt appeased in my search for discovering more about Gaby’s past and parents. Any surprise I had about her parentage was nullified by Foster’s writing style.

I do believe I have complained enough about this series. I did have hope for it but was disappointed. After reading such an unpleasing series, I am going to read a book I know I should end up enjoying.
  
40x40

Brian Eno recommended Early Works by Steve Reich in Music (curated)

 
Early Works by Steve Reich
Early Works by Steve Reich
(0 Ratings)
Album Favorite

"I could easily talk for several hours just about this. It was particularly this piece called 'It's Gonna Rain' that I heard with my friend Peter Schmidt, the painter. I'd met Peter while I was at art college and he was a very, very distinctive and unusual character. He was a German Jew who'd come over to England in the '30s and was a very good poker player because it was impossible to know what he was thinking. He was a very inscrutable person. Most people found it very hard to be with him as you'd say something to him and he'd just look at you. But I liked him a lot and we got on very well, and it turned out we'd been thinking about a lot of similar things. One of the things we used to do was sit around at his place in Stockwell and explore new music. Generally it was he who would play things to me and one day he said, ""Have you heard this?"" and my life changed. Reich recorded this in '65, so that's 51 years old and fucking hell, what have we been doing for half a century? The first thing that happens when you're listening to that is that the repetitive element of it gradually makes you start to lose focus of the pieces that keep repeating. You start hearing the little differences. It's a little bit like the way a frog's eye works. It doesn't scan like ours do, it stays fixed on a scene and very quickly the rods and cones get saturated with everything that doesn't move. So as soon as something does move, like a fly, that's the only thing that the frog sees. I think the ears behave like that when they're presented with something highly repetitive like this. Your ears quickly saturate or habituate with the common stuff and they start to pick up details. I remember the first time I heard 'It's Gonna Rain', I started to zone in on the pigeons, because this was out in the street, it was a recording of a street preacher so you can hear cars and horns and then you start to hear these birds but only after a while, after the other stuff has cleared out of your consciousness. That's amazing because what was making the music was my brain and that was the first time I'd realised that, as a composer, you could co-opt a listener's brain. So suddenly, wow, that's another 100 per cent of the universe opening up. When you put something out into the world that is kind of incomplete and it takes your consciousness and the errors of your perceptual mechanism to actually make it into something, that totally changed my idea of what music could be. The actual amount of material used is tiny, the loop of ""it's gonna rain"" is not even a second, and that's the only element used in that section. You think, bloody hell, that's economy, and I've always loved economy. At the time I first heard this we were in a period of maximum indulgence in pop music. Sixteen-track recorders had just appeared so suddenly so many people were just putting so much shit onto everything just because you could. Every spice in the cupboard. Suddenly I heard this and it was so stark and effective. The other thing about it is that within it is a mechanism that I've subsequently used a lot, which is the idea of having things running out of sync with each other. Again, your whole experience of music until then had been to do with synchronisation. Everything sticks together and then at this point everything changes together. What happens in this piece is that you get the same cycle but running so that on each repetition they're in a slightly different place in relation to each other. So you have an automatic generator of variety and I use that on so much of my work. That became my go-to technique for making something interesting straight away."

Source
  
Wyrd Sisters (Discworld, #6; Witches #2)
Wyrd Sisters (Discworld, #6; Witches #2)
Terry Pratchett | 2001 | Fiction & Poetry
8
8.4 (12 Ratings)
Book Rating
The Scottish Play, Discworld style!
(From the blurb):

"Witches are not by their nature gregarious, and they certainly don't have leaders. Granny Weatherwax was the most highly-regarded of the leaders they didn't have. But even she found that meddling in royal politics was a lot more difficult than certain playwrights would have you believe ... "

An early Discworld novel (only #6 in a series that has just reached the 40 mark), this is also only the second appearance of Granny Weatherwax (after Equal Rites) and, I believe, the first of Nanny Ogg or Magrat Garlick.

The plot, of course, is loosely based around that of MacBeth (or 'The Scottish Play', for those of a superstitious nature), with plenty of other Shakespearean references thrown in for good measure.

Well worth a read, but be prepared to be getting funny looks if you burst out laughing while reading it in public!
  
The Mechanical
The Mechanical
Ian Tregillis | 2015 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
The Mechanical surprised me. The first few chapters were hard to get into. It was so different than anything I’ve read. I’m not a fan of historical fiction (even if it is supernatural or steampunk) but I gave this book a chance based on a recommendation from a friend. I’m so glad I did.

The Mechanical is a wild ride through the lives of three characters; a catholic priest pretending to be protestant and smuggling information to New France, a female spy known in the legends as The Tallyrand, and Jax, the mechanical in question. The characters stories intertwine together to create a rich well-developed adventure of excitement, love, treachery, betrayal, and euphoric freedom. The book looks you in the eye and challenges the idea of free will, religion, and the tendency for us to believe everything the government wants us to believe.

In the beginning, I found the narrator hard to listen to, maybe because of his pacing, and steady non-fluctuating voice. But as I got more and more into the story, learned more about this world and what was going on, fell in love and hatred with the characters, I appreciated the way he read more. It worked for the characters and for the story.

I am super excited for the rest of this series and highly recommend this book to anyone who loves a well thought out story. Ages 17 + for some violence and sexual scenes.
  
The Family
The Family
10
10.0 (1 Ratings)
Book Rating
Becky Morgan's family were the victims of the 'crimes of the decade'. The lone survivor of a ritualistic killing, Becky's been forever haunted by the memories of that night.
Twenty years later, with the killer never found, Becky is ready to hunt them down and exact revenge. But the path to find the murderer is a slippery slope and she finds herself opening up some old wounds that should have been left sealed.
Will Becky avenge her family or join them?

Wow!!! What a read this one was!
This was just so gripping from the very start. I was hooked straight away.
This book ticked all my boxes. Intense, chilling, scary and absolutely gripping. I could not put this book down.
I have never read anything from this author before but I am definitely going to be looking for more.
I don't want to say too much about things as don't want to ruin it.
Becky is the main character of our story and she survived a horrific and ritualistic killing of her entire family. She was injured and rescued by a man in the woods.
Now adult Becky is looking for the killer and revenge.
Intense and dark; will not let you go.
The ending was just MEGA WOW and didn't see that coming!!
Highly Recommend!

I would like to thank the author, Aria and Netgalley for the ARC and this is my honest voluntary review.
  
Dont Look Now
Dont Look Now
Daphne du Maurier | 2008 | Fiction & Poetry
8
7.0 (2 Ratings)
Book Rating
I think this book is very deserving of 4 stars rather than the 3 a lot of people have decided to give it. While I agree the last two books of the collection (The Way of The Cross and The Breakthrough) were disappointing in relation to the first three (Don't Look Now, Not After Midnight and A Border-Line Case) I don't think that knocked the book of a star as each story was well written and unique.

My favourite was, by far, A Border-Line Case. Du Maurier does a great job of building tension throughout and while people are complaining that it's twist ending is nothing new, you have to remember that this was originally published in the 70's and so the twist probably was something new and from that time since there have been repeats of the shock ending - meaning Du Maurier's story is unique and the others thereafter are not (though a lot of them are in other ways).

I haven't read any of Du Maurier's other stories and I'm glad of that because it seems like these short stories are being compared to her other works. So for me, having nothing to compare these stories with, it seems I found this a lot more enjoyable than other people seemed to!

Even though the last two stories weren't as fun and spooky they were still good stories and I would recommend this book to many of my friends and family.
  
What the Cluck? It’s Murder
What the Cluck? It’s Murder
Jacqueline Vick | 2020 | Mystery
8
8.0 (1 Ratings)
Book Rating
Meeting the Family Turned into a Clustercluck
Frankie and her boyfriend are getting away for a long weekend so that Frankie can meet a few of Martin’s older sisters, the women who raised him. However, trying to make a good impression isn’t the only thing that Frankie has to worry about when she and Martin find a dead farm hand near the chicken coop. With the evidence pointing to one of Martin’s sisters, Frankie and Martin have to team up to figure out what is going on. Can they do it?

Yes, this is one of the few paranormal series I read, and I find the premise very fun. I was happy with how quickly I was able to keep the sisters and their families straight. I’m sure it helped that we weren’t meeting all of them. Since Frankie and Martin are the only returning characters, they got plenty of time to grow, and I love what we saw, especially from Martin. We get plenty of fun, especially with Frankie trying to read animals, although they did give us one scene I found tasteless. There are a few timeline glitches, but they were more annoying than anything else. The plot fights with family dynamics a time or two for dominance, but there are some fun surprises on the way to a suspenseful ending. All told, this is another fun book if you are looking for something different.